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ART AND PHOTOGRAPHY BOOKS - ANDY WARHOL; H. CARTIER BRENSSON Comprising; Andy Warhol Ai Weiwei, Max Delany & Eric Shiner (ed.), National Gallery of Victoria, Melbourne 2015 Andy Warhol China 1982, Christopher Makos, Timezone 8 Ltd., 2007 Andy Warhol: Unexposed Exposures, Bob Colacello (ed.), Steidl Publishers, Göttingen & Steven Kasher Gallery, New York 2010 Henri Cartier-Brensson: China 1948-1949, 1958, Michel Frizot and Ying-lung Su, Thames & Hudson, Ltd., London 2019 Warhol in China, Hatje Cantz Publishers, 2013 (5) the largest: 37.3cm high x 27cm wide Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

EUROPEAN ART BOOKS - SOROLLA; LE BRUN; BOLDINI ETC. Comprising; Élisabeth Louise Vigée Le Brun, Joseph Baillo and Xavier Salmon, Grand Palais, Galeries Nationales, Paris 2016 Fabric of Vision: Dress and Drapery in Paintings, Anne Hollander, Bloomsbury Visual Arts, New York 2002 Francis Cotes: Complete Edition, Edward Mead Johnson, Phaidon Press Ltd., Oxford 1976 Franz Xaver Winterhalter: At the Courts of Europe 1830-70, Richard Ormond and Carol Blackett-Ord, National Portrait Gallery, London 1987 Giovanni Boldini, Sergio Gaddi and Tiziano Panconi, Skira editore, Milano 2017 High Society, Johnathan Bikker, Rijksmuseum, Amsterdam 2018 High Society: The Portraits of Franz Xavier, Winterhalter, Helga Kessler Aurisch et al., Arnoldsche Art Publishers, 2015 The Libertine: The Art of Love in Eighteenth-Century France, Michel Delon (ed.), Abbeville Press Publishers, New York 2013 Portraits of Belle Époque, Valeriano Bozal et al., Ediciones El Viso, 2011 The Society Portrait: From David to Warhol. Gabriel Badea-Päun, The Vendome Press, New York 2007 Sorolla: The Masterworks, Blanca Pons-Sorolla, Skira Rizzoli Publication, Inc., New York 2012 The largest: 33.7cm high x 25.5cm wide Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Rosenthal Künstler-Wandplatte "Daisies"Entwurf Andy Warhol (1928-1987), signiert, studio-line-Signet ab 1999, flach gewölbte Rechteckform mit polychromem Unterglasur-Druckdekor aus drei großen angeschnittenen Blüten, auch als Schale verwendbar, rückseitige Wandaufhängung, am Standring wohl herstellungsbedingt gechipt, sonst guter Zustand, Maße 30,5 x 30,5 cm.

Joseph Beuys, "Klaus Staeck ist mein..."erschienen als Postkarte in der Edition Staeck, auf rotem Grund Schriftzug "Klaus Staeck ist mein politischer Gegner" und gedruckte Signatur "Klaus Staeck", 1973, mittig in Blei signiert "Joseph Beuys", unter Passepartout und hinter Glas gerahmt, Passepartoutausschnitt ca. 10 x 14 cm. Künstlerinfo: dt. Aktionskünstler, Bildhauer, Zeichner und Kunsttheoretiker (1921 Krefeld bis 1986 Düsseldorf), 1941 Bekanntschaft mit Heinz Sielmann während des Kriegsdienstes, 1946 Mitglied des Klever Künstlerbundes, studierte 1946-53 Monumentalbildhauerei an der Akademie Düsseldorf bei Joseph Enseling, ab 1948 bei Ewald Mataré und 1951-54 dessen Meisterschüler, parallel 1947-49 Mitarbeit bei Dokumentarfilmen von Heinz Sielmann, 1954-58 eigenes Atelier in Düsseldorf-Heerdt, 1958-64 Atelier im alten Klever Kurhaus, 1959 entsteht letztes konventionelles Kunstwerk, anschließend vor allem Kunsttheoretiker und ab 1963 als Aktionskünstler bedeutender Vertreter des Fluxus, ab 1961 in Düsseldorf-Oberkassel ansässig, 1961-72 Professor für monumentale Bildhauerei an der Akademie Düsseldorf, etabliert hier 1966-72 seine „Ringgespräche“, 1972 Entlassung aus dem Hochschuldienst wegen wachsender Differenzen mit dem Wissenschaftsministerium, durfte nach Klage jedoch seinen Professorentitel und sein Atelier „Raum 3“ an der Akademie bis zum Erreichen des 65. Lebensjahres behalten, hier 1980 zusammen mit Klaus Staeck, Willi Bongart und Georg Meistermann Gründung der „Freien Internationalen Hochschule für Kreativität und interdisziplinäre Forschung (FIU)”, regelmäßige Teilnahme an der documenta in Kassel, 1974 Vortragsreise durch die USA, 1976 auf der Biennale Venedig, 1979 Bekanntschaft mit Andy Warhol, 1979 Retrospektive im Guggenheim-Museum New York, 1981 Romaufenthalt und Polenreise, in zahlreichen Museen vertreten, Quelle: Vollmer, AKL und Internet.

