Joseph Beuys, 2 Folien aus der 3-Tonnen Edition, Ausstellungsplakat 1981 & Andy Warhol, Beuys-PlakatJoseph Beuys, Folie 9 und Folie 22 aus der 3-Tonnen Edition, 1973-1985, Serigraphie auf PVC-Folie, Edition Staeck, Heidelberg, je 46,3 x 45,5 cm, je mit Stern-Ausstanzung an der rechten unteren Ecke; Plakat für die Joseph Beuys-Ausstellung in der Galerie Kammer in Hamburg 1981, Serigraphie, 84 x 59,5 cm; dazu Andy Warhol, Portrait Joseph Beuys, Plakat, 80 x 60 cm
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FASHION BOOKS - HALSTON COMPRISING; Halston (with I.C.C. Library stamp), Steven Bluttal (ed.), Phaidon Press Limited, London and New York 2001 Halston: An American Original, Elaine Gross & Fred Rottman, Harper Collins Publishers, New York 1999 Halston and Warhol: Silver and Suede, The Andy Warhol Museum, Abrams, New York 2014 Halston: Inventing American Fashion, Lesley Frowick, Rizzoli International Publications, New York 2014 (4) Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Marilyn Monroe (1926-1962). Autograph. Iconic publicity still by Eugene Kornman [also known as Gene Korman], promoting Monroe's film "Niagara", 20th Century Fox [1953], gelatin silver print, 25.8cm by 20.3cm, inscribed & signed in blue ink, 'Thanks Freddie x Marilyn Monroe'. This instantly recognisable image was given lasting fame by Andy Warhol in his Marilyn Diptych [1962]. The photograph is mounted with a typed caption, 'Marilyn Monroe (a 20th Century Fox Star) The girl with the biggest publicity boost during the post war years.' It is housed in an oblong folio album filled with similar publicity photographs depicting various stars of the 1940s to 1960s, including one of Marilyn Monroe with Victor Mature and Anthony Quayle at the Royal Film Performance, 1956, where Monroe famously met HM Queen Elizabeth II, though incorrectly captioned in the album. The album includes signed photographs of John Mills; Horst Buchholz; Leslie Phillips; Anna Neagle [shown meeting HM Queen Elizabeth The Queen Mother]; Michael Wilding; Leslie Caron; Kenneth More; Eva Bartok, and Christine Norden. A number of the unsigned photographs depict Freddie Watson (see provenance below), while others depict Rita Hayworth; Peter Cushing; Dermot Walsh; Zena Dare; Trevor Howard; Hazel Court; Kieron Moore; Susan Hayward; Jeffrey Hunter; Glynis Johns (nine photographs), and George Formby (eleven photographs). One photograph shows HRH Princess Margaret shaking hands with Gregory Peck at the UK premiere of "To Kill a Mockingbird" in 1963. The album, which contains a total of 60 photographs, was the personal scrapbook of Fred "Freddie" Watson, a publicity agent and commercial promotions manager. The scrapbook begins with a typed introduction, 'Until the embargo on the import of American films imposed by the British government in 1947, the film industry both British & American offered progress and opportunity. Publicity seemed to be the keynote to the successful presentation of a film and it was in this sphere I met so many of "my friends the stars". Fred Watson. May. 1949.' The photographs are mounted with typed captions by Watson in his role of handling UK publicity arrangements for The Rank Organisation, London Films, Columbia Pictures, and 20th Century Fox. The images of Watson show him working in this capacity. Contents generally well-preserved, though the pages have some undulation/cockling, and a couple of photographs have offsetting/staining from ink signatures. The cover includes a hand-painted design, 'My Friends The Stars'. Album measuring 31cm by 22cm by 5cm Provenance: By descent of Fred "Freddie" Watson, publicity agent and commercial promotions manager
A copy of Interview Magazine for July 1986 with Catherine Oxenberg cover, signed boldly in black marker pen by Andy Warhol. Andy Warhol was possibly the most notable of all the many celebrities photographed wearing Boy, and the memorable image of AW in the Boy cap came during a visit to the London HQ. This signed magazine dates from that famous visit.
