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ANDY WARHOL 'Blue Drummer Panda', lithographic print, on Arches paper, with printed signature and numbered 21/100, with Leo Castelli stamp verso and George Israel embossing, 55cm x 38cm, framed.

ANDY WARHOL 'Perrier', lithographic print, on Arches paper, with printed signature and numbered 21/100 with Leo Castelli stamp verso and George Israel embossing, 55cm x 38cm, framed.

ANDY WARHOL 'Red Drummer Panda', lithographic print, on Arches paper, with printed signature and numbered 39/100, with Leo Castelli stamp verso and George Israel embossing, 55cm x 38cm, framed.

Andy Warhol (1928-1987)Giant Panda, from Endangered Species (F. & S. II.295), 1983 Screenprint in colors on Lenox Museum Board, signed in pencil and numbered EP 5/5, (an Exhibition Proof aside from the edition of 150 and 30 artist proofs), published/printed by Ronald Feldman Fine Arts, Inc./Rupert Jansen Smith, New York, the full sheet.sheet 38 x 38in (96.5 x 96.5cm)

Andy Warhol (1928-1987)Cow (F.&S.II.11A), 1971 Screenprint in colors on wallpaper, signed in felt pen in 1979, from the signed edition of 100 (aside from the unlimited unsigned edition), published for Factory Additions, New York, Printed by Bull Miller's Wallpaper Studio, Inc., New York, for the Warhol exhibition at the Whitney Museum of American Art, New York, May 1-June 13, 1971, the full sheet, framed. 45 1/2 x 29 3/4in (115.6 x 75.6cm)

Andy Warhol (1928-1987)Joseph Beuys (F.&S.IIIC.50), c. 1980 Screenprint in colors on Lenox Museum board, unsigned proof, published by Editions Schellmann & Klüser, Munich, Germany /New York, printed Rupert Jasen Smith, New York, the full sheet, framed. sheet 40 x 32in (101.6 x 81.3cm)

Andy Warhol (1928-1987)Jean Cocteau (F. & S. IIIB.15), 1983Screenprint in colors, on wove paper, a unique color variant of this rare screenprint (there was no published edition), with the Andy Warhol Authentication Board stamp verso (numbered in pencil A159.046), printed by Rupert Jasen Smith, New York, the full sheet, framed.sheet 31 3/4 x 23 1/2in (80.6 x 59.7cm)

Andy Warhol (1928-1987)Mother and Child, from Cowboys and Indians (F. & S. II.383), 1986 Screenprint in colors on Lenox Museum Board, signed in pencil and numbered 42/250 (there were also 30 artist's proofs), published/printed by Gaultney, Klineman Art, Inc./Rupert Jansen Smith, New York the full sheet.sheet 36 x 36in. (91.4 x 91.4cm)

After Andy Warhol (American, 1928-1987)Stewed Cepes (For Richard Rogers Wife)1959Offset lithograph with watercolour hand finishing20 x 26cm Together with a second print, 'Winrow Nurseries' (2)

Andy Warhol Exhibition Poster Warhol au plus juste Vintage poster (Dimensions: 62.5 x 37cm)(62.5 x 37cm)

An Andy Warhol Racing Car Design Glass Dish By Rosenthal Studio Line

WARHOL ANDY: (1928-1987) American Pop Artist. Signed and inscribed 11 x 17 magazine cover, `Andy Warhol´, an appealing copy of Interview, issued in July 1979, Vol. IX, nº 7. The 72 pages magazine shows to the front cover an image of Vitas Gerulaitis. Also signed and inscribed `Truman Capote´ by TRUMAN CAPOTE (1924-1984) American Novelist. Both have signed in bold black felt tip to clear areas of the cover, Warhol to the border, inscribed to David. The Interview edition includes a lengthy and interesting "Conversation with Capote", and to the last inside page an article about Andy Warhol´s Exposures. VG £400-600

