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MONAKOERolling Stone Magazine, WarholEpreuve sur Papier Beaux-Arts, signé et numéroté à 10 exemplaires. Encadré.83 x 59 cmUn certificat d’authenticité accompagne l’œuvre.

Andy WARHOL (D’Après)Andy Warhol, Mike JagerAffiche Impression offset84 x 56 cm

Pablo Picasso (1881-1973) Spanish "Posters of Picasso" Screen printed cotton for Bloomcraft 1950's, 69cm by 54cmWith selvedge to the reverseExhibited: "Textiles Picasso to Warhol", Fashion and Textile Museum, London, 2014

Andy Warhol (1928 in Pittsburgh - 1987 in New York City)Ausstellungsposter für die Galerie Reese in Lübeck, 1980, Farboffsetprint, handsigniert, ca. 84x61cm, gerahmt (ca. 89x64cm), Knickspuren, Signatur leicht verblasst

Andy Warhol & Salvador Dali. Circa 1972. Original photograph by Salvador Dali and Alice Cooper directed by Andy Warhol. Signed "Dali" upper left. Certificate “The Andy Warhol Foundation for the Visual artsâ€. Photo reference 02/F10. - Weight: 20 g - Region: Spain - Sizes: H=210mm L=195mm - Condition: At first sight - good condition - no restoration - no repair - Author / artist: Andy Warhol & Salvador Dali

Artist: Andy Warhol (American, 1928 - 1987). Title: "Man Ray #1". Medium: Color offset lithograph. Date: Composed 1974. Dimensions: Overall size: 8 5/8 x 8 1/2 in. (219 x 216 mm).Lot Note(s): Signed in black felt tip pen, center left. Edition unknown, presumed very small. Cream wove smooth paper. Printed to the edge of the sheet. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann II.148. Comment(s): Rare. Issued to promote the 'Man Ray' exhibition at Galleria Il Fauno and Alexandre Lolas, Milan, Italy, in August of 1974. The show consisted of 28 separate images of Man Ray. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. Printed by Poligrafico Roggero & Tortia, Beinasco/Turin, Italy. In the early 1970s Warhol began to accept regular commissions to paint the portraits of the rich and famous. However, as well as commissions, he also painted a number of portraits of people he admired, especially other artists. Man Ray was one of his heroes, so much so that, when he could afford it, Warhol acquired a number of his photographs, paintings and early books. This image is based on a Polaroid photograph he took of him, cigar in mouth, in 1973. As with the portraits of his mother and other people he felt close to, these portraits of Man Ray are among the most painterly and heavily-worked Warhol ever painted. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28803-2-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger Suite (first edition) [the complete "first edition" set of 10 (unsigned) announcement cards in the original printed folder - a "mini portfolio" - Marechal, Section 7c, no.33A]". Medium: Color offset lithographs. Date: Composed 1975. Dimensions: Overall size: 6 1/16 x 4 in. (154 x 102 mm).Lot Note(s): Neither signed in the plate nor in marker. Edition limited, quantity unknown, possibly c.800. Cream smooth wove paper. The full sheets. Strong, bright colors. Fine condition; each card numbered consecutively from one to ten, verso. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A; cf. Feldman/Schellmann II.138-147. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): Our example, the first edition, is much scarcer than the second. As to value, an unsigned example of the second edition sold for $17,156 (€12,500) at Ketterer Kunst, Munich, 12/7/2013, lot #849. The first edition is neither signed nor numbered in the plate and is 1/16" shorter in height than the second. The second is signed in the plate both by Warhol and Jagger and is numbered in the plate 2/250. Regarding the first edition, apparently the Castelli staff took photographs of the screenprints before Warhol and Jagger signed them and sent them to the printer. Realizing the mistake, the print run was halted and the portfolios never released to the public. The second edition was printed later after the actual screenprints had been signed, the photographs taken by Warhol himself. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Images copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28957-1-1600]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Mick Jagger #01 (first edition) [announcement]". Medium: Color offset lithograph. Date: Composed 1975. Dimensions: Overall size: 6 1/8 x 4 in. (156 x 102 mm).Lot Note(s): Signed by Warhol in black marker. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good to fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(i); cf. Feldman/Schellmann II.138. Comment(s): This from the first edition of the Mick Jagger announcement set, unlike the second not signed in the plate both by Warhol and Jagger nor numbered in the plate. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29433-1-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Ingrid Bergman: With Hat (05)". Medium: Color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm).Lot Note(s): Signed in black felt tip pen, lower right; signed in the plate. Edition unknown, presumed very small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IIB.315. Comment(s): Scarce, and rare signed. A signed impression from this series sold for $1,248 at Pierre Cornette de Saint Cyr, Paris, June 25, 2012, lot #420. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. Apparently there were very small quantities of this lithograph (our example) printed for distribution on opening night and they went quickly. This image of Bergman, one of the "trial proof unique prints," is based on a movie still from "Casablanca." Published by Galerie Borjeson AB, Malmo. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28336-2-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Campbell's Soup Can #1 [drawing]". Medium: Marker drawing on paper. Date: Composed c1978. Dimensions: Overall size: 10 1/8 x 7 1/8 in. (257 x 181 mm).Lot Note(s): Signed by Warhol in black marker. Cream wove paper. Fine Condition. Provenance: Gifted from Andy Warhol to Frederick W. Hughes (his business manager for more than 25 years), thence gifted to private collector, Sweden, thence to our consignor. Comment(s): Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29032-2-2400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Guns #06". Medium: Color offset lithograph. Date: Printed 1982. Dimensions: Overall size: 5 5/8 x 7 13/16 in. (143 x 198 mm).Lot Note(s): Signed in black marker, lower left. Edition unknown, presumed very small. Light cream wove smooth coated paper. The full sheet. Fine impression. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIA.34[a]. Comment(s): Rare. No auction records located. Issued to promote the 'Andy Warhol: Guns, Knives, Crosses' exhibition at the Galeria Fernando Vijande, Madrid, Spain. The show consisted of dozens of separate images of Warhol's renditions of guns, knives, and crosses. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. The reception was held on December 19th and the exhibition ran from December 20th, 1982 to February 12, 1983. Printed by Grafex, Madrid. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28863-1-600]

