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Château Mouton Rothschild Château Mouton Rothschild Jahrgang 1975, Inhalt 750 ml. Etikett mit einem Kunstwerk von Andy Warhol. Pauillac, Westfrankreich. Durchgehend fachgerecht gelagert

Andy Warhol (Pittsburgh 1928 - New York 1987) Mao Farbsiebdruck, 91,4 x 91,4 cm, verso handsign. Andy Warhol und num. A. P. 8/50 sowie Copyright-Stempel 'Copyright © Andy Warhol 1972 printed at Styria Studio Inc.', unter Glas gerahmt. - Aus der auf 50 Exemplare beschränkten Auflage von Artist's Proofs. - Auf Anregung seines Galeristen Bruno Bischofberger begann Warhol mit einer Portraitserie berühmter Persönlichkeiten des 20. Jhs. Die Vorlage des Mao-Portraits stammt vom Titel des seinerzeit auch im Westen weitverbreiteten "Kleinen Roten Buches". Während die Serie den Autokraten einerseits zu einem Helden der auch von Warhol so sehr geprägten Popkultur erhebt führt der Künstler durch dramatische Farbkombinationen des wie geschminkt wirken Parteiführers den Pathos der maoistischen Ideologie ad absurdum. - Literatur: WVZ: Feldman-Schellmann, II, 98. - Provenienz: Seit den frühen 1980er Jahren Privatsammlung Hamburg - Maler, Graphiker, Filmemacher und Verleger, einer der bedeutendsten Vetreter der Pop Art. Seine seriellen Werke mit der Darstellung von Konsumgütern und Prominenten gehören noch immer zu den Ikonen der Gegenwart. Warhol, Andy (Pittsburgh 1928 - New York 1987) Mao Silk screen in colours, 91,4 x 91,4 cm, on the reverse autographed Andy Warhol and num. A. P. 8/50 as well as copyright stamp 'Copyright © Andy Warhol 1972 printed at Styria Studio Inc.', framed under glass. - From the edition of 50 artist's proofs. - Following a suggestion of his dealer Bruno Bischofberger Warhol began creating a series of famous personalities of the 20th century. Warhol found the model of his Mao portrait on a cover of the 'Little Red Book', at that time widespread also in the West. The series nobilitates the autocrate as a hero of pop culture, on the other hand it mocks maoist ideology by dramatic combinations of colour and showing the party leader looking as if he wore make-up. - Literature: Feldman-Schellmann, II, 98. - Provenance: Private collection Hamburg since the early 1980s - Painter, graphic artist, film-maker and editor, one of the most important exponents of pop art. His serial works depicting consumer goods and celebrities are still among the icons of contemporary art.

Andy Warhol Andy Warhol Andy Warhol (1928 Pittsburgh - 1987 New York) "Chicken Noodle Soup" aus dem "Campbell's Soup I portfolio" Farbserigraphie/Velin, 1968. Verso sign. u. gestempelte Nummerierung 47/250. Herausgegeben von Factory Additions, New York; Druck Salvatore Silkscreen Co., Inc., New York. Wvz. Feldman/Schellmann II.45. Warhols "Chicken Noodle Soup" ist eines der häufigsten ikonischen Arbeiten Warhols. Schon 1962 hatte er eine seinerzeit provokante Gemälde-Werkreihe mit 32 Campbell's Suppendosen geschaffen. Sechs Jahre später setzte er die Motive in ein Portfolio mit zehn Siebdrucken um. Warhol war fasziniert von der Konsumkultur und diese Arbeit erinnert zugleich an die Werbung der bekannten Suppenmarke, die er jahrzehntelang selbst zu sich genommen hatte. Die einfache Darstellung der Dose hat einen besonders großen Wiedererkennungswert. Als Beispiel für Warhols auffälligen Pop Art-Stil ist sie zu einem wesentlichen Bestandteil seines Oeuvres, der amerikanischen und internationalen Kunstgeschichte geworden. Leicht gleichmäßig gebräunt. Blatt 88,5 cm x 58 cm. Serigraph (screenprint) in colours on wove paper. Hand-signed on the reverse with stamped edition-no. 47/250. Slight light toning.

Werner Bokelberg Werner Bokelberg Werner Bokelberg (Geb. 1937 Bremen. Ansässig in Hamburg, Paris u. New York) Pablo Picasso mit Strohhut im Café Sénéquier im Hafen von St. Tropez Schwarzweiß-Fotografie (Sibergelatineabzug)/Baryt-Papier, 1965/2007. Verso "Copyright"-Stempel, sign. u. dat. 1965/2007. Bokelberg lichtete 1962-1972 als "Stern"-Fotograf außer Picasso u. a. Salvador Dali, Andy Warhol, Uschi Obermaier, Brian Jones und Romy Schneider ab. Knickfaltig. Darstellung ca. 50 cm x 34,5 cm; Blatt ca. 60 cm x 50 cm. Rahmen. Gelatin silver print on paper, 1965/2007. Hand-signed and dated 1965/2007 with copypright-stamp on the reverse. Creases.