Joseph Beuys, "Mädchenkopf mit blauer Schleife..."Titel "Mädchenkopf mit blauer Schleife und Schmetterlingen", erschienen als Einladungskarte zur Ausstellung "Räume heutiger Zeichnung" in der Kunsthalle Baden-Baden, Farboffset, 1985, im oberen Bereich in Blei signiert "Joseph Beuys", hinter Glas gerahmt, Blattmaße ca. 11 x 20 cm. Künstlerinfo: dt. Aktionskünstler, Bildhauer, Zeichner und Kunsttheoretiker (1921 Krefeld bis 1986 Düsseldorf), 1941 Bekanntschaft mit Heinz Sielmann während des Kriegsdienstes, 1946 Mitglied des Klever Künstlerbundes, studierte 1946-53 Monumentalbildhauerei an der Akademie Düsseldorf bei Joseph Enseling, ab 1948 bei Ewald Mataré und 1951-54 dessen Meisterschüler, parallel 1947-49 Mitarbeit bei Dokumentarfilmen von Heinz Sielmann, 1954-58 eigenes Atelier in Düsseldorf-Heerdt, 1958-64 Atelier im alten Klever Kurhaus, 1959 entsteht letztes konventionelles Kunstwerk, anschließend vor allem Kunsttheoretiker und ab 1963 als Aktionskünstler bedeutender Vertreter des Fluxus, ab 1961 in Düsseldorf-Oberkassel ansässig, 1961-72 Professor für monumentale Bildhauerei an der Akademie Düsseldorf, etabliert hier 1966-72 seine „Ringgespräche“, 1972 Entlassung aus dem Hochschuldienst wegen wachsender Differenzen mit dem Wissenschaftsministerium, durfte nach Klage jedoch seinen Professorentitel und sein Atelier „Raum 3“ an der Akademie bis zum Erreichen des 65. Lebensjahres behalten, hier 1980 zusammen mit Klaus Staeck, Willi Bongart und Georg Meistermann Gründung der „Freien Internationalen Hochschule für Kreativität und interdisziplinäre Forschung (FIU)”, regelmäßige Teilnahme an der documenta in Kassel, 1974 Vortragsreise durch die USA, 1976 auf der Biennale Venedig, 1979 Bekanntschaft mit Andy Warhol, 1979 Retrospektive im Guggenheim-Museum New York, 1981 Romaufenthalt und Polenreise, in zahlreichen Museen vertreten, Quelle: Vollmer, AKL und Internet.

Joseph Beuys, "Order"Bestellkarte versehen mit Stempel "Hauptstrom", Werksverzeichnis Schellmann 78, erschienen 1973, im unteren Bereich in Blei signiert "Joseph Beuys", weiterhin nummeriert "40/120", erschienen bei Edition Staeck, im kleinen Objektkasten hinter Glas montiert, Blattmaße ca. 14,5 x 10,5 cm. Künstlerinfo: dt. Aktionskünstler, Bildhauer, Zeichner und Kunsttheoretiker (1921 Krefeld bis 1986 Düsseldorf), 1941 Bekanntschaft mit Heinz Sielmann während des Kriegsdienstes, 1946 Mitglied des Klever Künstlerbundes, studierte 1946-53 Monumentalbildhauerei an der Akademie Düsseldorf bei Joseph Enseling, ab 1948 bei Ewald Mataré und 1951-54 dessen Meisterschüler, parallel 1947-49 Mitarbeit bei Dokumentarfilmen von Heinz Sielmann, 1954-58 eigenes Atelier in Düsseldorf-Heerdt, 1958-64 Atelier im alten Klever Kurhaus, 1959 entsteht letztes konventionelles Kunstwerk, anschließend vor allem Kunsttheoretiker und ab 1963 als Aktionskünstler bedeutender Vertreter des Fluxus, ab 1961 in Düsseldorf-Oberkassel ansässig, 1961-72 Professor für monumentale Bildhauerei an der Akademie Düsseldorf, etabliert hier 1966-72 seine „Ringgespräche“, 1972 Entlassung aus dem Hochschuldienst wegen wachsender Differenzen mit dem Wissenschaftsministerium, durfte nach Klage jedoch seinen Professorentitel und sein Atelier „Raum 3“ an der Akademie bis zum Erreichen des 65. Lebensjahres behalten, hier 1980 zusammen mit Klaus Staeck, Willi Bongart und Georg Meistermann Gründung der „Freien Internationalen Hochschule für Kreativität und interdisziplinäre Forschung (FIU)”, regelmäßige Teilnahme an der documenta in Kassel, 1974 Vortragsreise durch die USA, 1976 auf der Biennale Venedig, 1979 Bekanntschaft mit Andy Warhol, 1979 Retrospektive im Guggenheim-Museum New York, 1981 Romaufenthalt und Polenreise, in zahlreichen Museen vertreten, Quelle: Vollmer, AKL und Internet.