signed in pencil in the margin, 24/88 in pencil in the plate; thumbprint and dated 2017 on the reverse silkscreen on hand torn archival paper 122 by 92cm Brazen, unapologetic and positioned at the forefront of street art culture, Mr. Brainwashis one of the fearless renegades of contemporary art. The French-born, Los Angeles-based artist is lesser known by his given name of Thierry Guetta, yet his moniker has become synonymous with the explosive collision between pop art and graffiti culture.Treading the boundary between high art and guerrilla satire, Guetta walks arm-in-armwith another one of the urban contemporary scene’s ubiquitous enigmas, Banksy.It was fellow street artist’s Banksy’s Academy Award-nominated 2010 documentary,Exit Through the Gift Shop, that helped to propel Guetta’s unconventionally swift riseto commercial stardom(1).Following the release of the acclaimed documentary, critics began to speculate asto whether Guetta was an authentic creator or an elaborate hoax conjured by theanonymous Banksy. After noting the undeniable likeness between the two artists’styles, some suggested that Mr. Brainwash’s works had actually been created byBanksy himself, while his unruly protégé was an intricate comment on the nature offame within the art world(2). Banksy took to his website to vehemently deny the claims.The widespread controversy only further amplified the notoriety of Mr. Brainwash.The artist’s works toy with pop culture iconography, subverting society’s mostrecognizable images through the sharp-witted use of reconceptualised appropriation.Guetta has captured the imagination of the international market, captivating thediscerning eye of collectors with his large-scale works currently fetching hundreds ofthousands of dollars(3).Deeply inspired by the work of Pop Art prince, Andy Warhol, Guetta has oftenfeatured Hollywood celebrities and cultural icons as the subjects of his vivid portraits.The artist has created images paying tribute to Kate Moss, Jimmy Hendrix, CharlieChaplin, Albert Einstein, and here, Dr Martin Luther King Jnr.Aptly entitled King, the limited edition monochromatic screenprint features the faceof the civil rights movement’s most influential figure. The portrait, with King’s piercinggaze and the austere use of black ink, is exceptional amid the artist’s more typicaltechnicolour works. As a characteristic tongue-in-cheek nod to the controversysurrounding the authenticity of his work, the screenprint boasts Guetta’s ownthumbprint on the reverse. - E.S.K.1. Ben Davis. 9.5 These on Art and Class. Chicago: Haymarket Books, 2013, p.992. Angela Dalle Vacche. Film, Art, New Media: Museum Without Walls? London: Palgrave Macmillan, 2012, p.893. Eric Grzymkowski. Art 101: From Vincent van Gogh to Andy Warhol, Key People, Ideas, and Moments in the History ofArt. New York: Simon & Schuster, 2013, p.67

JOSEPH BEUYS (1921-1986) Flight of the Eagle into the Valley and Back 1978litografia su cartoncino grigio cm 103x26esemplare 46/120firmato e numerato in basso a destrasul retro: etichetta di MEB Arte Studio Borgomanero-Novaraprovenienza: Finarte Casa d'Aste Milano; MEB Arte Studio Borgomanero-Novara con certificato di provenienzaEdizioni Lucio Amelio NapoliFlight of the Eagle into the Valley and Back 1978lithography on gray cardstock 40 55x10 23 inedition 46/120signed and numbered lower righton the reverse: label of MEB Arte Studio Borgomanero-Novaraprovenance: Finarte Casa d'Aste Milan; MEB Arte Studio Borgomanero-Novara with certificate of provenanceEdizioni Lucio Amelio Naplesesposizione: 2013 Beuys-Manzoni-Warhol a cura di Marco Emilio Bertona MEB Arte Studio Borgomanero-Novara bibliografia: Joseph Beuys The multiples 1965-1986. Catalogue raisonné of multiples and prints a cura di H.J. Schellmann Edition Schellmann Munich - New York 1997 pag. 255 N.250;Beuys-Manzoni-Warhol a cura di Marco Emilio Bertona Edizioni MEB Arte Studio Borgomanero-Novara 2013