Andy Warhol Andy Warhol Andy Warhol (1928 Pittsburgh - 1987 New York) "White Burning Car". Originaltitel Offset-Lithographie/Papier. Verso Sign.-Stempel. Wohl in den 1960er Jahren erschienenes Blatt nach dem gleichnamigen berühmten Siebdruck des Pop Art-Künstlers aus dem Jahr 1963. Gebräunt, Lagerspuren. Blatt 44 cm x 59 cm. Offset lithograph on paper. Signature stamp on the reverse. Published probably in the 1960ies, after the screenprint conceived by Warhol in 1963. Toning, traces of storage.

Helmut Newton Helmut Newton Helmut Newton (1920 Berlin - 2004 Los Angeles) Signierter Umschlag von "Helmut Newton's Illustrated No. 1 Sex and Power". Originaltitel Auf der Titelseite "Andy Warhol resting" (1974). Oberhalb sign. mit Widmung Newtons "Für Klaus". Das 1. Heft des legendären Fotografie-Magazins erschien 1987 bei Schimer/Mosel, München und enthielt Porträts von David Bowie, Nastassja Kinski, Mickey Rourke, Ornella Muti, Karl Lagerfeld, Kim Basinger etc.; Ca. 38 cm x 30 cm. Rahmen. Die Widmung dürfte sich auf Klaus Kinski oder Klaus Honnef beziehen. Hand-signed cover of "Helmut Newton's Illustrated No. 1 Sex and Power" (1987) with dedication.

Andy Warhol Andy Warhol Andy Warhol (1928 Pittsburgh - 1987 New York) "Marilyn". Originaltitel Farbserigraphie/leichter Karton, 1981. Sign.; Herausgegeben von Castelli Graphics. Unterhalb sowie verso typographisch bezeichnet. Druck Colour Editions Inc., New York. Verkleinerte Version des berühmten Siebdrucks von 1967 als Ankündigung der Ausstellung "Andy Warhol: A Print Retrospective 1963-1981" in der Galerie Castelli Graphics, New York, 1981. 30,5 cm x 30,5 cm. In Passepartout montiert. Serigraph (screenprint) in colours on smooth wove paper, 1981. Hand-signed. Announcement for the exhibition "Andy Warhol: A Print Retrospective 1963-1981". Printed by Colour Editions Inc., published by Castelli Graphics, New York, 1981.

Andy Warhol (1928-1987) Lithographic print entitled Brooklyn bridge, published by Mcgaw in association with the Andy Warhol foundation.

Warhol, Andy: Jacqueline Kennedy III (Jackie III) Jacqueline Kennedy III (Jackie III) Farbsiebdruck auf festem Velin. 1966. 101,5 x 76 cm. Verso mit dem Künstlerstempel "Andy Warhol". Auflage 200 Ex. Feldman/Schellmann 15. Erschienen in dem Portfolio "11 Pop Artists III", herausgegeben von Original Editions, 1966, gedruckt bei Knickerbocker Machine & Foundry Inc., New York. In "Jacqueline Kennedy III" sehen wir vier verschiedene Bilder von Jacqueline Kennedy, entstanden rund um den Tod ihres Mannes John F. Kennedy. Es sind Fotos aus der Ausgabe des Life-Magazins vom 6. Dezember 1963, aufgenommen vom Fotografen Fred Ward. Andy Warhol entschied sich dafür, die im Life-Magazin gefundenen Archivbilder so zuzuschneiden, dass der Fokus auf Jackie Kennedy lag. Diese Verarbeitung der Bilder, indem er sie beschnitt, Jackies Gesicht vergrößerte und den Hintergrund zu einem flachen Blau bzw. Grausilber veränderte, war seine Antwort auf die emotionalen Exzesse der Medien. Indem er in seiner "Jackie-Serie" ihren Kummer und auch ihren Mut im Zentrum der Darstellung abstrahierte, trug Warhol zur Stilisierung der Figur Jacqueline Kennedy zu einer Ikone bei. Erschienen in einer Auflage von 200 (gesamt 250) numerierten Exemplaren, gedruckt in Schwarz auf Blau, dieses wohl ein unnumeriertes Künstlerexemplar außerhalb dieser Auflage; Feldman/Schellmann erwähnen "mindestens einen Druck in Schwarz/Silber". Prachtvoller Druck der blattfüllenden Darstellung, in Schwarz und Grausilber.Erratum: Der Mindestpreis beträgt 10000 statt 9000 Euro. Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

WARHOL, Andy, "Flowers", Plakat, Museum Haus Lange, 1971, Farbsiebdruck, 86 x 62, min.läs., ungerahmt

229 - - Ina Barfuss. (1949 Lüneburg - lebt in Berlin). "O.T". Um 1980. Mixed Media. 51,4 x 73,2 cm, mit Passepartout im Silberrahmen 76 x 96,5 cm. Ina Barfuss, geboren 1949 in Lüneburg, studiert von 1968 bis 1974 an der Hochschule für bildende Künste in Hamburg. Sie gehörte mit ihrem 2015 verstorbenen Mann Thomas Wachweger zum engeren Freundeskreis um Martin Kippenberger, Albert und Markus Oehlen sowie Werner Büttner. Die Malerin schuf viele Gemeinschaftsarbeiten mit ihrem Mann. Das hier versteigerte Werk bewegt sich in der Tradition erotischer Comics und Bad Taste, Irgendwo zwischen Philip Guston, Francis Picabia, George Condo und Andy Warhol.

