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Andy WARHOL (1928-1987) A signed Campbell's soup can money saving box. Getekende Campbell's soep spaarblik. 40 x 40 x 10.5 cm (the box) H 11.5 cm (the can) Belgian private collection.

Marilyn Monroe by Andy Warhol for Sunday B Morning. Marilyn Monroe door Andy Warhol voor Sunday B Morning. 90 x 90 cm

Andy Warhol (1928-1987) Lithographic print of John Lennon, published by Neues New York in association with the Andy Warhol foundation. Frame size approx 22 x  17 ½ inches (Glazed) No certificate, number or signature. COLLECT ONLY

Andy Warhol (1928-1987) & Keith Haring (1958-1990) 20th Montreux Jazz Festival (Marechal 47) Screenprint in colours, 1986, on heavy wove, printed by Albin Uldry, Bern 100 x 70cm (39¼ x 27½ in.) Unframed

After Andy Warhol, Gold Marilyn Monroe, rug, produced by Ege Axminster, Denmark, 1997200 x 140cm

Designschale Andy Warhol SilberpfeilEntwurf um 1986 für Rosenthal studio-linie, Darstellung des Formel 1 Rennwagens Mercedes Benz W 196R, den sogenannten Silberpfeil, Klarglas mit matt bedruckter Unterseite, die Schale leicht gewölbt mit geschliffenem Rand, guter Zustand, Maße 25 x 25 cm.

Sotheby, New York 'The Andy Warhol Collection'. six sale catalogues. April/May 1988 in slip case (6)

Verschiedene KünstlerBlattgröße: 39 x 38 cm, o. R.6 Bl.: Ohne Titel, 1968. Folge von sechs Farbserigraphien auf festem Papier von Andy Warhol, Tom Wesselmann, Robert Indiana, Roy Lichtenstein, Jim Dine und Nicholas Krushnick. Kalenderblätter. Rückseitig mit Copyright-Hinweis.

Verschiedene KünstlerBlattgröße: 39 x 38 cm, o. R.6 Bl.: Ohne Titel, 1968. Folge von sechs Farbserigraphien auf festem Papier von Andy Warhol, Tom Wesselmann, Robert Indiana, Roy Lichtenstein, Jim Dine und Nicholas Krushnick. Kalenderblätter. Rückseitig mit Copyright-Hinweis.

A SILVER 'BONE' CUFF BANGLE, BY ELSA PERETTI FOR TIFFANY & CO., the moulded bracelet mimicking the contours of the wrist, in silver, signed Peretti & Tiffany & Co., diameter of interior approx. 5.3cmFlirting dangerously with the line between devastating diva and shrewd businesswoman, Elsa Peretti alighted on New York fashion in the late 1960s. Initially sporting a black eye from a boyfriend soon forgotten, Peretti’s confidence quickly caught the eye of Roy Halston Frowick and she worked predominantly with him from the 70s onwards. She became immersed in a cocktail of creative personalities, often seen alongside celebrities such as Andy Warhol, Calvin Klein and Mick and Bianca Jagger. Peretti started her career in jewellery by debuting her first design in 1969 at a Giorgio di Sant’Angelo show. She then created several pieces for Halston before he introduced her to Tiffany. Peretti’s contract was finalised in 1974 and, within just six years, she was recognised as Tiffany’s leading designer, later being accredited with generating 10% of the company’s annual sales. Peretti’s use of silver revolutionised the industry as, at the time, it was not synonymous with high jewellery. She made her designs affordable for women, her work encouraging an investment in women by women – no longer was jewellery reserved as a gift from an admiring male. Instantly recognisable as one of Peretti’s most famed pieces, the bone cuff was initially inspired by her childhood memories of Rome, when she used to explore the catacombs of a Capuchin monastery. Manipulating the metal, Peretti’s design flows over the wrist, highlighting the anatomical structure below. The cuff works with the body, drawing its beauty directly from it and celebrating one of the simplest shapes of the human form. Elsa Peretti passed away in March 2021 but her timeless designs continue to be sold by Tiffany, allowing her to leave behind a legacy of creation to inspire women for years to come. Condition Report: Normal signs of wear, overall in good conditionTotal gross weight approx. 44.80g

