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Andy Warhol (1928-1987) & Keith Haring (1958-1990)20th Montreux Jazz Festival (Marechal 47)Screenprint in colours, 1986, from the edition of unknown size, printed by Albin Uldry, Bern, on wove paper, the full sheet printed to the edges, sheet 1000 x 700mm (39 3/4 x 27 1/2in)

Popular culture: Including The Beatles Anthology; Yves Saint Laurent 'Images of Design'; Paul McCartney 'Paintings'; Andy Warhol Portraits (14 Vols) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).

A set of four Andy Warhol 'soup can' prints. 39cm x 29cm, framed and glazed

Andy Warhol lithographic print entitled 'Hamburger' published by Neues New York in association with the Andy Warhol Foundation - approx. 59cm x 49cm 

Andy Warhol, American 1928-1987, The Velvet Underground and Nico; offset lithograph in colours, from an unknown edition, sheet: 93.5 x 67 cm, (unframed) Note: this poster design derives from the record cover produced for Verve records in 1967, this was the debut studio album produced by the American rock band.

Andy Warhol, American 1928-1987, Flash - November 22, 1963, 1968; screenprint in colours on thick paper, from the unnumbered edition of 200, printed by Aetna silksreen products Inc, New York and printed by Racolin Press Inc, New York, sheet: 53.3 x 53.3 cm, (framed)Note: Feldman and Schellmann, II.32-42 

Andy Warhol, American 1928-1987, Kiku,1983 (F and S. II.307); screenprint in colours on Rives BFK wove, signed in pencil and numbered 45/300, with the Andy Warhol 1983 stamp on the reverse (there is a copy of this pasted on the back of the frame), printed by Rupert Jasen Smith, New York; Ryoichi Isida, Tokyo, Japan, published by Gendai Hanga Center, Tokyo, Japan, sheet: 50 x 66 cm,  (framed)Note: Kiku is based on the insignia of the Royal House of Japan, the chrysanthemum.Literature: Feldman and Schellmann, a catalogue raisonne, p.134. 

Andy Warhol, American 1928-1987, Tattooed Woman Holding a Rose, circa 1955 (Not in F. and S.); offset lithograph printed in orange on green watermarked onion skin paper, with the Estate of Andy Warhol and the Andy Warhol Foundation for the visual arts ink stamps, annotated  'PM15.OH26 15H,' sheet: 24 x 78 cm,  (framed)Note: This work is from the early part of Warhol's career, and was used as a calling card for his services as it has his telephone number and address 'Murray Hill' across the woman's waist. It is not known how many of these prints were produced, but they are becoming increasingly rare.            

Andy Warhol, American 1928-1987, The Tate Gallery exhibition poster, 1971, featuring Marilyn of 1964;offset lithograph in colours, signed in black marker pen, printed by the Curwen Press,  published by Tate Gallery publications, sheet: 76 x 50.5 cm,  (unframed)Note: the work is accompanied by a letter from the Heritage club London, confirming the work has been signed by the artist.

After Andy Warhol, American 1928-1987, Cow (yellow) and Cow (pink);each laminated print in colours in the form of a flattened carrier bag, each: 45.5 x 30.3 cm, (mounted and framed) (2) 

Keith Haring, American 1958-1990 & Andy Warhol, American 1928-1987, Montreux Jazz Festival, 1986; screenprint in colours on smooth wove, printed by Albin Uldry, Bern, Switzerland, for the Montreux Jazz Festival, sheet: 100 x 70 cm, (unframed)

Geoff Hargadon, American b.1954- Cash for Your Warhol, 2021; screenprint in colour on wove, numbered 152/250 in pencil, published by Heliotrope Foundation, (unframed)  

Gwen Stefani Harajuku lovers 100ml edt, Unbreakable Bond by Khloe and Lamar 100 ml edt, and Andy Warhol pour homme eau de toilette samples.

Montblanc. Great Characters: Andy Warhol. Special Edition fountain pen. [2015]. Mod: M25725. "Campbell's Condensed Tomato Soup" design. Cased. Unused and complete with original booklet & card packaging

Kölner Kunstmarkt '71. Luxusausgabe mit 26 Graphiken und 1 Schallplatte. 1971. Mit insgesamt 26 Graphiken in verschiedenen Techniken. Je auf unterschiedlichen Velin, Velinkarton bzw. Papier. Blattmaße von ca. 31,3 x 42,3 cm bis ca. 63,3 x 42,3 cm. 24 Arbeiten je signiert und nummeriert (teils verso), teils datiert und betitelt. Original Kassette mit den in Faltbogen lose eingelegten Graphiken, Schallplatte, Künstlerliste und Impressum sowie mit dem gebundenen Ausstellungskatalog. - 1 Blatt mit kurzer Fehlstelle an einer Ecke. Vereinzelte Graphiken an den Ecken leicht knickspurig bzw. angestoßen. Wenige Blätter mit punktuellen Braunfleckchen bzw. wässrig-bräunliche Fleckchen (auch verso), Atelierspuren bzw. verso leichten Schmutzspuren. Die Faltblätter teils etwas knickspurig. Der Katalog am Gelenk oberflächlich berieben. Die Kassette an Ecken und Kanten etwas bestoßen und mit Fleckchen, innen mit Etikett. Insgesamt in ausgesprochen gutem Zustand. Die Drucke prachtvoll bis ausgezeichnet, kräftig bzw. farbintensiv. 5 Arbeiten jeweils mit Schöpfrand an einer Seite. Eines von 300 Exemplaren der Vorzugsausgabe, davon 27 Künstler-Exemplare. - Enthält je 1 Arbeit von: - Georg Baselitz, Radierung - Bernhard Becher, Offset - Agostino Bonalumi, Serigraphie - K. P. Brehmer, Radierung - Johannes Geccelli, Serigraphie - Raimund Girke, Serigraphie - Hermann Goepfert, Serigraphie - Nancy Graves, Lithographie - Antonius Höckelmann, Radierung - Dieter Krieg, Serigraphie - Tadaaki Kuwayama, Serigraphie - Alf Lechner, Prägedruck - Barry Le Va, Offset - Bernhard Luginbühl, Radierung - Rafael Martinez, Serigraphie - Rune Mields, Serigraphie - Lienhard von Monkiewitsch, Serigraphie - Wolfgang Petrick, Radierung - Michelangelo Pistoletto, Serigraphie in Form eines Abziehbildes - Joachim Schmettau, Radierung - John Seery, Lithographie - Giangiacomo Spadari, Serigraphie - Larry Starl, Offset - Alan Turner, Serigraphie - Stefan Wewerka, Radierung - Rainer Wittenborn, Serigraphie sowie - 1 Schallplatte "Sticky fingers" der Rolling Stones. - Die Schallplatte mit dem original Cover nach Andy Warhol und in der ikonischen Schutzhülle mit Reisverschluss. - Hg. vom Verein progressiver deutscher Kunsthändler e.V., Köln 1970. - Katalog zum 5. Kölner Kunstmarkt. - Vollständige Ausgabe der Luxusedition. Kölner Kunstmarkt '71. Deluxe edition with 26 prints and 1 record. The prints in different techniques. Each on different wove paper, wove cardboard or paper. 24 works each signed and numbered (partly verso), partly dated and titled. Original cassette with the prints loosely inserted in folding sheets, LP record, list of artists and imprint as well as with the exhibition catalogue. - 1 sheet with short loss at one corner. A few prints slightly creased or bumped at the corners. A few sheets with brown spots or watery-brownish stains (also on the verso), traces of studio work or slight traces of dirt at the verso. The folded sheets slightly a bit creased. The catalogue superficially rubbed at the joint. The cassette somewhat bumped at corners and edges, with some spots and a label inside. All in all in very good condition. The prints splendid to excellent, intense in colours. 5 works each with scooped edge on one side. - One of 300 copies of the special edition, 27 of which are artist's copies. - Contains 1 work each by: - Georg Baselitz, etching - Bernhard Becher, offset - Agostino Bonalumi, silkscreen - K. P. Brehmer, etching - Johannes Geccelli, silkscreen - Raimund Girke, silkscreen - Hermann Goepfert, silkscreen - Nancy Graves, lithograph - Antonius Höckelmann, etching - Dieter Krieg, silkscreen - Tadaaki Kuwayama, silkscreen - Alf Lechner, relief printing - Barry Le Va, offset - Bernhard Luginbühl, etching - Rafael Martinez, silkscreen - Rune Mields, silkscreen - Lienhard von Monkiewitsch, silkscreen - Wolfgang Petrick, etching - Michelangelo Pistoletto, silkscreen in the form of a decal - Joachim Schmettau, etching - John Seery, lithograph - Giangiacomo Spadari, silkscreen - Larry Starl, offset - Alan Turner, silkscreen - Stefan Wewerka, etching - Rainer Wittenborn, silkscreen as well as - 1 LP record "Sticky fingers" by the Rolling Stones. - The record with the original cover after Andy Warhol and in the iconic protective sleeve with zipper. - Pub. by Verein progressiver deutscher Kunsthändler e.V., Cologne 1970. - Catalogue for the 5th Cologne Art Market. - Complete edition of the luxury edition.

