Andy Warhol (Pittsburgh, Pennsylvania, 1928 - 1987New York Presbyterian),(attributed to), Liz Invitation &Brillo Invitation (2x)(Castelli Graphics) is a miniature version of Andy Warhol's Marilyn (FS II.30) and was created as an announcement for the exhibition Andy Warhol: A Print Retrospective 1963-1981 which was on view from November 21 to December 22, 1981 at Castelli Gallery in New York. In addition to pop-art images of Brillo boxes and Campbell's soup cans, both with a signature on the front.17,5 x 17,5 cm.
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Andy Warhol (Pittsburgh, Pennsylvania, 1928 - 1987New York Presbyterian),(attributed to), Marilyn Invitation(Castelli Graphics) is a miniature version of Andy Warhol's Marilyn (FS II. 30) and was made as an announcement for the exhibition Andy Warhol: A Print Retrospective 1963-1981 which was on view from November 21 to December 22, 1981 at Castelli Gallery in New York. In addition to pop-art images of Brillo boxes and Campbell's soup cans, both with a signature on the front.
Andy Warhol (Pittsburgh, Pennsylvania, 1928 - 1987New York Presbyterian),(attributed to), Marilyn Invitation (2x)(Castelli Graphics) is a miniature version of Andy Warhol's Marilyn ( FS II.30) and was made as an announcement for the exhibition Andy Warhol: A Print Retrospective 1963-1981 which was on view from November 21 to December 22, 1981 at Castelli Gallery in New York. In addition to pop-art images of Brillo boxes and Campbell's soup cans, both with a signature on the front.
Hirst (Damien) & Andy Warhol.- Nelson (Steffie) & Ingrid Sischy. Warhol Factory x Levi's x Damien Hirst, first edition, photographic illustrations, some colour, original black denim titled in silver, with original metal-edged plexiglass box with sliding lid featuring Warhol images and Hirst spot design on lower cover, 4to, DHW Books, 2007.
Osten (Gert von der) & Horst Keller, editors. Kunst der Sechziger Jahre: Sammlung Ludwig im Wallraf-Richartz Museum, 5 vol. comprising first edition and second, third, fourth & fifth revised editions, original embossed plastic wrappers fastened with two large metal screws, Cologne, 1969-71 § Hultén (K.G.Pontus)The Machine as seen at the end of the mechanical age, original metal with hinged metal covers (upper pictorial), with original cardboard box with flap (rubbed and browned), New York, MOMA, 1968 § Francis (Mark) & Kay Pallister, editors. Crash: Homage to J.G.Ballard, 2 vol. including box of posters, original plastic wrappers, covers with pocket containing photograph of crashed car, with box of folding posters (one of 100 copies) featuring crashes by Warhol and other artists loose in original decorated card box with lid, Gagosian Gallery, 2010 § Booth-Clibborn (Edward) The History of the Saatchi Gallery, second edition, original half rexine, prospectus tipped to lower cover, 2011, illustrations, many colour, some tipped in; and c.15 others, exhibition catalogues, collections etc. of modern and contemporary art, v.s. (c.20) ⁂ The first is an important catalogue of the art of the 1960s featuring the work of Warhol, Lichtenstein and many others.
Warhol (Andy), K. König, P Hultén and O. Granath, editors. Andy Warhol, first edition, very slight water-staining to edges, original floral wrappers, spine very lightly browned, Stockholm, Moderna Museet, 1968; Reigning Queens, number 3652 of 5000 copies, original embossed white wrappers, very lightly soiled, Amsterdam, 1985, illustrations, some colour, 4to (2)⁂ The first is the scarce catalogue of Warhol's first retrospective exhibition.
