ZAO WOU KI (Beijing, 1921 - Nyon, Switzerland, 2013).Untitled, from the Suite Olympic Centennial, 1992.Lithograph on 270 gsm Vélin d'Arches paper, copy 110/250.Hand signed and justified.This work is part of the "Suite Olympic Centennial", complete edition 110/250, which will be auctioned on 27 September 2022, in 50 consecutive lots numbered 35245230 to 35245280.Measurements: 90 x 63 cm.Zao Wou Ki is the second most sought-after post-war artist in the world and the sixth most expensive of all time. In the first half of 2018, his sales were only behind those of stars such as Picasso, Monet, Modigliani and Andy Warhol. At the end of 2018, one of his paintings was sold for 56.5 million euros at auction at Sotheby's. The work made Wou-Ki the most expensive Asian artist in history.Zao Wou Ki was born into a Franco-Chinese family and grew up in a highly cultured environment, interested in the arts and sciences. He studied calligraphy as a child, an aspect that would influence his mature work, and later trained in painting at the Hangzhou College of Fine Arts from 1935-1941. A few years later, in 1948, he settled in Paris, in the Montparnasse district, where he followed the artistic courses of Émile Othon Friesz and came into contact with the contemporary artistic avant-garde. He began to experiment with lithography, a technique which he eventually mastered, following his contact with Desjobert. He holds a solo exhibition at the Galerie Creuze in May 1949, with a presentation written by Bernard Dorival, curator of the Musée National d'Art Moderne. In January 1951 Pierre Loeb visits Wou-Ki's studio with Henri Michaux, organising an exhibition at the Galerie Pierre for June, thus laying the foundations for a close collaborative relationship that would last six years. He held regular exhibitions at the Pierre Gallery and met I. M. Pei and his wife Eileen, opening his circle of exhibitions in Switzerland, London, Basel and Lausanne, as well as in New York, Washington and Chicago. His painting is eminently abstract and colourist, strongly influenced by the work of Paul Klee, for its expressionist and emotive abstraction. He tends to work with large masses of intense and contrasting colour, often creating works of large dimensions, as well as diptychs or triptychs. They are often explosions of colour, germinal "big bangs", the origin of a world in creation, as we can see in this lithograph. Delicate patches of blue and mauve intermingle with some grey tones.
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Andy Warhol. Interview. Umfangreiche Sammlung von 159 Einzelheften der ersten neunzehn Jahrgänge. New York, Eigenverlag / Brant Publ., 1969-1989. Folio. Illustrierte Original-Broschuren (berieben, bestoßen, wenige Cover mit Kugelschreibermarginalien) in 18 modernen, bunt gestalteten Lwd.-Chemisen mit geprägten RTitel in 18 blauen Pappschubern (diese tls. etw. berieben). Vorhanden sind u.a. aus Jahrgang I: 1-2, 4, 8, 10 und 11. - Aus II: 20, 22-24, 26 und 28. - Aus III u.a. 30-33 sowie 35-37. - Die Cover mit tls. von Richard F. Bernstein gestalteten Farboffset-Portraits von: Isabelle Adjani, Phoebe Cates, Cher, Tom Cruise, Dali, Matt Dillon, Jodie Foster, Aretha Franklin, Mel Gibson, Debbie Harry, Michael Jackson, Don Johnson, Grace Jones, Annie Lennox, Madonna, Bette Midler, Liza Minelli, Eddie Murphy, Jack Nicholson, Burt Reynolds, Ginger Rogers, Arnold Schwarzenegger, Brooke Shields, Sylvester Stallone, Sting, Liz Taylor, John Travolta, Rachel Ward, Raquel Welch, Robin Williams u.v.a. - In dieser Menge kaum mehr zu erlangende Folge ohne Dubletten der seit 1969 von Andy Warhol während der größten Zeit seiner Factory im Eigenverlag herausgegebenen legendären Zeitschrift. Die ursprünglich auf Warhols Tonbandmitschnitten von Parties beruhenden, meist unredigiert in schriftliche Form gebrachten "Interviews", kombiniert mit großformatigen graphischen Anzeigen und Photos, bieten einen brillianten Einblick in die - nicht nur New Yorker - Kulturszene der Zeit und das, was die Mitarbeiter, Gäste und Musen der Factory bewegte. Neben Warhol verfassten später auch zunehmend andere Berühmtheiten wie Bianca Jagger oder Truman Capote eigene Beiträge. In den 1980ern überließ Warhol Bob Colacello die Leitung des Magazins, unter dessen Einfluss es sich allmählich in eine Modezeitschrift verwandelte. - Wegen der erratischen