A distressed etched mirror by designer David Pilkington circa 1992. "Everyone should be famous for fifteen minutes" as a tribute to Andy Warhol. In brushed and pierced steel frame. Verso label 'In memorium Andy Warhol' REF 159/92/219 W:87cm x D:0.8cm x H:89cm

Champagne Dom Perignon 2002 Warhol ediotion 3 bts

Fereydoun Hoveyda (Iran, 1924-2006)Calligraphic Ballet mixed media on paper arranged on board, framedexecuted in 1977, Bodley gallery label on the verso100 x 100cm (39 3/8 x 39 3/8in).Footnotes:Provenance:Property from the estate of a distinguished Iranian academic, CaliforniaTWO RARE AND EXQUISITE COMPOSITIONS BY THE IRANIAN ARTIST AND DIPLOMAT FEREYDOUN HOVEYDA'Hoveyda combines his literary sensitivity, his cinematic instinct, and his international experience, to create images that are beautiful, perceptive, and funny.' – Andy WarholExhibited:Bodley Gallery, 1063 Madison Avenue, New York, 1979Fereydoun Hoveyda was a man of unusual versatility, equally at ease in the worlds of international politics and the arts. The present works are superlative examples from his mature work, exhibited at New Yorks fabled Bodley Gallery, with direct reference to the exhibition made in Andy Warhol's own diary from the periodHe served as Iran's ambassador to the U.N. from 1971 to 1979, the year his brother, former Prime Minister Amir Abbas Hoveyda, was executed after Iran's Islamic revolution. After leaving the Iranian foreign service, Hoveyda became a senior fellow at the National Committee on American Foreign Policy.Hoveyda was born in Damascus, Syria, in 1924. He earned a doctorate in international law and economics from the Sorbonne in Paris. In 1948 he participated in drafting the Universal Declaration of Human Rights. From 1952 to 1966 Hoveyda worked in UNESCO's mass communications department. In 1965, his brother became prime minister of Iran; the next year Fereydoun Hoveyda became Iran's deputy foreign minister in charge of international organizations.Hoveyda was deeply embedded in the international art community and acted as the liaison when Andy Warhol visited Iran 1976, forming a lasting freindship with the artist. Hoveyda was a founding contributor of Cahiers du Cinema, the influential French film magazine. He also wrote the screenplay for Roberto Rossellini's 1959 film 'India.'This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

WARHOL, ANDY, naar ontwerp van, Queen Margrethe II van Denemarken, zeefdruk 60 x 50 cm. WARHOL, ANDY, after a design by Queen Margrethe II of Denmark, silkscreen 60 x 50 cm.

WARHOL, ANDY, naar, Mao Tse Tung, zeefdruk 90 x 90 cm. Warhol, Andy, after, Mao Tse Tung, screenprint 90 x 90 cm.

WARHOL, ANDY, naar, Brigitte Bardot, zeefdruk 90 x 90 cm. Warhol, Andy, after, Brigitte Bardot, screenprint 90 x 90 cm.

WARHOL, ANDY, naar ontwerp van, Queen Ntombi Twala van Swaziland, zeefdruk 60 x 50 cm. WARHOL, ANDY, naar ontwerp van, een Ntombi Twala van Swaziland, zeefdruk 60 x 50 cm.

ANDY WARHOL 'Mao', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

ANDY WARHOL 'Chanel n°5', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

ANDY WARHOL 'Blue Cows', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

ANDY WARHOL 'Ladies and Gents', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

ANDY WARHOL 'Queen Elisabeth II', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

ANDY WARHOL 'Queen Elisabeth II', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

