We found 6071 price guide item(s) matching your search
There are 6071 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
6071 item(s)/page
Various Vinyl LPs The Grateful Dead - American Beauty; John Mayall - Blues From The Laurel Canyon; Spooky Tooth - The Last Puff; Tyrannosaurus Rex; Joe Cocker - Double Back; Syd Barrett - Madcap Laughs and Barrett double album; Velvet Underground Andy Warhol; Family - Entertainment; Fairport Convention; The Best Of Joan Baez; Tim Buckley - Happy Sad; Country Joe And The Fish - Together, Electric Music For The Mind And Body and self titled (14)
Andy Warhol (American 1928-1987) VESUVIUS screenprint on Arches; signed and numbered 126/250 in pencil; embossed with the Rupert Jansen Smith, New York, chopmark; published by Fondazione Amelio, Naples with the copyright inkstamp on the reverse Feldman, F. and Schellmann, J., Andy Warhol Prints: A Catalogue Raisonné. 4th ed., 2003, #II.365. PROVENANCENatalie Knight Gallery, Hyde Park, Johannesburg, 1987 sheet size: 79,5 by 99,5cm
* Paul Stephenson [b.1976], after Warhol-Little Electric Chair - Cadmium Yellow,:-silkcreen print on linenstamped 'UNDENIED' to reverse56 x 71cm, unframed.*Notes Stephenson is a follower of Andy Warhol. Researching and recreating practices first established by Warhol in New York, London-based artist Stephenson is dedicated to creating After Warhol.*Notes Inspired by Warhol's [1964] Electric Chair the present lot references a press photograph of the death chamber at Sing Sing Prison in New York. Here Julius and Ethel Rosenberg were executed for passing details about the atomic bomb to Russia during World War Two. The original work was created at Warhol's studio in New York and forms part of his Death and Disaster series. Warhol is said to have quipped: "You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background colour matches the drapes"
The Skateroom Andy Warhol skateboard deck with Capmbell's tomato soup to reverse, together with three other skateboard decks and two broken skateboard decks (6) Andy Warhol deck - holes drilled in to each end. some minor scratches and scuff marks to top. small crack to back end. Front end with small hole near to larger hole. Damage around larger hole (more visible from reverse). Reverse with numerous scratches. Back end has smaller hole near larger hole and numerous scratches in surrounding area. Scratches to soup can. Deck with scull to reverse - numerous chips to wood. Large areas of grip missing. signed PSIONIC to centre in pen. Chips to ends and edges of deck.Deck with Joker and cartoons to reverse - marks and scratches consistent with use. Damage to grip.Deck with Punisher skull to reverse. Cracks to each end, wear to sides. Wear to grip. Cracks to truck holes.Other two decks broken in half and other halves not present. Damage also from use.
Quantity of art books, to include 'The Art Museum' by Phaidon Press Limited, 2011; 'Art of the 20th Century' Part I published by Taschen; '100 Contemporary Artists' edited by Hans Werner Holzwarth (2 vols), together with a collection of books on Any Warhol and various Contemporary Art books on artists such as Banksy, Grayson Perrry, Damien Hurst and Tracey Emin
Esther Mahlangu (South African 1935-)signed, dated 2007 in pencil on the plate and editioned 2/22 in pencil in the margin silkscreen on paper 34 Fine Art, Esther Mahlangu, Cape Town, 2007sheet size: 41 by 55cm PROVENANCE34 Fine Art Gallery, Cape TownFollowing in the traditions of Ndebele wall paintings passed down to her from her mother and grandmother, Esther Mahlangu creates artworks that include these geometric patterns, combined with her own personal style and colours, bringing the techniques of her culture into the gallery space. By the time Esther was a teenager, she was considered an expert at mural painting in her local community and she began incorporating a widening range of brightly coloured wall paint as it became available to her. Between 1980 and 1991, Esther worked at the Botshabelo Historical Village, an open-air museum dedicated to the Ndebele culture. In 1986, researchers who were travelling the world to document traditional art came across Esther Mahlangu’s house and recognised her exceptional ability. They invited her to create murals for an exhibition that included a number of international contemporary art. The exhibition was Magiciens de la Terre (Magicians of the World) which turned out to be a groundbreaking exhibition at the time for its inclusivity. Curated by Jean-Hubert Martin whose intention was to hold the first truly international exhibition of contemporary art. He exhibited the work of more than 100 of the artists, from fifty countries, at the Centre Pompidou and the Grand Halle at Parc de le Villette in Paris. Half of the artists who were included in the exhibition were non-Western