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Lot 287
NO RESERVE Warhol (Andy) .- Wilcock (John) The Autobiography & Sex Life of Andy Warhol, slight staining to fore-edge of first and last few leaves, New York, 1971 § Tate Gallery. Warhol, some light spotting, one leaf untrimmed and frayed at edge, 1971, first editions, illustrations, some colour, original pictorial wrappers, a little rubbed, the first slightly creased and with small tear to fore-edge of lower cover; and a 2006 Christie's catalogue of Warhol's Mao, 4to (3)
Lot 236
NO RESERVE Elderfield (John) de Kooning: A Retrospective, 2011 § Hickey (Dave) and others. Andy Warhol: "Giant" Size, 2006 § Berger (Klaus) Odilon Redon, Fantasy and Colour, translated by Michael Bullock, 1964 § Price (Marla) Howard Hodgkin: The Complete Paintings, 2006, illustrations, original boards or cloth, all but the second with dust-jackets, fine and crisp copies; and a large quantity of others, modern and 20th century art reference, v.s. (4 boxes)
Lot 3996
Richard Lindner, Plakatentstanden anlässlich einer Ausstellung 1997 im Haus der Kunst München, unter Verwendung des Gemäldes "Rock-Rock" aus dem Jahre 1967/68, Farboffset, etwas wellig und minimal knitterspurig, Maße ca. 83 x 59 cm. Künstlerinfo: US-amerikanischer Maler und Graphiker deutscher Herkunft (1901 Hamburg bis 1978 New York), 1905 Umzug der Familie nach Nürnberg, ab 1922 Studium an der Kunstgewerbeschule in Nürnberg, 1925 kurzzeitiger Aufenthalt in Frankfurt am Main, in Nürnberg Meisterschüler von Max Körner, 1927 in Berlin ansässig, bis 1933 als Illustrator tätig, kurz nach der Machtergreifung der Nationalsozialisten Emigration nach Paris, 1941 Übersiedlung nach New York und hier kommerzieller Erfolg als Werbegraphiker, 1948 erlangte er die amerikanische Staatsbürgerschaft, ab 1956 Lehrbeauftragter am Pratt Institute, 1959 Bekanntschaft mit Andy Warhol, 1962 Ausstellung im Museum of Modern Art, 1965 Gastprofessur an der Hochschule für bildende Künste in Hamburg, 1968 und 1977 Teilnahme an der documenta in Kassel, ab 1972 Mitglied in der American Academy of Arts and Letters. Quelle: Vollmer, AKL und Wikipedia.
Lot 4045
Andy Warhol, "Marilyn Monroe"Portrait der US-amerikanischen Schauspielerin in Blau vor grau gesprenkeltem brombeerfarbenen Grund, Farbserigraphie auf leichtem Karton, um 1967, rückseitig Stempel in Dunkelblau "fill in your signature" und published by Sunday B. Morning", geringe Erhaltungsmängel, Blattmaße ca. 84,3 x 84,3 cm. Künstlerinfo: eigentlich Andrew Warhola, bedeut. us-amerik. Maler, Graphiker, Designer, Filmemacher und Verleger (1928 Pittsburgh bis 1987 New York City), Mitbegründer und zentrale Figur der amerik. Pop Art, stud. 1945-49 Gebrauchsgraphik am Carnegie Institute of Technology in Pittsburgh, anschließend Umzug nach New York und hier als freischaffender Künstler tätig, Quelle: Internet.
Lot 4046
Andy Warhol, "Flowers" farblich verfremdete Blüten auf einer Wiese, Farbserigraphie auf leichtem Karton, um 1980, rückseitig Stempel in Dunkelblau "fill in your own signature" und "published by Sunday B. Morning", an der Unterkante Einriss von 3 cm Länge, Blattmaße ca. 91 x 91 cm. Künstlerinfo: eigentlich Andrew Warhola, bedeut. us-amerik. Maler, Graphiker, Designer, Filmemacher und Verleger (1928 Pittsburgh bis 1987 New York City), Mitbegründer und zentrale Figur der amerik. Pop Art, stud. 1945-49 Gebrauchsgraphik am Carnegie Institute of Technology in Pittsburgh, anschließend Umzug nach New York und hier als freischaffender Künstler tätig, Quelle: Internet.
Lot 822
The Souper Dress a shift dress, paper, printed in colours with bands of Campbell's soup tins designed by Andy Warhol, original label, 96cm. long Catalogues notes A similar example of this paper dress is held in the Metropolitan museum collection and dated to 1966-67. Literature Mark Francis, The Warhol Look: Glamour, Style and Fashion, New York, 1997, for a comparable example illustrated.