Laurence De Valmy Banksy Kissing Coppers, 2020 Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "My goals are to share about the stories behind the artworks, the connections between the artists and to make my viewers consider these artworks with a renewed interest by replacing them in the context of their creation. For this auction I chose artists who had common points or who worked on common themes such as the Kiss by Banksy and Bridget Riley."   Laurence de Valmy is French born and lives in Philadelphia USA. She started her career in France in 2005 as a painter creating artworks in the style of contemporary realism and would regularly exhibit. Laurence de Valmy invites us to reflect on the links between artists through times and the relationship between Art and social media today.​ Inspired by the personal stories of artists, she revisits Art History through fictional anachronistic Instagram of the past asking "what if Instagram had always existed?" The artist combines her knowledge of art history and painting to appropriate iconic artworks and share their stories. Each artwork, skilfully hand painted with acrylic, is a clever juxtaposition of an original painting and an imagined conversation historically accurate yet humorous. The paintings are associated with their story, available on the website and by telling the stories behind these famous artworks, the artist leads us to consider them with a new eye and reflect on the place of social media today in our relationship with art, more often seen through a screen than in person. In 2018, de Valmy's work was displayed at the Museum of Urban and Contemporary Art (MUCA) in Munich in the exhibition The BUNTE Art, alongside Andy Warhol and at the Barnes Foundation in the group show Let's Connect.   In 2019 she had a solo show with Michele Mariaud Gallery, NY and was the guest artist of Museum Week in NY. In December 2019, she presented an installation during the Miami art week at SCOPE Miami Beach with Kahn Gallery. In June 2020, her work was in the exhibition CONCEPT at the CICA Museum in Korea and her artwork now belongs to their permanent collection. Her paintings belong to private collections including CICA Museum, Hubert Burda Collection, Abrishamchi Family Collection, Vinik Family, Corcoran Family, CM Collection and Eileen Kaminsky Foundation.    

Laurence De Valmy Bridget's Kiss, 2020 Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "My goals are to share about the stories behind the artworks, the connections between the artists and to make my viewers consider these artworks with a renewed interest by replacing them in the context of their creation. For this auction I chose artists who had common points or who worked on common themes such as the Kiss by Banksy and Bridget Riley."   Laurence de Valmy is French born and lives in Philadelphia USA. She started her career in France in 2005 as a painter creating artworks in the style of contemporary realism and would regularly exhibit. Laurence de Valmy invites us to reflect on the links between artists through times and the relationship between Art and social media today.​ Inspired by the personal stories of artists, she revisits Art History through fictional anachronistic Instagram of the past asking "what if Instagram had always existed?" The artist combines her knowledge of art history and painting to appropriate iconic artworks and share their stories. Each artwork, skilfully hand painted with acrylic, is a clever juxtaposition of an original painting and an imagined conversation historically accurate yet humorous. The paintings are associated with their story, available on the website and by telling the stories behind these famous artworks, the artist leads us to consider them with a new eye and reflect on the place of social media today in our relationship with art, more often seen through a screen than in person. In 2018, de Valmy's work was displayed at the Museum of Urban and Contemporary Art (MUCA) in Munich in the exhibition The BUNTE Art, alongside Andy Warhol and at the Barnes Foundation in the group show Let's Connect.   In 2019 she had a solo show with Michele Mariaud Gallery, NY and was the guest artist of Museum Week in NY. In December 2019, she presented an installation during the Miami art week at SCOPE Miami Beach with Kahn Gallery. In June 2020, her work was in the exhibition CONCEPT at the CICA Museum in Korea and her artwork now belongs to their permanent collection. Her paintings belong to private collections including CICA Museum, Hubert Burda Collection, Abrishamchi Family Collection, Vinik Family, Corcoran Family, CM Collection and Eileen Kaminsky Foundation.  

Laurence De Valmy Alma's Resurrection, 2020 Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "My goals are to share about the stories behind the artworks, the connections between the artists and to make my viewers consider these artworks with a renewed interest by replacing them in the context of their creation. For this auction I chose artists who had common points or who worked on common themes such as the Kiss by Banksy and Bridget Riley."   Laurence de Valmy is French born and lives in Philadelphia USA. She started her career in France in 2005 as a painter creating artworks in the style of contemporary realism and would regularly exhibit. Laurence de Valmy invites us to reflect on the links between artists through times and the relationship between Art and social media today.​ Inspired by the personal stories of artists, she revisits Art History through fictional anachronistic Instagram of the past asking "what if Instagram had always existed?" The artist combines her knowledge of art history and painting to appropriate iconic artworks and share their stories. Each artwork, skilfully hand painted with acrylic, is a clever juxtaposition of an original painting and an imagined conversation historically accurate yet humorous. The paintings are associated with their story, available on the website and by telling the stories behind these famous artworks, the artist leads us to consider them with a new eye and reflect on the place of social media today in our relationship with art, more often seen through a screen than in person. In 2018, de Valmy's work was displayed at the Museum of Urban and Contemporary Art (MUCA) in Munich in the exhibition The BUNTE Art, alongside Andy Warhol and at the Barnes Foundation in the group show Let's Connect.   In 2019 she had a solo show with Michele Mariaud Gallery, NY and was the guest artist of Museum Week in NY. In December 2019, she presented an installation during the Miami art week at SCOPE Miami Beach with Kahn Gallery. In June 2020, her work was in the exhibition CONCEPT at the CICA Museum in Korea and her artwork now belongs to their permanent collection. Her paintings belong to private collections including CICA Museum, Hubert Burda Collection, Abrishamchi Family Collection, Vinik Family, Corcoran Family, CM Collection and Eileen Kaminsky Foundation.  