Richard Avedon (1923-2004) was an American photographer known for his iconic portraits of celebrities, artists, and politicians, as well as his fashion photography. He began his career as a staff photographer for Harper's Bazaar and later for Vogue, where he became known for his innovative approach to fashion photography, which emphasized movement and personality over static poses.Avedon's portrait photography was equally groundbreaking, often featuring his subjects in stark black-and-white, against a white background, with a focus on their facial expressions and body language. He photographed many famous individuals, including Marilyn Monroe, Andy Warhol, and Martin Luther King Jr.Throughout his career, Avedon also worked on a number of personal projects, including his "In the American West" series, which documented the lives of ordinary people in the American West. His work has been exhibited in museums around the world, and he is considered one of the most influential photographers of the 20th century.Measures (image, inches): 12 x 8.3. Measures 16.5 x 8.3 (sheet).Signed "Avedon, 1993"Mounted to archival quality paper.Verso is blank.

Yayoi Kusama is a renowned Japanese contemporary artist known for her distinctive and avant-garde artworks, particularly her immersive installations, polka-dot motifs, and exploration of themes such as infinity and the self. Here are some key points about Yayoi Kusama:1. Early Life and Influences: Yayoi Kusama was born on March 22, 1929, in Matsumoto, Nagano, Japan. She grew up in a traditional Japanese family and began creating art at a young age. Kusama's artistic development was influenced by her experiences with hallucinations and her lifelong struggles with mental health.2. Move to the United States: In 1957, Kusama moved to the United States, settling in New York City. She became an active participant in the avant-garde art scene of the 1960s, collaborating with artists such as Donald Judd, Claes Oldenburg, and Andy Warhol. During this time, she developed her signature artistic style and began experimenting with immersive installations.3. Polka Dots and Infinity: One of the most recognizable features of Kusama's artwork is her frequent use of polka dots. She incorporates them into various mediums, including paintings, sculptures, installations, and even her own attire. Kusama sees polka dots as a representation of the infinite and uses them as a way to explore ideas of repetition, pattern, and the dissolution of the self.4. Infinity Mirror Rooms: Kusama's Infinity Mirror Rooms are among her most celebrated works. These mirrored installations feature a room filled with various objects covered in polka dots, with mirrored walls creating a sense of infinite space. Viewers are immersed in a visually overwhelming experience that plays with perceptions of space, light, and reflections.5. Performance Art: Kusama's practice also includes performance art, where she often incorporates her body and costumes into her creative expressions. She staged a series of provocative and politically charged happenings and events during the 1960s, using her body as a canvas to address issues such as feminism, consumerism, and the Vietnam War.6. International Recognition: Kusama's artworks have gained significant international recognition and have been exhibited in major museums and galleries around the world. She represented Japan at the Venice Biennale in 1993 and has received numerous awards and honors for her contributions to contemporary art.7. Legacy and Influence: Yayoi Kusama's unique artistic vision and groundbreaking approach to art have had a profound impact on contemporary art practices. Her exploration of themes like infinity, the subconscious mind, and identity continues to inspire and resonate with artists, curators, and art enthusiasts globally.Yayoi Kusama's bold artistic expressions, use of polka dots, and immersive installations have made her a prominent figure in contemporary art. Her willingness to confront personal struggles and use art as a form of therapy has contributed to her distinct voice and has cemented her legacy as an influential artist of our time.Measures 12 x 18.Mounted to archival quality paper.Verso is blank.

Keith Haring was an American artist and social activist who gained prominence in the 1980s. He was born on May 4, 1958, in Reading, Pennsylvania, and passed away on February 16, 1990, in New York City.Haring's artwork is characterized by bold, colorful, and graphic images, often featuring figures, animals, and various symbols. He developed a unique visual language that combined elements of street art, graffiti, and pop art. Haring's iconic style was influenced by the urban environment of New York City, where he started his artistic career by creating chalk drawings in the subway stations.Haring's art addressed social and political issues, including topics such as AIDS awareness, drug addiction, and apartheid. He used his art as a means of communication and activism, believing that art should be accessible to everyone. Haring's works often conveyed a message of hope, love, and unity.Throughout his career, Haring collaborated with various artists and musicians, including Andy Warhol, Madonna, and Jean-Michel Basquiat. He also created public artworks and murals in different cities around the world.Despite his relatively short career, Haring left a lasting impact on the art world. His work is recognized for its vibrant energy, bold lines, and accessible imagery. Today, Haring's art can be found in museums, galleries, and public spaces worldwide, continuing to inspire and resonate with audiences.Measures 24 x 36.