A limited Andy Warhol printCONDITION REPORT W 72cm H 48cm

Lowell Nesbitt (New York, Maryland, 1933-1993) Important "Seven Electric Flowers" Oil on Canvas painting. Measures 84 x 160 inches. This painting was featured in the April 1977 Archetectual Digest article which was a feature on Lowell Nesbitt's New York City Studio. The painting was hung in the four story atrium near the pool (See Photo). Formerly the site of a police stable that he purchased and Edward F. Knowles redesigned, the area measured in excess of 12,500 square feet. This studio and living space included an indoor swimming pool, a four-story atrium and a rooftop entertainment area; Nesbitt labelled the facility "The Old Stable." This provided a fitting backdrop to the artist's larger-than-life artworks. Nesbitt's studio became a popular gathering place for major art world figures, celebrities and dignitaries including Andy Warhol, Roy Lichtenstein, Robert Indiana, Jasper Johns, Robert Motherwell, Larry Rivers and James Rosenquist. This monumental space was also featured in articles in the New York Times and the Washington Post in the late 1970s.

ANDY WARHOL 'Marilyn', lithographic print, on Arches paper, with printed signature and numbered 39/100, with Leo Castelli stamp verso and George Israel embossing, 55cm x 38cm, framed.

ANDY WARHOL 'Self Portrait', lithographic print, on Arches paper, with printed signature and numbered 28/100, with Leo Castelli stamp verso and George Israel embossing, 55cm x 38cm, framed.

ANDY WARHOL 'Flowers', lithographic print, on Arches paper, with printed signature and numbered 100/100, with Leo Castelli stamp verso and George Israel embossing, 55cm x 38cm, framed.

ANDY WARHOL 'Mickey Mouse', lithographic print, on Arches paper, with printed signature and numbered 20/100, with Leo Castelli stamp verso and George Israel embossing, 55cm x 38cm, framed.

ANDY WARHOL 'Superman', 1981, lithograph, from portfolio 'Myths', numbered 81/100 from Leo Castelli Gallery, edited by George Israel on watermarked Arches, with stamp to verso, 58cm x 58cm, framed and glazed.

ANDY WARHOL 'Perrier', 1983, Grand Prix de l'Affiche Francaise, with signature in the plate, 45cm x 100cm, framed and glazed.

Andy Warhol (American, 1928-1987). My Shoe is your Shoe, from a La Recherche du Shoe Perdu, published in 1955. Lithograph with some hand-colouring, ink stamped and initialled by the Estate of Andy Warhol Authentication Board and numbered A590.11 on the reverse.  23 x 30cm. .

Andy Warhol (American, 1928-1987). See a shoe and pick it up and all day long you will have Good Luck, from ‘a La Recherche du Shoe Perdu’, published in 1955. Lithograph with some hand-colouring, ink stamped and initialled by the Estate of Andy Warhol Authentication Board and numbered A590.10 on the reverse. 23 x 30cm .

Records - Selection of 1960's/70's including; Cream Disraeli Gears, Captain Beefheart Trout Mask Replica, the Velvet Underground White Light White Heat, Andy Warhol, Prince Buster Fabulous, The Doors Waiting For the Sun, The Jimi Hendrix Experience 'Are You Experienced', Bob Dylan etc

Andy Warhol (American, 1928-1987) BRILLO BOXES Multiple, signed in pen, within a perspex box 24.5 x 15.5 x 4cm

Andy Warhol (American, 1928-1987) 100,000 LIRE BANK NOTE Multiple, signed in black marker pen and stamped verso 7 x 15.5cm, unframed

Andy Warhol (American, 1928-1987) 'YOU'RE IN' Multiple, 1967, signed with initials on cap in marker pen 20 x 6cm

After Andy Warhol (American, 1928-1987) MAO ANNOUNCEMENT CARD Offset lithograph printed in colours, 1972, for the artist's Mao portfolio published by Multiples, Inc. and Castelli Graphics, New York, bearing a signature in black marker, on folded cardstock, the full sheet sheet 18 x 34.5cm, unframed