Artist: Henri Matisse (French, 1869 - 1954). Title: "Le visage et l'admirateur". Medium: Watercolor with gouache and ink drawing on paper. Date: Composed c1940. Dimensions: Overall size: 9 5/16 x 7 1/16 in. (237 x 179 mm).Lot Note(s): Hand-signed lower left. Drawn on cream wove paper. Very good condition. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from Henri Matisse in 1953 at the Café de l’Hôtel Negresco, Nice, France. A noted Italian author, art dealer, and art collector, Quinto acquired over the years dozens of small works on paper as gifts from artists he knew, including Matisse, Warhol, Twombly, Basquiat, and Haring. The original Letter of Authenticity by Mauro Urbano pertaining to this work accompanies the lot. Comment(s): The small masculine figure in a painter’s smock, gazing at the lovely woman’s face, might well be Matisse himself. Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Matisse image copyright © Succession H. Matisse, Paris/Artists Rights Society (ARS), New York. [30394-1-1000]

Artist: Keith Haring (American, 1958 - 1990). Title: "Diver and Dolphin". Medium: Four color marker drawing on paper. Date: Composed 1983. Dimensions: Overall size: 8 1/4 x 6 in. (210 x 152 mm).Lot Note(s): Hand-signed and dated, center right. Drawn on light cream slick wove paper. Very good to fine condition; would be fine save for light tanning left edge. Provenance: The work comes from the collection of Urbano Quinto and was acquired directly from Keith Haring in 1983 during the mid-October to mid-November 1983 exhibition of Haring’s work at the Robert Fraser Gallery, London. The noted Italian author, art dealer, and art collector Urbano Quinto met Haring in the early 1980s at Andy Warhol’s “factory” at 33 Union Square West in New York City. Quinto acquired a number of drawings from Basquiat, Haring, and Warhol as well as other Pop, Graffiti, and Contemporary artists, directly from the artists in the 1970’s – 80’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Haring image copyright © The Keith Haring Foundation. [30388-1-1000]

Artist: Andy Warhol (American, 1928 - 1987). Title: "One Multicolored Marilyn #6". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 7 7/8 x 6 7/16 in. (200 x 164 mm).Lot Note(s): Signed in black felt tip pen, lower margin. Edition unknown, presumed very small. Cream wove smooth paper. Wide margins. Fine impression. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIA.3[a]. Comment(s): Rare. Issued to promote the 'Multicolored Marilyns Reversal Series' exhibition at the Akira Ikeda Gallery, Tokyo, Japan. The show consisted of 12 separate images of Marilyn. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The reception was held on December 5th, 1986 and the exhibition ran from December 6th to 25th. Printed by Takada Printing Co. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28821-2-600]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Banana". Medium: Original color silkscreen. Date: Composed 1981. Dimensions: Overall size: 24 3/8 x 12 1/4 in. (619 x 311 mm).Lot Note(s): Signed in pencil, upper left. Edition unknown, probably very small. Light cream wove paper. The full sheet. Fine impression. Very good condition. Literature/catalogue raisonne: cf. Marechal 29; Feldman/Schellmann II.10. Comment(s): Extremely rare. No auction records located. Created for the exhibition of Warhol's record album covers at the ARoS Aarhus Kunstmuseum, Aarhus, Denmark, and the Nationalmuseum, Stockholm, Sweden, in 1981. Features the famous image of the banana, which Warhol created for the cover of the legendary 1967 Velvet Underground and Nico record album. There was also a catalogue issued for this exhibition, with a non-Warhol image on the cover. Undoubtedly to be included in the forthcoming catalogue raisonne of Warhol's non-commissioned posters by Paul Marechal. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28447-5-2000]