Jean-Michel Basquiat was an American artist known for his influential and groundbreaking work in the 1980s. He was born on December 22, 1960, in Brooklyn, New York, and tragically passed away on August 12, 1988, at the age of 27.Basquiat began his artistic career as a street artist, using the pseudonym SAMO (Same Old Shit). His graffiti and street art, characterized by bold and expressive brushwork, often featured enigmatic and thought-provoking statements. Basquiat's work caught the attention of the art world, and he transitioned from street art to become one of the most prominent figures in the Neo-Expressionist movement.Basquiat's paintings are characterized by their raw energy, vibrant colors, and dynamic compositions. He drew inspiration from a variety of sources, including African art, jazz, hip-hop culture, history, and his personal experiences as a Black artist in America. Basquiat's art often tackled themes of racism, identity, social commentary, and the human condition.His paintings incorporated a mix of imagery, symbols, and text, combining words, phrases, and fragmented sentences with bold brushstrokes and intense colors. Basquiat's distinctive style and his ability to communicate complex ideas through his art made a significant impact on the contemporary art scene.Basquiat's career skyrocketed in the 1980s, and he gained international recognition and acclaim. He collaborated with renowned artists such as Andy Warhol, and his works were exhibited in prestigious galleries and museums around the world.Despite his tragically short life and career, Basquiat's influence on contemporary art remains profound. His artworks continue to be highly sought after, and his legacy as a pioneering artist, particularly in addressing social and political issues, continues to inspire artists and resonate with audiences today.Measures 24 x 36.

Yayoi Kusama is a renowned Japanese contemporary artist known for her distinctive and avant-garde artworks, particularly her immersive installations, polka-dot motifs, and exploration of themes such as infinity and the self. Here are some key points about Yayoi Kusama:1. Early Life and Influences: Yayoi Kusama was born on March 22, 1929, in Matsumoto, Nagano, Japan. She grew up in a traditional Japanese family and began creating art at a young age. Kusama's artistic development was influenced by her experiences with hallucinations and her lifelong struggles with mental health.2. Move to the United States: In 1957, Kusama moved to the United States, settling in New York City. She became an active participant in the avant-garde art scene of the 1960s, collaborating with artists such as Donald Judd, Claes Oldenburg, and Andy Warhol. During this time, she developed her signature artistic style and began experimenting with immersive installations.3. Polka Dots and Infinity: One of the most recognizable features of Kusama's artwork is her frequent use of polka dots. She incorporates them into various mediums, including paintings, sculptures, installations, and even her own attire. Kusama sees polka dots as a representation of the infinite and uses them as a way to explore ideas of repetition, pattern, and the dissolution of the self.4. Infinity Mirror Rooms: Kusama's Infinity Mirror Rooms are among her most celebrated works. These mirrored installations feature a room filled with various objects covered in polka dots, with mirrored walls creating a sense of infinite space. Viewers are immersed in a visually overwhelming experience that plays with perceptions of space, light, and reflections.5. Performance Art: Kusama's practice also includes performance art, where she often incorporates her body and costumes into her creative expressions. She staged a series of provocative and politically charged happenings and events during the 1960s, using her body as a canvas to address issues such as feminism, consumerism, and the Vietnam War.6. International Recognition: Kusama's artworks have gained significant international recognition and have been exhibited in major museums and galleries around the world. She represented Japan at the Venice Biennale in 1993 and has received numerous awards and honors for her contributions to contemporary art.7. Legacy and Influence: Yayoi Kusama's unique artistic vision and groundbreaking approach to art have had a profound impact on contemporary art practices. Her exploration of themes like infinity, the subconscious mind, and identity continues to inspire and resonate with artists, curators, and art enthusiasts globally.Yayoi Kusama's bold artistic expressions, use of polka dots, and immersive installations have made her a prominent figure in contemporary art. Her willingness to confront personal struggles and use art as a form of therapy has contributed to her distinct voice and has cemented her legacy as an influential artist of our time.Measures 12 x 18.Mounted to archival quality paper.Verso is blank.

Andy Warhol had a significant influence on popular culture and music, and his connection to the Rolling Stones is notable. In 1969, Warhol created the iconic album cover for the Rolling Stones' album "Sticky Fingers." The cover featured a close-up photograph of a man's jeans, complete with a functional zipper. Warhol's design became synonymous with the album and has since become one of the most recognizable album covers in rock history.Warhol's collaboration with the Rolling Stones went beyond album art. He also directed a short film called "Sympathy for the Devil" in 1968, which documented the band's creative process as they recorded the song of the same name. The film showcased Warhol's experimental filmmaking techniques and captured the Rolling Stones during a pivotal period in their career.Furthermore, Warhol's connection to the Rolling Stones extended to their social circles. The band members, particularly Mick Jagger and Keith Richards, were part of the New York art scene of the 1960s and 1970s, which Warhol was at the center of. They frequented his studio, "The Factory," and mingled with other artists, musicians, and creative figures.The collaboration between Andy Warhol and the Rolling Stones represents the intersection of visual art, music, and popular culture. It demonstrates the influence of Warhol's unique artistic vision on one of the most renowned rock bands of all time and highlights the mutual creative energy that flowed between these iconic figures.Measures 24 x 36.

Richard Avedon was an influential American fashion and portrait photographer known for his iconic images and his innovative approach to photography. He was born on May 15, 1923, in New York City and passed away on October 1, 2004. Avedon's career spanned several decades, and he made a significant impact on the world of fashion photography. He began his professional photography career in the late 1940s, working for Harper's Bazaar and later becoming the chief photographer for Vogue. His photographs captured the essence of fashion, showcasing garments with dynamic movement and capturing the personality and individuality of the models. Avedon's photographs were characterized by their minimalistic and striking style. He often used simple backgrounds, allowing his subjects to take center stage. His work was known for its energy, vitality, and the emotional connection he was able to establish with his subjects. Avedon's portraits of celebrities and cultural figures, such as Marilyn Monroe, Andy Warhol, and Audrey Hepburn, became iconic images that captured the essence of their subjects. In addition to his fashion and celebrity photography, Avedon also undertook significant personal projects that pushed the boundaries of traditional portraiture. His series "In the American West" (1985) featured portraits of ordinary people living and working in the American West, offering an intimate and compassionate glimpse into their lives. Avedon's work extended beyond the world of photography. He published several books, including "Observations" (1959) and "Richard Avedon: Photographs 1946-2004" (2007), which showcased his diverse body of work. Richard Avedon's contributions to photography earned him numerous awards and accolades throughout his career, including the International Center of Photography's Master of Photography award and the Royal Photographic Society's Centenary Medal. His photographs continue to be exhibited in major museums and galleries worldwide, and his artistic legacy remains influential in the realms of fashion, portrait, and documentary photography. Measures 10.49 x 14.24 Printed circa 1980sVerso is blank.Mounted to archival quality paper."

Richard Avedon was an influential American fashion and portrait photographer known for his iconic images and his innovative approach to photography. He was born on May 15, 1923, in New York City and passed away on October 1, 2004. Avedon's career spanned several decades, and he made a significant impact on the world of fashion photography. He began his professional photography career in the late 1940s, working for Harper's Bazaar and later becoming the chief photographer for Vogue. His photographs captured the essence of fashion, showcasing garments with dynamic movement and capturing the personality and individuality of the models. Avedon's photographs were characterized by their minimalistic and striking style. He often used simple backgrounds, allowing his subjects to take center stage. His work was known for its energy, vitality, and the emotional connection he was able to establish with his subjects. Avedon's portraits of celebrities and cultural figures, such as Marilyn Monroe, Andy Warhol, and Audrey Hepburn, became iconic images that captured the essence of their subjects. In addition to his fashion and celebrity photography, Avedon also undertook significant personal projects that pushed the boundaries of traditional portraiture. His series "In the American West" (1985) featured portraits of ordinary people living and working in the American West, offering an intimate and compassionate glimpse into their lives. Avedon's work extended beyond the world of photography. He published several books, including "Observations" (1959) and "Richard Avedon: Photographs 1946-2004" (2007), which showcased his diverse body of work. Richard Avedon's contributions to photography earned him numerous awards and accolades throughout his career, including the International Center of Photography's Master of Photography award and the Royal Photographic Society's Centenary Medal. His photographs continue to be exhibited in major museums and galleries worldwide, and his artistic legacy remains influential in the realms of fashion, portrait, and documentary photography. Measures 10.49 x 14.24 Printed circa 1980sVerso is blank.Mounted to archival quality paper."