Laurence De Valmy Rothko and Human Emotions, 2020 Acrylic and Ink on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "My goals are to share about the stories behind the artworks, the connections between the artists and to make my viewers consider these artworks with a renewed interest by replacing them in the context of their creation. For this auction I chose artists who had common points or who worked on common themes such as the Kiss by Banksy and Bridget Riley."   Laurence de Valmy is French born and lives in Philadelphia USA. She started her career in France in 2005 as a painter creating artworks in the style of contemporary realism and would regularly exhibit. Laurence de Valmy invites us to reflect on the links between artists through times and the relationship between Art and social media today.​ Inspired by the personal stories of artists, she revisits Art History through fictional anachronistic Instagram of the past asking "what if Instagram had always existed?" The artist combines her knowledge of art history and painting to appropriate iconic artworks and share their stories. Each artwork, skilfully hand painted with acrylic, is a clever juxtaposition of an original painting and an imagined conversation historically accurate yet humorous. The paintings are associated with their story, available on the website and by telling the stories behind these famous artworks, the artist leads us to consider them with a new eye and reflect on the place of social media today in our relationship with art, more often seen through a screen than in person. In 2018, de Valmy's work was displayed at the Museum of Urban and Contemporary Art (MUCA) in Munich in the exhibition The BUNTE Art, alongside Andy Warhol and at the Barnes Foundation in the group show Let's Connect.   In 2019 she had a solo show with Michele Mariaud Gallery, NY and was the guest artist of Museum Week in NY. In December 2019, she presented an installation during the Miami art week at SCOPE Miami Beach with Kahn Gallery. In June 2020, her work was in the exhibition CONCEPT at the CICA Museum in Korea and her artwork now belongs to their permanent collection. Her paintings belong to private collections including CICA Museum, Hubert Burda Collection, Abrishamchi Family Collection, Vinik Family, Corcoran Family, CM Collection and Eileen Kaminsky Foundation.  

40 books on artists including Beardsley, Wesson, Peake, Warhol, Klee, John Sell Cotman etc

Keith Haring, “Pyramid”dreieckige Aluminiumplatte, vollflächig mit für den Künstler typischen Figuren gestaltet, Siebdruck in Gold auf blauem Grund, rückseitig gravierte Signatur und Datierung „K. Haring (19)89“, Schriftzug „Editions Schellmann Munich - New York“ und Nummerierung „13/30“, Ecken minimalst gestaucht, Maße ca. 103,5 x 145 cm. Künstlerinfo: bedeutender US-amerikanischer Popartkünstler (1958 Reading Pennsylvania bis 1990 New York), studierte 1976-78 an der Kunstschule Pittsburgh, 1978 erste Einzelausstellung und Übersiedlung nach New York und Studium an der School of Visual Arts, hier unter anderem Bekanntschaft mit Jean-Michel Basquiat, 1980 Teilnahme an der Times Square Show, 1983 Teilnahme an der Whitney Biennale von Sao Paulo, Bekanntschaft mit Andy Warhol, 1986 Eröffnung des Pop Shops in SoHo/New York, 1980-85 Entstehung der Subway Drawings, auch Teilnahme an der documenta 7 in Kassel, Quelle: Wikipedia. Keith Haring “Pyramid”triangular aluminum plate, completely designed with figures typical of the artist, screen print in gold on a blue background, signature and date “K. Haring (19) 89", lettering "Editions Schellmann Munich - New York" and numbering "13/30", corners minimally compressed, dimensions approx. 103,5 x 145 cm. Artist info: important American pop artist (1958 Reading Pennsylvania to 1990 New York), studied 1976-78 at the Pittsburgh School of Art, 1978 first solo exhibition and moved to New York and studied at the School of Visual Arts, where he met Jean- Michel Basquiat, 1980 participation in the Times Square Show, 1983 participation in the Whitney Biennale of Sao Paulo, acquaintance with Andy Warhol, 1986 opening of the Pop Shop in SoHo / New York, 1980-85 creation of the Subway Drawings, also participation in the documenta 7 in Kassel. Source: Wikipedia.

Turtle Diary (1985) Warhol UK Quad poster, featuring Andy Warhol art, this nature drama starring Glenda Jackson and Ben Kingsley. Excellent condition, writing to reverse which does not show through, 30"x 40".

Sixties LPs, nine albums of coloured vinyl and special editions by Sixties artists comprising Rolling Stones (Beggars Banquet, Some Girls), Velvet Underground (Andy Warhol (Pink Vinyl), Collected (Yellow Vinyl)), The Who (Kids are Alright (Red / Blue Vinyl), Quadrophenia (Green Vinyl)), Paul McCartney (Ram - Yellow Vinyl), John Lennon - Imagine and Spirit (12 Dreams of Dr Sardonicus) - all either Sealed or EX+ condition

After Andy Warhol, Marker Drawing of Heel. Marker on paper. Sight Size: 7.75 x 11.25 in. Overall Framed Size: 14.25 x 17.5 in. Framed behind glass.

