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Lot 340

Andy Warhol, "Parrot", FarblithographieAndy Warhol, 1928 - 1987, "Parrot", Farblithographie, 30,5 x 23,5 cm, im Druck signiert, nummeriert 3866/5000, verso Stempel "CMOA" (Carnegie Museum of Art in Pittsburgh), unter P.p.

Lot 363

Umfangreiches Graphikkonvolut der Moderne mit 26 Arbeiten verschiedener Künstler, u.a. Andy Warhol und Gerhard Richter26 Arbeiten unterschiedlicher Techniken, darunter: Thomas Huber, Siebdruck, (sign.); 12 x Plakat Tomi Ungerer; Wolfgang Eichler, Fotografie (sign.); Andy Warhol, 4 Offset Plakate: "Frederick the Great", New York und Achenbach Art Edition Düsseldorf 1993 & 3 x "Cars", Edition Galerie Hans Mayer Düsseldorf 1988, einmal Maße: 109 x 140 cm, am unteren Rand etwas bestoßen; Banksy, Offset; Klaus Staeck, Offset Plakat: Gerhard Richter, Offset Plakat; Frank Ermschel, Figuren, Zeichnung, verso Nachlassstempel; 2 x A.R. Penck, Plakat "A. R. Penck Collection Of Contemporary Art", o. Rahmen

Lot 147

Warhol (Andy) The Philosophy of Andy Warhol (From A to B and Back Again), first English edition, signed presentation inscription from the author, "To Robert F with love" and "London 1975" with a large soup can drawing "Campbell's Pea Soup" in black felt tip to front endpaper, original cloth, dust-jacket, spine sunned, light damp-staining to spine head and along lower panel top edge, some slight creasing at edges, corners a little bumped with small nicks, Cassell/Dempsey, 1975; with two association A.L.s from previous owner loosely inserted, 8vo (3) ⁂ Rare copy with the Campbell's pea soup doodle, and with a good association. Dedicated to Robert Fraser (1937-1986), the prominent London-based art dealer. Fraser introduced and promoted the work of many important British and American artists, including Andy Warhol, to the British market, and was at the forefront of modern art in Britain throughout the 1960s and 70s. The two letters accompanying this present copy, are signed and written by previous owner Jaine (?)Wilson, in which she testifies that the book was given to her personally by Robert Fraser. She recalls how, "I mentioned to him that it looked valuable and he said 'you don't understand, it would be an unsigned copy that would be valuable'".

Lot 141

Andy Warhol (1928-1987) after.I Love Your Kiss Forever Forever (Sunday B. Morning)Screenprint in colours, 2013, numbered from the edition of 2500 in pencil verso, published by Sunday B Morning, with their rubber stamps in blue ink verso, on Vellum paper, the full sheet printed to the edges, 419 x 571mm (16 1/2 x 22 1/2in)

Lot 142

Andy Warhol (1928-1987) after.Flowers (Sunday B. Morning) (set of ten)The complete set of ten screenprints in colours, 2018, published by Sunday B. Morning, with their blue ink stamps verso, on Archival Museum Board, the full sheet printed to the edges, each sheet 915 x 915mm (36 x 36in)This work is accompanied by a certificate of authenticity issued by the publisher.

Lot 144

Andy Warhol (1928-1987) after.Marilyn Monroe (Sunday B. Morning)Screenprint in colours with diamond dust additions, 2012, numbered from the edition of 2,500 in pencil verso, on Archival Museum Board, published by Sunday B Morning, with their rubber stamps in blue ink verso, the full sheet printed to the edges, sheet 915 x 915mm (36 x 36in)This work is accompanied by a certificate of authenticity issued by the publisher.

Lot 145

Andy Warhol (1928-1987)Flowers (Exhibition Catalogue)A rare exhibition catalogue, 1965, comprising of one lithograph printed in colours, 'Four Blue Flowers', 1965, published on the occasion of the exhibition at Galerie Ileana Sonnabend, Paris, on wove paper, the full sheet printed to the edges, bound as issued, 145 x 145mm (5 3/4 x 5 3/4in)

Lot 147

Andy Warhol (1928-1987) & Keith Haring (1958-1990)20th Montreux Jazz Festival (Marechal 47)Screenprint in colours, 1986, from the edition of unknown size, printed by Albin Uldry, Bern, on thick wove paper, the full sheet printed to the edges, sheet 1000 x 700mm (39 3/4 x 27 1/2in)

Lot 173

δ D*Face (b.1978)Warhol (Pink)Screenprint in colours, 2005, signed and numbered from the edition of 250 in silver ink, printed and published by Pictures on Walls, London, with their blindstamp, on wove paper, with full margins, sheet 500 x 700mm (19 5/8 x 27 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 169

Warhol, AndyPittsburgh, 1928 - New York, 198715,5 x 6,5 cm, R."2 Dollar (Thomas Jefferson)", 1976. Banknote mit Briefmarke in Plexiglasrahmen. In Faserstift vorderseitig signiert und rückseitig gestempelt "Andy Warhol". Mit einer Fotoexpertise der Galerie 21, Nizza, vom 17. 10. 2019.