Andy Warhol was possibly the most notable of all the many celebrities photographed wearing Boy, and the memorable image of AW in the Boy cap came during a visit to the London HQ C 1980s. Included here: original glossy colour 8x10" photo of Warhol in the Boy cap, a colour 8x10" taken during the Warhol visit, a large glossy black and white photo (20x16"), a folded poster style print of the image, two celluloid sheets with the famous images.
WARHOL, ANDY1928 Pittsburgh, PA/USA - 1987 New YorkTitel: Photo-Edition for Parkett (für Parkett 12). Datierung: 1987. Technik: 4 Gelatinesilberabzüge, zusammengenäht, in Pergamenthülle in Parkett-Publikation. In originaler Verpackung. Darstellungsmaß: Fotografie: 25 x 20cm, Publikation: 25,5cm. Blattmaß: 21cm. Bezeichnung: Signiert und nummeriert (verso auf der Fotografie). Herausgeber: Parkett-Verlag, Zürich (Hrsg.). Exemplar: 73/120. Zustand:Fotografie in sehr gutem Zustand. Publikation minimal gebräunt und mit minimalen Bestoßungen an den Ecken. Ansonsten sehr guter Zustand.Mit Parkett-Magazin."Andy was what sports fans call a most valuable player. His work is more valuable now, but not because of some laws of marketing, but because he's not around himself. Those works are souvenirs and relics. They're pieces of Andy." Glenn O'Brien, Parkett Nr. 12, 1987.Artikel zu Werk und Künstler aus Parkett Edition Nr. 12. Andy Warhol USA Pop Art Fotografie Nachkriegskunst Multiples 1980er Tod Fotografie Gelatinesilberabzug SkelettErläuterungen zum Katalog
Joseph Beuys (Krefeld 1921 – 1986 Düsseldorf). Ohne Titel (Andy Warhol und Joseph Beuys in Neapel). 1980Filzstift über Farboffset (nach einer Fotografie von Mimmo Jodice). 68,5 × 47,1 cm (27 × 18 ½ in.). Gewidmet und von Warhol und Beuys signiert.[3108]Dieses Portrait von Beuys und Warhol wurde als Poster im Rahmen einer Ausstellung 1980 in der Galerie Lucio Amelio in Neapel verwendet, in der Werke beider Künstler, u.a. Warhols Porträts von Beuys, präsentiert wurden. Lucio Amelio war maßgeblich am Erfolg von Beuys nicht nur in Italien beteiligt und hatte 1971 die erste Ausstellung des deutschen Künstlers in Neapel organisiert.Zustandsbericht: In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Die Kanten stelllenweise leicht bestoßen. Das Papier minimal gewellt und mit vereinzelten leichten Dellen. Die Farben minimal verblichen. Rückseitig entlang der Blattkanten mit beidseitigem Klebeband auf den Unterkarton montiert.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Andy Warhol (amerikanisch, 1928-1987), Marilyn Monroe 9 St., Offset Lithographie, in der Platte signiert, limitierte Auflage von 2400 St. jeweils mit Bleistift nummeriert, Auflage: 33 von 2400, 1928 von 2400, 858 von 2400, 1814 von 2400, 510 von 2400, 702 von 2400, 1667 von 2400, 1222 von 2400, 922 von 2400, rückseitig gestempelt: CMOA (Carnegie Museum of Art, Pittsburgh), Maße: je 60 x 60 cm. Guter, altersbedingter Zustand, Ecken leicht bestoßen.
Andy Warhol (amerikanisch, 1928-1987), Mickey Maus 10 St., Offset Lithographie, in der Platte signiert, limitierte Auflage von 2400 St. jeweils mit Bleistift nummeriert, Auflage: 1633 von 2400, 901 von 2400, 1219 von 2400, 863 von 2400, 611 von 2400, 1060 von 2400, 1750 von 2400, 703 von 2400, 450 von 2400, 620 von 2400, rückseitig gestempelt: CMOA (Carnegie Museum of Art, Pittsburgh), Maße: je 60 x 60 cm. Guter, altersbedingter Zustand, Ecken leicht bestoßen.