and during his travels to seek out new artists he purposefully denied the definitions of art and craft, or trained and self-taught, rather seeking talent above all else and pushing for equality rather than the narcissistic perspectives of ‘Western’ art. After her inclusion in this exhibition, Esther’s career took off. She travelled to France in 1989 where she painted a house in front of thousands of viewers as a performance of her skill. Over the course of the next few years she was invited to paint venues around the world. Soon Mahlangu transferred the traditional Ndebele technique onto canvas and also silkscreen. In 1991, she was the first woman to paint a BMW 525i as part of the BMW Art Car Project, previous artists included Pop Art stars, Andy Warhol and Roy Lichtenstein. Arguably, Esther can be linked to these as well as contemporary art stars who depict, repeat and employ the objectives of consumerism. Similarly to the Mr Brainwash (lot 471) and (lot 472) and Banksy (lot 473) works that we have included in our auction, Mahlangu also began painting on walls, although not illicitly, and then presented her work in the gallery space, on traditional art materials such as canvases and paper, which others could buy and place on their own walls. Mahlangu’s aim has always been to preserve her cultural heritage and she opened a small art school in the backyard of her home in Mapumalanga, where she mentors other pupils in the traditional Ndebele style. Source: SA History Contemporaryand
Esther Mahlangu(South African 1935-)signed and dated 2012 in paint along the bottom edgeacrylic on canvas 34 Fine Art, Overlay solo exhibition, Cape Town, 201282 by 93cm PROVENANCE34 Fine Art, Cape TownFollowing in the traditions of Ndebele wall paintings passed down to her from her mother and grandmother, Esther Mahlangu creates artworks that include these geometric patterns, combined with her own personal style and colours, bringing the techniques of her culture into the gallery space. By the time Esther was a teenager, she was considered an expert at mural painting in her local community and she began incorporating a widening range of brightly coloured wall paint as it became available to her. Between 1980 and 1991, Esther worked at the Botshabelo Historical Village, an open-air museum dedicated to the Ndebele culture. In 1986, researchers who were travelling the world to document traditional art came across Esther Mahlangu’s house and recognised her exceptional ability. They invited her to create murals for an exhibition that included a number of international contemporary art. The exhibition was Magiciens de la Terre (Magicians of the World) which turned out to be a groundbreaking exhibition at the time for its inclusivity. Curated by Jean-Hubert Martin whose intention was to hold the first truly international exhibition of contemporary art. He exhibited the work of more than 100 of the artists, from fifty countries, at the Centre Pompidou and the Grand Halle at Parc de le Villette in Paris. Half of the artists who were included in the exhibition were non-Western and during his travels to seek out new artists he purposefully denied the definitions of art and craft, or trained and self-taught, rather seeking talent above all else and pushing for equality rather than the narcissistic perspectives of ‘Western’ art. After her inclusion in this exhibition, Esther’s career took off. She travelled to France in 1989 where she painted a house in front of thousands of viewers as a performance of her skill. Over the course of the next few years she was invited to paint venues around the world. Soon Mahlangu transferred the traditional Ndebele technique onto canvas and also silkscreen. In 1991, she was the first woman to paint a BMW 525i as part of the BMW Art Car Project, previous artists included Pop Art stars, Andy Warhol and Roy Lichtenstein. Arguably, Esther can be linked to these as well as contemporary art stars who depict, repeat and employ the objectives of consumerism. Similarly to the Mr Brainwash (lot 471) and (lot 472) and Banksy (lot 473) works that we have included in our auction, Mahlangu also began painting on walls, although not illicitly, and then presented her work in the gallery space, on traditional art materials such as canvases and paper, which others could buy and place on their own walls. Mahlangu’s aim has always been to preserve her cultural heritage and she opened a small art school in the backyard of her home in Mapumalanga, where she mentors other pupils in the traditional Ndebele style. Source: SA History Contemporaryand