Lot 170

Warhol, AndyPittsburgh, 1928 - New York, 198715,5 x 6,5 cm, R."2 Dollar (Thomas Jefferson)", 1976. Banknote mit Briefmarke in Plexiglasrahmen. In Faserstift vorderseitig signiert und rückseitig gestempelt "Andy Warhol".Mit einer Fotoexpertise der Galerie 21, Nizza, vom 17. 10. 2019.

Lot 675

Books to related to Art and Photography, to include Hacking (Juliette). Lives of The Great Photographers, The Andy Warhol Diaries Edited by Pat Hackett, Africa: The Art of Continent Edited by Tom Phillips, etc. (1 shelf)

Lot 7247

A set of four Rosenthal Studio line Glass 'Andy Warhol' plates with portrait in four colours, each with original boxes. 30cm x 30cm

Lot 7474

An Andy Warhol (1928-1987) "Chanel No.5" (1997), framed and glazed poster, 48cm x 66cm

Lot 7479

An Andy Warhol (1928-1987) "Turquoise Marilyn" framed and glazed retrospective exhibition poster, 54cm x 80cm

Lot 432

A collection of vintage retro vinyl 7" single records by David Bowie to include; Life On Mars, Ziggy Stardust, Ashes To Ashes, The Dude, Heroes, China Girl, Absolute Beginners, Young Americans, All the Young Dudes, Andy Warhol, Changes, White Light / White Heat, Heroes,  Breaking Glass etc. Approx 110 in total.

Lot 455

Original vintage movie poster for Querelle, a 1982 drama adaptation of Jean Genet’s classic novel, directed by Rainer Werner Fassbinder, and starring Brad Davis, Franco Nero, Jeanne Moreau, and Laurent Malet, the poster features an image of two men in green with a red tongue. Good condition, creasing, pinholes, minor staining. Country of issue: Germany, designer: Andy Warhol, size (cm): 100x71, year of printing: 1982.

Lot 456

Original vintage movie poster for Querelle, a 1982 drama adaptation of Jean Genet’s classic novel, directed by Rainer Werner Fassbinder, and starring Brad Davis, Franco Nero, Jeanne Moreau, and Laurent Malet, the poster features an image of two men in blue with a red tongue, and colourful outline. Fair condition, creasing, pinholes, minor staining. Country of issue: Germany, designer: Andy Warhol, size (cm): 100x71, year of printing: 1982.

Lot 1742

ANDY WARHOL (1922 Pittsburgh - 1987 Manhattan/NYC) Farbserigrafie, "Flowers", mit vom Künstler signierter Quittung und Verzichterklärung an Lürzer, Conrad und Leo Burnett (Paris, 1987), in Wechselrahmen (ca. 62x62cm), Rahmenglas beschädigt

Lot 132

Chris Stevens Young Blood, 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Chris Stevens studied Fine Art at the University of Reading. He is a figurative painter who has exhibited regularly since graduating in 1978. His studio is in the South of France where he spends most of his time. His solo exhibitions include the PM Gallery, London, Smelik & Stokking and Galerie Rademakers in Amsterdam, the GlynnVivian Museum & Art Gallery, Swansea and the Howard Gardens Gallery, Cardiff. Group shows include REALITY, with artists such as Lucien Freud, David Hockney and Walter Sickert, Fussball in Der Kunst, with Andy Warhol and Marcus Lupertz in Germany, the BP Portrait Award at the National Gallery London, and Heads at Flowers East, London. He has been a prize winner in the BP Portrait Award, 50 over 50 and more recently in the Painted Faces exhibition organised by the Saatchi Gallery. He has also undertaken Arts Council residencies at Sunderland Football Club and Birmingham International Airport. He has work in public and private collections including the Victoria & Albert Museum, The National Gallery of Wales, Unilever, Galerija Portreta, Bosnia & Hertzegovena and many private collections in UK, South Africa, USA and Europe. Education University of Reading, Fine Art Select Exhibitions/Awards   2022. Art Contemporain, EXPO Internationale Maison Gramont, Fanjeaux, France Amplitudes, Maison de la Chartité, Caunes Minervois, France Affinities, L'Ecurie, Caunes Minervois, France La Table Des Vignirons, Trausse Minervois, France 2021. Painting of the year, EuropArtFair, Westergas, Amsterdam Major Figures, Saatchi Art. 2020 du 9 à Caunes, Caveaux de l'Abbaye, Caunes Minervois, France   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Lot 57