Artist: Jean-Michel Basquiat (American, 1960-1988). Title: "Untitled (Urb-King)". Medium: Crayon & pencil drawing on paper. Date: Composed 1984. Dimensions: Overall size: 6 5/8 x 6 in. (168 x 152 mm).Lot Note(s): Hand-signed upper center, dedicated and dated. Drawn on pale cream wove paper. Fine condition as drawn - the paper imperfection is inherent in the work. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from Jean-Michel Basquiat during a meeting of the two in 1984 at Basquiat’s studio at 57 Great Jones Street, New York City. Basquiat’s hand-printed text is a dedication to Quinto. The noted Italian author, art dealer, and art collector Urbano Quinto met Basquiat in the early 1980s in New York City. Quinto acquired a number of drawings from Basquiat, Haring, and Warhol as well as other Pop, Graffiti, and Contemporary artists, directly from the artists in the 1970’s – 80’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Basquiat image copyright © The Estate of Jean-Michel Basquiat/ADAGP, Paris; ARS, New York. [30392-1-1000]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Christmas card: Tree of Treats". Medium: Original vintage color offset lithograph. Date: Composed 1960. Printed 1960. Dimensions: Overall size: 6 7/16 x 5 1/16 in. (164 x 129 mm).Lot Note(s): Signed in black marker, lower center. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Fine condition; fold as issued; unused; blank interior; lot includes original unused Tiffany envelope (embossed "Tiffany & Co. Makers New York"), also in fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 3, no. 12a; John Loring, “Greetings from Andy (Warhol): Christmas at Tiffany’s.” New York: Harry N. Abrams, Inc., 2004. Comment(s): Warhol's lifetime Tiffany Christmas cards are rare, and extremely rare signed. The most recent sale price we found of a card, unsigned and without the envelope, was $3,000 at Christie's New York, December 1st, 2014, lot #62. In 1956, in addition to all the work Warhol was getting drawing shoes and bags, he was commissioned to design Christmas cards for Tiffany & Co. on Fifth Avenue in New York City. Warhol's cards were then published by Tiffany's every Christmas up to 1962, the year he started to exhibit his paintings of soup cans. Our example offered here is from the original first printing in 1960. The cards were subsequently reprinted in a slightly larger size in 1980. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28734-1-600]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Rebel without a Cause [James Dean] [announcement]". Medium: Color offset lithograph. Date: Composed 1985. Dimensions: Overall size: 6 x 4 1/4 in. (152 x 108 mm).Lot Note(s): Signed in black marker, upper margin. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Undoubtedly to be included in the forthcoming revised edition of the catalogue raisonne of Warhol's ephemera by Paul Marechal; cf. Feldman/Schellmann II.355. Comment(s): No auction records located. The image of this scarce announcement was issued as one of the silkscreens in Warhol's famous 'Ads' portfolio, one of his most sought after series. Published by Ronald Feldman Fine Arts, New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28727-1-400]

Artist: Helmut Newton (German/Australian, 1920-2004). Title: "Andy Warhol, Paris". Medium: Original photolithograph. Date: Composed 1976. Printed 1992. Dimensions: Overall size: 10 7/8 x 7 3/16 in. (276 x 183 mm).Lot Note(s): Signed in black marker by Helmut Newton, lower right, and by Andy Warhol, upper left. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Good to very good condition; a few unobtrusive smudges and handling blemishes, visible only in the raking light; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Image copyright © Helmut Newton Foundation. [30326-2-800]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Christmas card: Star of Wonder". Medium: Original vintage color offset lithograph. Date: Composed 1960. Printed 1960. Dimensions: Overall size: 5 1/16 x 6 7/16 in. (129 x 164 mm).Lot Note(s): Signed in black marker, right margin. Edition unknown, presumed small. Light cream wove paper. The full sheet. Fine impression. Fine condition; fold as issued; unused; blank interior; lot includes original unused Tiffany envelope (embossed "Tiffany & Co. Makers New York"), also in fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 3, no. 12b; John Loring, “Greetings from Andy (Warhol): Christmas at Tiffany’s.” New York: Harry N. Abrams, 2004, pg.71. Comment(s): Warhol's lifetime Tiffany Christmas cards are rare, and extremely rare signed. The most recent sale price we found of a card, unsigned and without the envelope, was $3,000 at Christie's New York, December 1st, 2014, lot #62. In 1956, in addition to all the work Warhol was getting drawing shoes and bags, he was commissioned to design Christmas cards for Tiffany & Co. on Fifth Avenue in New York City. Warhol's cards were then published by Tiffany's every Christmas up to 1962, the year he started to exhibit his paintings of soup cans. Our example offered here is from the original first printing in 1960. The cards were subsequently reprinted in a slightly larger size in 1980. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28736-1-600]