Andy Warhol (American, 1928-1987) PORK AND BEANS A signed label, signed in marker pen, mounted on board label 9.5 x 28.5cm, irregular, unframed

Andy Warhol (American, 1928-1987) and Keith Haring (American, 1958-1990) MONTREUX JAZZ FESTIVAL POSTER Screenprint in colours, 1986, printed by Serigraphie Uldry, Berne, on smooth wove paper, the full sheet printed to the edges sheet 100 x 70cm, unframed

After Andy Warhol (American, 1928-1987) MAO ANNOUNCEMENT CARD Offset lithograph printed in colours, 1972, for the artist's Mao portfolio published by Multiples, Inc. and Castelli Graphics, New York, bearing a signature in black marker, on folded cardstock, the full sheet sheet 18 x 34.5cm, unframed

After Andy Warhol (American, 1928-1987) PURPLE COWS Rubber stamp print on paper, bearing 'Andy Warhol' stamp, an estate stamp verso sheet 28 x 20.2cm, unframed

Andy Warhol (1928-1987)Tomato-Beef Noodle O´s, from Campbell's Soup II, 1969 (F. & S. II.61)screenprint in colours on smooth wove paper - number 155 from an edition of 250 (total edition includes 26 artist's proofs).Printed by Salvatore Silkscreen Co., Inc., New York. Published by Factory Editions, New York.hand signed in ball-point pen and stamp-numbered 155/250 verso88.90 x 58.40cm (35 x 23in)Provenance: Private Collection Literature: Feldman-Schellmann II.61One evening in 1962, the philosopher and art critic Arthur Danto happened to see a work by Andy Warhol in the window of the Leo Castelli Gallery in New York. The work was a stack of screen-printed Brillo Boxes, just like the boxes you could find in the supermarket, but these were recreated by Warhol and they were empty. Danto realised in that moment that Warhol had transformed the whole notion of fine art. As far as he was concerned, things would never be the same again.Born in Philadelphia in 1930, Warhol had worked as a very successful commercial artist and illustrator in New York since the early 1950s. But now he was transforming the subjects and methods of popular and commercial culture into the currency of fine art. Pretty much every American, Danto realised, could understand a Warhol. You didn't need knowledge of art history or any kind of insider information. At a stroke he had bypassed the pretensions of an art world elite - an elite that included Danto himself.Warhol went on to draw on any number of everyday subjects including, famously, Campbell's Soup cans, dollar bills, advertising imagery and film stars. When Warhol used images of film stars, he didn't aim for a classical studio portrait, he took ordinary publicity shots, as reproduced in newspapers and magazines, familiar to millions of people, made silkscreen versions of them, mechanically, but with some interventions, and produced them in multiples. His studio was called, appropriately, the Factory. His Ingrid Bergman has her in character as Sister Superior Mary Benedict in The Bells of St Mary's. Aidan Dunne, September 2019

Andy Warhol (1928-1987)The Nun, from Ingrid Bergman, 1983 (F. & S. II.314)screenprint in colours on Lenox Museum Board - numbered 215 from an edition of 250 (total edition includes 20 artist's proofs) with the printer's blind stamp Rupert Jasen Smith, New York.Published by Galerie Borjeson, Malmo, Swedenhand signed in pencil and numbered 215/250 lower right96½ x 96½cm (38 x 38in)Provenance: Taylor Gallery, Belfast; Private Collection Literature: Feldman-Schellmann II.314

After Andy Warhol (American 1928-1987) Mick Jagger Ten offset lithographs printed in colours, 1975, contained within promotional paper portfolio, published by Castelli Graphics and Multiples Inc., New York Each signed by Andy Warhol in felt-tip pen 15.5 x 10cm (6 x 3¾ in.) (10) Provenance: Jan-Eric Löwenadler, Sweden/New York Private Collection, Sweden (acquired from the above) Thence by descent to the present owner