Tiziano Autera Down Under, 2023 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born 1992, Italian painter living in Switzerland Education Enfant prodige, Tiziano Autera (b.1992) received his training in art and craftsmanship through his father, who would carve wooden sculptures, whose inherent references are today a visible legacy in Autera's oeuvre. Academically trained in graphic design, later on, he reverts to figurative art to feed his profound desire to shape unprecedented combinations. Hailing from Switzerland, he already counts on a varied roster of international galleries and numerous side artistic and creative projects. Select Exhibitions/Awards 2023 Duo Show - 'Sein oder nicht sein : Existenz in Farbe' - Lakeside Gallery - Zug Group Show - Von Amiet bis Warhol - Galerie WOS - Zürich 2022 Solo Show - 'Assembled Existence' - Artistellar - London Group Exhibition -'Last words from the periphery III' - Attheoffspace - Zürich Group Exhibition - 'Perspectives' - NOA (Network of Arts) - Luzern Group Exhibition - 'bis morgen' - Galerie Durchgang - Basel Group Exhibition -'Terra Omnium' - Zürcher Hochschule der Künste - Zürich Group Exhibition - Showroom Opening - Gallery WOS - Pfäffikon SZ 2021 1m2 Group Exhibition - Stadtgalerie Baliere Group Exhibition - Swisspartners Group Exhibition - Galerie WOS 2020 Art Innsbruck - Galerie WOS Group Exhibition - Galerie WOS - Zürich 2019 Art Salzburg Contemporary 2019 - Galerie WOS Art Fair Lausanne - Galerie WOS Gallery Representation WOS Galerie, Zürich Statement about AOAP Submitted Artwork They are part of my 'Artificial existence' series. In "Artificial existence" the view of the change in our existence is raised to the meta level by means of intentional coincidences. We look at the technological change in an age of increasing digitization, in which data and media determine our everyday life. Let's see the social change away from traditional role models to a spectrum of sexual identity. However, the main focus of the observation is not on social constructs or philosophical approaches, but on the interaction of human existence and its natural environment - seen in this way, the representation of human nature from the inside out as a symbol for the change in our existence.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Lot 56

Tiziano Autera With You, 2023 Acrylic on canvas Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born 1992, Italian painter living in Switzerland Education Enfant prodige, Tiziano Autera (b.1992) received his training in art and craftsmanship through his father, who would carve wooden sculptures, whose inherent references are today a visible legacy in Autera's oeuvre. Academically trained in graphic design, later on, he reverts to figurative art to feed his profound desire to shape unprecedented combinations. Hailing from Switzerland, he already counts on a varied roster of international galleries and numerous side artistic and creative projects. Select Exhibitions/Awards 2023 Duo Show - 'Sein oder nicht sein : Existenz in Farbe' - Lakeside Gallery - Zug Group Show - Von Amiet bis Warhol - Galerie WOS - Zürich 2022 Solo Show - 'Assembled Existence' - Artistellar - London Group Exhibition -'Last words from the periphery III' - Attheoffspace - Zürich Group Exhibition - 'Perspectives' - NOA (Network of Arts) - Luzern Group Exhibition - 'bis morgen' - Galerie Durchgang - Basel Group Exhibition -'Terra Omnium' - Zürcher Hochschule der Künste - Zürich Group Exhibition - Showroom Opening - Gallery WOS - Pfäffikon SZ 2021 1m2 Group Exhibition - Stadtgalerie Baliere Group Exhibition - Swisspartners Group Exhibition - Galerie WOS 2020 Art Innsbruck - Galerie WOS Group Exhibition - Galerie WOS - Zürich 2019 Art Salzburg Contemporary 2019 - Galerie WOS Art Fair Lausanne - Galerie WOS Gallery Representation WOS Galerie, Zürich Statement about AOAP Submitted Artwork They are part of my 'Artificial existence' series. In "Artificial existence" the view of the change in our existence is raised to the meta level by means of intentional coincidences. We look at the technological change in an age of increasing digitization, in which data and media determine our everyday life. Let's see the social change away from traditional role models to a spectrum of sexual identity. However, the main focus of the observation is not on social constructs or philosophical approaches, but on the interaction of human existence and its natural environment - seen in this way, the representation of human nature from the inside out as a symbol for the change in our existence.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Lot 133