Richard Avedon was an influential American fashion and portrait photographer known for his iconic images and his innovative approach to photography. He was born on May 15, 1923, in New York City and passed away on October 1, 2004. Avedon's career spanned several decades, and he made a significant impact on the world of fashion photography. He began his professional photography career in the late 1940s, working for Harper's Bazaar and later becoming the chief photographer for Vogue. His photographs captured the essence of fashion, showcasing garments with dynamic movement and capturing the personality and individuality of the models. Avedon's photographs were characterized by their minimalistic and striking style. He often used simple backgrounds, allowing his subjects to take center stage. His work was known for its energy, vitality, and the emotional connection he was able to establish with his subjects. Avedon's portraits of celebrities and cultural figures, such as Marilyn Monroe, Andy Warhol, and Audrey Hepburn, became iconic images that captured the essence of their subjects. In addition to his fashion and celebrity photography, Avedon also undertook significant personal projects that pushed the boundaries of traditional portraiture. His series "In the American West" (1985) featured portraits of ordinary people living and working in the American West, offering an intimate and compassionate glimpse into their lives. Avedon's work extended beyond the world of photography. He published several books, including "Observations" (1959) and "Richard Avedon: Photographs 1946-2004" (2007), which showcased his diverse body of work. Richard Avedon's contributions to photography earned him numerous awards and accolades throughout his career, including the International Center of Photography's Master of Photography award and the Royal Photographic Society's Centenary Medal. His photographs continue to be exhibited in major museums and galleries worldwide, and his artistic legacy remains influential in the realms of fashion, portrait, and documentary photography. Measures 10.49 x 14.24 Printed circa 1980sVerso is blank.Mounted to archival quality paper."

Robert Rauschenberg was an influential American artist known for his groundbreaking contributions to the Pop Art movement and his innovative approach to combining various artistic mediums. Here are some key points about Robert Rauschenberg and his artistic achievements:1. Early Life and Education: Robert Rauschenberg was born on October 22, 1925, in Port Arthur, Texas. He studied at the Kansas City Art Institute and later attended the renowned Black Mountain College in North Carolina, where he received a well-rounded education in various art disciplines.2. Combining Artistic Mediums: Rauschenberg was known for his experimental approach to art, breaking down the boundaries between different artistic mediums such as painting, sculpture, photography, printmaking, and performance. He often combined these mediums in his artworks, blurring the lines between them and creating multimedia installations.3. "Combines": Rauschenberg's most famous works are his "Combines," which were hybrid pieces that merged painting and sculpture. These artworks incorporated found objects, everyday materials, and imagery sourced from popular culture, creating layered and visually complex compositions that challenged traditional artistic conventions.4. Pop Art Influence: Rauschenberg was an influential figure in the emergence of the Pop Art movement in the 1960s. Alongside artists like Andy Warhol and Roy Lichtenstein, Rauschenberg incorporated imagery from mass media, consumer culture, and popular icons into his work, reflecting the vibrant and dynamic nature of contemporary society.5. Collaboration with Merce Cunningham and John Cage: Rauschenberg collaborated extensively with choreographer Merce Cunningham and composer John Cage. His set designs and costumes for Cunningham's dance performances were innovative, incorporating movement, technology, and multimedia elements.6. Erasing the Boundaries: Rauschenberg constantly pushed the boundaries of what art could be. He embraced chance, spontaneity, and improvisation in his creative process, often incorporating elements of performance and audience participation into his works. His innovative approach challenged the traditional notions of authorship and originality in art.7. Awards and Recognition: Rauschenberg received numerous awards and honors throughout his career, including the Golden Lion at the Venice Biennale in 1964 and the National Medal of Arts in 1993. His work continues to be celebrated and exhibited in major museums and galleries worldwide.Robert Rauschenberg's artistic contributions revolutionized the art world and continue to inspire generations of artists. His ability to blur the lines between mediums, embrace new materials and technologies, and challenge artistic conventions made him a pioneering figure in contemporary art.Measures 26.5 x 40.

Yayoi Kusama is a renowned Japanese contemporary artist known for her distinctive and avant-garde artworks, particularly her immersive installations, polka-dot motifs, and exploration of themes such as infinity and the self. Here are some key points about Yayoi Kusama:1. Early Life and Influences: Yayoi Kusama was born on March 22, 1929, in Matsumoto, Nagano, Japan. She grew up in a traditional Japanese family and began creating art at a young age. Kusama's artistic development was influenced by her experiences with hallucinations and her lifelong struggles with mental health.2. Move to the United States: In 1957, Kusama moved to the United States, settling in New York City. She became an active participant in the avant-garde art scene of the 1960s, collaborating with artists such as Donald Judd, Claes Oldenburg, and Andy Warhol. During this time, she developed her signature artistic style and began experimenting with immersive installations.3. Polka Dots and Infinity: One of the most recognizable features of Kusama's artwork is her frequent use of polka dots. She incorporates them into various mediums, including paintings, sculptures, installations, and even her own attire. Kusama sees polka dots as a representation of the infinite and uses them as a way to explore ideas of repetition, pattern, and the dissolution of the self.4. Infinity Mirror Rooms: Kusama's Infinity Mirror Rooms are among her most celebrated works. These mirrored installations feature a room filled with various objects covered in polka dots, with mirrored walls creating a sense of infinite space. Viewers are immersed in a visually overwhelming experience that plays with perceptions of space, light, and reflections.5. Performance Art: Kusama's practice also includes performance art, where she often incorporates her body and costumes into her creative expressions. She staged a series of provocative and politically charged happenings and events during the 1960s, using her body as a canvas to address issues such as feminism, consumerism, and the Vietnam War.6. International Recognition: Kusama's artworks have gained significant international recognition and have been exhibited in major museums and galleries around the world. She represented Japan at the Venice Biennale in 1993 and has received numerous awards and honors for her contributions to contemporary art.7. Legacy and Influence: Yayoi Kusama's unique artistic vision and groundbreaking approach to art have had a profound impact on contemporary art practices. Her exploration of themes like infinity, the subconscious mind, and identity continues to inspire and resonate with artists, curators, and art enthusiasts globally.Yayoi Kusama's bold artistic expressions, use of polka dots, and immersive installations have made her a prominent figure in contemporary art. Her willingness to confront personal struggles and use art as a form of therapy has contributed to her distinct voice and has cemented her legacy as an influential artist of our time.40 inches diameter.