signedmixed media on paper76 by 56,5cm; 105,5 by 86 by 5cm including framingThierry Guetta, professionally known as ?Mr. Brainwash?, is a French born street artist. His work is a combination of pop imagery and cultural icons often illustrated through the mediums of spray-paint, stencil work and screen-printing, lending itself to a ?street art aesthetic?. His journey into the world of art started by shadowing famous street artists such as Space Invader and Banksy, documenting their art and recording thousands of hours of footage. He quickly became fascinated with the clandestine art process, forfeiting his day job and immersing himself in the culture of street art.The Oscar nominated, Exit Through the Gift Shop 2010, was a film directed by Banksy using footage captured by Guetta. The film explores the underground world of street art, following Banksy?s famous journey through North America, however, the plot changes almost immediately and concentrates on Guetta?s adoption of the Mr. Brainwash persona. The film centres around Guetta?s rise to fame as he struggles to assemble his first exhibition, Life is Beautiful 2008. Guetta?s factory-made process depicted throughout the film directly references the pop art movement and the installation of the artworld. Through this process Guetta emphasises the commercial value of art and the process of making. Within lot 309, Work Well Together, Leonardo Da Vinci?s Mona Lisa, Walt Disney?s Micky Mouse and Andy Warhol?s iconic Soup Cans are all referenced. Work Well Together clearly demonstrates Mr. Brainwash's fascination with popular culture, using iconic artworks found throughout different periods. He merges these symbols onto one canvas in an attempt to make art more accessible to everyone. A fusion between pop art and street art. His artistic intentions are undoubtedly aligned with the original pop artists, ?producing art for everybody that can be experienced everywhere?. Masterworksfineart.com. Mr. Brainwash Biography. [online] Available:

Andy Warhol, 1928-1987, '2 Dollars', dieser mit Magnet befestigt, signiert, ca. 6.5x15.5cm, gerahmt, Gesamtmaß ca. 15x20cm, mit EchtheitszertifikatAndy Warhol, 1928-1987, # '2 Dollars #', this attached with a magnet, signed, approx. 6.5x15.5cm, framed, total size approx. 15x20cm, with a certificate of authenticity

Andy Warhol, 1928-1987, '2 Dollars', dieser mit Magnet befestigt, signiert, ca. 6.5x15.5cm, gerahmt, Gesamtmaß ca. 15x20cm, mit EchtheitszertifikatAndy Warhol, 1928-1987, # '2 Dollars #', this attached with a magnet, signed, approx. 6.5x15.5cm, framed, total size approx. 15x20cm, with a certificate of authenticity

Warhol, Andy (Pittsburgh 1928 - 1987 New York) nach,"Flowers", 10 Serigrafien auf Papier, verso Stempel published by Sunday B. Morning, 90 x 90 cm, o.R.

Warhol, Andy (Pittsburgh 1928 - 1987 New York) nach,"Mao", Serigrafie auf Papier, verso Stempel published by Sunday B. Morning, 90 x 90 cm, unter Glas gerahmt

Warhol, Andy (Pittsburgh 1928 - 1987 New York) nach,"Che Guevara", Serigrafie auf Papier, verso Stempel Che Guevara, 90 x 60 cm, unter Glas gerahmt

Warhol, Andy (Pittsburgh 1928 - 1987 New York) nach,"Brigitte Bardot", Serigrafie auf Papier, verso Stempel published by Sunday B. Morning, 90 x 90 cm

Warhol, Andy (Pittsburgh 1928 - 1987 New York) nach,"Marilyn Monroe", 10 Serigrafien auf Papier, verso Stempel published by Sunday B. Morning, 90 x 90 cm, o.R.

Warhol, Andy (Pittsburgh 1928 - 1987 New York) nach,"Brigitte Bardot", 4 Serigrafien auf Papier, verso Stempel published by Sunday B. Morning, 90 x 90 cm, o.R.