Prof. Joseph Beuys, HeidelbergBlick auf das nächtliche Heidelberg, Postkarte der Edition Staeck, Offsetdruck, 1970, handsigniert in Faserschreiber "Joseph Beuys" und Rundstempel in Blau "Fluxus Zone West", auf Unterlagekarton montiert und hinter Glas gerahmt, Kartenmaße ca. 10,5 x 14,5 cm. Künstlerinfo: dt. Aktionskünstler, Bildhauer, Zeichner und Kunsttheoretiker (1921 Krefeld bis 1986 Düsseldorf), 1941 Bekanntschaft mit Heinz Sielmann während des Kriegsdienstes, 1946 Mitglied des Klever Künstlerbundes, studierte 1946-53 Monumentalbildhauerei an der Akademie Düsseldorf bei Joseph Enseling, ab 1948 bei Ewald Mataré und 1951-54 dessen Meisterschüler, parallel 1947-49 Mitarbeit bei Dokumentarfilmen von Heinz Sielmann, 1954-58 eigenes Atelier in Düsseldorf-Heerdt, 1958-64 Atelier im alten Klever Kurhaus, 1959 entsteht letztes konventionelles Kunstwerk, anschließend vor allem Kunsttheoretiker und ab 1963 als Aktionskünstler bedeutender Vertreter des Fluxus, ab 1961 in Düsseldorf-Oberkassel ansässig, 1961-72 Professor für monumentale Bildhauerei an der Akademie Düsseldorf, etabliert hier 1966-72 seine „Ringgespräche“, 1972 Entlassung aus dem Hochschuldienst wegen wachsender Differenzen mit dem Wissenschaftsministerium, durfte nach Klage jedoch seinen Professorentitel und sein Atelier „Raum 3“ an der Akademie bis zum Erreichen des 65. Lebensjahres behalten, hier 1980 zusammen mit Klaus Staeck, Willi Bongart und Georg Meistermann Gründung der „Freien Internationalen Hochschule für Kreativität und interdisziplinäre Forschung (FIU)”, regelmäßige Teilnahme an der documenta in Kassel, 1974 Vortragsreise durch die USA, 1976 auf der Biennale Venedig, 1979 Bekanntschaft mit Andy Warhol, 1979 Retrospektive im Guggenheim-Museum New York, 1981 Romaufenthalt und Polenreise, in zahlreichen Museen vertreten, Quelle: Vollmer, AKL und Internet.

The Rolling Stones 'Big Hits (Hide Tide and Green Grass' Decca, gatefold cover with inner poster, (two copies) together with 'Sticky Fingers' with Andy Warhol zip cover and Bob Marley & The Whalers 'Uprising' (4)

Andy Warhol (American, 1928-1987)MAO WALLPAPERScreenprint, 1974, on wove paper, three motifssheet 198 x 45cm, unframed

Zwei Weihnachtsgedecke, 6-tlg., Rosenthal, Studio-Line, nach 1969, Entwurf Andy Warhol, (1928 - 1987), alle Teile sign., Dekor mit schwebenden und musizierenden Engeln auf Gold, 2 Tassen mit UT, H. 7,5 cm, 2 Kuchenteller, Ø 22,5 cm

Zwei Weihnachtsgedecke, 6-tlg., Rosenthal, Studio-Line, nach 1969, Entwurf Andy Warhol, (1928 - 1987), alle Teile sign., polychromer Dekor mit Weihnachtskranz und Weihnachtsschwein, ziervergoldet, 2 Tassen mit UT, H. 7,5 cm, 2 Kuchenteller, 1 Tasse best. und geklebt, Ø 22,5 cm

After Andy Warhol - Campbells Tomato Soup, framed poster print, 92x58cm

HANK MOBLEY/ JOHNNY GRIFFIN - BLUE NOTE LP RARITIES. A super pack of 2 Blue Note jazz LP rarities. Artists/ titles include Hank Mobley - A Caddy For Daddy (BLP 4230, US 1966 mono press. New York USA deep groove labels. VAN GELDER stamped matrix. Record is glossy VG, each side has a number of light paper surface marks/ scuffs. Nothing feelable. Sleeve is VG, has some edge splits and tape-covering splits) & Johnny Griffin - The Congregation (BLP 1580, US 1972 reissue press with United Artists labels. Record VG, each side has a number of light paper surface marks/ scuffs. Nothing feelable. Sleeve with Andy Warhol cover art work has a small split on the top edge, covers are bright and clean, VG).

After Warhol, oil on board, Austin Powers, width 244cm, height 122cm

Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportSome light surface scuffs and scratches but overall this does not detract from the image.

Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportThere is a vertical creasing running down the centre of the print. The corners are slightly dog-eared.

After Andy Warhol'Campbell's Black Bean Soup';'Campbell's Beef with Vegetables and Barley Soup'a set of two screenprints in colour87.5 x 57cm visible (2)Condition ReportFramed: 106 x 75.5cm'Campbell's Black Bean Soup': Light cockling. There are some small thunderbugs trapped behind the glazing, however the printed area appears unaffected. 'Campbell's Beef with Vegetables and Barley Soup': Rippling to the top and bottom edges, the print appears to have been stuck down with two thick pieces of tape. There is a small scuff to the black/ silver rim of the tin upper right, please see images. There are thunderbugs trapped between the print and the glazing. The prints have not been viewed out of the glazed frames.

Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportSome faint dirty marks to the hair, please see illustration. Overall does not detract from the image.

Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning 94/250' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportThere are two faint vertical lines to the green background in the centre of the upper edge. Overall, does not detract from the image.

Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning 94/250' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportSome black dirty marks to the background and light surface scuffs, please see images.

Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportThe corners are slightly creased, but presents well overall.