Chris Stevens Adams, 2023 Oil on linen Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Chris Stevens studied Fine Art at the University of Reading. He is a figurative painter who has exhibited regularly since graduating in 1978. His studio is in the South of France where he spends most of his time. His solo exhibitions include the PM Gallery, London, Smelik & Stokking and Galerie Rademakers in Amsterdam, the GlynnVivian Museum & Art Gallery, Swansea and the Howard Gardens Gallery, Cardiff. Group shows include REALITY, with artists such as Lucien Freud, David Hockney and Walter Sickert, Fussball in Der Kunst, with Andy Warhol and Marcus Lupertz in Germany, the BP Portrait Award at the National Gallery London, and Heads at Flowers East, London. He has been a prize winner in the BP Portrait Award, 50 over 50 and more recently in the Painted Faces exhibition organised by the Saatchi Gallery. He has also undertaken Arts Council residencies at Sunderland Football Club and Birmingham International Airport. He has work in public and private collections including the Victoria & Albert Museum, The National Gallery of Wales, Unilever, Galerija Portreta, Bosnia & Hertzegovena and many private collections in UK, South Africa, USA and Europe. Education University of Reading, Fine Art Select Exhibitions/Awards   2022. Art Contemporain, EXPO Internationale Maison Gramont, Fanjeaux, France Amplitudes, Maison de la Chartité, Caunes Minervois, France Affinities, L'Ecurie, Caunes Minervois, France La Table Des Vignirons, Trausse Minervois, France 2021. Painting of the year, EuropArtFair, Westergas, Amsterdam Major Figures, Saatchi Art. 2020 du 9 à Caunes, Caveaux de l'Abbaye, Caunes Minervois, France   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.    

Lot 179

Carl Randall House of Reeves (08/08/2011), 2023 Acrylic paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About CARL RANDALL is a British figurative painter whose work is based on images of modern Japan and London. A graduate of The Slade School of Fine Art, The Royal Drawing School London, and Tokyo University of Arts Japan, he is the winner of the BP Travel Award at The National Portrait Gallery, The Sunday Times Watercolour Competition, The Nomura Art Prize Japan, as well as several other awards. He has had several solo exhibitions in London and Japan, with group exhibitions at The National Portrait Gallery, The Royal Academy of Arts, The Jerwood Gallery, Flowers Gallery, The Mall Galleries, Christies New York & London, Tokyo Art Award, Tokyo Metropolitan Museum of Arts; as well as at art fairs in Switzerland, Turkey, Japan and Taiwan. His work can be found in the collections of University College London Art Museum, Tokyo Geidai Art Museum Japan, The Royal Collection (being commissioned by HRH Prince of Wales), Foundation Carmignac Paris (joining works in their collection by Andy Warhol, Roy Lichtenstein, Jean-Michel Basquiat, Gerhard Richter), as well as in private collections in the UK, Japan, Australia and USA. His paintings have been featured on the BBC World Service and CNN, and his fine art prints are in the collection of the National Poetry Library, London Zoo, Cambridge University and Channel 4 News Studios. He was invited to be artist in residence in Hiroshima City to paint portraits of survivors of the Atomic Bomb, and at the Grand Prix Formula 1 Races in Japan. His BP Travel Award display of sixteen Japan paintings at the National Portrait Gallery in 2013 was accompanied by 'Japan Portraits' - a catalogue illustrating paintings and drawings made during his stay in Tokyo. The exhibition then travelled to Aberdeen Art Gallery Scotland; Wolverhampton Art Gallery England; and The Tokaido Hiroshige Museum, Shizuoka Japan. He is currently based in London. Education 2009-2012 Tokyo University of Fine Arts and Music (Tokyo Geidai), Tokyo Japan. Doctorate in Fine Art (Painting). 2006-2009 Tokyo University of Fine Arts and Music (Tokyo Geidai), Tokyo Japan. Masters in Fine Art (Painting). 2003-2005 Daiwa Anglo-Japanese Foundation Scholarship, Tokyo Japan. 2002-2003 The Royal Drawing School, London. The Drawing Year 2003. 1995-1999 The Slade School of Fine Art, University College London. BA Honours Degree in Fine Art (Painting). Select Exhibitions/Awards Recent Exhibitions (Selected) 2022 Small is Beautiful. Flowers Gallery, Cork St., London. 2022 The Contemporary British Portrait Painters Exhibition. The Department Store, Brixton London. 2022 Royal Society of Portrait Painters Exhibition. Mall Galleries London. 2019 The Royal Academy of Arts Summer Exhibition. Royal Academy of Arts, London. 2019 Art Fair Tokyo & Art Fair Osaka (Tokyo & Osaka, Japan). 2015: Last of the Tide: Portraits of D-Day Veterans. The Queens Gallery, Buckingham Palace, London. Portraits commissioned by HRH Prince of Wales (King Charles) by leading UK portrait painters. 2014 Art Volta. Basel, Switzerland. Statement about AOAP Submitted Artwork The painting shows and is named after the 'House of Reeves', an independent furniture store in Croydon south London, run by the same family for over 150 years London. On 8th of August 2011, during the London riots, the store was burnt down. In this painting I used a found photograph showing the store on fire, but replacing the arsonists and rioters with flying saucers, and AT-St Walkers/Tie-Fighters from Star Wars. This work is coupled with another image I did in 2020, made during the Black Lives Matter protests, in which the rioters are shown as they are, and the authorities replaced with Star Wars AT-AT walkers. These kinds of themes are generally very unusual in my work, but give me an outlet for looking at social issues and my interest in sci-fi - creating images that combine cinema, surrealism and social realism.   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.  