Nummerierung ist der Umfang einzelner Jahrgänge teils schwer festzustellen. - Unbeschnitten, z.T. mit Faltspuren, papierbedingt gebräunt, teils geklebte Läsuren, sonst insgesamt sehr guter Erhaltungszustand. Vast collection of 159 numbers of the legendary pop-art magazine from the first 19 years of its existence. Original illustrated wrappers (rubbed, bumped, a few covers with ball pen marginalia). Loosely inserted in 18 new chemises in bright colours in 18 blue cardboard slipcases. - See above for a listing of some of the early numbers. - The covers with colour offset portraits partially by Richard F. Bernstein among others as listed above. - This is a hard-to-find set without duplicates of the legendary magazine Andy Warhol self-published from 1969 during the greatest period of his Factory. Originally based on Warhol's tape recordings of parties, the mostly unedited "interviews" in written form, combined with large-format graphic advertisements and photos, offer a brilliant insight into the - not only New York - cultural scene of the time and what moved the Factory's employees, guests and muses. Alongside Warhol, other celebrities such as Bianca Jagger or Truman Capote later increasingly wrote their own contributions. In the 1980s, Warhol left the management of the magazine to Bob Colacello, under whose influence it gradually transformed into a fashion magazine. - A set hardly to be obtained in this quantity any more without duplicates. - Uncut, some browning due to paper, partially with foldmarks and backed defects, otherwise overall very well preserved.
Pop Art - Warhol, Andy - - Rainer Crone. Andy Warhol. A Picture Show by the Artist. Das zeichnerische Werk 1942-1975. Mit zahlr. teils farb. Illustrationen, darunter einige auf Goldpapier. Stuttgart, Württembergischer Kunstverein, 1976. 227 S. 4°. Goldfarbene ill. OBroschur (etwas berieben, Rücken mit Fehlstelle). Innen gutes Exemplar. With numerous partly coloured illustrations, some on gold paper. Gold coloured ill. wrappers (somewhat rubbed, spine with missing part). - Inside a good copy.
Tadanori Yokoo Portfolio / John Lennon, The property of Jo Johns, former PA to John Lennon and formerly the property of John Lennon and Yoko Ono - This portfolio of Silk Screen Prints was given to John Lennon and Yoko Ono by the Japanese artist Tadanori Yokoo in 1971 (often referred to as the Japanese Andy Warhol) The title page has been inscribed ' For Mr John Lennon and Yoko Ono Lennon 23/1/71 with love' and the artist has copied John Lennon' style of writing and picture drawing in his dedication. The Portfolio contains the title page, twenty-six pages of notes on the art and the artist in Japanese and English and the nine prints, each separated by titled cloth sheets and entitled: Interest, Enslaved By Passion out of all Wit, Sex in Illustration 1, Sex In Illustration 2, A Cat (silk screen plus four different acrylic sheets), Woman - A Study, Torture 1, Torture 2 and Torture 3 - in a Crimson cloth folder with artists name embossed in English and Japanese - the folder has some water damage on one side - all contents in Excellent condition
A signed colour photograph of Her Majesty Queen Elizabeth II, the Official Portrait taken by Peter Grugeon for the 1977 Silver Jubilee, signed and dated 1981, in a gilt black leather frame. image 28 x 23 cm. overall 37 x 27 cm. Taken by Peter Grugeon in 1975. One of the most popular images taken of the Queen. Used many times in different versions including portraits, engravings, postcards and our bank notes to this day. Also used by Andy Warhol for his famous screenprint.The Queen is depicted wearing Grand Duchess Vladimirs' tiara (smuggled out of Russia during the revolution), Queen Victoria's Golden Jubilee necklace, Queen Alexandra's wedding earrings and garter sash.Provenance; formerly the property of Sir Michael Newington, HM Ambassador to Brazil 1987-1992.**CONDITION REPORT**Possibly very slightly faded but still of fair colour.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Poster from 1986, design by Andy Warhol, for exposition of 10x Statue of Liberty, Exposition Galary Lavignes, Bastille at Paris, 100 x 68 cm.Poster uit 1986 ontworpen door Andy Warhol, ter gelegenheid van zijn expositie 10x het vrijheidsbeeld in verschillende kleurstellingen. Expositie in galerie Lavignes - Bastille te Parijs, 100 x 68 cm.