A copy of the iconic Warhol Zip sleeve Rolling Stones ' Sticky Fingers ' VG / VG+ a cautious grading here but viewing is recommended

After Andy Warhol (1928-1987), a contemporary poster print, 'Portrait of Maurice', displayed within a contemporary gilt coloured frame and under glass, 55cm x 77cm overall

Dennis Hopper was an American actor, filmmaker, and artist, known for his work in the film industry. While he was primarily recognized for his acting career, Hopper was also a talented photographer. He captured images throughout his life, particularly during the 1960s and 1970s, which reflected the cultural and social changes happening in America during that time.Hopper's photography often focused on subjects related to counterculture, street life, and the world of entertainment. He documented iconic figures such as Andy Warhol, Martin Luther King Jr., and Mick Jagger, among others. His photographic style was characterized by its rawness and candid nature, capturing unguarded moments and intimate portraits.Hopper's photography gained recognition in the art world, and his work has been exhibited in galleries and museums internationally. He published a book of his photographs titled "Out of the Sixties" in 1986, which showcased his unique perspective and his ability to capture the spirit of the era.It's important to note that Dennis Hopper was primarily known as an actor and filmmaker, but his photography remains a significant aspect of his artistic legacy. Measures 13.15 x 9.75Verso is blank.Mounted to archival quality paper.

Dennis Hopper was an American actor, filmmaker, and artist, known for his work in the film industry. While he was primarily recognized for his acting career, Hopper was also a talented photographer. He captured images throughout his life, particularly during the 1960s and 1970s, which reflected the cultural and social changes happening in America during that time.Hopper's photography often focused on subjects related to counterculture, street life, and the world of entertainment. He documented iconic figures such as Andy Warhol, Martin Luther King Jr., and Mick Jagger, among others. His photographic style was characterized by its rawness and candid nature, capturing unguarded moments and intimate portraits.Hopper's photography gained recognition in the art world, and his work has been exhibited in galleries and museums internationally. He published a book of his photographs titled "Out of the Sixties" in 1986, which showcased his unique perspective and his ability to capture the spirit of the era.It's important to note that Dennis Hopper was primarily known as an actor and filmmaker, but his photography remains a significant aspect of his artistic legacy. Measures 13.15 x 9.75 Verso is blank.Mounted to archival quality paper.

Dennis Hopper was an American actor, filmmaker, and artist, known for his work in the film industry. While he was primarily recognized for his acting career, Hopper was also a talented photographer. He captured images throughout his life, particularly during the 1960s and 1970s, which reflected the cultural and social changes happening in America during that time.Hopper's photography often focused on subjects related to counterculture, street life, and the world of entertainment. He documented iconic figures such as Andy Warhol, Martin Luther King Jr., and Mick Jagger, among others. His photographic style was characterized by its rawness and candid nature, capturing unguarded moments and intimate portraits.Hopper's photography gained recognition in the art world, and his work has been exhibited in galleries and museums internationally. He published a book of his photographs titled "Out of the Sixties" in 1986, which showcased his unique perspective and his ability to capture the spirit of the era.It's important to note that Dennis Hopper was primarily known as an actor and filmmaker, but his photography remains a significant aspect of his artistic legacy. Measures 13.15 x 9.75 Verso is blank.Mounted to archival quality paper.

Dennis Hopper was an American actor, filmmaker, and artist, known for his work in the film industry. While he was primarily recognized for his acting career, Hopper was also a talented photographer. He captured images throughout his life, particularly during the 1960s and 1970s, which reflected the cultural and social changes happening in America during that time.Hopper's photography often focused on subjects related to counterculture, street life, and the world of entertainment. He documented iconic figures such as Andy Warhol, Martin Luther King Jr., and Mick Jagger, among others. His photographic style was characterized by its rawness and candid nature, capturing unguarded moments and intimate portraits.Hopper's photography gained recognition in the art world, and his work has been exhibited in galleries and museums internationally. He published a book of his photographs titled "Out of the Sixties" in 1986, which showcased his unique perspective and his ability to capture the spirit of the era.It's important to note that Dennis Hopper was primarily known as an actor and filmmaker, but his photography remains a significant aspect of his artistic legacy. Measures 13.15 x 9.75 Verso is blank.Mounted to archival quality paper.

Andy Warhol (1928-1987) was an American artist, filmmaker, and producer who played a significant role in the Pop Art movement of the 1960s. Born in Pittsburgh, Pennsylvania, Warhol studied art and design at Carnegie Mellon University before moving to New York City in 1949. Warhol began his career as a commercial artist and illustrator before transitioning into fine art. He gained fame in the 1960s for his paintings of everyday objects such as Campbell's Soup cans and Coca-Cola bottles, which he reproduced using silk-screening techniques. Warhol's work often incorporated themes of consumerism, celebrity culture, and mass media. In addition to his paintings, Warhol also experimented with film-making, producing numerous avant-garde movies that often featured his friends and associates from the New York art and music scene. Warhol also founded The Factory, a studio space in New York City where he and his collaborators created art, music, and films. Warhol's work and legacy have had a lasting impact on the art world and popular culture. He is widely regarded as one of the most influential artists of the 20th century.Measures 48 x 70 inches.Verso is blankUnsigned and undated.