Lot 1087

Ten Lithographs Campbell Soup. by Andy Warhol. Published by Sunday & Morning. emphasis on paper. Dimensions: H 88 x W 58 cm. In good condition.

Lot 41

Raf Simons for Dior: An Andy Warhol clutch Limited edition 2013, beige leather, with white and lilac shoe design, silver and beige hardwareWith dustbag Condition Grade: ADimensions:25.5 x 16 x 5cm

Lot 14

Dom Perignon, Andy Warhol Collection, 2002OC6x75clA Set of Andy Warhol Limited Edition Dom Perignon 2002Includes 3 pairs of the 6 colourwaysPacked in individual presentation boxes.

Lot 3003

Andy Warhol (1928-1987)Brigitte Bardot, color lithograph 90x90 cm

Lot 500

Andy Warhol print entitled 'Statue of Liberty' published by McGaw in association with The Andy Warhol Foundation - approx. 54cm x 47cm 

Lot 135

Property of a ladyAndy Warhol (1928 - 1987)Campbell's Soup Can on a Shopping Bag (1966)Screenprint in colors, on a paper bag, 1966From the edition of unknown sizePublished for the exhibition at the Institute of Contemporary Art, BostonDimensions:19.25 in. (H) x 17 in. (W)

Lot 1334

Set of four unopened Andy Warhol Campbells tomato soup cans

Lot 609

THREE MODERN FRAMED PRINTS INCLUDING ANDY WARHOL

Lot 301

Andy Warhol - An early 2000s pop art print on paper featuring Andy Warhol's iconic Campbell's Tomato Soup can on blue ground. Printed by The McGaw Group in 2003 with the Andy Warhol Foundation. Set within a black frame. Measures approx. 110cm x 77cm. 

Lot 519

Andy Warhol, 1928 Pittsburgh – 1987 New YorkFÜNFZEHN FOTOGRAFISCHE ACETATE LADIES & GENTLEMENDiverse Formate, davon vierzehn Arbeiten mit Sichtmass zwischen 27 x 19 cm und 33 x 25 cm, eine 21 x 30 cm.Jeweils unter Passepartout hinter Glas gerahmt, 14 Arbeiten 61 x 53,5 cm, eine 53,5 x 61 cm.New York.Es handelt sich um vierzehn Schwarz-Weiß-Acetate-Negativ und um ein Schwarz-Weiß-Acetat-Positiv. Die Acetate stammen direkt aus dem Andy-Warhol-Studio.Ein Acetat ist ein fotografisches Negativ, das auf eine Folie übertragen wurde, es war der letzte ursprüngliche Schritt vor dem Siebdruck eines Bildes und das wichtigste Element in Warhols kreativem Prozess.Provenienz:Privatsammlung Jackson and Eunice Lowell. Gründer des internationalen Unternehmens ’Chromacomp Inc’.Anmerkung:„Ladies and Gentlemen“ ist ein Fotoprojekt, das um 1975 spielt, als Warhol beschloss, einige der Drag Queens des New Yorker Nachtclubs „The Gilden Grape“ zu fotografieren. Sie posieren wie Hollywoodstars vor Warhols Kamera und enthüllen ihre Vision der Weiblichkeit, akzentuiert und gestärkt, weil künstlich (zumindest körperlich), aber im Ergebnis umso wahrer. (1360163) (18)Andy Warhol,1928 Pittsburgh – 1987 New YorkFifteen photographic acetatesLADIES & GENTLEMENMiscellaneous formats, including fourteen works with visible dimensions between 27 x 19 cm and 33 x 25 cm, one 21 x 30 cm.Each framed under passepartout behind glass, 14 works 61 x 53.5 cm, one 53.5 x 61 cm.New York.There are fourteen black and white acetate negatives and one black and white acetate positive. The acetates came directly from the Andy Warhol studio. An acetate is a photographic negative that has been transferred to a transparency, it was the last original step before screen printing an image and the most important element in Warhol’s creative process.Provenance:Private collection Jackson and Eunice Lowell. Founder of the international company ‘Chromacomp Inc’.

Lot 557

Andy Warhol, 1928 Pittsburgh – 1987 New YorkLADIES AND GENTLEMEN, 1975Siebdruck auf Papier.99,7 x 69,8 cm.Literatur: Fryada von Feldmann, Jörg von Feldmann, Andy Warhol Prints. Catalogue raisonné, München 1997, S. 89 N.II.126. (136231115) (10))

Lot 598

Andy Warhol, 1928 Pittsburgh – 1987 New YorkMARYLIN CLASSIC (4) - SUNDAY B. MORNINGSiebdruck auf Museumspapier.91 x 91 cm. (1362315) (10))

Lot 600

Feng Zhengjie, geb. 1968 Sichuan, ChinaOHNE TITEL, 2005Mischtechnik auf Leinwand.150 x 150 cm.Der in Peking lebende und arbeitende Künstler ist auf dem internationalen Kunstmarkt erfolgreich und bekannt für seine Serie „Portrait of China“, große Ölportraits im Warhol-Stil, in einer überwiegend roten und grünen Farbpalette. Seine Gesichter sind oft die von Modemodels mit unterschiedlichen oder auseinanderstehenden Augen.  (13623151) (10)Feng Zhengjie,Born 1968 Sichuan, ChinaUNTITLED, 2005Mixed media on canvas. 150 x 150 cm.