Warhol, Andy (Pittsburgh 1928 - 1987 New York) nach,"Marilyn Monroe", Serigrafie auf Papier, published by Sunday B. Morning, 90 x 90 cm, unter Glas gerahmt

Warhol, Andy (Pittsburgh 1928 - 1987 New York) nach,"Campbell Soup II", 10 Serigrafien auf Papier, verso Stempel published by Sunday B. Morning, 90 x 60 cm, o.R.

Warhol, Andy (Pittsburgh 1928 - 1987 New York) nach,"Marilyn Monroe", Serigrafie auf Papier, published by Sunday B. Morning, 90 x 90 cm, unter Glas gerahmt

Warhol, Andy (Pittsburgh 1928 - 1987 New York) nach,"Che Guevara", 9 Serigrafien auf Papier, verso Stempel Che Guevara, 90 x 60 cm, o.R.

Velvet Underground & Nico, Produced by Andy Warhol, 1st Pressing on Mono.

A machine made rug, depicting a portrait of Marilyn Monroe, after Andy Warhol, 85cm x 80cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

The Rolling Stones - three original UK pressings: 'Beggars Banquet' (unboxed mono issue), 'Exile On Main Street' (double album and inners), 'Sticky Fingers' (Andy Warhol zipper cover  and insert) and a US limited edition 12” pressing of 'Miss You'. Condition varies but mainly VG with some EX examples. 

An Andy Warhol designed film poster for the film Querelle, an off set lithograph by Verlag und Alleinvertrieb universal prints, Hamburg, typography Franz Froeb, 99cm x 69cm, glazed frameLocation:

After Andy Warhol - a portrait of Audrey Hepburn, faux signature to lower left, produced by/for Canvas Opinion with print number 279/500 written to verso, and further stamped and written markings verso, 30cm x 30cm unframed Location: RWB

Warhol, Andy(1928 - 1987)Ausstellungsplakat: Porträts von Willy BrandtSerigrafieBlattgröße: 84,2 x 59,3 cm

ROBERT INDIANA (New Castle, Indiana, USA, 1938 - Vinalhaven, Maine, USA, 2018)."LOVE.Handmade wool tapestry.Signed in the lower right corner.Size: 241 x 241 cm.Robert Indiana is one of the preeminent figures on the American art scene since the 1960s, leading the development of the assemblage technique, the Hard Edge movement, and American Pop Art. Indiana studied at the Art Institute of Chicago, the Skowhegan School of Painting and Sculpture, and also at the Edinburgh College of Art. As well as a painter, Robert Indiana has been a theatrical and costume set and costume designer, in productions such as Santa Fe Opera's The Mother of Us All, and acted in the film Eat directed by Andy Warhol.He proclaimed himself to be "the American painter of signs" and throughout his long career he explored, and at the same time constructed, the American identity through diverse iconography.His particular visual language, which could be defined as 'lyricism', marked by slogans such as HUG, EAT and the famous "LOVE". It has become the emblem that continues to unite many artistic generations and is now part of the collective unconscious worldwide.The iconic LOVE series, recognised by LO and VE stacked one on top of the other and arranged in a square, and to which our piece belongs, was first used in a set of poems written in 1958. Then, in the summer of 1965, MoMA commissioned Indiana to design the Christmas cards, finally approving this red, blue and green design. Its true semantic translation is deeply linked to Christianity and the artist's childhood, brought up according to the Church of Christ, Scientist. In an epistolary with collector Larry Aldrich, Indiana shares that there was a phrase 'God is Love' written by the founder of this church, Mary Baker Eddy, which was an unofficial motto of scientific Christianity. From this was born the idea of higher love that Indiana eventually wanted to convey through all his work from the 1960s until his death. In 2008 Indiana created a very similar image for Barack Obama's presidential campaign, in which this symbol was used for various propaganda items.The tapestry featured in our auction, while not the artist's most common technique, ultimately conveys the essence of his entire oeuvre and iconography.Robert Indiana had hundreds of solo and group exhibitions worldwide. Particularly in Spain he exhibited on three occasions, in 1992 at the Galería 57, in 2009 at the Galería Barcelona, and finally in 2012 at the Museo de Pasión in Valladolid.