Yayoi Kusama is a renowned Japanese contemporary artist known for her distinctive and avant-garde artworks, particularly her immersive installations, polka-dot motifs, and exploration of themes such as infinity and the self. Here are some key points about Yayoi Kusama:1. Early Life and Influences: Yayoi Kusama was born on March 22, 1929, in Matsumoto, Nagano, Japan. She grew up in a traditional Japanese family and began creating art at a young age. Kusama's artistic development was influenced by her experiences with hallucinations and her lifelong struggles with mental health.2. Move to the United States: In 1957, Kusama moved to the United States, settling in New York City. She became an active participant in the avant-garde art scene of the 1960s, collaborating with artists such as Donald Judd, Claes Oldenburg, and Andy Warhol. During this time, she developed her signature artistic style and began experimenting with immersive installations.3. Polka Dots and Infinity: One of the most recognizable features of Kusama's artwork is her frequent use of polka dots. She incorporates them into various mediums, including paintings, sculptures, installations, and even her own attire. Kusama sees polka dots as a representation of the infinite and uses them as a way to explore ideas of repetition, pattern, and the dissolution of the self.4. Infinity Mirror Rooms: Kusama's Infinity Mirror Rooms are among her most celebrated works. These mirrored installations feature a room filled with various objects covered in polka dots, with mirrored walls creating a sense of infinite space. Viewers are immersed in a visually overwhelming experience that plays with perceptions of space, light, and reflections.5. Performance Art: Kusama's practice also includes performance art, where she often incorporates her body and costumes into her creative expressions. She staged a series of provocative and politically charged happenings and events during the 1960s, using her body as a canvas to address issues such as feminism, consumerism, and the Vietnam War.6. International Recognition: Kusama's artworks have gained significant international recognition and have been exhibited in major museums and galleries around the world. She represented Japan at the Venice Biennale in 1993 and has received numerous awards and honors for her contributions to contemporary art.7. Legacy and Influence: Yayoi Kusama's unique artistic vision and groundbreaking approach to art have had a profound impact on contemporary art practices. Her exploration of themes like infinity, the subconscious mind, and identity continues to inspire and resonate with artists, curators, and art enthusiasts globally.Yayoi Kusama's bold artistic expressions, use of polka dots, and immersive installations have made her a prominent figure in contemporary art. Her willingness to confront personal struggles and use art as a form of therapy has contributed to her distinct voice and has cemented her legacy as an influential artist of our time.4 x 3 x 3.25.

Douglas Kirkland is a renowned American photographer known for his iconic images of celebrities and cultural figures. He was born on August 16, 1934, in Toronto, Canada, and has had a prolific career spanning over six decades.Kirkland began his photography career at the age of 24 when he joined Look magazine. His first major assignment was photographing Marilyn Monroe during the production of the film "Some Like It Hot" in 1961. The resulting intimate and candid photographs of Monroe became some of the most iconic images of the actress, establishing Kirkland's reputation as a talented photographer.Throughout his career, Kirkland has photographed numerous celebrities, actors, musicians, and artists. His subjects include Audrey Hepburn, Elizabeth Taylor, Brigitte Bardot, Michael Jackson, Coco Chanel, and Andy Warhol, among many others. His ability to capture the essence and personality of his subjects in a unique and intimate way has made his photographs highly sought after.Kirkland's work has been featured in major publications such as Vanity Fair, Life, and Harper's Bazaar. He has also published several books showcasing his photographs, including "Light Years" and "Freeze Frame: 5 Decades in Photographs." His photographs have been exhibited in galleries and museums worldwide, solidifying his status as a celebrated and influential photographer.Beyond his celebrity portraits, Kirkland has also ventured into other genres of photography, including fashion, travel, and documentary photography. His versatile approach and artistic vision have allowed him to excel in capturing a wide range of subjects and scenes.Douglas Kirkland's contributions to the field of photography have been widely recognized. He has received numerous awards and honors for his work, including the Lucie Award for Outstanding Achievement in Entertainment Photography. His photographs continue to inspire and captivate audiences, offering glimpses into the lives and personalities of some of the most iconic figures in popular culture.Measures 16 x 20.

Yayoi Kusama is a renowned Japanese contemporary artist known for her distinctive and avant-garde artworks, particularly her immersive installations, polka-dot motifs, and exploration of themes such as infinity and the self. Here are some key points about Yayoi Kusama:1. Early Life and Influences: Yayoi Kusama was born on March 22, 1929, in Matsumoto, Nagano, Japan. She grew up in a traditional Japanese family and began creating art at a young age. Kusama's artistic development was influenced by her experiences with hallucinations and her lifelong struggles with mental health.2. Move to the United States: In 1957, Kusama moved to the United States, settling in New York City. She became an active participant in the avant-garde art scene of the 1960s, collaborating with artists such as Donald Judd, Claes Oldenburg, and Andy Warhol. During this time, she developed her signature artistic style and began experimenting with immersive installations.3. Polka Dots and Infinity: One of the most recognizable features of Kusama's artwork is her frequent use of polka dots. She incorporates them into various mediums, including paintings, sculptures, installations, and even her own attire. Kusama sees polka dots as a representation of the infinite and uses them as a way to explore ideas of repetition, pattern, and the dissolution of the self.4. Infinity Mirror Rooms: Kusama's Infinity Mirror Rooms are among her most celebrated works. These mirrored installations feature a room filled with various objects covered in polka dots, with mirrored walls creating a sense of infinite space. Viewers are immersed in a visually overwhelming experience that plays with perceptions of space, light, and reflections.5. Performance Art: Kusama's practice also includes performance art, where she often incorporates her body and costumes into her creative expressions. She staged a series of provocative and politically charged happenings and events during the 1960s, using her body as a canvas to address issues such as feminism, consumerism, and the Vietnam War.6. International Recognition: Kusama's artworks have gained significant international recognition and have been exhibited in major museums and galleries around the world. She represented Japan at the Venice Biennale in 1993 and has received numerous awards and honors for her contributions to contemporary art.7. Legacy and Influence: Yayoi Kusama's unique artistic vision and groundbreaking approach to art have had a profound impact on contemporary art practices. Her exploration of themes like infinity, the subconscious mind, and identity continues to inspire and resonate with artists, curators, and art enthusiasts globally.Yayoi Kusama's bold artistic expressions, use of polka dots, and immersive installations have made her a prominent figure in contemporary art. Her willingness to confront personal struggles and use art as a form of therapy has contributed to her distinct voice and has cemented her legacy as an influential artist of our time.Measures 12 x 18.Mounted to archival quality paper.Verso is blank.

WARHOL, ANDY (1928-1987) "Committee 2000" Farbserigrafie auf Lenox Museumskarton, signiert und nummeriert, Ex. 1410/2000, Trockenstempel des Druckers Rupert Jasen Smith, New York, Verso Copyrightstempel des Künstlers, WVZ.-Nr. II.289.Blattmaß 76,5/51 cm. Min. Altersspuren.| WARHOL, ANDY (1928-1987) "Committee 2000"Colour serigraph on Lenox museum board, signed and numbered, ex. 1410/2000, dry stamp of the printer Rupert Jasen Smith, New York, copyright stamp of the artist on verso, WVZ.-Nr. II.289.Sheet size 76,5/51 cm. Min. signs of age.