Dennis Hopper was an American actor, filmmaker, and artist, known for his work in the film industry. While he was primarily recognized for his acting career, Hopper was also a talented photographer. He captured images throughout his life, particularly during the 1960s and 1970s, which reflected the cultural and social changes happening in America during that time.Hopper's photography often focused on subjects related to counterculture, street life, and the world of entertainment. He documented iconic figures such as Andy Warhol, Martin Luther King Jr., and Mick Jagger, among others. His photographic style was characterized by its rawness and candid nature, capturing unguarded moments and intimate portraits.Hopper's photography gained recognition in the art world, and his work has been exhibited in galleries and museums internationally. He published a book of his photographs titled "Out of the Sixties" in 1986, which showcased his unique perspective and his ability to capture the spirit of the era.It's important to note that Dennis Hopper was primarily known as an actor and filmmaker, but his photography remains a significant aspect of his artistic legacy. Measures 13.15 x 9.75 Verso is blank.Mounted to archival quality paper.

Andy Warhol, born Andrew Warhola on August 6, 1928, in Pittsburgh, Pennsylvania, was an American artist and a central figure in the Pop Art movement. He passed away on February 22, 1987. Warhol is known for his unique approach to art, blurring the boundaries between fine art and popular culture.Here are some key aspects about Andy Warhol and his artistic career:1. Pop Art Movement: Warhol played a pivotal role in the Pop Art movement, which emerged in the 1950s and 1960s. Pop Art challenged traditional notions of art by incorporating imagery from popular culture, mass media, and consumer products. Warhol's work epitomized this movement, exploring themes of celebrity, consumerism, and the intersection of art and commerce.2. Silk-screening Technique: Warhol is famous for his use of the silk-screening technique, also known as serigraphy or screen printing. He created multiple variations of his artwork by applying layers of ink through a mesh screen, resulting in bold, colorful, and repetitive imagery. This technique allowed for mass production and was a significant departure from the traditional methods of art-making.3. Celebrity and Iconography: Warhol was fascinated by fame, celebrity culture, and the concept of idolization. He created iconic portraits of celebrities such as Marilyn Monroe, Elvis Presley, and Elizabeth Taylor, often repeating the same image multiple times with variations in color and composition. His portrayal of these cultural icons explored the themes of superficiality and the cult of personality.4. Exploration of Everyday Objects: Warhol's art extended beyond celebrity portraits. He also focused on everyday objects and consumer goods, such as Campbell's Soup cans, Coca-Cola bottles, and Brillo boxes. By elevating these mundane objects to the realm of fine art, Warhol challenged traditional notions of artistic subject matter and raised questions about the commodification of art and consumer culture.5. The Factory and Collaborations: Warhol's studio, known as "The Factory," became a hub for creative experimentation and social gatherings. It served as a space for artists, musicians, writers, and celebrities to collaborate and push artistic boundaries. Warhol worked closely with other artists and musicians, including Jean-Michel Basquiat, Lou Reed, and The Velvet Underground.6. Legacy and Influence: Andy Warhol's impact on contemporary art and popular culture cannot be overstated. His work continues to be exhibited in major museums and galleries worldwide, and his influence can be seen in the works of numerous artists who explore themes of consumerism, celebrity, and the blending of high and low culture.Andy Warhol's art challenged conventional artistic norms, elevating popular culture to the realm of fine art and questioning the nature of fame, consumerism, and artistic production. His innovative techniques and iconic imagery have secured his place as one of the most influential artists of the 20th century.Measures 24 x 36.

Contemporary abstract portrait of Andy Warhol. Signed lower left. Measures 48" x 32". Unframed. Provenance: Purchased personally from the artist private collection. Condition: Age related wear.

Warhol, Andy (Pittsburgh 1928 - 1987 New York), 2-Dollar-Schein (1976, Thomas Jefferson), recto Schriftzug Andy Warhol in blauem Filzstift, mit aufgeklebter 13-Cent-Briefmarke mit Poststempel 1976, verso Signaturstempel Andy Warhol, 6,5 x 15,5 cm, in Plexiglasrahmung 15,3 x 20,3 cm, H 2 cm, mit Expertise der Galerie 32, Nizza, von 2019, 3832 - 0002

Batman and related - a group of seventeen graphic novels and others, first editions, includes, LOEB (Jeph) and Jim Lee. Absolute Batman Hush, the complete twelve-parts collected in one volume for the first time, cover artwork by Jim Lee, dust-jacket unclipped, within slipcase, published by DC Comics, 2005; ASAMIYA (Kia). Batman: Child of Dreams, first DC Comics edition, English adaptation by Max Allan Collins, black and white comic-strip illustrations, first published in Japan by Kodansha in 2000, dust-jacket unclipped, published by DC Comics, 2003; KIDD (Chip). Batman Collected, a gallery of over 490 colour photographs of the rarest Batman memorabilia by Geoff Spear accompanied by Chip Kidds text, features work by Andy Warhol, Carmine Infantino, Bob Kane, Frank Miller and other notable artists, with a Wow! A Bat-Man non-poseable model character folding paper figurine instructions card loosely inserted, dust-jacket unclipped, published by Titan Books, 1996; with others related published by DC Comics, 1993- 2020. 8vo, 4to. (17) Condition Report: near fine conditions.

Andy WARHOL (1928-1987)"Mick Jagger"Grafik - Farblithografie auf Bütten, 38,2 cm x 28,4 cm,rechts unten Signatur, Nr. 78/300, Copyright CMOA,leichte Knitterfalte

Andy WARHOL (1928-1987)"Mick Jagger"Grafik - Farblithographie auf Bütten, 38,2 cm x 28,4 cm,rechts unten Signatur, Nr. 142/300, Copyright CMOA

Andy WARHOL (1928-1987)"in the Bottom of my garden - V"Grafik - Farblithografie auf Bütten, 24 cm x 32 cm,im Passepartout montiert, Auflage 500 Stück, Referenz Museum of Art Pitsburgh

Andy Warhol (1928-1987): an original theatre programme for 'Pork', a 1971 play at the Round House, Camden, together with a promotional booklet for the film 'Trash', also 1971.