Artist: Keith Haring (American, 1958 - 1990). Title: "Radiant Baby [1983]". Medium: Black marker drawing on paper. Date: Composed 1983. Dimensions: Overall size: 5 3/16 x 8 1/4 in. (132 x 210 mm).Lot Note(s): Hand-signed and dated, center right. Drawn on light cream slick wove paper. Very good to fine condition; remains of tape, verso; slight tanning right edge; a few very minor handling dimples. Provenance: The work comes from the collection of Urbano Quinto and was acquired directly from Keith Haring in 1983 during the mid-October to mid-November 1983 exhibition of Haring’s work at the Robert Fraser Gallery, London. The noted Italian author, art dealer, and art collector Urbano Quinto met Haring in the early 1980s at Andy Warhol’s “factory” at 33 Union Square West in New York City. Quinto acquired a number of drawings from Basquiat, Haring, and Warhol as well as other Pop, Graffiti, and Contemporary artists, directly from the artists in the 1970’s – 80’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Haring image copyright © The Keith Haring Foundation. [30386-1-1000]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Bald Eagle". Medium: Original color analogue photograph. Date: Composed 1983. Dimensions: Overall size: 4 x 6 in. (102 x 152 mm).Lot Note(s): Signed in black marker. Printed on Kodak photographic paper. The full sheet. Fine, quality printing. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.296. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): This photograph was taken by Warhol (probably with his Konica C35 EF) in Rupert Jasen Smith’s studio before the ‘Bald Eagle’ print was signed by Warhol. Once it was developed, this photo (and the print) were then signed by Warhol. An image from the ‘Endangered Species’ series. The regular edition silkscreens were printed by Rupert Jasen Smith, New York City and published by Ronald Feldman Fine Arts, Inc., New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29254-1-1600]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Black Rhinoceros [offset lithograph]". Medium: Original color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 9 1/16 x 7 3/16 in. (230 x 183 mm).Lot Note(s): Signed in silver marker, lower margin. Edition unknown, presumed very small. Very light cream wove paper. Ample margins. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.301. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): Published for an important exhibition of Warhol’s “Endangered Species” prints. The regular edition silkscreens were printed by Rupert Jasen Smith, New York City and published by Ronald Feldman Fine Arts, Inc., New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29244-1-1200]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Butterflies [drawing]". Medium: Color marker drawing on paper. Date: Composed 1977. Dimensions: Overall size: 7 x 8 in. (178 x 203 mm).Lot Note(s): Hand-signed and dated, lower center. Drawn on light cream wove paper. Very good to fine condition. Provenance: The work comes from the collection of Urbano Quinto and was acquired by him directly from Andy Warhol in 1977 during a meeting of the two at the Studio 54 nightclub in New York City. The noted Italian author, art dealer, and art collector Urbano Quinto met Andy Warhol in the 1970s at Warhol’s “factory” in New York City. Quinto acquired a number of drawings from Basquiat, Haring, and Warhol as well as other Pop, Graffiti, and Contemporary artists, directly from the artists in the 1970’s – 80’s. The original Letter of Authenticity by Urbano Quinto pertaining to this work accompanies the lot. Comment(s): Please see the attached image of Urbano Quinto with Halston, Andy Warhol, and Bianca Jagger at Studio 54, New York City, c1977 (courtesy of and copyright © by Hasse Persson). Warhol image copyright © The Andy Warhol Foundation for the Visual Arts/Artists Rights Society (ARS), New York. [30391-1-1000]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Knives #07". Medium: Color offset lithograph. Date: Printed 1982. Dimensions: Overall size: 11 3/8 x 8 5/16 in. (289 x 211 mm).Lot Note(s): Signed in black marker, lower right. Edition unknown, presumed very small. Light cream wove smooth coated paper. The full sheet. Fine impression. Very good condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIA.32. Comment(s): Rare. No auction records located. Issued to promote the 'Andy Warhol: Guns, Knives, Crosses' exhibition at the Galeria Fernando Vijande, Madrid, Spain. The show consisted of dozens of separate images of Warhol's renditions of guns, knives, and crosses. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. The reception was held on December 19th and the exhibition ran from December 20th, 1982 to February 12, 1983. Printed by Grafex, Madrid. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28857-2-700]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Marilyn Diptych [museum promotional card]". Medium: Original color offset lithograph. Date: Composed 1962. Printed 1984. Dimensions: Overall size: 4 1/8 x 6 in. (105 x 152 mm).Lot Note(s): Signed in black marker, upper right. Edition unknown. Light cream coated wove paper. The full sheet. Fine impression. Fine condition. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): No auction records located. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29243-1-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "The Shadow (Andy Warhol) [announcement]". Medium: Color offset lithograph. Date: Composed 1981. Dimensions: Overall size: 6 7/8 x 6 7/8 in. (175 x 175 mm). Image size: 6 7/8 x 6 7/8 in. (175 x 175 mm).Lot Note(s): Signed in black marker, upper left. Edition unknown, presumed small (250?). Light cream wove paper. Printed to the edge of the sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no. 36(i); cf. Feldman/Schellmann II.267. Comment(s): This "mini portfolio" card announcement is based on a photograph of Andy Warhol by Rupert Jasen Smith. The image was issued as one of the silkscreens in Warhol's famous 'Myths' portfolio, one of his most sought after collections. Our example is one of the set of 10 announcements included in a purple portfolio wrapper with a separate card containing information about the series (folder and information card not part of lot). Published by Ronald Feldman Fine Arts, Inc., New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28549-1-800]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Ingrid Bergman: Herself (05)". Medium: Color offset lithograph. Date: Composed 1983. Dimensions: Overall size: 8 1/4 x 8 1/4 in. (210 x 210 mm). Image size: 7 15/16 x 7 15/16 in. (202 x 202 mm).Lot Note(s): Signed in black felt tip pen, center right; signed in the plate. Edition unknown, presumed very small. Light cream smooth wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IIB.313. Comment(s): Scarce, and rare signed. A signed impression from this series sold for $1,790 at Pierre Cornette de Saint Cyr, Paris, June 20, 2011, lot #412. Issued for the December 3, 1983, opening night exhibition of "Andy Warhol: Portraits of Ingrid Bergman" at Galerie Borjeson, Malmo, Sweden. Apparently there were very small quantities of this lithograph (our example) printed for distribution on opening night and they went quickly. This image of Bergman, one of the "trial proof unique prints," is based on an early publicity photograph. Published by Galerie Borjeson AB, Malmo. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28333-2-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Brillo Box #2". Medium: Color inks on stiff paperboard. Date: Composed The box produced prior to 1963. Lot Note(s): Signed c1968 in black marker, center left. Quantity unknown, few survive. Printed on thin grey-brown stiff paperboard. Quality printing. Very good to fine condition; minor wear at edges; includes the unused pad. Dimensions: 3 x 2 3/4 x 1 in. (7.6 x 7 x 2.5 cm.). Comment(s): The most recent auction record we could find of a Brillo Box in this rare size is a sale for $2,250 at Auctionata, New York, January 19th, 2016, lot #35. In the mid-1960s Warhol carried his consumer-product imagery into the realm of sculpture. Calling to mind a factory assembly line, Warhol employed carpenters to construct numerous plywood boxes identical in size and shape to supermarket cartons. Then he painted and silkscreened the boxes with logos of different consumer products, including Brillo soap pads. When Warhol first exhibited them at the Stable Gallery in 1964 they caused great controversy. In reference to the boxes he later said that he "wanted something ordinary," and it was this mundane, commercial subject matter that infuriated the critics. Shortly after the exhibition, Warhol, from time to time, began to sign actual supermarket Brillo boxes – our example is one of these. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29240-19-800]