Lot 43
Music Poster - Three numbered limited edition posters for the New Orleans Jazz & Heritage Festival 20th Anniversary 1989 with the Fats Domino design in the manner of Andy Warhol. Numbers are 9991, 9810, 9811. Overall condition is very good with some creasing to top corners & edges, and 9811 has considerable discolouration / damp spotting.
Lot 306
* The Rolling Stones. Collection of vinyl records / LPs by The Rolling Stones, including Sticky Fingers, Rolling Stone Records COC 59100 Stereo, original 1971 pressing with top-opening non-gatefold sleeve design by Andy Warhol with working zipper, Warhol credit behind the zip, original insert included in good condition, matrix numbers COC 59100 A4 and COC 59100 B3 with 'T.M.L. Rolling Stones Records' in run-out grooves, vinyl EXC, The Rolling Stones (debut studio album), Decca LK 4605, original 1964 mono pressing, grooved red/silver label with large unboxed Decca logo and 'ear' logo at 2 o'clock, sleeve in poor condition, matrix numbers XARL-6271-2A and XARL-6272-3A, The Rolling Stones No 2, Decca LK 4661, UK 1964 first mono pressing, grooved red/silver label with large unboxed Decca logo and 'ear' logo at 2 o'clock, James Upton sleeve with 'Blind Man ...' text on the rear, matrix numbers XARL-6619-1A and XARL-6620-2A, Around and Around, 1964 French pressing, Decca 158.012, sleeve dated 12-64 on the rear, After-Math, Decca LK 4786, UK 1966 mono pressing, grooved red/silver label with large unboxed Decca logo and 'ear' logo at 2 o'clock, matrix numbers XARL-7209-6B and XARL-7210-3A, Gimme Shelter, Decca SKL 5101, UK 1971 first stereo pressing, blue/silver ffss Decca label, matrix numbers XZAL-10820-P-1W and XZAL-10821P-1W, Milestones, Decca SKL 5098, UK 1972 first stereo pressing, blue/silver ffss Decca label, matrix numbers XZAL-10776.P-1W and XZAL-10777.P-1WQty: (7)
Lot 136
§ BRUCE MCLEAN (SCOTTISH 1944-) ORANGE FACE, 1984 Oil on paper(69cm x 48cm (27in x 19in))Footnote: Note: Bruce McLean’s distinctive, irreverent practise is hard to pigeon-hole and his multi-disciplinary approach attests to this, with the artist noted for his work across the mediums of painting, print-making, sculpture and performance. An alumni of the Glasgow School of Art and Central Saint Martins, McLean’s impact on the artworld was immediate and has proved long-lasting. At the tender age of just 27, McLean had a solo exhibition at the Tate Gallery in London before going on to teach art, most notably becoming Head of Painting at the Slade School of Fine Art. His teaching practise and forthright, colourful approach to his own work has influenced subsequent generations of British artists.Lyon and Turnbull are delighted to offer some rare to market early career works by this enigmatic figure. They were painted in McLean’s garage studio in Barnes during the period between the spring of 1983 and 1984 after McLean had returned from some time in Berlin. He found the space and the domestic situation around it immediately congenial and it was close enough to home for him to work in a way that suited his temperament; at odd times of the day or night, unpredictably and spontaneously.These pieces were part of a body of paintings that have a marked stylistic unity. Though his work is characterised by a sense of fun and approachability, it is in fact frequently underpinned by political discourse, stemming directly from a belief in the centrality of art to the development of human consciousness and to social and domestic well-being. For example, in the case of Lot 136, we see one of his recurring motifs from this era of his work; the stepladder, with its connotations of social ascent and descent. These garage paintings are notable for their extreme economy of means, directness of address, stark simplicity of style, gestural vehemence and passionate indignation.In 1985, photographer Alastair Thain published his photobook ‘Skin Deep’, the aim of which was to “offer an exploration of modern celebrity and myth”. The image here aims to tap into and capture the wit and irony with which McLean’s work often sought to lampoon, as well as more seriously question, the workings of the art world. Here, in typical style, we find him playfully subverting the trope of the ‘traditional’ portrait. Fellow artists also shot by Thain include Joseph Beuys, Andy Warhol and Francis Bacon
Lot 138