2 ANDY WARHOL (Hommage) Hocker ¨Campbell Tomato Soup¨ - Hersteller (in Lizenz) ULTRAMOBILE Studio SIMON, Bologna, Italy, Ausführung um 1971, zylindrische Blechdosen in Form einer Campbell-Tomatensuppen-Dose mit rot-weißem Aufdruck (in italienischer Sprache) ¨Campbell´s Zuppa di Pomodoro Soup¨, weißer Gummi Standring, H ca. 45cm, D ca. 30cm, original Hersteller Aufkleber, beschriftet ¨Omaggio A:Warhol, Ultramobile Simon, Bologna, Italy¨, Wandung mehrfach leicht gedellt, berieben, Kratzer und leichter Flugrost
Andy WARHOL (1928 - 1987). 2 USD. Dollar. Signiert. Schwarz.155,955 mm x 66,294 mm. In Halterung: 2 DOLLAR (Thomas Jefferson) / Seriennummer: G37153245A/ Jahr: 1976. Stempel und Stempel der amerikanischen Post vom 13. April 1976. Signiert mit Acrylfilz in schwarz: Andy Warhol (Vorderseite) / Stempel Andy Warhol (Rückseite). Versand kann organisiert werden.Andy WARHOL (1928 - 1987). 2 USD. Dollar. Signed. Black. In holder: 2 DOLLAR (Thomas Jefferson) / serial number: G37153245A/ year: 1976. postmark and stamp of the U.S. Post Office dated April 13, 1976. signed with acrylic felt in black: Andy Warhol (front) / stamp Andy Warhol (back). Shipping can be arranged.
Andy WARHOL (1928 - 1987). 2 USD. Dollar. Signiert. Blau.155,955 mm x 66,294 mm. In Halterung: 1 DOLLAR (George Washington) / Seriennummer: S82666190A / Jahr: 1957.Signiert mit Acrylfilz in Blau: Andy Warhol (Vorderseite) / Andy Warhol Stempel (Rückseite). Versand kann organisiert werden.Andy WARHOL (1928 - 1987). 2 USD. Dollar. Signed. Blue. In holder: 1 DOLLAR (George Washington) / serial number: S82666190A / year: 1957.Signed with acrylic felt in blue: Andy Warhol (front) / Andy Warhol stamp (back). Shipping can be arranged.
Warhol, Andy (1928 Pittsburgh - New York 1987) "Flowers" (1974). Handkolorierter Siebdruck (äußerst min. Fleck), re. u. mit Bleistift monog. "AW" und verso handschriftlich sign. sowie Ex. 85/250 und dat. (19)74 und Copyrightstempel. Printed by Alexander Heinrici, New York, Co-published by Peter M. Brant, Castelli Graphics, and Multiples, Inc., New York, 1974. Blattmaß ca. 102x 69,9 cm. R. Prov.: Willem Baars Art Consultancy, Amsterdam; Privatsammlung Niederlande, dort 2002 erworben. Wvz. Feldman/Schellman II.118.