* Paul Stephenson [b.1976], after Warhol-Little Electric Chair - Cadmium Yellow,:-silkcreen print on linenstamped 'UNDENIED' to reverse56 x 71cm, unframed.*Notes Inspired by Warhol's [1964] Electric Chair the present lot references a press photograph of the death chamber at Sing Sing Prison in New York. Here Julius and Ethel Rosenberg were executed for passing details about the atomic bomb to Russia during World War Two. The original work was created at Warhol's studio in New York and forms part of his Death and Disaster series. Warhol is said to have quipped: "You'd be surprised how many people want to hang an electric chair on their living-room wall. Specially if the background colour matches the drapes"

A large folio group of exhibition posters,:- including , Max Ernst Museum Ludwig Kohl 1990 & 91, The Museum of Modern Art New York, Rene Magritte, Osterweil Art Expo West 80, Paul Klee, Andy Warhol Go West-Go East With a Truck 1986, Stephen Bartlett CCA Galleries, Walter Lindner Verkerke Gallery, Dieter Kimmel Verkerke Gallery, Markus Baumann Musee d'Orsay Paris, Monet, Robert Offord, Matisse, Heinrich Schmid, Lionel Deriaz, etc.* Notes Please refer to websites for further images of this lot - www.the-saleroom.com & www.easyliveAuction.com

After Andy Warhol [1928-1987]-Portrait of Maurice,:-Scottish National Gallery poster, 199861 x 80cm, together with a folio of seven duplicates, a gloss print of same and Modigliani print.* Notes Please see website for further images of this lot www.bhandl.co.uk

AFTER ANDY WARHOL; lithograph on wove arches paper, Mickey Mouse (Red) (1978), printed signature, numbered 43/100, watermarked bottom right, and Leo Castelli Gallery New York stamp verso, image 33 x 32.5cm, unframed. Provenance: From a private North West collector.Additional InformationThree slight creases to paper but none in the image. A couple of slight surface dirt specks and slightly grubby to the right edge. Perhaps very slight rubbing to the red background to the bottom left corner and to another small section just up from this. Overall ok. 

AFTER ANDY WARHOL; lithograph on wove arches paper, with deckled edges, ‘APPLE 359’ (1985) printed signature to stone, no. 73/100, pub. Georges Israel (blind stamp recto) and Leo Castelli Gallery New York (stamp verso), the image 31.5 x 31.5cm, the sheet 56.6 x 38.5cm. Provenance: From a private North West collector.Additional InformationA couple of very light scrapes to the paper at the top and a very slight little tear to the top right edge. A couple of slight dirt marks to the paper and bottom left corner lightly knocked. 

AFTER ANDY WARHOL; lithograph on wove arches paper, with deckled edges ‘Pele’ from the ‘Athletes series’ 1977, printed signature in stone and numbered 45/100, published by Georges Israel and Leo Castelli Gallery New York stamp verso, image 36.7 x 37cm, the sheet 57 x 38.5cm, unframed. Provenance: From a private North West collector.

Andy WARHOL (1928-1987), 'Two dollars', signed by the artist. The dollar bill is marked Clarkston, GA (United States of America) and dated 1976. The stamp on the right-hand side of the 2-dollar bill contains an image of a church bell. (15 x 6 cm)

Andy Warhol - Lithograph on paper signed and numbered - Period: Xxth - Sizes: H 285 L 370 MM - Weight (K): 0,05kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy Warhol

Andy WARHOL (1928-1987) Campbell's Chicken Gumbo. Metal tin can. Signed in felt - Period: Xxth - Sizes: H 100 MM D 70 MM - Weight (K): 0,035kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy WARHOL(1928-1987)

Andy Warhol - The kiss rocket - 15 American postage stamps with a drawing & hand signed - Period: Xxth - Sizes: H 110 MM L 220 MM - Weight (K): 0,17kg - Condition: After checking – normal wear/worn - no restoration - no repair - Author / artist: Andy Warhol