Lot 103

ANDY WARHOL (1928-1987)Paloma Picasso, Hommage à Picasso signé, daté et numéroté XIV/XXXsérigraphie en couleursExécuté en 1974 dans une édition de 30 exemplaires réservée aux muséesCo-édité par Propylaen Verlag et Pantheon Press, Romesigned, dated and numbered XIV/XXXscreenprint in coloursExecuted in 1974 from the edition of 30 reserved for museumsCo-published by Propylaen Verlag and Pantheon Press, Rome101.6 x 70.8 cm.40 x 27 7/8 in.Footnotes:BibliographieFeldman & Schellmann II.121This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com

Lot 151

Titled: Go-See for Ocean Drive. Scene of the infamous Ocean Drive in the South Beach area of Miami Beach, Florida. Christopher Makos was born in Lowell, Massachusetts, grew up in California, and moved to New York after high school. He studied architecture in Paris and briefly worked as an apprentice to Man Ray. Andy Warhol, Makos' good friend and frequent portrait subject, once called Makos "the most modern photographer in America." His photographs have been exhibited in galleries and museums such as the Guggenheim Museum in Bilbao, the Tate Modern in London, the Whitney Museum of American Art in New York, the IVAM in Valencia (Spain) and the Reina Sofia Museum in Madrid. His pictures have appeared in magazines and newspapers, including Paris Match and Wall Street Journal. He is the author of several important books, like the volumes Warhol/Makos In Context (2007), Andy Warhol China 1982 (2007) and Christopher Makos Polaroids (2009).Sight size: 17"H x 36"L. Frame size: 31"H x 33.5"L x 1.75"Depth. Artist: Christopher MakosIssued: 1995Country of Origin: United StatesProvenance: The Bass Museum of Art Condition: Good condition.

Lot 60

Andy Warhol (American, 1928-1987)Oyster Stew, from Campbell's Soup II (Feldman and Schellmann II.60) Screenprint in colours, 1969, on smooth wove paper, signed in ball-point pen and stamp-numbered 41/250 verso (there were also 26 artist's proofs), published by Factory Additions, New York, the full sheet, framedSheet 889 x 585mm (35 x 23in)For further information on this lot please visit Bonhams.com

Lot 61

Andy Warhol (American, 1928-1987)Mick Jagger, from Mick Jagger Portfolio (Feldman & Schellmann II.143) Screenprint in colours, 1975, on Arches Aquarelle paper, signed in pencil by the artist and in felt-tip pen by Mick Jagger (slightly faded), numbered 'A.P. 37/50' in pencil, one of 50 artist's proofs aside from the edition of 250, printed by Alexander Heinrici, New York, published by Seabird Editions, London, with their inkstamp verso, the full sheet, framedSheet 1106 x 734mm (43 7/8 x 28 7/8in)For further information on this lot please visit Bonhams.com

Lot 62

Andy Warhol (American, 1928-1987)One plate, from Ladies and Gentlemen (Feldman & Schellmann II.128) Screenprint in colours, 1975, on wove paper, signed, dated and numbered 106/125 in pencil verso (there were also 25 artist's proofs), printed by Alexander Heinrici, New York, published by Luciano Anselmino, Milan, the full sheet, framedSheet 1105 x 735mm (43 1/2 x 28 7/8in)For further information on this lot please visit Bonhams.com

Lot 63

Andy Warhol (American, 1928-1987)One plate from Ladies and Gentlemen (Feldman & Schellmann II.129) Screenprint in colours, 1975, on wove paper, signed, dated, inscribed and numbered 'a.p 20/25' in pencil verso, one of 25 artist's proofs aside from the edition of 125, printed by Alexander Heinrici, New York, published by Luciano Anselmino, Milan, the full sheet, framedSheet 1114 x 732mm (43 7/8 x 28 7/8in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 64

Andy Warhol (American, 1928-1987)Electric Chair (Feldman & Schellmann II.76) Screenprint in colours, 1971, on wove paper, signed in pen and stamp-numbered 038/250 verso (there were also 50 artist's proofs in Roman numerals), published by Bruno Bischofberger, Zurich, with their copyright inkstamp verso, framedSheet 902 x 1215mm (35 1/2 x 47 7/8in)For further information on this lot please visit Bonhams.com