Andy Warhol (amerikanisch, 1928-1987), Mao Tsetung 10 St., Offset Lithographie, in der Platte signiert, limitierte Auflage von 2400 St. jeweils mit Bleistift nummeriert, Auflage: 1923 von 2400, 633 von 2400, 639 von 2400, 405 von 2400, 940 von 2400, 840 von 2400, 1921 von 2400, 703 von 2400, 902 von 2400, 815 von 2400, rückseitig gestempelt: CMOA (Carnegie Museum of Art, Pittsburgh), Maße: je 60 x 60 cm. Guter, altersbedingter Zustand, Ecken leicht bestoßen.
Andy Warhol (amerikanisch, 1928-1987), Flowers 10 St., Offset Lithographie, in der Platte signiert, limitierte Auflage von 2400 St. jeweils mit Bleistift nummeriert, Auflage: 608 von 2400, 695 von 2400, 908 von 2400, 893 von 2400, 881 von 2400, 225 von 2400, 890 von 2400, 161 von 2400, 2003 von 2400, 383 von 2400, rückseitig gestempelt: CMOA (Carnegie Museum of Art, Pittsburgh), Maße: je 60 x 60 cm. Guter, altersbedingter Zustand, Ecken leicht bestoßen.
WARHOL, ANDY (1928-1987), 'Ingrid Bergmann', Profilportrait in collagierter Darstellung, Offsetlithographie/Glanzpapier, u.re. mit silberfarbenem Stift sign., HxB: Passepartoutausschnitt ca. 20x20 cm (45,5 x 45,5 cm mit Rahmen). Leichte Altersspuren. Im Passepartout hinter Glas gerahm (Rahmen verkratzt). ANBEI Echtheitszertifikat von Joachim Penno, Esslingen 2017. | WARHOL, ANDY (1928-1987), 'Ingrid Bergmann', Profile portrait in collage, offset lithograph/glossy paper, bottom right. Signed with a silver pen, HxW: passepartout cutout approx. 20x20 cm (45.5 x 45.5 cm with frame). Slight signs of age. Framed in a passe-partout behind glass (frame scratched). ATTACHED certificate of authenticity from Joachim Penno, Esslingen 2017.
WARHOL, ANDY (1928-1987) 'Goethe', Farbserigraphie/Papier, HxB: Passepartoutausschnitt ca. 95 x 96 cm (123 x 122 cm mit Rahmen). Leichte Altersspuren. Im Passepartout hinter Glas gerahmt (Rahmen leicht bestoßen). | WARHOL, ANDY (1928-1987) 'Goethe', color silkscreen/paper, HxW: passepartout cutout approx. 95 x 96 cm (123 x 122 cm with frame). Slight signs of age. Framed in a passe-partout behind glass (frame slightly bumped).
nach WARHOL, ANDY (Pittsburgh 1922-1987 Manhattan /NYC), Farblithographie / Gicléedruck: "Pepsi Cola". Farblithographie auf Arches France Bütten mit Blindstempel "Georges Israel Editeur", revers mit drei Stempeln der Galerie Leo Castelli, gestempelt "Leo Castelli New York", "Art Gallery New York…", Stempel in Form eines stilisierten Baumes und mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet; unten rechts mit Drucksignatur "Andy Warhol" und unten links limitiert 57/100. Dabei: Zertifikat der Leo Castelli Art Gallery. Blattgröße ca. 57 x 38,4 cm. Prachtvoller Druck mit dem vollen Rand.
nach WARHOL, ANDY (Pittsburgh 1922-1987 Manhattan /NYC), Farblithographie / Gicléedruck: "Micky Maus". Farblithographie auf Arches France Bütten mit Blindstempel "Georges Israel Editeur", revers mit drei Stempeln der Galerie Leo Castelli, gestempelt "Leo Castelli New York", "Art Gallery New York…", Stempel in Form eines stilisierten Baumes und mit Hologramm "verification of authenticity www.grafy.blog" bezeichnet; unten rechts mit Drucksignatur "Andy Warhol" und unten links limitiert 45/100. Dabei: Zertifikat der Leo Castelli Art Gallery. Blattgröße ca. 57 x 38,7 cm. Prachtvoller Druck mit dem vollen Rand.