Artist: Robert Mapplethorpe (American, 1946 - 1989). Title: "Andy Warhol". Medium: Original vintage photogravure. Date: Composed 1983. Printed 1985. Dimensions: Image size: 9 15/16 x 9 7/8 in. (252 x 251 mm).Lot Note(s): Stamped with the photographer's name, verso. Edition unknown, presumed small. High-grade archival paper. Printed to the edge of the sheet. Fine, quality printing. Very good to fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Comment(s): Image copyright © The Robert Mapplethorpe Foundation. [29508-3-600]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Siberian Tiger [original photograph]". Medium: Original color analogue photograph. Date: Composed 1983. Dimensions: Overall size: 4 x 6 in. (102 x 152 mm).Lot Note(s): Signed in black marker. Edition: unique. Printed on Kodak photographic paper. The full sheet. Fine, quality printing. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.297. Provenance: Private collection, Sweden, thence to our consignor. Comment(s): This photograph was taken by Warhol (probably with his Konica C35 EF) in Rupert Jasen Smith’s studio before the ‘Siberian Tiger’ print had been signed by the artist. Once it was developed, this photo (and the print) were then signed by Warhol. An image from the ‘Endangered Species’ series. The regular edition silkscreens were printed by Rupert Jasen Smith, New York City and published by Ronald Feldman Fine Arts, Inc., New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29256-1-1600]

Hyperrealismus - - Gottfried Helnwein. (1948 Wien). Andy Warhol. 1990. Farbserigraphie auf strukturiertem Karton. 98,5 x 66 cm (119 x 79 cm). Signiert und datiert sowie römisch nummeriert. - Guter Zustand. Eines von 90 römisch nummerierten Exemplaren. Colour silkscreen on grained cardboard. Signed, dated and roman numbered. - One of 90 roman numbered copies. - Good condition.

Pop Art - - Andy Warhol. o.T. (Kiku). 1983. Farbserigraphie auf Vélin. 19,8 x 28 cm (19,8 x 28 cm). Punktuell unter Passepartout montiert und unter Glas gerahmt. - Guter Zustand. Sauberer, satt-pulvriger Abzug. Selten. Schellmann, II.308 (Farbvariante). - Erschienen in dem Katalog anlässlich der retrospektiven Ausstellung "Kiku" in Tokio, Gendai Hanga Center, 1983. - 1982 wurde Andy Warhol für eine retrospektive Wanderausstellung in Japan angefragt. Als Teil der Ausstellung erschuf Warhol mehrere Arbeiten, die sich mit der japanischen Kultur auseinandersetzten. Hierbei fokussierte er sich auf die Bedeutung von Blumen, insbesondere Chrysanthemen (japanisch "Kiku"), die in Japan ein traditionelles Symbol für den japanischen Kaiser und das Kaiserhaus darstellen. Colour silkscreem on smooth paper. Mounted in spots under passepartout and framed under glass. - Good condition. Clean, rich powdery print. Rare. - Produced for the catalogue of the exhibition "Kiku" in Tokyo at Gendai Hanga Center, 1983.

Pop Art - - Andy Warhol. (1928 Pittsburgh - 1987 New York). Paloma Picasso. 1975. Farbserigraphie auf chamoisfarbenem Bütten. 104,1 x 71 cm (104,1 x 71 cm). Verso signiert sowie bezeichnet "h.c.". - Insgesamt etwas berieben. Ecken mit leichten Knickspuren, dort teils mit wenig Farbabrieb. Vereinzelt mit kleinen und schwachen Braunfleckchen, diese wenig auffällig. Die Farben pudrig-saturiert. Schellmann, II.121. - Exemplar hors de commerce abseits der herkömmlichen Auflage. - Hg. v. Propyläen-Verlag Berlin und Panthéon Presse, Rom für für das Portfolio "America's Hommage à Picasso". - Druck bei Alexander Heinrici, New York. Colour silkscreen on buff handmade paper. Signed and inscribed "h.c." on verso. - Somewhat rubbed overall. Corners with slight crease marks, there partly with little paint abrasion. Isolated with small and faint brown spots, these not very noticeable. The colours are powdery-saturated. - Copy hors de commerce off the conventional edition. - Pub. by Propyläen-Verlag Berlin and Panthéon Presse, Rome for the portfolio "America's Hommage à Picasso". - Printed by Alexander Heinrici, New York.