Vinyl records and LP's including The Beatles - White Album No.0408747 PCS7068 including photographs and lyric poster; The Beatles - Hey Jude PCS 7184; The Beatles - Abbey Road PCS 7088; The Beatles - Beatles for Sale PMC 1240; The Beatles - A Hard Day's Night, Mono PMC 1230; The Beatles - Help, Mono PMC 1255; Miles Davis - Miles Ahead, TFL 5007; The Velvet Underground and Nico - Andy Warhol, white vinyl MOD 1001, ROP Nico on the run out; The Beatles - Rubber Soul, PMC 1267, no sleeve' The Beatles - Hey Jude PCS 7184; The Rolling Stones - Stone Age/Got Live If You Want It 628102-2, etc; plus nine assorted 7" vinyl singles from the 1960's

THE ROLLING STONES - LP PACK. A fabulous selection of 4 LPs by British rock icons The Rolling Stones. Titles include Sticky Fingers (COC 59100, UK pressing with the sought-after gatefold/ side opening zipper sleeve that displays full lower Warhol image. Includes insert. A4/ B3 matrix. Record is superb Ex+/ sleeve is strong VG, has some age-related discolouring), 12x5 (LL.3402, Export copy with Made In England at top of red/ silver labels. Side 1 VG/ side 2 Ex. Black card sleeve with pasted A4 sheet cover with track info is VG+), The Rolling Stones, Now! (LL 3420, Export American pressing with US sleeve and UK/ Decca pressed record. Ex/ VG) & S/T (LK.4605, Unboxed red Decca labels. 1A/ 4A matrix. VG record/ Ex sleeve).

Andy Warhol's Blood For Dracula (1974) UK Quad Poster, UK Quad for the Horror Movie by Andy Warhol with Superb Gory artwork - folded with paper loss to top and bottom left corners and a few small tears, otherwise in good condition and measures 30" by 40"

nach WARHOL, ANDY (Pittsburgh 1922-1987 Manhattan /NYC), Farblithographie / Gicléedruck: "Campbell's Tomato Soup". Farblithographie auf Arches France Bütten mit Blindstempel "Georges Israel Editeur", revers mit drei Stempeln der Galerie Leo Castelli, gestempelt "Leo Castelli New York", "Art Gallery New York…", Stempel in Form eines stilisierten Baumes und mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet; unten rechts mit Drucksignatur "Andy Warhol" und unten links limitiert 33/100. Dabei: Zertifikat der Leo Castelli Art Gallery. Blattgröße ca. 57,5 x 38,5 cm. Prachtvoller Druck mit dem vollen Rand.

nach WARHOL, ANDY (Pittsburgh 1922-1987 Manhattan /NYC), Farblithographie / Gicléedruck: "Mick Jagger". Farblithographie auf Arches France Bütten mit Blindstempel "Georges Israel Editeur", revers mit drei Stempeln der Galerie Leo Castelli, gestempelt "Leo Castelli New York", "Art Gallery New York…", Stempel in Form eines stilisierten Baumes und mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet; unten rechts mit Drucksignatur "Andy Warhol" und unten links limitiert 65/100. Dabei: Zertifikat der Leo Castelli Art Gallery. Blattgröße ca. 57,2 x 38,7 cm. Prachtvoller Druck mit dem vollen Rand.

nach WARHOL, ANDY (Pittsburgh 1922-1987 Manhattan /NYC), Farblithographie / Gicléedruck: "Sigmund Freud". Farblithographie auf Arches France Bütten mit Blindstempel "Georges Israel Editeur", revers mit drei Stempeln der Galerie Leo Castelli, gestempelt "Leo Castelli New York", "Art Gallery New York…", Stempel in Form eines stilisierten Baumes und mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet; unten rechts mit Drucksignatur "Andy Warhol" und unten links limitiert 84/100. Dabei: Zertifikat der Leo Castelli Art Gallery. Blattgröße ca. 57,5 x 38,5 cm. Druck in gutem Zustand.

nach WARHOL, ANDY (Pittsburgh 1922-1987 Manhattan /NYC), Farblithographie / Gicléedruck: "Marilyn Monroe". Farblithographie auf Arches France Bütten mit Blindstempel "Georges Israel Editeur", revers mit drei Stempeln der Galerie Leo Castelli, gestempelt "Leo Castelli New York", "Art Gallery New York…", Stempel in Form eines stilisierten Baumes und mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet; unten rechts mit Drucksignatur "Andy Warhol" und unten links limitiert 12/100. Dabei: Zertifikat der Leo Castelli Art Gallery. Blattgröße ca. 57 x 38,5 cm. Druck in gutem Zustand.

An Andy Warhol signed two dollar note with USA chemistry stamp in perspex frame with certificate of authenticity.

An Andy Warhol signed two dollar note with USA chemistry stamp in perspex frame with certificate of authenticity.