Warhol (Andy) Andy Warhol's Exposures, first English edition, signed by Warhol in black marker pen on half-title, original cloth, dust-jacket, 1979; America, first edition, original cloth, dust-jacket, signed by Warhol in black marker pen on front panel of dust-jacket, New York, 1985, photographic illustrations, 4to (2)
Warhol (Andy).- Interview, issue containing advertisement for Andy Warhol's books on inside rear wrapper, original pictorial wrappers, signed by Warhol in black marker pen on upper cover, a little browned and very slightly creased at edges, New York, July 1979 § Finkelstein (Nat) Andy Warhol: The Factory Years...1964-1967, number 46 of an unspecified limited edition (?250 copies) with an original print of Warhol at the Factory loosely inserted, this copy also signed and inscribed by the author, original red faux suede, slip-case, 1999 § Makos (Christopher) Warhol/Makos in Context, with original print of Warhol numbered 1/20 loosely inserted, original boards, dust-jacket, cloth slip-case, New York, 2006; Andy Warhol China 1982, signed by the author on front free endpapers, original cloth, 2007, illustrations; and 18 others about Warhol including the 6 vol. Sotheby's sale catalogue of Warhol's collection, v.s. (22)
Warhol (Andy).- Feldman (Frayda) & Jörg Schellmann. Andy Warhol Prints: A Catalogue Raisonné 1962-1987, third edition, revised & expanded, New York, 1997 § Crone (Rainer) Andy Warhol: A Picture Show by the Artist, New York, 1987 § Clemente ( Francesco) Andy Warhol Polaroids: Celebrities and Self-Portraits, Krakow, 2000 § Angell (Callie) Andy Warhol Screen Tests: The Films of Andy Warhol Catalogue Raisonné, vol.1, New York, 2006 § Aquin (Stéphane, editor) Warhol Live [&] Andy Warhol: The Record Covers 1949-1987. Catalogue Raisonné, together 2 vol., Montreal, 2008, illustrations, many colour, original cloth or boards, the first four with dust-jackets, the second a little rubbed; and c.35 others on Warhol's work, v.s. (c.40)
Warhol (Andy).- Brant (Sandra J.) & Ingrid Sischy, editors. Andy Warhol's Interview, 8 vol., including 'Pop's Crystal Ball for 35 Years', number 1721 of 2000 copies, illustrations, many colour, vol.1-7 original pictorial boards, 'Pop's Crystal Bal'l in original wrappers with facsimile reprint of Interview vol.1 no.1 (folded) in original pictorial slip-case, the whole together in original yellow wooden box with sliding side panel, on wheels with retractable handle, designed by Karl Lagerfeld, folio & 4to, box c.480 x 255 x 360mm., New York, 2004.
Galella (Ron) Exclusive Diary, first edition, signed by Galella and with an original print of Andy Warhol (print with very slight crease to fore-edge), also signed in black marker pen on half-title, Milan, 2004; Photography by Ron Galella, original spiral-bound boards, New York, 2002; The Photographs of Ron Galella 1965-1989, edited by Steven Bluttal, one of 5000 copies, Los Angeles, 2001; Disco Years, Brooklyn, NY, 2006, first editions, all signed by Galella in black marker pen, photographic illustrations, all but the second original pictorial boards, the first with translucent dust-jacket attached with elastic loop; and 5 others, paparazzi photography, 4to & 8to (9)
After Andy Warhol,American 1928-1987,Campbell Tomato Beef Noodle Soup;screenprint in colours on wove,numbered 55/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57.5 x 38.4 cm,(unframed)
After Andy Warhol,American 1928-1987,Marilyn (blue);screenprint in colours on wove,numbered 18/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.5 cm,(unframed)
After Andy Warhol,American 1928-1987,Mickey Mouse (black);screenprint in colours on wove,numbered 31/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38 cm,(unframed)
After Andy Warhol,American 1928-1987,Mickey Mouse (yellow);screenprint in colours on wove,numbered 67/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.2 cm,(unframed)
After Andy Warhol,American 1928-1987,Moon;screenprint in colours on wove,numbered 85/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 37.7 cm,(unframed)
After Andy Warhol,American 1928-1987,Muhammad Ali;screenprint in colours on wove,numbered 17/100 in pencil, and stamped with artist's signature,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.4 cm,(unframed)
After Andy Warhol,American 1928-1987,Self portrait;screenprint in colours on wove, and stamped with artist's signature, numbered 19/100 in pencil,stamped Leo Castelli, New York, stamped 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 37.7 cm,(unframed)
Banksy,British b.1974- Pulp Fiction, 2004;screenprint in colours on wove,numbered 287/600 in pencil,published by Pictures on Walls, London,sheet: 48.3 x 69.3cm(unframed)(ARR)Note: this lot is accompanied by a Certificate of Authenticity, issued by Pest Control Office. First appearing in 2002 as a large mural near Old Street Tube station in London, ‘Pulp Fiction’ presents a scene from Quentin Tarantino’s film of the same name, displaying John Travolta and Samuel L. Jackson side by side handling bananas in place of the guns featured in the original scene. This work is Banksy’s anti-gun statement, where he has rendered a violent scene harmless, through his use of Warhol-like bananas from the album cover for The Velvet Underground. This amalgamation of pop culture references subtly disguises Banksy’s more targeted message, presenting a somewhat humorous scene.