Warhol, Andy (Pittsburgh 1928 - 1987 New York) nach,"Brigitte Bardot",Serigrafie auf Papier, verso Stempel Brigitte Bardot, 90 x 90 cm, unter Glas gerahmt

Warhol, Andy (Pittsburgh 1928 - 1987 New York) nach,"Brigitte Bardot", 4 Serigrafien auf Papier, verso blauer Stempel Brigitte Bardot Screenprint: After Andy Warhol, 90 x 90 cm, o.R.

Andy Warhol, 1928-1987, Selbstporträt, Farboffset auf Arches Bütten, Ed. 31/100, im Druck signiert, Edition Georges Israel, verso Stempel Leo Castelli New York, 57x38 cmAndy Warhol, 1928-1987, self-portrait, color offset on Arches laid paper, Ed. 31/100, signed in print, Edition Georges Israel, versostamp Leo Castelli New York, 57x38 cm

Andy Warhol, 1928-1987, 'Marylin Monroe', Farboffset auf Arches Bütten, Ed. 31/100, im Druck signiert, Edition Georges Israel, verso Stempel Leo Castelli New York, 57x38 cmAndy Warhol, 1928-1987, #'Marylin Monroe#', color offset on Arches laid paper, Ed. 31/100,signed in print, Edition Georges Israel, versostamp Leo Castelli New York, 57x38 cm

Andy Warhol, 1928-1987, 'Marylin Monroe', Gicleedruck auf Arches Bütten, Ed. 42/100, im Druck signiert, Edition Georges Israel, verso Stempel Leo Castelli New York, 57x38 cmAndy Warhol, 1928-1987, #'Marylin Monroe#', giclee print on Arches laid paper, Ed. 42/100,signed in print, Edition Georges Israel, versostamp Leo Castelli New York, 57x38 cm

Nach Andy Warhol, Siebdruck auf festem Karton, 'Der Schrei/ The Scream', rückseitig num. 58/1500, Blattgr. 89 x 63.4 cm, rückseitig mit Stempel des Hrsg. und dem Zusatz: 'Fill in your own signature', mit Echtheitszertifikat des Hrsg.After Andy Warhol, screen print on firm cardboard, #'Der Schrei/ The Scream#', num. 58/1500, sheet size 89 x 63.4 cm, with the editor's stamp on the reverse and the addition: #'Fill in your own signature#', withthe editor's certificate of authenticity.

Nach Andy Warhol, Siebdruck auf festen Karton, Marilyn Monroe, Hrsg. Sunday B. Morning, rückseitig mit Stempel des Hrsg. und dem Zusatz 'Fill in your own signature', Echtheitszertifikat des Hrsg., Blattmaß ca. 91.5 x 91.5 cm, angefertigte Galerie-Rahmung ca. 100 x 100 cmAfter Andy Warhol, screen print on firm cardboard, Marilyn Monroe, ed. Sunday B. Morning, verso with the editor's stamp and theaddition #'Fill in your own signature#', the editor's certificate of authenticity, sheet size approx. 91.5 x 91.5 cm , ready-made gallery framing approx. 100 x 100 cm

Andy Warhol, 1928-1987, '2 Dollars (Thomas Jefferson)' Seriennr. E04465797A, 1976, Briefmarke u. US-Post-Stempel (13.April 1976),Vorder- u. Rückseite signiert bzw. gestempelt,155,9x66,2 cm, in Plexiglas gerahmt ca. 15x20 cm, m. EchtheitszertifikatAndy Warhol, 1928-1987, #'2 Dollars (Thomas Jefferson)#' serial no. E04465797A, 1976, postage stamp and US postal stamp (April 13, 1976), front and back signed and stamped, 155.9x66.2 cm, framed in Plexiglas approx. 15x20 cm, with certificate of authenticity

Andy Warhol, 1928-1987, '1 Dollar (George Washington)', Seriennr. S82666069A, 1957, Vorder- u. Rückseite signiert bzw. gestempelt,155,9x66,2 cm, in Plexiglasrahmen ca. 15x20 cm, m. EchtheitszertifikatAndy Warhol, 1928-1987, #'1 Dollar (George Washington)#', serial no. S82666069A, 1957, front and back signed and stamped, 155.9x66.2 cm, in Plexiglas frame approx. 15x20 cm, with certificate of authenticity

After Andy Warhol, "Absolut Vodka", poster, together with a collection of further art posters and prints (a collection) (all unframed)

Drei Paperweights. Rosenthal. Entwurf nach Andy Warhol. Farbloses Glas mit Einschmelzungen, D=8,3 bis 9 cm.

[s and up] Bad Boys, Amsterdam 1986 (1) Two flyers designed by Keith Haring announcing the release of his 1986 silkscreen edition by publishing house Bébert, Rotterdam. Xeroxed posters, each 42 x 30 cm, one copy printed on pink paper (slight creases), one on green paper (mint).(2) Soyo Productions presenteert: The Warhol Link, Piero Heliczer, 1989. Poster, 59 x 42 cm, printed black on pale blue offset. Announces a multi-media event held at the Amsterdam clubs Roxy and Zaal 100, featuring poetry, prose, film and theatre. Films by Warhol and Heliczer. Participants included Richard Hell, Simon Vinkenoog et al. Good copy, unfolded. (total 2)

[s and up] Andy Warhol, $ Undated, ca.1981. Original dollar symbol drawing executed and signed by Andy Warhol on brown cash envelope. The padded envelope measures approx. 14 x 19 cm, mounted and framed to 33.5 x 39 cm. In the early 1960s Warhol depicted various one-dollar bills, in 1981 he returned to this imagery and completed a series of drawings and paintings of the dollar sign. Fine copy.