(See English version below)Andy Warhol (Pittsburgh 1928 – 1987 New York). Aus: „Ladies and Gentlemen“. 1975Farbserigrafie auf Velin. 110 × 72,3 cm ( 43 ¼ × 28 ½ in.). Nummeriert, signiert, datiert und bezeichnet.Feldman / Schellmann II. 129.–Eines von 125 nummerierten Exemplaren + 25 A.P. und 1 P.P. [3802]Provenienz: Privatsammlung, ÖsterreichZustandsbericht: Ex. 14/125. Sehr harmonischer Gesamteindruck. Die Farben frisch und leuchtend. Entlang der Passepartoutkanten schwacher Lichtrand. Die Blattränder leicht gebräunt und stellenweise mit leichten Fingerspuren. Die Blattkanten ohne Einrisse oder Fehlstellen. Die oberen Ecken mit minimalem Abrieb und die untere Blattkante mit leichter Feuchtigkeitsspur, die im Streiflicht sichtbar wird. Unter UV-Licht sind keine Restaurierungen erkennbar. Rückseitig in den oberen Ecken mit Japanpapier am Unterkarton montiertWir berechnen auf den Hammerpreis 30% Aufgeld.Andy Warhol (Pittsburgh 1928 – 1987 New York). From: ”Ladies and Gentlemen”. 1975Colour silkscreen on wove paper. 110 × 72,3 cm ( 43 ¼ × 28 ½ in.). Numbered, signed, dated and inscribed.Feldman / Schellmann II 129.–One of 125 numbered copies, 25 a.p. and 1 p.p.. [3802]Provenance: Private Collection, AustriaCondition report: No. 14/125. Very harmonious overall appearance. The colours fresh and luminous. Pale light staining along the passepartout edges. Pale time staining at the sheet margins and light fingerprints in some places. The sheet edges without tears or losses. Minimal abrasion at the upper corners and a slight water stain along the lower sheet edge, only visible in raking light. There are no repairs visible under UV-light. Mounted with Japan paper on support cardboard in the upper corners on the reverseWe charge 30% premium on the hammerprice.

(See English version below)Andy Warhol (Pittsburgh 1928 – 1987 New York). Seated Male Nude. 1950erKugelschreiber auf Papier. 43,5 × 35,5 cm ( 17 ⅛ × 14 in.). Rückseitig mit den Stempeln in Blau und der Archivnummerierung in Bleistift: The Estate of Andy Warhol und Andy Warhol Foundation for the Visual Arts 205.004.[3641]Provenienz: Privatsammlung, BerlinZustandsbericht: In gutem Zustand. Blatt insgesamt leicht gebräunt, unten rechts eine etwas stärker. An der rechten Blattkante mittig stellenweise mit leichten braunen Fleckchen. Die obere Blattkante mittig punktuell mit winzigen Einrissen. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Rückseitig in den oberen Ecken mit Japanpapier auf den Unterkarton montiert. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Andy Warhol (Pittsburgh 1928 – 1987 New York). Seated Male Nude. 1950sBallpoint pen on paper. 43,5 × 35,5 cm ( 17 ⅛ × 14 in.). Blue stamps, and the archive number in pencil on the reverse: The Estate of Andy Warhol and Andy Warhol Foundation for the Visual Arts 205.004.[3641]Provenance: Private Collection, BerlinCondition report: In good condition. Sheet overall with pale time staining, somewhat stronger in the lower right. Light brown stains in some places in the centre of the right sheet edge. Tiny tears appear sporadically in the centre of the upper sheet edge. UV-light reveals no retouchings or repairs. Mounted with Japan paper onto the support cardboard in the upper corners on the reverse. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.

ANDY WARHOL 'Rangutan', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G. Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

ANDY WARHOL 'Moon Landing', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G. Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

ANDY WARHOL 'Bald Eagle', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G. Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

ANDY WARHOL 'Prince', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G. Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

Titled, Star Leg, Etching, 1979, Artist Proof Limited Edition 3/ 15 . 1st State. Handcolored. Rosenquist was an American artist and one of the proponents of the pop art movement. Drawing from his background working in sign painting, Rosenquist's pieces often explored the role of advertising and consumer culture in art and society, utilizing techniques he learned making commercial art to depict popular cultural icons and mundane everyday objects.[1] While his works have often been compared to those from other key figures of the pop art movement, such as Andy Warhol and Roy Lichtenstein, Rosenquist's pieces were unique in the way that they often employed elements of surrealism using fragments of advertisements and cultural imagery to emphasize the overwhelming nature of ads.[2] He was a 2001 inductee into the Florida Artists Hall of Fame 26 x 43 in. Please note that all sales are final. No refunds will be given under any circumstances.