WARHOL, Andy(1928 Pittsburgh - 1987 New York City) 2 Werke: "Portraits of Ingrid Bergman"2 Farbsiebdrucke.Blatt je: 22,5 x 22,5 cm, im Passepartout je: 40 x 30 cm.Aus dem Portfolio von Ingrid Bergman, Ausstellung der Galerie Börjeson, Malmö 1983.US-amerikanischer Künstler, Filmemacher und Verleger; Mitbegründer und bedeutendster Vertreter der Pop-Art: "If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There’s nothing behind it." (Zitat: Andy Warhol, 1966, https://www.warhol.org/andy-warhols-life/).| Nachtrag 25.10.23: es handelt sich um Farboffsetdrucke nach dem Original FarbsiebdruckeAufrufzeit 26. | Okt 2023 | voraussichtlich 18:20 Uhr (CET) WARHOL, Andy(1928 Pittsburgh - 1987 New York City) 2 works: "Portraits of Ingrid Bergman"2 color screenprints.Sheet each: 22.5 x 22.5 cm, in passepartout each: 40 x 30 cm.From the portfolio of Ingrid Bergman, exhibition of the Börjeson Gallery, Malmö 1983.US-American artist, filmmaker and publisher; co-founder and most important representative of Pop Art: "If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There's nothing behind it." (Quote: Andy Warhol, 1966, https://www.warhol.org/andy-warhols-life/).Call time 26 | Oct 2023 | expected 18:20 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
PURE EVIL, DON'T YOU LOVE THE WARM SOUND OF VINYL laser cut book with CD attached to card album cover, signedNote: The book is a copy of Edie, Girl on fire and includes a CD of her last interviews. Edie Sedgwick was a model, film star and socialite. She was the first "it" girl of the Andy Warhol Factory scene and later a muse to Bob Dylan.31cm x 31cmCharles Uzzell-Edwards is a graffiti and street artist better known by the cheeky moniker Pure Evil. His tag of a vampire bunny rabbit was borne from the artist's feeling of remorse after shooting a rabbit in the countryside as a youth. Charley explains, I've always regretted this terrible deed and the idea is that the rabbit is coming back to haunt me. He also explains the bunny is such a beautifull symbol and the great thing is you can do it in about five seconds. If you are running through the streets of Moscow at night you can just do a quick bunny on the side of a hoarding and run away. Instagram: pureevilgallery
JAMES TALON, FATBOY SLIM MDF, steel, giclee print, dry transfer and spray paint on card album cover, signed by the artist and Fatboy Slim (Norman Cook)31cm x 31cmJames Talon formally studied fine art early in life but by his own admission then spent the next 25 years of his life pissing about in music. Now he has returned to art and brought with him his wide cultural pop knowledge. James work is neither painting nor sculpture but a refreshing mixture of both forms. In his work everyday objects like Rizla packets, razor blades, sweets and music cassettes are given new life by exaggerating their scale and applying wit and graphic motifs. He has exhibited in Miami, Chicago, London and Brighton. James cites many influences including music in all its forms and of course the master of pop art - Warhol.Instagram: james_talon
ANDY WARHOL Pittsburgh 1928 - 1987 New York: Two Dollar Jefferson. Ready-made. Zwei-Dollar-Note (Seriennummer HO3896664A) mit collagierter und abgestempelter 13 Cent-Briefmarke (Amerikanischer Adler) zwischen 2 Plexiglasscheiben, 1976. In schwarzem Filzstift signiert. Verso mit dem Namensstempel. 6,5 x 15,5 cm (Gesamtgröße: 15 x 20,5 cm). Beiliegt: Echtheitszertifikat der Galerie 32, Nizza vom 17. Oktober 2019. [bg]
Four art reference works, comprising: an exhibition catalogue for ANDY WARHOL - FROM A TO B AND BACK AGAIN, held at the Whitney Museum Of American Art from November 2018 to March 2019, illustrated cloth boards, DJ with applied photographic portrait, in original exhibition tote bag; MOVING PICTURES - THE ART OF ROBERT HEINDEL, inscribed and signed by Heindel to half title, Brushfire Publishing 2003; Baron (Wendy), SICKERT PAINTINGS AND DRAWINGS, Yale University Press, London 2006; and Guillem (Sylvie), INVITATION, Oberon Books (at fault) (4)
After Andy Warhol, American 1928-1987,Mickey Mouse (Red);offset lithograph in colours on Arches paper,signed in the plate and hand numbered limited edition no. 82/100, printed by Georges Israel (blind-embossed) in collaboration with Leo Castelli Gallery, gallery stamped on reverse, 36.5 x 36.5 cm, (framed)