[s and up] Andy Warhol, signed SAS passenger bag Grey plastic travel bag, 41 x 25 cm, printed with blue logo and golden wings of Scandinavian Airlines. Signed on the top by Andy Warhol, 79. Also features a drawing of an airplane by the artist, 10 x 10 cm. The bag itself dates from the mid 1960s. In 1968 Warhol had a major exhibition at the Moderna Museet in Stockholm, for which he made a silkscreen edition featuring a SAS passengers ticket. Regular age wear on the bag, the signature has very light fading at the bottom part, but generally the drawing and signature are in good condition.

[s and up] Andy Warhol, signed jeans jacket Undated. Jeans jacket from the brand Dobber, size XL. Profusely decorated with signatures and small drawings by Andy Warhol. The front features 2 sketches (including dollar signs) as well as two large signatures on the sleeves. The backside has a large drawing of a soup can and a dollar sign as well as two large signatures by the artist and the dedication 'to Jan'.

[Prints and Posters] Walasse Ting, 1¢ LIFE London, Editions Alecto, 1965. Offset print on pink paper, 75.8 x 47.6 cm, folded 3 times. Poster announcement for a Pop Art exhibition featuring lithographs by Ting, Alechinsky, Lichtenstein, Warhol, Oldenburg et al. Moderate rubbing along folds and extremities, fine copy.

[Ephemera] Daniel Templon, Paris 52 invitation cards from 1977 to 1983. White glossy postcards with black text in consistent lay-out, each 10 x 15 cm. Exhibitions by Willem de Kooning (1977), Andy Warhol (Dollar Signs, 1982), Carl André (1983), Robert Morris, Frank Stella, Ben (Ecritures 1958-1983, 1983), Pierre Klossowski, Bernar Venet, Sandro Chia, Julian Schnabel et al. Mailed copies. (total 52)

[Ephemera] Museum Haus Lange and Kaiser Wilhelm Museum, Krefeld Light grey plastic ring binder titled on spine 'Museum Lange 4'. Houses around 50 perforated invitation cards and documentation from 1971 to 1976. Includes: (1) Christo, Warhol, Penck, Roth, Beuys, Yves Klein, Haus Rucker Co. et al. (2) Added are 40 loose invitation cards dating from 1977-1983, including Palermo (1977), Ruthenbeck (1978), Nicola de Maria (1983). Mailed copies. (total ca. 90)

[Subculture] Kiss Tabloid, New York, 1969. (1) Issue 12, 16, 17 and 19. One of the foremost 'pornzines' of New York. No. 12 with an article 'Underground confidential' by Andy Warhol. With: (2) X (Screw presents a new exciting publication). New York, 1970. Issues 1, 3 and 4. Incl. Comic adventures of Popeye, Grotchie and Super (Fag)-Man. Added: (3) Haight Ashbury Free Press. San Francisco Graphic Arts Society, vol. 2 no. 2. C. 1969 -and Logos issues 7 and 8. Montreal, 1968. (total 10)

WARHOL, Andy(1928 Pittsburgh - 1987 New York City) "Marilyn Gold Kopf V"Farbsiebdruck. Unsigniert. 1 von 2000 Exemplaren, published by Sunday B. Morning.Blatt: 91 x 91 cm. Gerahmt & hinter Glas103 x 103 cm. Ausgestellt im Grafikmuseum Stiftung Schreiner Bad Steben vom 26. 4. - 26. 7. 2015 anlässlich der Sonderausstellung "Feminal - Die Frau in zeitgenössischen Grafiken"; als Beigabe Katalog der Ausstellung US-amerikanischer Künstler, Filmemacher und Verleger; Mitbegründer und bedeutendster Vertreter der Pop-Art: "If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There’s nothing behind it." (Zitat: AW, 1966, https://www.warhol.org/andy-warhols-life/).| Nachtrag 02.06.2022: Verso Stempel "fill in your own signature" und "published by Sunday B. Morning", Exemplar: 135/2000

WARHOL, Andy(1928 Pittsburgh - 1987 New York City) 4 Werke "Portraits of Ingrid Bergman"4 Farbsiebdrucke. Blatt je: 22,5 x 22,5 cm, im Passepartout je: 40 x 30 cm. Aus dem Portfolio von Ingrid Bergman, Ausstellung der Galerie Börjeson, Malmö 1983. US-amerikanischer Künstler, Filmemacher und Verleger; Mitbegründer und bedeutendster Vertreter der Pop-Art: "If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There’s nothing behind it." (Zitat: AW, 1966, https://www.warhol.org/andy-warhols-life/).

Full title: One bottle of Ch‰teau Mouton Rothschild with label designed by Andy Warhol, 1975Description:75 clAbout this sale: Paul De Grande is one of the major dealers of antique furniture, fine sculptures and decorative arts in Europe. In 1974, he moved to the Castle of Snellegem near Bruges. From there, he catered to the rich and famous, important decorators and museums around the world. Entering a new chapter, Paul has decided it is time to part with his private collection and part of his trade stock. This sale presents a unique opportunity to clinch a piece of this wonderful personality's history. Paul's main focus has always been on Renaissance sculpture, French and Italian furniture and pieces of museal quality. He has had sales with Christies and Sotheby's in the past. He's also an important personality on various Belgian tv shows.