This life-size bronze sculpture of Andy Warhol was done in 2005 by Jack Dowd, a local Sarasota artist who creates paintings and sculptures of artists, celebrities, and everyday people with a very human-like feel to them, and his figures are imbued with a satiric, but affectionate touch. You can see that in the Warhol sculpture here. Born in New York in 1938, Jack was inspired by his father and took up sketching and drawing at an early age. He started sculpting in the ’70s, when he lived in Plainfield, Vermont. He began with a chainsaw and blocks of wood, then started working in clay because it was more flexible: he used wire mesh to build a form, molded the clay around it and made a model, turned that into a rubber mold, and cast bronze or gypsum cement figures from the mold, and his sculptures have a touch of whimsy, avant-garde and folk art all combined in one piece. Jack moved to Sarasota in 1982 and has a private studio here called Moon River. He has had many solo exhibitions sponsored by museums and art centers across the country, including the Florida State Museum of Fine Art, Jacksonville’s Museum of Modern Art, and the Ringling Museum of Art in Sarasota, Florida, which drew 40,000 visitors and was the best attended opening in the museum’s history. The Warhol sculpture is signed and dated “Jack Down 2005 AP3” on the back side, near the back pocket, and the Warhol sculpture stands 70 inches tall, with an 18 inch diameter base.

TING, Walasse. One Cent Life. Bern: E. W. Kornfeld, 1964.  Folio. 68 lithographs including examples by Andy Warhol, Sam Francis, James Rosenquist, Robert Indiana, Robert Rauschenberg, Roy Lichtenstein, Pierre Alechinsky, Claes Oldenberg, Jim Dine and others. Loose as issued in original cloth-covered boards, pictorial dust jacket designed by Machteld Appel (minor losses to spine ends); original cloth slipcase (some minor rubbing).   Provenance: Alma and Sam (presentation inscriptions and letter, see below). LIMITED EDITION, number 202 of 2,000 copies. PRESENTATION COPY, INSCRIBED BY TING in two acrostic poems to Sam and Alma: "to Splendor Ambassador & Man from Walasse Summer 1970"; "America Lovely Mermaid Alma." Manet to Hockney 135; A Century of Artist Books pp. 208-9. [Laid in:] Autograph letter signed ("Walasse"), to Alma and Sam. N.p., 20 July 1970. 1 page, 4to, on pink sheet. In full: "Dear Alma & Sam Thank so much for the most beautiful party in flint it is just like the Painting Raining Sunshine, I love your house, full of sunshine on hundred thousand flower garden maybe I should sending you 2 dozen lively butterflies let they fly in your house love. Enclosed a Book was published 6 years ago."  Property from the Collection of Michael and Kay MeletFor condition inquiries please contact Gretchen Hause at gretchenhause@hindmanauctions.com

Year set - 12 issues of Playboy: Entertainment for Men magazine, for 1986. To include front covers featuring Andy Warhol design Holiday Anniversary issue, Sally Field, Victoria Sellers, Kathleen Turner and Brooke Shields.

A beautiful original German Two-Sheet 'A0' film poster for the 1966 re-release for Marilyn Monroe's "The Seven Year Itch" (Das Verflixte 7. Jahr). Bold colourful design by Dorothea Fischer Nosbisch in an 'Andy Warhol' style for Atlas Distributors, this is one of the most striking and different Marilyn Monroe images you will encounter featuring Richard Sherman (Tom Ewell) kissing Marilyn Monroe as The Girl on her cheek with a small red heart inside the stylised title text. A country unique piece this was printed only for the German market and is extremely desirable for Marilyn Monroe fans and collectors of 'art' style film posters.33" x 47" (84 x 119 cm)Condition: Very Good to ExcellentUnrestored, rolled (as issued). Minimal handling and age wearArtist: Dorothea Fischer Nosbisch£200 - 300VAT Status: M

After Andy Warhol, Chanel, offset lithograph poster, unframed, H.61cm W.46cm

ANDY WARHOL 'Mick Jagger', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G. Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed. (with faults)

ANDY WARHOL 'Jean Cocteau', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G. Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

ANDY WARHOL 'Mao', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G. Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

ANDY WARHOL 'Sitting Bull', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G. Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

The Beatles - Collection of framed items including Andy Warhol framed print, Beatles Yellow Submarine framed stamp display with image, three Canvas boards for shows and other items including Beatles Monthly book, John Lennon In His Own Write, Beatles modern poster for A Hard Day's Night (framed), Song Album and other items.

Andy Warhol (1928-1987)KikuSilkscreen ink and paper collage on board, c.1983, stamped by The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts and numbered 'VF 37.042' verso, this work is unique, the full sheet 665 x 905mm (26 1/8 x 35 5/8 in)(framed)Provenance:DJT Fine Art, New YorkPaul Kasmin Gallery, New YorkPrivate CollectionSotheby's, London, 15 October 2007, lot 265Acquired at the above sale by the present owner

Andy Warhol (1928-1987) (after)Louisiana Museum DenmarkOffset lithographic poster printed in colours, 1976, on wove paper, printed by Grafodan Offset Vaerlose, Denmark, sheet 997 x 616mm (39 1/4" x 24 1/4in) (unframed)