Andy Warhol (1928-1987) - 'The Warhol Collection' colour print of a Revolver, on red ground. Measures approx 76.5cm x 101.5cm

‡ PIETRO PSAIER (Italian [unconfirmed], 1936-2004) mixed media artists proof print - study of Andy Warhol, mixed media on wood, clear varnish, signed, studio stamp, COA verso, 57 x 84cmsProvenance: Private collection West Wales, consigned via our Cardiff officeComments: framed and glazed, ready to hang

Art, The Pop Art Movement - an Andy Warhol paper bag, from the Andy Warhol: A Retrospective exhibition, The Museum of Modern Art, New York, February 5th - May 2nd, 1989, featuring Andy Warhol's Cow screen print, mounted on card backing, unframed

nach WARHOL, ANDY (Pittsburgh 1922-1987 Manhattan /NYC), Farblithographie / Gicléedruck: "Campbell's Tomato Soup". Farblithographie auf Arches France Bütten mit Blindstempel "Georges Israel Editeur", revers mit drei Stempeln der Galerie Leo Castelli, gestempelt "Leo Castelli New York", "Art Gallery New York…", Stempel in Form eines stilisierten Baumes und mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet; unten rechts mit Drucksignatur "Andy Warhol" und unten links limitiert 41/100. Dabei: Zertifikat der Leo Castelli Art Gallery. Blattgröße ca. 57,2 x 38,5 cm. Prachtvoller Druck mit dem vollen Rand.

nach WARHOL, ANDY (Pittsburgh 1922-1987 Manhattan /NYC), Farblithographie / Gicléedruck: "Mickey Mouse". Farblithographie auf Arches France Bütten mit Blindstempel "Georges Israel Editeur", revers mit drei Stempeln der Galerie Leo Castelli, gestempelt "Leo Castelli New York", "Art Gallery New York…", Stempel in Form eines stilisierten Baumes und mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet; unten rechts mit Drucksignatur "Andy Warhol" und unten links limitiert 70/100. Dabei: Zertifikat der Leo Castelli Art Gallery. Blattgröße ca. 57,5 x 38,3cm. Prachtvoller Druck mit dem vollen Rand.

nach WARHOL, ANDY (Pittsburgh 1922-1987 Manhattan /NYC), Farblithographie / Gicléedruck: "Elvis Presley". Farblithographie auf Arches France Bütten mit Blindstempel "Georges Israel Editeur", revers mit drei Stempeln der Galerie Leo Castelli, gestempelt "Leo Castelli New York", "Art Gallery New York…", Stempel in Form eines stilisierten Baumes und mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet; unten rechts mit Drucksignatur "Andy Warhol" und unten links limitiert 20/100. Dabei: Zertifikat der Leo Castelli Art Gallery. Blattgröße ca. 57,3 x 38,5 cm. Prachtvoller Druck mit dem vollen Rand; guter Zustand.

nach WARHOL, ANDY (Pittsburgh 1922- 1987 Manhattan /NYC), Farbserigrafie / Farboffset: "Marilyn", unsigniert. Maße im Passepartoutausschnitt 16,5 x 17 cm. Hinter Glas im Passepartout und in Galerieleiste gerahmt; Gesamtmaße mit Rahmen 33 x 33 cm. Aus einer privaten Sammlung im Siegerland.

nach WARHOL, ANDY (Pittsburgh 1922-1987 Manhattan /NYC), Farblithographie / Gicléedruck: "Sam". Farblithographie auf Arches France Bütten mit Blindstempel "Georges Israel Editeur", revers mit drei Stempeln der Galerie Leo Castelli, gestempelt "Leo Castelli New York", "Art Gallery New York…", Stempel in Form eines stilisierten Baumes und mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet; unten rechts mit Drucksignatur "Andy Warhol" und unten links limitiert 36/100. Dabei: Zertifikat der Leo Castelli Art Gallery. Blattgröße ca. 57,3 x 38,5 cm. Prachtvoller Druck mit dem vollen Rand.

Full title: Andy Warhol (1928-1987, after): 'Marilyn Monroe', multiple, ed. 169/2400Description:Work: 60 x 60 cm Paper: 80 x 80 cm Frame: 85 x 85 cmOn Lenox Museum paper, with the CMOA (Carnegie Museum of Art, Pittsburgh) stamp on the reverse.

ANDY WARHOL. (1928-1987) ARR. "FLASH" TWO SILK SCREENS FROM FLASH- JFK ASSASSINATION NOVEMBER 22 1963. (1- SILK SCREEN TEXT DOUBLE SIDED. PAGE 9 & 10 "SECOND DAY- 11/23/63" TOGETHER WITH (2- THE SILK SCREEN COLOPHON, HAND SIGNED AND NUMBERED XXIV. IN BLUE INK. (FROM AN EDITION OF 26)   Condition of lots is NOT referred to in the lot descriptions.The absence of a condition report does NOT indicate that the lot if free from damage.Detailed condition reports and additional images are available on all lots upon request, please use the “ask a question” button against the lot you have an interest in. We strongly advise that unless you are able to view the lots in person that you request all of the details you feel may be pertinent to your intention to bid.

PHOTOGRAPHY BOOKS - RICHARD AVEDON (2/2) Comprising; Avedon's France: Old World, New Look, Robert M. Rubin and Marianne Le Galliard, Harry N. Abrams, Inc., New York 2017 Avedon Warhol, Gagosian Gallery, London 2016 Evidence 1944-1994, Richard Avedon, Random House Inc. and Eastman Kodak Company, New York 1994 Made in France, Richard Avedo, Frankle Gallery. San Francisco 2001 Performance, Richard Avedon, Harry N. Abrams, Inc., New York 2008 Photographs 1947-1977, Richard Avedon, Farrar Straus & Giroux, New York 1978 (6) The largest: 38cm high x 29cm wide Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

ART AND PHOTOGRAPHY BOOKS - ANDY WARHOL; H. CARTIER BRENSSON Comprising; Andy Warhol Ai Weiwei, Max Delany & Eric Shiner (ed.), National Gallery of Victoria, Melbourne 2015 Andy Warhol China 1982, Christopher Makos, Timezone 8 Ltd., 2007 Andy Warhol: Unexposed Exposures, Bob Colacello (ed.), Steidl Publishers, Göttingen & Steven Kasher Gallery, New York 2010 Henri Cartier-Brensson: China 1948-1949, 1958, Michel Frizot and Ying-lung Su, Thames & Hudson, Ltd., London 2019 Warhol in China, Hatje Cantz Publishers, 2013 (5) the largest: 37.3cm high x 27cm wide Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