Andy Warhol (after), a square coffee table, painted wood, the top inset with a silkscreen of Marylin Monroe after Warhol, published by Sunday B Morning, late 20th century, edition number 31 of 150, 34cm high, 91cm x 91cm Provenance: Lamberty Art & Design, selected items from the storages.A similar table by Sunday B Morning, was sold at Christie's Paris, First Open Home, 23 November 2016, lot 83

λ Fernandez Arman (Franco-American, 1928-2005), Untitled, paint brushes and running paints within a perspex case, signed and numbered 3/20, 71cm high, 30.5cm wide, 5.5cm deep, on a black base The present work is an example of Arman's 'found object art'. Strongly influenced by Dadaism, the Nice-born artist was a founding member of the Nouveau Réalisme group, alongside other renowned artists including Yves Klein and Jean Tinguely. Arman began displaying found objects in perspex vitrines in 1959. He referred to these works as 'poubelles' ('dust bins'). Andy Warhol allegedly owned two. Arman's work is held in the collections of MoMa New York, the National Gallery of Art, Washington and Tate Gallery, London. A set of six paintbrush works, entitled Color Strokes, was sold at Phillips New York, Editions, 29 April 2013, lot 25 λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.

ANDY WARHOL 'Muhammad Ali', 1978, offset lithograph, 16/100, by Leo Castelli Gallery, edited by Georges Israel on arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed.

A SET OF THREE BLACK AND WHITE PHOTOPRINTS OF AMY WINEHOUSE, ANDY WARHOL, AND KATE MOSS, 40cm x 30cm each, framed and glazed. (3)

ANDY WARHOL 'Four Marlons', 1966, offset lithograph, 56/100, by Leo Castelli Gallery, edited by Georges Israel on arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed.

ANDY WARHOL 'Moon Landing', 1977, offset lithograph, 99/100, by Leo Castelli Gallery, edited by Georges Israel on arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed.

ANDY WARHOL 'Last Supper', 1986, offset lithograph, 5/100, by Leo Castelli Gallery, edited by Georges Israel on arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed.

ANDY WARHOL 'John Lennon', 1985, offset lithograph, 35/100, by Leo Castelli Gallery, edited by Georges Israel on arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed.

JOHN LENNON DAN RICHTER PHOTOGRAPHS. Collection of four 13.5" x 13.5" colour photographs taken from the negative, depicting John Lennon at his Tittenhurst Park home in 1971. The images were intended to be used for the album cover of Imagine but this changed when Yoko accidentally took the double exposed shot of John with the clouds around him. In the "Making of Imagine" documentary John, Yoko and others (including Andy Warhol and Dan Richter) are sat around the dining table discussing how they are going to use the images. The lot also includes an 8"x10" black and white photograph of John. These images were taken by photographer Dan Richter, who was living with John and Yoko Ono at the time and who also shot the Plastic Ono Band LP covers.

ANDY WARHOL JOHN LENNON SILKSCREEN PRINT. An image of John Lennon silkscreen printed on silver card in shades of brown, red, orange and yellow. Created by Andy Warhol at the Factory in New York City and acquired by Alister Taylor before being passed onto the vendor. Details of the items are documented in a letter from Alistair Taylor.

Christopher Makos (American, b.1948) ANDY WARHOL IN DRAG Screenprint, c.1980, from an unlimited edition, image from the 'Altered Images' series, on wallpaper image 39 x 49cm, framed

Mickey Mouse & Marilyn Monroe posters after Andy Warhol, sold A/F

ANDY WARHOL 'Pepsi Cola', 1966, offset lithograph, 71/100, by Leo Castelli Gallery, edited by Georges Israel on arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed.

ANDY WARHOL 'Triple Elvis', 1963, offset lithograph, 80/100, by Leo Castelli Gallery, edited by Georges Israel on arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed.

After Andy Warhol (1928-1987) - Princess Diana, photographic reproduction, published by Cambridge Arts Gallery Limited 1998, framed, 64cm x 55cm.