§ BRUCE MCLEAN (SCOTTISH 1944-) SELF-PORTRAIT Oil on paper(51cm x 40cm (20in x 15.75in))Footnote: Note: Bruce McLean’s distinctive, irreverent practise is hard to pigeon-hole and his multi-disciplinary approach attests to this, with the artist noted for his work across the mediums of painting, print-making, sculpture and performance. An alumni of the Glasgow School of Art and Central Saint Martins, McLean’s impact on the artworld was immediate and has proved long-lasting. At the tender age of just 27, McLean had a solo exhibition at the Tate Gallery in London before going on to teach art, most notably becoming Head of Painting at the Slade School of Fine Art. His teaching practise and forthright, colourful approach to his own work has influenced subsequent generations of British artists.Lyon and Turnbull are delighted to offer some rare to market early career works by this enigmatic figure. They were painted in McLean’s garage studio in Barnes during the period between the spring of 1983 and 1984 after McLean had returned from some time in Berlin. He found the space and the domestic situation around it immediately congenial and it was close enough to home for him to work in a way that suited his temperament; at odd times of the day or night, unpredictably and spontaneously.These pieces were part of a body of paintings that have a marked stylistic unity. Though his work is characterised by a sense of fun and approachability, it is in fact frequently underpinned by political discourse, stemming directly from a belief in the centrality of art to the development of human consciousness and to social and domestic well-being. For example, in the case of Lot 136, we see one of his recurring motifs from this era of his work; the stepladder, with its connotations of social ascent and descent. These garage paintings are notable for their extreme economy of means, directness of address, stark simplicity of style, gestural vehemence and passionate indignation.In 1985, photographer Alastair Thain published his photobook ‘Skin Deep’, the aim of which was to “offer an exploration of modern celebrity and myth”. The image here aims to tap into and capture the wit and irony with which McLean’s work often sought to lampoon, as well as more seriously question, the workings of the art world. Here, in typical style, we find him playfully subverting the trope of the ‘traditional’ portrait. Fellow artists also shot by Thain include Jospeh Beuys, Andy Warhol and Francis Bacon
Lot 496
Warhol, AndyMan with Rose in Mouth(Pittsburgh 1928-1987 New York) Offsetlithographie auf weißem Papier, aus der Edition "AGold Book", 1957. Links sign. Sichtmaß 27 x 20,5 cm; in Passepartout und unter Glas ger.Pop Art Warhol, Andy:Man with Rose in Mouth.(Pittsburgh 1928-1987 New York) Offset lithograph on white paper, from the edition ''A GoldBook'', 1957. Signed on the left. Visible size 27 x 20,5 cm; in passepartout and framedunder glass.
Lot 45
Avantgarde - Pop-Art - - John Coplans. Andy Warhol. Mit zwei Siebdrucken von Andy Warhol auf dem Umschlag, 18 farb. Offsets und 100 duoton Offsets. Eindhoven Van Abbemuseum / New York Graphic Society, 1970. Folio. OPpbd. Text in Englisch. - Seltene "Speial Edition" des Kataloges mit den zwei Umschlagsserigraphien Warhol jeweils zeigend. - Mit der Original serigraphierten Einladungskarte zur Warhol-Ausstellung in Eindhoven und separaten Booklet in Niederländisch von Jonas Mekas and Calvin Tomkins. - Papierbedingt minimal gebräunt. - Sehr selten. With two screen prints of Andy Warhol on the cover, 18 color offsets and 100 duotone offsets. - Text in English. - Rare "Speial Edition" of the catalog with the two transcript serigraphs each showing Wahrol. - With the original serigraphed invitation card for the Warhol exhibition in Eindhoven and separate booklet in Dutch by Jonas Mekas and Calvin Tomkins. - Minimal browning due to paper. - Very rare
Lot 53
Avantgarde - Pop-Art - - Andy Warhol. Andy Warhol. (Ausstellungskatalog: published on the occasion of the Andy Warhol exhibition at Moderna Museet in Stockholm, February - March 1968). Mit über 300 photogr. Illustr. Malmö, Sydsvenska Dagbladet, 1969. 315 Bll. 4°. Illustr. OKt. (gering bestoßen, Rücken etw. gebräunt u. fleckig). 2. Aufl. - Parr & Badger, The Photobook, 2, 145. - Papierbedingt gebräunt. With numerous photogr. ills. Orig. cardboard (minor bumping, spine somewhat browned and stained). - Browned due to paper.
Lot 54
Avantgarde - Pop-Art - - Andy Warhol. Index (book) with the assistance of S. Shore, P. Morissey, Ondine, Nico. Mit 10 einmont. Original-Objekten, bzw. farb. Klapp-Kulisse u.ä. sowie zahlr. Photo-Illustr. von Nat Finkelstein u.a. New York, Random House, 1967. 36 Bll. 4°. Ill. silberner OKt. (etwas bestoßen). Erste Ausgabe des berühmten Pop-Art-Objekts. - Cron 419. - Mit farbiger Ritterburg-Kulisse, Ziehharmonika, farb. Doppeldecker, einer federnden Drehscheibe "Chelsea Girls", faltb. Doppelpyramide, farbiger Konservendose, Luftballon (die dazugehörigen Bll. wie immer durch Latexauflösung verklebt, Schallplatte der "Velvet Underground" (u.a.). - Wenige Lagen lose. With 10 mounted Original Objects - First edition of the famous Pop Art object. - Cron 419 - With colored knight castle scenery, accordion, color. Biplane, a springy turntable "Chelsea Girls", folded. Double pyramid, colored tin can, balloon (the corresponding sheets as always glued by latex dissolution, record of the "Velvet Underground" (among others). - Good condition of this important book. Some pages loose.