Andy Warhol (Pittsburgh, 1928 - New York, 1987) Jimmy Carter II 1978 cm 102x76 con cornice cm 113x87 Serigrafia su carta da zucchero blu Pezzo UnicoOpera registrata presso l'Andy Warhol Art Authentication Board, Inc. al n. A171.015 (18 Maggio 2001)L'opera è stata esposta nella mostra "American Dream" presso Galleria Agnellini Arte Moderna di Brescia del 2012 (in catalogo alla pag. 143)L'opera fu commissionata all'autore dal Comitato Nazionale dei Democratici in occasione della campagna presidenziale. Scegliendo Warhol, Jimmy Carter sperava di intercettare i voti dei più giovani e degli abitanti di New York, sfruttando dunque la notorietà di icona pop di Warhol a proprio vantaggio. Questo ritratto mostra un Jimmy Carter con un sorriso smagliante, una mossa probabilmente utilizzata per affascinare gli elettori chiamati alle urne. Warhol aggiunse un tocco personale arricchendo la stampa con pennellate rosse, blu e rosa per il volto e la mano di Carter. Warhol fu sempre affascinato dai rapporti ambigui tra politica e mondo delle star. Come risultato, contribuì con la sua personale interpretazione ad unire queste due realtà, includendo un tocco di "celebrità" anche nei ritratti politici, come questo di Jimmy Carter. 1978

digitally signed by the artist, from the unnumbered edition of 1000, published by the Imperial War Museum, London, accompanied by a signed certificate of authenticityoffset lithograph on Arco wovesheet size: 50 by 70cm; 58 by 78,5 by 3,5cm including framing Coined “the most powerful artist in the world” by ArtReview editors (Stevens 2012), Beijing-born Ai Weiwei creates works where art and activism collide in a riot of politically charged, daring performances and spectacles. Ai Weiwei’s output is prolific and diverse, ranging from sculptural installations, to videos, to architectural projects, in an attempt to critique the random importance placed on objects and symbols within society and the arbitrariness of certain cultural values. Many of the important cultural symbols Ai Weiwei uses particularly reference his critique of the Chinese sociopolitical system, using scabrous satire to challenge and critique the authoritarian and conformist Chinese regime. In 1957, just months after the artist was born, his father and renowned poet, Ai Qing, was accused of being ‘rightist’ by Beijing officials and the entire family was exiled to remote parts of China. Later, after studying art abroad, Ai Weiwei returned to China to develop his artistic practice. His time in New York was particularly pivotal, as he was influenced by the conceptual art of artists like Andy Warhol, so upon his return home, Ai Weiwei knew how to combine art and life. The artist’s Dada-inspired ready-mades and strong satirical elements reveal an unrelenting and brave advocacy for freedom of expression and social justice, presenting a provocative and subversive dimension that few, if any, other artists present to the world. Ai Weiwei’s themes of social urgency and his attempt to address critical global conditions, namely political conflict and war, are brilliantly illustrated in History of Bombs (Lot 527). This lot is a framable print of the site-specific life-size renderings of over 50 bombs and grenades from 1911 to 2019, which stretched across the floor of the Imperial War Museum. The work unflinchingly illustrates “a history of the clever ways we kill one another” (Jones 2020). The technical, encyclopaedic collection of renderings highlights the chilling and incalculable destruction caused by human willingness and eagerness to dedicate innovation to violence. The exhibition was appropriately located, since the “murderous arsenal since the early 20th century” seemed unbelievable, until the visitor looked up and was confronted with models of the real weapons hanging from the museum’s ceiling. In this way, Ai Weiwei’s comments about the human condition are simultaneously unflinching, scabrous, and provocative. Ai Weiwei has been the subject of numerous solo exhibitions at prestigious institutions such as the Mori Art Museum, Tokyo (2009); Tate Modern, London (2010); and the Hirshhorn Museum and Sculpture Garden, Washington, DC (2012). The Centre Pompidou, Paris, and the Los Angeles County Museum of Art have also acquired his work.- A.C Cunningham, JM. 2022. Ai Weiwei, Chinese activist and artist, Britannica [O]: https://www.britannica.com/biography/Ai-Weiwei Accessed 8th May 2022Jones, J. 2020. Ai Weiwei: History of Bombs review – high-impact reminder of our insatiable desire for destruction, The Guardian [O]: https://www.theguardian.com/artanddesign/2020/jul/29/ai-weiwei-history-of-bombs-review-imperial-war-museum Accessed 8 May 2022Stevens, M. 2012. Is Ai Weiwei China’s Most Dangerous Man?, Smithsonian Magazine [O]: https://www.smithsonianmag.com/arts-culture/is-ai-weiwei-chinas-most-dangerous-man-17989316/ Accessed 8th May 2022

ANDY WARHOL, AFTER (1928-1987)Flowers Ten color silkscreens on paperStamp " published by Sunday B.Morning - Fill in your own signature" on the back90 × 90 cm  Notes : From a portfolio, they are all framed

ANDY WARHOL, AFTER (1928-1987)Marilyn Ten serigraphs in colors on paper Stamp "published by Sunday B.Morning - Fill in your own signature" on the back90 × 90 cm Notes : From a portfolio, they are all framed