NO RESERVE Anfam (David) Mark Rothko: The Works on Canvas. A Catalogue Raisonné, fourth printing, New Haven & London, 2008 § Harrison (H.A.) & others. Jackson Pollock: A Centennial Retrospective, text in Japanese & English, Tokyo, 2011 § Del Roscio (N., editor) The Essential Cy Twombly, 2014 § Wilmes (U.) Gerhard Richter: Large Abstracts, Ostfildern, 2008 § McShine (K., editor) Andy Warhol: A Retrospective, New York, 1989, illustrations, many colour, original cloth or boards, all but the second with dust-jackets, the first also with slip-case; and 12 others, abstract and/or American art, 4to & 8vo (17)

Andy Warhol (American, 1928-1987). Soup Can Sketch in black ink, signed by the artist. In presentation frame with photograph of Warhol. Sketch size: 15.5 x 10.5cm. Framed and glazed, frame size: 42 x 49cm. Provenance: Frasers Autographs October 1999, sold with original receipt. . Some yellowing of paper.

Andy Warhol (American 1928-1987), 'Chanel No.5', 1997, a complete set of four offset lithographs on linen backs; sheets: 71.5 x 56.5cm (4)

Two signed books by Mary Woronov, the American cult actress, Swimming Underground and Snake, both autographs on the title pages and a biography of Andy Warhol by Victor Bockriw - NO RESERVE

Andy Warhol [d'apres] (American, 1928 - 1987). "Mao #07". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Editioned in pencil. Cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.96. Overall size: 23 5/8 x 23 5/8 in. (600 x 600 mm). Image size: 23 5/8 x 23 5/8 in. (600 x 600 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28701-5-800]

Andy Warhol (American, 1928 - 1987). "Texan [Robert Rauschenberg]". Original color letterpress print. Printed 1970. Signed in white marker, center right. Edition of c200. Medium weight light cream uncoated wove paper. The full sheet. Fine impression. Fine condition. Overall size: 9 1/2 x 9 7/8 in. (241 x 251 mm). This rare letterpress print was published as part of the Warhol portfolio of eight prints which was included in the publication/portfolio "Artists & Photographs" published by Multiples, Inc., New York City, in association with Colorcraft Inc., NYC in 1970. The publication consists of a cardboard box containing artist's publications, multiples, artist's books, etc. by Warhol, Rauschenberg, Ruscha, Nauman, Gormley, Christo, Lewitt, and others. The stated edition size was 1,200 but as Peter Gidal indicates "…rumors abound that the art-box never got made in more than 800 copies, but even the origination gallery can no longer verify it. What is certain is that no "extra" copies of any of the multiples were made, and that the Gormley was in an edition of 200 and the Rauschenberg in an edition of 400. This substantiated the fact that complete boxes could never have been more than 200." Warhol's contributions were printed in different sizes, scales, and mediums. Our example is stamped verso "File Copy - Colorcraft Inc. - Please Return" indicating that it came from the Colorcraft archives. No auction records located. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28842-2-300]

Andy Warhol [d'apres] (American, 1928 - 1987). "Ice Cream Cone - Double". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Overall size: 17 x 14 1/8 in. (432 x 359 mm). Image size: 10 5/8 x 4 1/4 in. (270 x 108 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28685-3-600]

Andy Warhol [d'apres] (American, 1928 - 1987). "Sam #15". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IV.66A. Overall size: 17 1/4 x 14 1/2 in. (438 x 368 mm). Image size: 10 x 9 5/8 in. (254 x 244 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28683-3-400]

Andy Warhol (American, 1928 - 1987). "Orangutan [announcement]". Color offset lithograph. 1983. Signed in black marker, lower right. Edition unknown, presumed small. Light cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Undoubtedly to be included in the forthcoming revised edition of the catalogue raisonne of Warhol's ephemera by Paul Marechal; cf. Feldman/Schellmann II.299. Overall size: 6 x 4 1/4 in. (152 x 108 mm). No auction records located. The image of this scarce announcement was issued as one of the silkscreens in Warhol's famous 'Endangered Species' portfolio, one of his most sought after series. Published by Ronald Feldman Fine Arts, New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28596-1-500]