After Andy Warhol, American 1962-1987,Marilyn (grey); offset lithograph in colours on Arches paper,with printed artist's signature,numbered 49/100 in pencil,stamped Leo Castelli, New York, and 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.5 cm,(unframed)
After Andy Warhol, American 1962-1987,Beethoven; offset lithograph in colours on Arches paper,with printed artist's signature,numbered 62/100 in pencil,stamped Leo Castelli, New York, and 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 37.7 cm,(unframed)
After Andy Warhol, American 1962-1987,Marilyn; offset lithograph in colours on Arches paper, with printed artist's signature, numbered 83/100 in pencil,stamped Leo Castelli, New York, and 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.5 cm,(unframed)
After Andy Warhol, American 1962-1987,Campbell's Tomato Soup; offset lithograph in colours on Arches paper,with printed artist's signature,numbered 82/100 in pencil,stamped Leo Castelli, New York, and 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.4 cm,(unframed)
After Andy Warhol, American 1928-1987, Green Dollar Symbol; offset lithograph in colours on Arches paper, signed in the plate and hand numbered limited edition 38 /100, printed by Georges Israel (blind-embossed) in collaboration with Leo Castelli Gallery, gallery stamped on reverse, image: 42.5 x 34.3 cm, (framed)
After Andy Warhol, American 1962-1987,Queen Elizabeth II (blue); offset lithograph in colours on Arches paper,with printed artist's signature,numbered 74/100 in pencil,stamped Leo Castelli, New York, and 530 West 25th Street New York on the reverse,published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp,sheet: 57 x 38.5 cm,(unframed)
After Andy Warhol, American 1928-1987, Queen Elizabeth II; offset lithograph in colours on Arches paper, with printed artist's signature, numbered 2/100 in pencil, stamped Leo Castelli, New York, and 530 West 25th Street New York on the reverse, published by Leo Castelli Gallery, New York, in collaboration with George Israel Editeur, bearing their blind stamp, sheet: 57 x 37.7 cm, (unframed)
Andy Warhol - "Tree Frog" from 'Endangered Species' - USA, 1983. Silkscreen in colors. 38 x 38. This work is an unsigned and Unnumbered Printer's proof, outside of the edition. Printed by Rupert Jasen Smith, New York. The print does not have the AWAAB stamp. Publisher stamp on the verso, printer's blind stamp.
Andy Warhol(American, 1928-1987)Moonwalk, 1987Silkscreen in colors on Lenox museum board.Stamped in black on verso, Certificate of Authenticity Moonwalk © Andy Warhol 1987. We the undersigned hereby certify this to be an original Andy Warhol work of art bearing a stamped signature of the artist. Print #: Frederick Hughes Executor Andy Warhol Estate Rupert Jasen Smith Master Printer Ronald Feldman Fine Arts, Inc. Publisher; bears printer's chop mark to lower left corner. There are no signatures printed or otherwise on this print, from the Television, series, posthumously printed.38 x 38in
Andy Warhol "Mickey Mouse†Screenprint from Myth Portfolio USA 1981. Screenprint in colors with diamond dust on Lenox Museum board. Unsigned and Unnumbered Printer's proof (outside the edition). Size: 38" x 38" (sheet). Printer: Rupert Jasen Smith, New York. Published by Ronald Feldman Fine Arts, Inc., New York. Stamp to verso "Copyright Andy Warhol 1981, publisher Ronald Feldman, Fine Arts Inc. New York" and printers Blind stamp.
Andy Warhol - "Bald Eagle" from 'Endangered Species' - USA, 1983. Silkscreen in colors. 38 x 38. This work is an unsigned and Unnumbered Printer's proof, outside of the edition. Printed by Rupert Jasen Smith, New York. The print does not have the AWAAB stamp. Publisher stamp on the verso, printer's blind stamp.
Andy Warhol(American, 1928-1987)Siberian Tiger, 1983 from the Endangered Species, Published by Ronald Feldman Fine Arts, Inc., New York; printed by Rupert Jasen Smith, New York, with his blindstamp and the artist's copyright inkstamp on the reverse, Unsigned proof (outside the edition)38 x 38in (96.5 x 96.5cm).
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6071 item(s)/page