Lot 65

Andy Warhol (American, 1928-1987)Mick Jagger, from Mick Jagger Portfolio (Feldman & Schellmann II.145) Screenprint in colours, 1975, on Arches Aquarelle paper, signed in pencil, an unrecorded proof aside from the edition of 250, further signed and annotated '1st artist proof' in pencil verso, framedSheet 1105 x 737mm (43 1/2 x 29in)Footnotes:ProvenanceDr Maury P. Leibovitz Collection, Connecticut.Private collection, US, UK and Greece (by descent from the above in 1992).Thence by descent to the present owner.The present work by Andy Warhol was originally part of the collection of Dr. Maury Leibovitz. As the Vice-Chairman and President of Knoedler-Modarco, as well as close associate of billionaire industrialist and philanthropist Dr. Armand Hammer, owner and founder of Hammer Galleries, Leibovitz was a prominent figure in the New York art world in the 1970-1990s.In his role as head of one of the USA's oldest and most established galleries, Leibovitz was well-placed in the blossoming New York art scene to meet and integrate with some of the biggest names of the time, including the likes of Andy Warhol, from whom it is probable that the present work was acquired. Despite this significant role in the contemporary market, his eclectic personal collection of art was very broad; it spanned the centuries and included works by the Old Masters, Impressionists, Modern European artists such as Salvador Dalí. His legacy in the New York art world remains to this day, having gifted a number of works to various institutions, including the Metropolitan Museum of Art, the National Portrait Gallery and the New York Historical Society Museum and Library.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 66

Andy Warhol (American, 1928-1987)Van Heusen (Ronald Reagan), from Ads (Feldman & Schellmann II.356) Screenprint in colours, 1985, on Lenox Museum Board, signed and numbered 3/190 in pencil (there were also 30 artist's proofs), printed by Rupert Jasen Smith, published by Ronald Feldman Fine Arts, Inc., New York, with their blindstamps, with the artist's and publisher's copyright inkstamps verso, the full sheet, framedSheet 963 x 962mm (37 7/8 x 37 7/8in)For further information on this lot please visit Bonhams.com

Lot 67

Andy Warhol (American, 1928-1987)Blackglama (Judy Garland), from Ads (Feldman & Schellmann II.351) Screenprint in colours, 1985, on Lenox Museum Board, signed and inscribed 'AP 11/30' in pencil, one of 30 artist's proofs aside from the edition of 190, printed by Rupert Jasen Smith, published by Ronald Feldman Fine Arts, New York, with their blindstamps, with the artist's and publisher's copyright inkstamps verso, the full sheet, framed Sheet 965 x 965mm (38 x 38in)Footnotes:ProvenanceChristie's, Old Master – Modern and Contemporary Prints, London, Tuesday 5 December 2000, lot 324.Acquired directly from the above by the present owner.For further information on this lot please visit Bonhams.com

Lot 68

Andy Warhol (American, 1928-1987)Chanel, from Ads (Feldman & Schellmann II.354) Screenprint in colours, 1985, on Lenox Museum Board, signed and numbered 96/190 in pencil (there were also 30 artist's proofs), printed by Rupert Jasen Smith, published by Ronald Feldman Fine Arts, Inc., New York, with their blindstamps, with the artist's and publisher's copyright inkstamps verso, the full sheet, framedSheet 964 x 965mm (38 x 38in)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 69

Andy Warhol (American, 1928-1987)Mao (Feldman & Schellmann II.97) Screenprint in colours, 1972, on wove paper, signed in ballpoint pen and stamp-numbered 45/250 verso (there were also fifty artist's proofs), printed by Styria Studio, published by Castelli Graphics and Multiples, New York, with the artist's copyright stamp verso, the sheet unevenly shaved at the lower sheet edge, framedSheet 911 x 911mm (35 7/8 x 35 7/8in)Footnotes:ProvenanceChristies, Modern Masters & Polígrafa: Celebrating 50 years of Printmaking, London, 18 September 2014, Lot 102.Acquired from the above by the current owner.For further information on this lot please visit Bonhams.com

Lot 70

Andy Warhol (American, 1928-1987)Edward Kennedy (Feldman & Schellmann II.240) Unique screenprint in colours with diamond dust, 1980, signed and numbered 'TP 6/15' in pencil, a trial proof aside from the edition of 300, printed by Rupert Jasen Smith, New York, with his blindstamp, published by the Kennedy for President Committee, Washington D.C., with the artist's inkstamp verso, the full sheet, framedSheet 1015 x 810mm (39 15/16 x 31 7/8in)For further information on this lot please visit Bonhams.com

Lot 901

nach WARHOL, ANDY (Pittsburgh 1922-1987 Manhattan /NYC), Farblithographie / Gicléedruck: "Queen Elisabeth II". Farblithographie auf Arches France Bütten mit Blindstempel "Georges Israel Editeur", revers mit drei Stempeln der Galerie Leo Castelli, gestempelt "Leo Castelli New York", "Art Gallery New York…", Stempel in Form eines stilisierten Baumes und mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet; unten rechts mit Drucksignatur "Andy Warhol" und unten links limitiert 75/100. Dabei: Zertifikat der Leo Castelli Art Gallery. Blattgröße ca. 57 x 38,3 cm. Prachtvoller Druck mit dem vollen Rand; guter Zustand.