Commercial poster of Andy Warhol portrait of Ingrid Bergman printed for sale to the public by Neus Publishing Co, NY under license from Warhol Foundation of Visual Arts. Colourful pop art design by the notable American artist Andy Warhol (1928-1987) depicting the award winning Swedish actress Ingrid Bergman (1915-1982) wearing a hat and looking to the side against a blue background. Very good condition, light folds. Country of issue: Germany, designer: Andy Warhol, size (cm): 59x59, year of printing: 1993
Commercial poster of Andy Warhol artwork of Campbell soup can printed for sale to the public by Neus Publishing Co, NY under license from Warhol Foundation of Visual Arts. Colourful pop art design by the notable American artist Andy Warhol (1928-1987) depicting an open and partly crushed can of Campbell's condensed beef noodles soup against a white background from his iconic Campbell's Soup Cans series produced from 1961-1962 (this one a variant of his 1962 Crushed Campbell's Soup Can Beef Noodle design). Very good condition, light folds, small pen mark on top right margin. Country of issue: Germany, designer: Andy Warhol, size (cm): 77x59.5, year of printing: 1993
Commercial poster of Andy Warhol portrait of Four Marilyns printed for sale to the public by Neus Publishing Co, NY under license from Warhol Foundation of Visual Arts. Pop art design by the notable American artist Andy Warhol (1928-1987) depicting four dark images of Marilyn Monroe (1926-1962) from his iconic Marilyn Monroe screen print series produced in 1967. Very good condition, light creases. Country of issue: Germany, designer: Andy Warhol, size (cm): 80x60.5, year of printing: 1993
Commercial poster of Andy Warhol artwork of 3 Coca Cola bottles printed for sale to the public by Neus Publishing Co, NY under license from Warhol Foundation of Visual Arts. Colourful pop art design by the notable American artist Andy Warhol (1928-1987) depicting three green Coke bottles above the Coca-Cola logo in red. Excellent condition. Country of issue: Germany, designer: Andy Warhol, size (cm): 80x60, year of printing: 1998
Commercial poster of The Andy Warhol Collection Shoes printed for sale to the public by McGaw Group under license from Warhol Foundation of Visual Arts. Colourful pop art design by the notable American artist Andy Warhol (1928-1987). Very good condition, light creases. Country of issue: USA, designer: Andy Warhol, size (cm): 86.5x66, year of printing: 2001
Music Memorabilia - Oasis promotional pack including Oasis Familiar To Millions (Rare UK official Big Brother promotional-only screen print depicting a Warhol-style multiple image of the brothers Gallagher in red, blue, green & yellow, hand numbered limited edition of 300 on handmade paper) this one is numbered 139 out of 300 and is in EX+ condition + 2 OASIS tour programmes (one from Knebworth and the other from 2000 for "Standing On The Shoulders Of Giants" + promotional poster for the Brit Pop compilation album "Cigarettes And Alcohol" from 2002 which featured Oasis.
Andy Warhol (1928-1987)Marilyn (Announcement) (Not in Feldman & Schellmann)Offset lithograph printed in colours, 1981, signed in black felt-tip pen, from the edition of unknown size, published by Leo Castelli Gallery, New York on a sheet of folded smooth wove paper with the exhibition details printed on the reverse, the full sheet printed to the edges, sheet 305 x 305mm (12 x 12in) (unframed)
Andy Warhol (1928-1987)Ladies and Gentlemen (Feldman & Schellmann 137)Screenprint in colours, 1975, signed, dated and numbered from the edition of 125, the total edition was 250, printed by Alexander Heinrici, New York, published by Luciano Anselmino, Milan, on Arches paper, with full margins, sheet 1105 x 724mm (43 ½ x 28 ½in) (unframed)
Andy Warhol (1928-1987)Space Fruit: Apples (Feldman and Schellmann II.200)Screenprint in colours, 1979, signed in black felt-tip pen, a rare exhibition proof aside from the edition of 150, on Stathmore Bristol paper, printed by Rupert Jasen Smith and Joe Gripi, New York, published by Grippi/Zivian, Inc., New York, the full sheet 762 x 1016mm (30 x 40in) (unframed)
Andy Warhol (1928-1987) (after)Mao (Sunday B Morning) (set of five)The complete set of five screenprints in colours, 2011, each on Archival Museum Board, printed and published by Sunday B Morning, with their blue inkstamps verso, each the full sheet printed to the edges, each 850 x 750mm (33 1/2 x 29 1/2in) (unframed) (5)This lot is accompanied by a certificate of authenticity issued by the Publisher.
Andy Warhol (1928-1987) (after)Mona Lisa (Sunday B. Morning) (set of three)Screenprints in colours, 2019, each inscribed 'PP' and numbered from the edition of 1,500 in pencil verso, each a printer's proof aside from the standard edition, each on Archival Museum Board, published by Sunday B Morning, with their rubber stamps in blue ink verso, each the full sheet printed to the edges, each 890 x 585mm (35 x 23in) (unframed) (3)This work is accompanied by a certificate of authenticity issued by the publisher.
-
6071 item(s)/page