Lot 55
Avantgarde - Pop-Art- Warhol - Hirst - Jones - - Sammlung von 9 Publikationen zu den Künstlern Andy Warhol, Allen Jones und Damien Hirst. Enthält: Christian Holzfuß u. Nikolaus Sonne (Hg.). Play Book of you S Bruce. Frankfurt a. M., Edition Achenbach, 1989. OLwd. - Pat Hackett (Hg.). The Andy Warhol Diaries. New York, Warner Books, 1991. OBroschur. - Klaus Albrecht Schröder (Hg.). Andy Warhol Popstars. Zeichnungen und Collagen. Wien, Albertina, 2006. Hardcover. - Enno Patalas. Andy Warhol und seine Filme. München, Wilhelm Heyne, 1971. OPp. - Paul Stolper. Damien Hirst: Schizophrenogenesis. London, Other Criteria, 2016. Hardcover. - Allen Jones Projects. London, Mathews Miller Dunbar, 1971. Hardcover. - Allen Jones, Figures. Ausstellungskatalog Galerie Mikro, Berlin u. Edizione O, Milano. 1969. OBroschur mit Schutzumschlag. - Allen Jones. Ausstellungskatalog Waddington Galleries, London. 1993. OBroschur. - Allen Jones. London, Academy Editions, 1993. OLwd. mit Schutzumschlag. - Einbände bzw. Schutzumschläge teilweise leicht berieben. Collection of 9 publications about the artists Andy Warhol, Allen Jones and Damien Hirst. - Bindings partly slightly rubbed.
Lot 98
Progressive / Psychedelic Rock LPs, ten reissue albums of mainly Prog and Psych comprising Velvet Underground - Andy Warhol, Bram Stoker - Heavy Rock Spectacular, Bulldog Breed - Made In England, Egg - The Polite Force, The Free Pop Electronic Concept, Babak / Jons / Malone - Motherlight, The Underground Set - War in the Night Before, V/A - Brave New World, Yahowa - Songs From The Source and Pere Ubu - The Modern Dance - all in Excellent to EX+ condition
Lot 2105
Andy Warhol (1928-1987) Exhibition poster 'Elizabeth Taylor', 1989, the poster image portrays the late actress Elizabeth Taylor from Warhol's original painting from 1966. The print was created for an Italian exhibition at the Fondazione Antonio Mazzotta Bolzano, Milan in 1989. framed and glazed, overall 81 x 111 cm.
Lot 154
Andy Warhol (1928-1987)Cow 1971 (Feldman & Schellmann II.11A)Screenprint in colours, 1971, from the edition of unknown size, with the rubber stamps of the Andy Warhol Estate and the Andy Warhol Foundation for the Visual Arts and with the estate number in pencil verso, printed at Bill Miller's Wallpaper Studio Inc., published by Factory Additions, New York, on wallpaper, the full sheet printed to the edges, sheet 1160 x 750mm (45 5/8 x 29 ½ in) (unframed)
Lot 373
Cooper (Douglas). Picasso Theatre, 1st edition, New York: Harry N. Abrams, 1987, numerous colour & monochrome illustrations, previous owner ink-stamps to the front endpaper, original cloth in dust jacket, covers slightly rubbed, large 8vo, together with; Lozano (Luis-Martin & Juan Rafael Coronel Rivera), Diego Rivera, The Complete Murals, Köln: Taschen, 2008, numerous colour illustrations, original cloth in dust jacket, small liquid mark to the head of the front cover, head of the spine lightly rubbed, folio, plus, Hickey (Dave), Andy Warhol "Giant" Size, 1st edition, London: Phaidon, 2006, numerous colour & monochrome illustrations, publishers original boards, folio, and Bracewell (Michael), The Postcard Art of Gilbert & George 1972-1989, The Urethra Postcard Art of Gilbert & George 2009, 2 volumes, 2011, numerous colour and black & white illustrations, uniform original cloth in dust jackets in slipcase, tear to the centre of volume 1 spine cover, covers lightly rubbed to head & foot, large square 4to, plus 4 further volumes of large format art referenceQty: (8 )
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6071 item(s)/page