Andy Warhol (1928-1987), Lithograph Image Size: 14 7/8 by 11 inches (38 by 28 cm) All measurements are approximate. Signed (lower right), with Certificate Andy Warhol (b 1928-1987) was the most successful and highly paid commercial illustrator in New York even before he began to make art destined for galleries. Nevertheless, his screen printed images of Marilyn Monroe, soup cans, and sensational newspaper stories, quickly became synonymous with Pop art.He emerged from the poverty and obscurity of an Eastern European immigrant family in Pittsburgh, to become a charismatic magnet for bohemian New York, and to ultimately find a place in the circles of High Society. For many his ascent echoes one of Pop art's ambitions, to bring popular styles and subjects into the exclusive salons of high art. His elevation to the status of a popular icon represented a new kind of fame and celebrity for a fine artist. Andy Warhol, was an American artist who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, celebrity culture and advertisement that flourished by the 1960s.After a successful career as a commercial illustrator, Warhol became a renowned and sometimes controversial artist. The Andy Warhol Museum in his native city, Pittsburgh, Pennsylvania, holds an extensive permanent collection of art and archives. It is the largest museum in the United States dedicated to a single artist. The other partner on this piece is Jean-Michel Basquiat was born in 1960 and died in 1988 and was an American artist, musician, and producer. He first achieved notoriety as part of SAMO, an informal graffiti group who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s where the hip hop, post-punk and street art movements had coalesced. By the 1980s he was exhibiting his neo-expressionist and primitivist paintings in galleries and museums internationally. The Whitney Museum of American Art held a retrospective of his art in 1992. Please read our policy carefully:1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final.2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period.3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold.4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

WARHOL, ANDY 1928-1987 (NACH) "Marilyn" Farblithografie, verso bezeichnet "printed by Exit Köln 21.48.64", HxB: 42/42 cm. (mit Rahmen) Normale Altersspuren. | WARHOL, ANDY 1928-1987 (AFTER) "Marilyn" Colour lithograph, verso inscribed "printed by Exit Köln 21.48.64", HxW: 42/42 cm. (with frame) Normal signs of age.

ANDY, WARHOL (1928-1987) "Hermann Hesse" 1986 Farboffsetlithographie auf Papier, im Druck typographisch bezeichnet Andy Warhol und dem Druckvermerk d. Suhrkamp-Verlages sowie Copyrightvermerk, Widmung, HxB: 83,5/59 cm. Rahmen, HxB: 95/65 cm. | ANDY, WARHOL (1928-1987) "Hermann Hesse" 1986Colour offset lithograph on paper, printed with the typographical inscription Andy Warhol and the imprint of the Suhrkamp publishing house as well as a copyright notice, dedication, HxW: 83,5/59 cm. Frame, HxW: 95/65 cm.

WARHOL, ANDY (1928-1987) “Beethoven”, 1987. Achenbach Art Edition 1992. 101,6 x 101,6 cm. Unten links und rechts bezeichnet: "Andy Warhol (American, 1928-1987), Beethoven, 1987. Synthetic polymer paint and silkscreen on canvas, 40 x 40 in (101,6 x 101,6 cm). © 1992 The Andy Warhol Foundation for the Visual Arts, Inc.". Verleger "Published by Achenbach Art Edition/Düsseldorf and te Neues Publishing Company/New York. All rights reserved. Printed in Germany. ISBN: 3-8238-8801-3. HxB (mit Rahmen): 105x105 cm. Leichte Altersspuren.| WARHOL, ANDY (1928-1987) "Beethoven", 1987. Achenbach Kunstedition 1992. 101,6 x 101,6 cm. Unten links und rechts bezeichnet: "Andy Warhol (Amerikaner, 1928-1987), Beethoven, 1987. Synthetische Polymerfarbe und Siebdruck auf Leinwand, 40 x 40 in (101,6 x 101,6 cm). © 1992 The Andy Warhol Foundation for the Visual Arts, Inc.". Verleger "Herausgegeben von Achenbach Art Edition/Düsseldorf und te Neues Publishing Company/New York. Alle Rechte vorbehalten. Gedruckt in Deutschland. ISBN: 3-8238-8801-3. HxB (mit Rahmen): 105x105 cm. Leichte Altersspuren.

Blue interior with yellow car and artist signature. Artist: Andy WarholDimensions: 3.75" dia.Manufacturer: RosenthalCountry of Origin: GermanyCondition: Age related wear.

Minichamps 1:18 BMW M1 Group 4 1979 Art Car by Andy Warhol, 80 43 0 150 922, in original box with display case and booklet, VG-E, would benefit from cleaning, dusty from display, from a smoking household, case E, base still shrink wrapped, box G-VG

Andy Warhol. Portrait von Ingrid Bergman. Rosenthal, Studio Line. Porzellan, li./u./sign., verso Etikett, 50 x 50 cm. **Non-binding estimation: € 100,-NO RESERVE

Andy Warhol (1928-1987). Zwei-Dollar-Geldschein, Seriennr. E 17110072 A. Handschriftliche Signatur mit schwarzem Acrylstift, Briefmarke und Stempel der US-Post 13. April 1976, Rückseite: Stempel der Factory Warhol, in Plexiglas-Rahmen. Dazu eingeschweißtes Zertifikat „Galerie 3/2 Nice October 18th 2019“, H=15,2 cm, B=20,7 cm, T=2 cm.