Andy Warhol - Brillo stamps 5 soaps signed in black - Period: Xxth - Sizes: H 65 MM L 130 MM - Weight (K): 0,066kg - Condition: After checking – normal wear/worn - no restoration - no repair - Author / artist: Andy Warhol

Andy Warhol - Box of matches embellished with a heart and signed in black marker - Period: Xxth - Sizes: H 70 MM L 120 MM - Weight (K): 0,02kg - Condition: After checking – normal wear/worn - no restoration - no repair - Author / artist: Andy Warhol

Andy WARHOL (1928-1987). Campbell's Soup. Metal tin can. Signed in felt-tip pen on the label. Signature stamp - Period: Xxth - Sizes: H 100 MM D 70 MM - Weight (K): 0,036kg - Condition: After checking – normal wear/worn - no restoration - no repair - Author / artist: Andy Warhol

Andy Warhol (after) - Offset lithograph on thick paper Signed in the placnhe and numbered in pencil Limited edition of 2400 Publisher: Carnegie Museum of Art, Pittsburgh T - Period: Xxth - Sizes: H 60 mm L 600 mm - Weight (K): 0,1kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy Warhol (d'apres)

Andy Warhol, Attributed to Drawing in black felt-tip pen on paper Signed, unique work - Period: Xxth - Sizes: H 295mm L 210mm - Weight (K): 0,1kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy Warhol, Attribue a

Andy Warhol - Two dollar bill, 1976 - Black marker on two US dollar bill 1976 US dollars hand signed by the artist, - Period: Xxth - Sizes: H 65 MM L 155 MM - Weight (K): 1kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy Warhol

Andy Warhol - The Velvet Underground, 1967 Screenprinted cover art by artist Andy WARHOL. The cover is embellished with a hand signature in black felt - Period: Xxth - Sizes: L 315 MM l 315 MM - Weight (K): 0,38kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy Warhol

Andy Warhol x Jean Michel Basquiat (after) - Fighting Paintings, 1985 Offset printing Few signs of wear due to its age. - Period: Xxth - Sizes: H 430mm L 280mm - Weight (K): 0,1kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy Warhol x Jean Michel Basquiat (d’apres)

Andy Warhol (after) - Offset lithograph on thick paper Signed in the placnhe and numbered in pencil Limited edition of 2400 Publisher: Carnegie Museum of Art, Pittsburgh T - Period: Xxth - Sizes: H 60 mm L 600 mm - Weight (K): 0,1kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy Warhol (d'apres)

Andy Warhol, Attributed to Drawing in black felt-tip pen on paper Signed, unique work - Period: Xxth - Sizes: H 300mm L210mm - Weight (K): 0,1kg - Condition: After checking – normal wear/worn - no restoration - no repair - Author / artist: Andy Warhol Attr.

Andy Warhol - Dollar Bill, 1985 Black marker on a US dollar bill with postage stamp and ink ink indicating it has been sent it has been mailed. Signed at the - Period: Xxth - Sizes: L 65 MM l 155 MM - Weight (K): 1kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy warhol

Andy Warhol - Marylin Monroe Hand signed by Andy Warhol in black marker on the front of a vintage photograph from the Last Sitting series. - Period: Xxth - Sizes: H 290 mm L 215 mm - Weight (K): 0,1kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy Warhol

Andy Warhol - Campbell’s Hand signed by Andy Warhol with a black marker on the front in an offset print. - Period: Xxth - Sizes: H 148 mm L L 196 mm - Weight (K): 0,1kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy Warhol

Andy Warhol - Marylin Monroe Hand signed by Andy Warhol in black marker on the front of an offset print. + 2 extras polaroids :-  Andy Warhol - Self Portrait Polaroid Instant proof (Polaroid) Stamp of the Andy Warhol Estate on the back Dimension : 10,5 x 9 cm - Andy Warhol - Jean-Michel Basquiat Painting Polaroid Instant proof (Polaroid) Stamp of the Andy Warhol Estate on the back Dimension : 10,5 x 9 cm - Period: Xxth - Sizes: H 185 mm L 185 mm - Weight (K): 0,1kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy Warhol