Andy Warhol, 1928 Pittsburgh – 1987 New York, nachSunday B. Morning EditionMarilyn MonroeSiebdruck.Jeweils 91 x 91 cm.Rückseitig die bekannten Stempel:„fill in your own signature“„published by Sunday B. Morning“.Ungerahmt.Folge von zehn in den Farben variierenden Siebdrucken. Minimale Stauchspuren. (1331182) (13))
Andy Warhol (American, 1928-1987)Neuschwanstein (Feldmann & Schellmann 372) Offset lithographic poster with screenprint in colours, 1987, on wove, with the artist's stamped-signature, further pencil annotation of the Andy Warhol Foundation for Visual Arts verso, from the edition of 1200, co-published by Editions Schellmann, New York and Verlag Sabine Knust, Munich, with their blindstamp, with full margins, 910 x 620mm (35 7/8 x 24 3/8in)(SH)(unframed)Footnotes:ProvenanceThe Andy Warhol Foundation for the Visual Arts.For further information on this lot please visit Bonhams.com
Andy Warhol (American, 1928-1987) and Keith Haring (American, 1958-1990)20th Montreux Jazz Festival Screenprint in colours, 1986, on heavy wove, printed by Albin Uldry, Bern, the full sheet printed to the edges, 1000 x 700mm (39 3/8 x 27 1/2in)(SH)(unframed)For further information on this lot please visit Bonhams.com
Movado, Andy Warhol "Times/5", 1988Limitiert 149/250. Edelstahl geschwärzt. Bandglieder mit jeweils einem Quarzwerk. Jedes der fünf Zifferblätter zeigt eine andere Schwarz-Weiss-Fotografie eines Wahrzeichens von Manhattan, die alle eine persönliche Verbindung zu Andy Warhol haben. Auf Boden gravierter Signaturnamenszug "Andy Warhol" mit Copyright-Angabe "1988" sowie Herstellerbezeichnung "Movado Watch Co". L 22 cm, B 2,3 cm. Nicht Funktionstüchtig. Signierte und nummerierte Holz-Glas-Box mit roter Lederbox.- Sehr guter Erhaltungszustand.
Andy Warhol (1928, Pittsburgh, Pennsylvania - 1987, Manhattan, New York City) Farbserigraphie auf Lenox Museumskarton, "Committee 2000", u.r. sign. u. num. "1209/2000", verso Copyrightstempel des Künstlers, ca. 76x51cm, hinter Glas gerahmt (80x55cm) Lit.: F. Feldman/J. Schellmann/C. Defendi, Andy Warhol Prints, A Catalogue Raisonné 1962-1987, New York, 2003, WVZ-Nr. 289.Provenienz: norddeutsche Privatsammlung
ANDY WARHOL (1928-1987); screen print on paper, untitled self portrait, signed in silver pen and with 'Factory Proof Edition' stamp, 38 x 29cm, framed and glazed. PROVENANCE: purchased from McTears, June 2022.Additional InformationImage generally clean and bright. Frame with minor wear. The back of the frame stamped 'Leonard Villa Framemakers & Gilders'
A Montblanc Rollerball pen. Andy Warhol Great Characters limited Edition 1928. The design is based on Worhol's Flowers 1964 design with the cap featuring the 2x2 repeat of the work and inscribed at the clip with the quote 'You need to let the little things that would ordinarily bore you suddenly thrill you' and the artists signature on the base. The barrel is in grey with flower 1964 in silver above the cone. Number 1012/1928 boxed with booklet/ service guide.
Original vintage advertising poster for Andy Warhol: A Retrospective art exhibition that took place at The Museum of Modern Art, New York February 6-May 2, 1989, the poster features artwork by Warhol titled Mao from 1973, performed on silkscreen with ink and synthetic polymer paint on canvas. Horizontal. Good condition, pinholes, small tears on edges, minor creasing, foxing. Country of issue: USA, designer: Andy Warhol, size (cm): 56x82, year of printing: 1989.
aus der Kollektion "Andy Warhol". Ligne 2. Chrom, poliert und polychrome, sog. Chinalack-Emailglasur. Auflage 1191/1964. Herstellerzeichen. Original-Box und Papiere. Neuwertig. A limited edition cigarette lighter by Dupont. Manufacturer's mark. Original box and warranty card.Frankreich. Paris.