EUROPEAN ART BOOKS - SOROLLA; LE BRUN; BOLDINI ETC. Comprising; Élisabeth Louise Vigée Le Brun, Joseph Baillo and Xavier Salmon, Grand Palais, Galeries Nationales, Paris 2016 Fabric of Vision: Dress and Drapery in Paintings, Anne Hollander, Bloomsbury Visual Arts, New York 2002 Francis Cotes: Complete Edition, Edward Mead Johnson, Phaidon Press Ltd., Oxford 1976 Franz Xaver Winterhalter: At the Courts of Europe 1830-70, Richard Ormond and Carol Blackett-Ord, National Portrait Gallery, London 1987 Giovanni Boldini, Sergio Gaddi and Tiziano Panconi, Skira editore, Milano 2017 High Society, Johnathan Bikker, Rijksmuseum, Amsterdam 2018 High Society: The Portraits of Franz Xavier, Winterhalter, Helga Kessler Aurisch et al., Arnoldsche Art Publishers, 2015 The Libertine: The Art of Love in Eighteenth-Century France, Michel Delon (ed.), Abbeville Press Publishers, New York 2013 Portraits of Belle Époque, Valeriano Bozal et al., Ediciones El Viso, 2011 The Society Portrait: From David to Warhol. Gabriel Badea-Päun, The Vendome Press, New York 2007 Sorolla: The Masterworks, Blanca Pons-Sorolla, Skira Rizzoli Publication, Inc., New York 2012 The largest: 33.7cm high x 25.5cm wide Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Rosenthal Künstler-Wandplatte "Daisies"Entwurf Andy Warhol (1928-1987), signiert, studio-line-Signet ab 1999, flach gewölbte Rechteckform mit polychromem Unterglasur-Druckdekor aus drei großen angeschnittenen Blüten, auch als Schale verwendbar, rückseitige Wandaufhängung, am Standring wohl herstellungsbedingt gechipt, sonst guter Zustand, Maße 30,5 x 30,5 cm.

Joseph Beuys, "Klaus Staeck ist mein..."erschienen als Postkarte in der Edition Staeck, auf rotem Grund Schriftzug "Klaus Staeck ist mein politischer Gegner" und gedruckte Signatur "Klaus Staeck", 1973, mittig in Blei signiert "Joseph Beuys", unter Passepartout und hinter Glas gerahmt, Passepartoutausschnitt ca. 10 x 14 cm. Künstlerinfo: dt. Aktionskünstler, Bildhauer, Zeichner und Kunsttheoretiker (1921 Krefeld bis 1986 Düsseldorf), 1941 Bekanntschaft mit Heinz Sielmann während des Kriegsdienstes, 1946 Mitglied des Klever Künstlerbundes, studierte 1946-53 Monumentalbildhauerei an der Akademie Düsseldorf bei Joseph Enseling, ab 1948 bei Ewald Mataré und 1951-54 dessen Meisterschüler, parallel 1947-49 Mitarbeit bei Dokumentarfilmen von Heinz Sielmann, 1954-58 eigenes Atelier in Düsseldorf-Heerdt, 1958-64 Atelier im alten Klever Kurhaus, 1959 entsteht letztes konventionelles Kunstwerk, anschließend vor allem Kunsttheoretiker und ab 1963 als Aktionskünstler bedeutender Vertreter des Fluxus, ab 1961 in Düsseldorf-Oberkassel ansässig, 1961-72 Professor für monumentale Bildhauerei an der Akademie Düsseldorf, etabliert hier 1966-72 seine „Ringgespräche“, 1972 Entlassung aus dem Hochschuldienst wegen wachsender Differenzen mit dem Wissenschaftsministerium, durfte nach Klage jedoch seinen Professorentitel und sein Atelier „Raum 3“ an der Akademie bis zum Erreichen des 65. Lebensjahres behalten, hier 1980 zusammen mit Klaus Staeck, Willi Bongart und Georg Meistermann Gründung der „Freien Internationalen Hochschule für Kreativität und interdisziplinäre Forschung (FIU)”, regelmäßige Teilnahme an der documenta in Kassel, 1974 Vortragsreise durch die USA, 1976 auf der Biennale Venedig, 1979 Bekanntschaft mit Andy Warhol, 1979 Retrospektive im Guggenheim-Museum New York, 1981 Romaufenthalt und Polenreise, in zahlreichen Museen vertreten, Quelle: Vollmer, AKL und Internet.

Joseph Beuys, "Mädchenkopf mit blauer Schleife..."Titel "Mädchenkopf mit blauer Schleife und Schmetterlingen", erschienen als Einladungskarte zur Ausstellung "Räume heutiger Zeichnung" in der Kunsthalle Baden-Baden, Farboffset, 1985, im oberen Bereich in Blei signiert "Joseph Beuys", hinter Glas gerahmt, Blattmaße ca. 11 x 20 cm. Künstlerinfo: dt. Aktionskünstler, Bildhauer, Zeichner und Kunsttheoretiker (1921 Krefeld bis 1986 Düsseldorf), 1941 Bekanntschaft mit Heinz Sielmann während des Kriegsdienstes, 1946 Mitglied des Klever Künstlerbundes, studierte 1946-53 Monumentalbildhauerei an der Akademie Düsseldorf bei Joseph Enseling, ab 1948 bei Ewald Mataré und 1951-54 dessen Meisterschüler, parallel 1947-49 Mitarbeit bei Dokumentarfilmen von Heinz Sielmann, 1954-58 eigenes Atelier in Düsseldorf-Heerdt, 1958-64 Atelier im alten Klever Kurhaus, 1959 entsteht letztes konventionelles Kunstwerk, anschließend vor allem Kunsttheoretiker und ab 1963 als Aktionskünstler bedeutender Vertreter des Fluxus, ab 1961 in Düsseldorf-Oberkassel ansässig, 1961-72 Professor für monumentale Bildhauerei an der Akademie Düsseldorf, etabliert hier 1966-72 seine „Ringgespräche“, 1972 Entlassung aus dem Hochschuldienst wegen wachsender Differenzen mit dem Wissenschaftsministerium, durfte nach Klage jedoch seinen Professorentitel und sein Atelier „Raum 3“ an der Akademie bis zum Erreichen des 65. Lebensjahres behalten, hier 1980 zusammen mit Klaus Staeck, Willi Bongart und Georg Meistermann Gründung der „Freien Internationalen Hochschule für Kreativität und interdisziplinäre Forschung (FIU)”, regelmäßige Teilnahme an der documenta in Kassel, 1974 Vortragsreise durch die USA, 1976 auf der Biennale Venedig, 1979 Bekanntschaft mit Andy Warhol, 1979 Retrospektive im Guggenheim-Museum New York, 1981 Romaufenthalt und Polenreise, in zahlreichen Museen vertreten, Quelle: Vollmer, AKL und Internet.