After Andy Warhol,American 1928-1987-''Chanel N°5'', 1985;four offset lithographs printed in colour,each signed within the plate, unnumbered,published by Chanel and Andy Warhol Foundation, 1997,each sheet: 74.7 x 52.7cm,(unframed)(4)Note: In 1985, Warhol produced ''Ads'' a portfolio of ten screenprints advertising campaigns and logos in American Culture. This poster published by Chanel and the Andy Warhol Foundation is after 'Chanel' one of the ten screenprints originally published by Ronald Feldman Fine Arts, Inc., New York.
Andy Warhol,American 1928-1987,Ladies and Gentlemen (F. & S. II.136), 1975; screenprint in colours on Arches paper, signed, dated, numbered 12/125 and inscribed '@A.W.E.' in pencil to the reverse, printed by Alexander Heinrici, New York,published by Luciano Anselmino, Milan, Italy, sheet: 110.5 x 72.4 cm,(framed)Note: Feldman and Schellmann, Andy Warhol prints, a catalogue raisonne, no.II.136.
Andy Warhol,American 1928-1987,Mick Jagger [F. and S. II.138], 1975;screenprint in colours on Arches Aquarelle (Rough) paper,signed and numbered 91/250 in pencil (total edition includes 50 AP + 3 PP), also signed in black-felt tip pen by the subject,printed by Alexander Henrici, New York,published by Seabird Editions, London,visible image: 110.5 x 73.3 cm(framed)Literature: Feldman and Schellmann, Andy Warhol prints, a catalogue raisonne, no. II.138.
Andy Warhol,American 1962-1987, Oyster Stew from Campbell's Soup II (F. and S. II. 60), 1969; screenprint in colours on wove, signed in ink on the reverse, printed by Salvatore Silkscreen Co., Inc., New York, published by Factory Additions, New York, sheet: 88.9 x 58.4 cm(framed) Note: there is a printout of the signature attached to the reverse.
Andy Warhol "Zebra" silkscreen from the series "Endangered Species" with the blind stamp of Warhol's master printer Rupert Smith and with on the back the red stamp of Ronald Feldman || WARHOL ANDY (1930 - 1987) silkscreen uit de reeks "Endangered Species" : "Zebra" - 96,5 x 96,5 met blindstempel van de Warhol's meesterdrukker Rupert Smith met op verso de rode stempel van "Ronald Feldman"
Andy Warhol "Panda" silkscreen from the series "Endangered Species" with the blind stamp of Warhol's master printer Rupert Smith and with on the back the red stamp of Ronald Feldman || WARHOL ANDY (1930 - 1987) silkscreen uit de reeks "Endangered Species" : "Panda" - 96,5 x 96,5 met blindstempel van de Warhol's meesterdrukker Rupert Smith met op verso de rode stempel van "Ronald Feldman"
After Andy Warhol (1928-1987) AmericanMick JaggerLithographic exhibition poster for "Warhol at the Pigeonhole", 63.5cm by 52cm (unframed)Some light surface dirt. The odd minor handling crease. Very slight scuff to the left of his head within the black hair hanging down. The odd very tiny sporadic foxing spot, e.g centre of top edge.
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