Andy Warhol (1928-1987) Blumen - Sunday B. Morning Edition, large screen print,Farbserigrafie, nicht signiert, Andy Warhol für Sunday B. Morning, Blumen, Entwurf von 1964, Sichtmass H 90 cm x B 89 cm, Rahmen 94 x 93 cmcolor serigraphy, unsigned, Andy Warhol for Sunday B. Morning, flowers, design from 1964, visible size H 90 cm x W 89 cm, frame 94 x 93 cm
ANDY WARHOL (Pittsburgh, USA, 1928 - New York, USA, 1987)."From de Sonaben Collection, Gagosian, 2009.Lithograph poster.Unsigned.Size: 76 x 50,5 cm.Double-sided lithograph poster with Warhol's Sonnabend Collection in the show at Gagosian New York in 2009.Warhol's Sonnabend Collection remains, to this day, one of the most iconic pieces of his work. The Gagosian wanted to create a poster for the exhibition that would be "a snapshot of the history of Warhol's art collecting".An American visual artist who became the best known representative of pop art, an artistic trend in vogue during the 1950s and 1960s that was inspired by mass culture. The son of Slovakian immigrants, he began his art studies at the Carnegie Institute of Technology between 1945 and 1949. In the latter year he began his career as an advertising cartoonist for various magazines such as Vogue, Harper's Bazaar, Seventeen and The New Yorker. At the same time he painted canvases with everyday, advertising and comic themes. He soon began to exhibit in various galleries. He progressively eliminated any expressionist traits from his works until he reduced them to a serial repetition of a popular element from mass culture, the world of consumerism or the media. This evolution reached its peak of depersonalisation in 1962, when he began to use a mechanical silkscreen printing process as his working method, by means of which he systematically reproduced myths of contemporary society, the most representative examples of which are the series dedicated to Marilyn Monroe, Elvis Presley, Elizabeth Taylor and Mao Tse-tung, as well as his famous treatment of Campbell's soup cans, all works produced during the fruitful decade of the 1960s. The use of mass-circulated images, easily recognisable by all kinds of audiences, such as the aforementioned soup cans or Coca-Cola bottles, became one of the most interesting and stable features of his entire output. On other occasions he crudely depicted real situations, such as accidents, street fights, funerals or suicides; within this theme, Electric chair is one of his most significant works. This appropriationism, a constant feature of the work of the supporters of Pop Art, extended to universal works of art by authors such as Raphael Sanzio, Giorgio de Chirico, Edvard Munch and Leonardo da Vinci. Through mass reproduction, he succeeded in stripping the media fetishes he used of their usual referents, turning them into stereotypical icons with a decorative meaning. In 1963 he set up the Factory, a workshop in which many of New York's underground culture gathered around him. The frivolity and extravagance that marked his way of life established a coherent line between his work and his life's trajectory; his peculiar appearance, androgynous and permanently topped with a characteristic blond fringe, ended up defining a new icon: the artist himself. He was one of the first artists to consciously exploit his image for self-promotional purposes; through a process of identification, he acquired in the eyes of the public the significance of just another advertising product. In 1963 he began a film career based on the same principles as his plastic work (such as visual reiteration), sometimes with a strong sexual and erotic content.
PIETRO PSAIER (1936-2004) 'CAPT MIDNIGHT, ATTACK FROM HELL', a montage of images including a helmeted face and signs, mixed media on canvas, bears a signature and date 65 top right, bears a title and date 1965 verso, approximate size 100cm x 75cm (Psaier's claims to have worked with Andy Warhol have been debunked in recent times, the date 1965 is spurious as the faces are inkjet printed)
(1928 Pittsburgh - 1987 New York) nach"Marilyn". OriginaltitelBlattgroße Farbserigraphie/Karton. Posthume, zeitgenössische Grafik nach dem Blatt im 1967 von Warhol geschaffenen, berühmten "Marilyn"-Portfolio, das in einer Auflage von 250 Exemplaren erschien. 84 cm x 84 cm.After Andy Warhol (1928 - 1987). Posthumous contemporary serigraph (screenprint) in colours on cardboard. After the print from the portfolio of 10 serigraphs published by Warhol in 1967.
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6071 item(s)/page