Andy Warhol (1928-1987). Zwei-Dollar-Geldschein, Seriennr. G 26604072 A. Handschriftliche Signatur mit schwarzem Acrylstift. Briefmarke und Stempel der US-Post 13. April 1976, Rückseite: Stempel der Factory Warhol, in Plexiglas-Rahmen. Dazu eingeschweißtes Zertifikat „Galerie 3/2 Nice October 18th 2019“, H=15,2 cm, B=20,7 cm, T=2 cm.

Andy Warhol (1928-1987). Zwei-Dollar-Geldschein, Seriennr. D 01721794 A. Handschriftliche Signatur mit schwarzem Acrylstift. Briefmarke und Stempel der US-Post 13. April 1976. Rückseite: Stempel der Factory Warhol, in Plexiglas-Rahmen. Dazu eingeschweißtes Zertifikat „Galerie 3/2 Nice October 18th 2019“, H=15,2 cm, B=20,7 cm, T=2 cm.

James Francis Gill, Mini Audrey 2, signierte Farbserigraphie von 2019, galeriegerahmt, mit ZertifikatJames Francis Gill, *1934 Tahoka, Texas, USA, Porträt Audrey Hepburn, "Mini Audrey 2", Farbserigraphie auf handgeschöpftem Papier, 41 x 41 cm, Darstellung 30 x 30 cm, signiert, datiert (20)19, nummeriert 27/350, unter P.p. und Glas galeriegerahmt, mit Zertifikat.Zum Künstler: gilt als bedeutender Mitbegründer der Pop-Art und ist einer der letzten noch lebenden Künstler dieser Bewegung. 1961/62 Studium der Malerei an der Universität von Texas in Austin. Als jungen Künstler zog es ihn nach Los Angeles, wo er auf Felix Landau traf. Landau war einer der angesehensten Kunsthändler seiner Zeit. 1962 erste Einzelausstellung für Gill in New York. Daraus resultierte der Ankauf zweier Werke durch das Museum of Modern Art (MoMA). 1967 Teilnahme an der Sao Paulo Biennale u.a. mit Andy Warhol, Roy Lichtenstein und Robert Indiana.

James Francis Gill, Mini Marilyn 2, signierte Farbserigraphie von 2016, galeriegerahmt, mit ZertifikatJames Francis Gill, *1934 Tahoka, Texas, USA, Porträt Marilyn Monroe, "Mini Marilyn 2", Farbserigraphie auf handgeschöpftem Papier, 42 x 42 cm, Darstellung 30 x 30 cm, signiert, datiert (20)16, nummeriert 264/350, unter P.p. und Glas galeriegerahmt, mit ZertifikatZum Künstler: gilt als bedeutender Mitbegründer der Pop-Art und ist einer der letzten noch lebenden Künstler dieser Bewegung. 1961/62 Studium der Malerei an der Universität von Texas in Austin. Als jungen Künstler zog es ihn nach Los Angeles, wo er auf Felix Landau traf. Landau war einer der angesehensten Kunsthändler seiner Zeit. 1962 erste Einzelausstellung für Gill in New York. Daraus resultierte der Ankauf zweier Werke durch das Museum of Modern Art (MoMA). 1967 Teilnahme an der Sao Paulo Biennale u.a. mit Andy Warhol, Roy Lichtenstein und Robert Indiana.

James Francis Gill, Mini Hippie Bus, signierte Farbserigraphie von 2020, galeriegerahmt, mit ZertifikatJames Francis Gill, *1934 Tahoka, Texas, USA, VW Bus, "Mini Hippie Bus", Farbserigraphie auf handgeschöpftem Papier, 41 x 41 cm, Darstellung 30 x 30 cm, signiert, datiert (20)20, nummeriert 46/350, unter P.p. und Glas galeriegerahmt, mit Zertifikat.Zum Künstler: gilt als bedeutender Mitbegründer der Pop-Art und ist einer der letzten noch lebenden Künstler dieser Bewegung. 1961/62 Studium der Malerei an der Universität von Texas in Austin. Als jungen Künstler zog es ihn nach Los Angeles, wo er auf Felix Landau traf. Landau war einer der angesehensten Kunsthändler seiner Zeit. 1962 erste Einzelausstellung für Gill in New York. Daraus resultierte der Ankauf zweier Werke durch das Museum of Modern Art (MoMA). 1967 Teilnahme an der Sao Paulo Biennale u.a. mit Andy Warhol, Roy Lichtenstein und Robert Indiana.

James Francis Gill, Candy Girl, signierte Farbserigraphie von 2017, galeriegerahmt, mit ZertifikatJames Francis Gill, *1934 Tahoka, Texas, USA, "Candy Girl", Vogue, Farbserigraphie auf handgeschöpftem Papier, 90 x 65 cm, Darstellung 69 x 49 cm, signiert, datiert (20)17, nummeriert 14/80, unter P.p. und Glas galeriegerahmt, mit ZertifikatZum Künstler: gilt als bedeutender Mitbegründer der Pop-Art und ist einer der letzten noch lebenden Künstler dieser Bewegung. 1961/62 Studium der Malerei an der Universität von Texas in Austin. Als jungen Künstler zog es ihn nach Los Angeles, wo er auf Felix Landau traf. Landau war einer der angesehensten Kunsthändler seiner Zeit. 1962 erste Einzelausstellung für Gill in New York. Daraus resultierte der Ankauf zweier Werke durch das Museum of Modern Art (MoMA). 1967 Teilnahme an der Sao Paulo Biennale u.a. mit Andy Warhol, Roy Lichtenstein und Robert Indiana.