A Tate Gallery Warhol Poster, March 1971, 77cm High

Artist: Andy Warhol (American, 1928 - 1987). Title: "Texan [Robert Rauschenberg]". Medium: Original color letterpress print. Date: Printed 1970. Dimensions: Overall size: 9 1/2 x 9 7/8 in. (241 x 251 mm).Lot Note(s): Signed in white marker, center right. Edition of c200. Medium weight light cream uncoated wove paper. The full sheet. Fine impression. Fine condition. Comment(s): This rare letterpress print was published as part of the Warhol portfolio of eight prints which was included in the publication/portfolio "Artists & Photographs" published by Multiples, Inc., New York City, in association with Colorcraft Inc., NYC in 1970. The publication consists of a cardboard box containing artist's publications, multiples, artist's books, etc. by Warhol, Rauschenberg, Ruscha, Nauman, Gormley, Christo, Lewitt, and others. The stated edition size was 1,200 but as Peter Gidal indicates "…rumors abound that the art-box never got made in more than 800 copies, but even the origination gallery can no longer verify it. What is certain is that no "extra" copies of any of the multiples were made, and that the Gormley was in an edition of 200 and the Rauschenberg in an edition of 400. This substantiated the fact that complete boxes could never have been more than 200." Warhol's contributions were printed in different sizes, scales, and mediums. Our example is stamped verso "File Copy - Colorcraft Inc. - Please Return" indicating that it came from the Colorcraft archives. No auction records located. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28842-2-300]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Sticky Fingers/Rolling Stones [album cover and record - COC 59100]". Medium: Color offset lithograph. Date: Composed 1971. Printed 1971. Dimensions: Overall size: 12 1/4 x 12 3/8 in. (311 x 314 mm).Lot Note(s): Signed by Warhol in black marker, center left. Large edition, exact size unknown. Album cover stock. Printed to the edge of the cover. Fine, quality printing. Good condition; some minor creasing upper right at the belt buckle; some minor abrasion near zipper's end; overall presents very well. Literature/catalogue raisonne: Paul Marechal, "Andy Warhol: The Record Covers, 1949-1987 – Catalogue Raisonne," #32. Comment(s): The highest auction price for a signed impression of this cover reported in “Gordon’s” is $2,000 (€1,200) realized at Venator & Hanstein, Cologne, Germany, March 29, 2014, lot #1305. The cover with the working zipper was designed by Warnol. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29487-3-500]

Artist: Andy Warhol [d'apres] (American, 1928 - 1987). Title: "Sam (Red Sam Sitting)". Medium: Color lithograph. Date: Printed c1986?. Dimensions: Overall size: 17 x 15 15/16 in. (432 x 405 mm). Image size: 9 x 7 1/8 in. (229 x 181 mm).Lot Note(s): Bears signature in black marker, lower left; signed in the plate, lower right. Cream wove paper. Full margins; deckle edges three sides. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IV.59B. Comment(s): Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28681-3-500]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Reigning Queens [invitation]". Medium: Color offset lithograph. Date: Composed 1985. Dimensions: Overall size: 7 1/4 x 13 3/4 in. (184 x 349 mm). Image size: 7 1/4 x 5 7/8 in. (184 x 149 mm).Lot Note(s): Signed in black marker, right center. Edition of c250. Smooth cream wove paper. The full sheet. Fine impression. Condition: fold as issued, else fine. Literature/catalogue raisonne: Undoubtedly to be included in the forthcoming revised edition of the catalogue raisonne of Warhol's ephemera by Paul Marechal; cf. Feldman/Schellmann IIB.334-349. Comment(s): Scarce when signed. The invitation for "Andy Warhol: Reigning Queens 1985" at Castelli Uptown, New York City, September 21-October 12, 1985. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28113-2-300]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Queen Beatrix (#3)". Medium: Color offset lithograph. Date: Composed 1985. Dimensions: Image size: 7 x 5 9/16 in. (178 x 141 mm).Lot Note(s): Signed in black felt tip pen, upper left. Edition unknown, presumed very small. Light cream wove paper. Printed to the edge of the sheet. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann II.340. Comment(s): Very scarce, and rare signed. Issued to promote the portfolio "Reigning Queens" published by George Mulder, Amsterdam. The portfolio consists of 16 separate images of each of four reigning queens: Queen Elizabeth II, Queen Beatrix, Queen Margrethe II, and Queen Ntombi Twala, all printed by Rupert Jasen Smith, New York. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The reception was held in the late afternoon of September 20th, 1985 at Castelli Uptown and the exhibition ran from September 21st to October 12th. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28662-1-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Puerto Rican Parrot". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 10 7/16 x 10 1/4 in. (265 x 260 mm).Lot Note(s): Signed in black marker, center right. Very light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Feldman/Schellmann IIIB.51.95. Comment(s): A proof from the lithograph edition of unknown size published in October of 1986, which was based on the "Vanishing Animals" silkscreen series of the same year. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28569-2-400]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Playboy [magazine cover]". Medium: Color offset lithograph. Date: Composed 1986. Dimensions: Overall size: 10 13/16 x 7 3/4 in. (275 x 197 mm).Lot Note(s): Signed in black marker, center right; signed in the plate. Edition unknown. Smooth wove paper. The full sheet. Fine impression. Good to very good condition. Comment(s): The cover of "Playboy" magazine, January, 1986. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28649-2-300]