Joseph Beuys, "Order"Bestellkarte versehen mit Stempel "Hauptstrom", Werksverzeichnis Schellmann 78, erschienen 1973, im unteren Bereich in Blei signiert "Joseph Beuys", weiterhin nummeriert "40/120", erschienen bei Edition Staeck, im kleinen Objektkasten hinter Glas montiert, Blattmaße ca. 14,5 x 10,5 cm. Künstlerinfo: dt. Aktionskünstler, Bildhauer, Zeichner und Kunsttheoretiker (1921 Krefeld bis 1986 Düsseldorf), 1941 Bekanntschaft mit Heinz Sielmann während des Kriegsdienstes, 1946 Mitglied des Klever Künstlerbundes, studierte 1946-53 Monumentalbildhauerei an der Akademie Düsseldorf bei Joseph Enseling, ab 1948 bei Ewald Mataré und 1951-54 dessen Meisterschüler, parallel 1947-49 Mitarbeit bei Dokumentarfilmen von Heinz Sielmann, 1954-58 eigenes Atelier in Düsseldorf-Heerdt, 1958-64 Atelier im alten Klever Kurhaus, 1959 entsteht letztes konventionelles Kunstwerk, anschließend vor allem Kunsttheoretiker und ab 1963 als Aktionskünstler bedeutender Vertreter des Fluxus, ab 1961 in Düsseldorf-Oberkassel ansässig, 1961-72 Professor für monumentale Bildhauerei an der Akademie Düsseldorf, etabliert hier 1966-72 seine „Ringgespräche“, 1972 Entlassung aus dem Hochschuldienst wegen wachsender Differenzen mit dem Wissenschaftsministerium, durfte nach Klage jedoch seinen Professorentitel und sein Atelier „Raum 3“ an der Akademie bis zum Erreichen des 65. Lebensjahres behalten, hier 1980 zusammen mit Klaus Staeck, Willi Bongart und Georg Meistermann Gründung der „Freien Internationalen Hochschule für Kreativität und interdisziplinäre Forschung (FIU)”, regelmäßige Teilnahme an der documenta in Kassel, 1974 Vortragsreise durch die USA, 1976 auf der Biennale Venedig, 1979 Bekanntschaft mit Andy Warhol, 1979 Retrospektive im Guggenheim-Museum New York, 1981 Romaufenthalt und Polenreise, in zahlreichen Museen vertreten, Quelle: Vollmer, AKL und Internet.

Prof. Joseph Beuys, HeidelbergBlick auf das nächtliche Heidelberg, Postkarte der Edition Staeck, Offsetdruck, 1970, handsigniert in Faserschreiber "Joseph Beuys" und Rundstempel in Blau "Fluxus Zone West", auf Unterlagekarton montiert und hinter Glas gerahmt, Kartenmaße ca. 10,5 x 14,5 cm. Künstlerinfo: dt. Aktionskünstler, Bildhauer, Zeichner und Kunsttheoretiker (1921 Krefeld bis 1986 Düsseldorf), 1941 Bekanntschaft mit Heinz Sielmann während des Kriegsdienstes, 1946 Mitglied des Klever Künstlerbundes, studierte 1946-53 Monumentalbildhauerei an der Akademie Düsseldorf bei Joseph Enseling, ab 1948 bei Ewald Mataré und 1951-54 dessen Meisterschüler, parallel 1947-49 Mitarbeit bei Dokumentarfilmen von Heinz Sielmann, 1954-58 eigenes Atelier in Düsseldorf-Heerdt, 1958-64 Atelier im alten Klever Kurhaus, 1959 entsteht letztes konventionelles Kunstwerk, anschließend vor allem Kunsttheoretiker und ab 1963 als Aktionskünstler bedeutender Vertreter des Fluxus, ab 1961 in Düsseldorf-Oberkassel ansässig, 1961-72 Professor für monumentale Bildhauerei an der Akademie Düsseldorf, etabliert hier 1966-72 seine „Ringgespräche“, 1972 Entlassung aus dem Hochschuldienst wegen wachsender Differenzen mit dem Wissenschaftsministerium, durfte nach Klage jedoch seinen Professorentitel und sein Atelier „Raum 3“ an der Akademie bis zum Erreichen des 65. Lebensjahres behalten, hier 1980 zusammen mit Klaus Staeck, Willi Bongart und Georg Meistermann Gründung der „Freien Internationalen Hochschule für Kreativität und interdisziplinäre Forschung (FIU)”, regelmäßige Teilnahme an der documenta in Kassel, 1974 Vortragsreise durch die USA, 1976 auf der Biennale Venedig, 1979 Bekanntschaft mit Andy Warhol, 1979 Retrospektive im Guggenheim-Museum New York, 1981 Romaufenthalt und Polenreise, in zahlreichen Museen vertreten, Quelle: Vollmer, AKL und Internet.

The Rolling Stones 'Big Hits (Hide Tide and Green Grass' Decca, gatefold cover with inner poster, (two copies) together with 'Sticky Fingers' with Andy Warhol zip cover and Bob Marley & The Whalers 'Uprising' (4)

Andy Warhol (American, 1928-1987)MAO WALLPAPERScreenprint, 1974, on wove paper, three motifssheet 198 x 45cm, unframed

Zwei Weihnachtsgedecke, 6-tlg., Rosenthal, Studio-Line, nach 1969, Entwurf Andy Warhol, (1928 - 1987), alle Teile sign., Dekor mit schwebenden und musizierenden Engeln auf Gold, 2 Tassen mit UT, H. 7,5 cm, 2 Kuchenteller, Ø 22,5 cm

Zwei Weihnachtsgedecke, 6-tlg., Rosenthal, Studio-Line, nach 1969, Entwurf Andy Warhol, (1928 - 1987), alle Teile sign., polychromer Dekor mit Weihnachtskranz und Weihnachtsschwein, ziervergoldet, 2 Tassen mit UT, H. 7,5 cm, 2 Kuchenteller, 1 Tasse best. und geklebt, Ø 22,5 cm

After Andy Warhol - Campbells Tomato Soup, framed poster print, 92x58cm

HANK MOBLEY/ JOHNNY GRIFFIN - BLUE NOTE LP RARITIES. A super pack of 2 Blue Note jazz LP rarities. Artists/ titles include Hank Mobley - A Caddy For Daddy (BLP 4230, US 1966 mono press. New York USA deep groove labels. VAN GELDER stamped matrix. Record is glossy VG, each side has a number of light paper surface marks/ scuffs. Nothing feelable. Sleeve is VG, has some edge splits and tape-covering splits) & Johnny Griffin - The Congregation (BLP 1580, US 1972 reissue press with United Artists labels. Record VG, each side has a number of light paper surface marks/ scuffs. Nothing feelable. Sleeve with Andy Warhol cover art work has a small split on the top edge, covers are bright and clean, VG).

After Warhol, oil on board, Austin Powers, width 244cm, height 122cm

Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportSome light surface scuffs and scratches but overall this does not detract from the image.

Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportThere is a vertical creasing running down the centre of the print. The corners are slightly dog-eared.

After Andy Warhol'Campbell's Black Bean Soup';'Campbell's Beef with Vegetables and Barley Soup'a set of two screenprints in colour87.5 x 57cm visible (2)Condition ReportFramed: 106 x 75.5cm'Campbell's Black Bean Soup': Light cockling. There are some small thunderbugs trapped behind the glazing, however the printed area appears unaffected. 'Campbell's Beef with Vegetables and Barley Soup': Rippling to the top and bottom edges, the print appears to have been stuck down with two thick pieces of tape. There is a small scuff to the black/ silver rim of the tin upper right, please see images. There are thunderbugs trapped between the print and the glazing. The prints have not been viewed out of the glazed frames.

Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportSome faint dirty marks to the hair, please see illustration. Overall does not detract from the image.

Sunday B. Morning, after Andy WarholMarilyn Monroescreenprint in colours on board, stamped 'published by Sunday B. Morning 94/250' and 'fill in your own signature' verso, the full sheet printed to the edgessheet 91 x 91cm, unframedCondition ReportThere are two faint vertical lines to the green background in the centre of the upper edge. Overall, does not detract from the image.