Andy Warhol - PlayBoy - Holiday Anniversary Edition January 1986 Hand signed by Andy Warhol in black marker on front of screen printed Playboy magazine - Period: Xxth - Sizes: H 280 mm L 215 mm - Weight (K): 0,521kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy Warhol

ANDY WARHOL - JOHN LENNON - MENLOVE AVE., 1986 Hand signed by Andy Warhol in black marker on front side of silkscreen on vinyl cover and vinyl record - Period: Xxth - Sizes: L 315 MM l 315 MM - Weight (K): 0,215kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy Warhol

ANDY WARHOL - Debbie Harry - Frenchkissin, 1986 Hand signed by Andy Warhol in black marker on reverse side of silkscreen print on vinyl cover and vinyl record. - Period: Xxth - Sizes: L 315 MM l 315 MM - Weight (K): 0,215kg - Condition: at first glance - good condition - no restoration - no repair - Author / artist: Andy Warhol

Andy Warhol - Brillo Soap Pads Signed In Black Marker Cardboard Brillo Box Good Condition, Signs Of Age And Wear - Period: Xxth - Sizes: H 75 MM L 75 MM - Weight (K): 0,019kg - Condition: After checking – normal wear/worn - no restoration - no repair - Author / artist: Andy Warhol

Original vintage advertising poster Reigning Queens by Andy Warhol (1928-1987), featuring a bright pop-art artwork depicting Queen Margrethe II of Denmark with abstract blocks of colour set over neon pink background, this poster is one of four prints of Reigning Queens, that include Queen Elizabeth II of the United Kingdom, Queen Beatrix of the Netherlands, and Queen Ntfombi Twala of Swaziland, the portraits only include queens who assumed the throne by birthright. Andy Warhol Art Expo Denmark. Printed in Denmark. Very good condition, bumps on edges. Country of issue: Denmark, designer: Andy Warhol, size (cm): 82x60, year of printing: 1985

Parkett. Kunstzeitschrift. Buchreihe für Gegenwartskunst. Nummer 1 [bis] 60. Zürich 1987-2000. Mit zahlreichen Abbildungen, die meisten Hefte auch mit gefalteten Tafeln. 58 farbig illustrierte Originalbroschuren.Lückenlose Folge einer der wichtigsten Zeitschriften zur Gegenwartskunst. - Jedes Heft, stets mit zweisprachigen Texten in Englisch und Deutsch, entstand in Zusammenarbeit mit einem oder mehreren Künstlern: Enzo Cucchi (1), Sigmar Polke (2), Martin Disler (3), Frtancesco Clemente (9), Bruce Naumann (10), Georg Baselitz (11), Andy Warhol (12), Rebecca Horn (13), Gilbert & George (14), Mario Merz (15), Robert Wilson (16), Peter Fischli/David Weiss (17), Ed Ruscha (18), Jeff Koons/Martin Kippenberger (19), Tim Rollins (20), Alex Katz (21), Christian Boltanski/Jeff Wall (22), Richard Artschwager (23) sowie Günther Förg, Franz Gertsch, Louise Bourgeois, John Baldessari, Imi Knoebel, Rosemarie Trockel, Gerhard Richter, Stephan Balkenhol, Francesco Clemente, Lawrence Weiner, Nan Goldin, Ed Ruscha und vielen weiteren. - Etliche Hefte der Reihe sind vergriffen und entsprechend gesucht. - Mit dem Jubiläumsheft 40/41 mit dem Index zu den Heften der ersten zehn Jahre und dem Doppelheft 50/51 (Armleder, Struth u.a.) - Nach Erscheinen der 100. Ausgabe wurde die Reihe 2017, nach Aussage der Herausgeber wegen der »radikalen Veränderung des Leseverhaltens, die das Digitalzeitalter mit sich bringt« (monopol, 24.2.2017), eingestellt. - Sehr gut erhalten.25,5 : 21,0 cm.