Lot 903

nach WARHOL, ANDY (Pittsburgh 1922-1987 Manhattan /NYC), Farblithographie / Gicléedruck: "Marilyn Monroe". Farblithographie auf Arches France Bütten mit Blindstempel "Georges Israel Editeur", revers mit drei Stempeln der Galerie Leo Castelli, gestempelt "Leo Castelli New York", "Art Gallery New York…", Stempel in Form eines stilisierten Baumes und mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet; unten rechts mit Drucksignatur "Andy Warhol" und unten links limitiert 67/100. Dabei: Zertifikat der Leo Castelli Art Gallery. Blattgröße ca. 57,4 x 38,6 cm. Prachtvoller Druck mit dem vollen Rand.

Lot 905

nach WARHOL, ANDY (Pittsburgh 1922-1987 Manhattan /NYC), Farblithographie / Gicléedruck: "Mickey Mouse". Farblithographie auf Arches France Bütten mit Blindstempel "Georges Israel Editeur", revers mit drei Stempeln der Galerie Leo Castelli, gestempelt "Leo Castelli New York", "Art Gallery New York…", Stempel in Form eines stilisierten Baumes und mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet; unten rechts mit Drucksignatur "Andy Warhol" und unten links limitiert 30/100. Dabei: Zertifikat der Leo Castelli Art Gallery. Blattgröße ca. 57,3 x 38,6 cm. Prachtvoller Druck mit dem vollen Rand; guter Zustand.

Lot 1789

Andy Warhol in atelier 'the factory', ca. 1963, gelatine zilverdruk 48 x 73 cm.

Lot 1796

Vintage filmposters voor 'Flesh' uit 1968 en 'Galore', geregiseerd door Paul Morrissey - Andy Warhol.

Lot 5309

Andy Warhol, Washington Monument Monochrom bedrucktes Zeichenpapier. Poster mit abstrakter Darstellung Warhols "Washington Monument" (1974). Leicht vergilbt. Gerollt. Maße 114 x 77 cm. Andy Warhol, Washington Monument Andy Warhol, Washington MonumentMonochrom bedrucktes Zeichenpapier. Poster mit abstrakter Darstellung Warhols "Washington Monument" (1974). Leicht vergilbt. Gerollt. Maße 114 x 77 cm. Condition: I - II

Lot 8422

Warhol, Andy (1928 Pittsburgh/PA – New York City 1987), nach "Shoes". Farboffset, Bez. The Andy Warhol Foundation for the Visiual Art Inc. bzw. Achenbach Art Edition. Ca. 125x 97 cm.

Lot 130

Andy WARHOL (1928-1987), d'aprèsMarilyn 11.29Sérigraphie en couleursEditions Sunday B. Morning, porte le tampon de l'éditeur SUNDAY B. MORNING et le tampon fill your own signature (au verso)91 x 91 cmDimensions hors cadre : 91.5 x 91.5 cmDimensions avec cadre : 98 x 98 cm(Encadrement double (chrome) et caisse américaine noire. Vitrage en verre et système d'accroche).Les sérigraphies couleurs du Sunday B. Morning sont imprimées (depuis 1970, contrôlée et autorisée par Andy Warhol de son vivant) sur du carton de musée avec des encres d’archives de la plus haute qualité. Elles sont estampillées à l’encre bleue au verso : “Published by Sunday B. Morning” et “Fill in your own signature”.Cette sérigraphie provient de la 4e édition (et dernière édition connue, publiée en 2012 par l’éditeur) de la série des 10 Marilyn d’Andy Warhol. Ces tirages sont réalisés à partir de reproductions fidèles des écrans sérigraphiques utilisés par Andy Warhol en 1967, en utilisant le même papier, les mêmes encres et une dimension identique.Référence : “Catalogue Raisonne d’Andy Warhol” de Feldman & Schellmann.

Lot 145

Andy WARHOL (1928-1987), Attribué à « Campbell’s Black Bean Soup ». 1981. Sérigraphie en couleur sur carte d'invitation à l'exposition rétrospective "A print rétrospective de 1981 ». Signée « Andy Warhol » à l'encre à gauche. Edition Castelli Graphic. Comporte le cachet « Andy Warhol Collection » à l’intérieur. Dimensions : 17 x 17 cm.

Lot 148

Andy WARHOL (1928-1987), Attribué àFamily portraitPolaroïd. Signé « Andy Warhol » au feutre sur le devant. Porte au dos le cachet « Andy Warhol Collection ». Dimensions : 10,5 x 9 cm.

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