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Andy Warhol, a pioneering figure in the Pop Art movement, is renowned for his innovative approach to art, celebrity culture, and consumerism. Born in 1928, Warhol's contributions have left an indelible mark on contemporary art and popular culture.Warhol's artistic legacy can be encapsulated as follows:1. **Celebrity and Consumerism**: Warhol's art is characterized by its exploration of mass culture, celebrity, and consumerism. His iconic works often featured images of popular products, celebrities, and everyday objects, blurring the lines between high art and commercial imagery.2. **Silkscreen Technique**: Warhol's use of the silkscreen technique allowed him to mass-produce his art, reflecting the assembly-line nature of consumer culture. This technique became a signature element of his work.3. **Icons and Portraits**: Warhol's portraits of celebrities, such as Marilyn Monroe and Elvis Presley, elevated the status of these figures to modern-day icons. His art simultaneously celebrated and critiqued the cult of fame.4. **Exploration of Identity**: Warhol's art often explored questions of identity, fame, and the concept of the self in a media-saturated world. His "self-portraits" shed light on the constructed nature of personal identity.5. **Factory and Studio**: Warhol's "Factory" became a hub of creativity, collaboration, and experimentation, influencing not only his art but also the cultural scene of the time.6. **Transcending Mediums**: Warhol's creativity extended beyond painting to include film, music, and performance. His films, such as "Chelsea Girls," and collaborations with bands like The Velvet Underground, expanded the boundaries of his artistic expression.7. **Cultural Impact**: Warhol's art transcended the art world, influencing fashion, music, advertising, and the broader cultural landscape. His fusion of art and commerce challenged traditional notions of artistic purity.8. **Reflection of Society**: Warhol's work captures the essence of a changing society, addressing issues of celebrity obsession, consumerism, and the impact of mass media on identity and perception.Andy Warhol's legacy is synonymous with his ability to capture the essence of contemporary culture through his unique artistic lens. His iconic works, innovative techniques, and explorations of fame and consumerism continue to shape conversations about the intersection of art, society, and commerce, while inspiring subsequent generations of artists to challenge norms and embrace the transformative power of art.Measures 24 x 36.Mounted to linen.

Andy Warhol (1928–1987) was an American artist, filmmaker, and leading figure in the visual art movement known as pop art. He played a crucial role in elevating popular culture to the level of fine art. Here are some key points about Andy Warhol:1. **Early Life and Education:** Andrew Warhola was born on August 6, 1928, in Pittsburgh, Pennsylvania, to Slovakian immigrant parents. He studied at the Carnegie Institute of Technology (now Carnegie Mellon University) and graduated with a degree in pictorial design.2. **Move to New York:** Warhol moved to New York City in the 1950s and began his career as a commercial illustrator for magazines and advertising. He quickly gained recognition for his unique and playful approach to graphic design.3. **Pop Art:** Warhol is widely considered a leading figure in the pop art movement, which emerged in the 1950s and celebrated everyday objects and popular culture. He transformed ordinary items into works of art, blurring the lines between high and low culture.4. **Campbell's Soup Cans:** One of Warhol's most famous works is the series of paintings depicting Campbell's Soup Cans. Each canvas featured a different flavor of soup, highlighting mass production and consumer culture.5. **Marilyn Monroe:** Warhol's depictions of iconic celebrities, including Marilyn Monroe, became iconic symbols of his art. The repetition of Monroe's image underscored the pervasive influence of mass media.6. **The Factory:** Warhol established "The Factory," a studio in New York City where he produced his artworks and collaborated with a diverse group of artists, musicians, and filmmakers. The Factory became a hub of artistic and social activity.7. **Silkscreen Technique:** Warhol developed a distinctive silkscreen printing technique, allowing him to mass-produce images and create multiples of his artworks. This technique played a significant role in his artistic process.8. **Exploration of Consumerism:** Warhol's art often explored themes of consumerism, celebrity culture, and the relationship between art and commerce. His works reflected the changing landscape of post-war America.9. **Filmmaking:** In addition to his visual art, Warhol was involved in experimental filmmaking. His films, often characterized by their duration and simplicity, captured everyday activities and interactions.10. **The Velvet Underground:** Warhol managed and collaborated with the influential rock band The Velvet Underground. His association with the band contributed to the merging of art and music scenes in New York.11. **Attempted Assassination:** In 1968, Warhol was shot and seriously wounded by Valerie Solanas, a radical feminist and writer. He survived the attack but experienced physical and psychological effects.12. **Later Works:** In the 1970s and 1980s, Warhol continued to produce art, including portraits of celebrities and influential figures. His later works explored themes of mortality and society.13. **Legacy:** Andy Warhol's legacy extends beyond his art, influencing contemporary art, culture, and society. His impact on the art world is profound, and his work continues to be celebrated and studied globally.14. **Death:** Andy Warhol died on February 22, 1987, in New York City, at the age of 58, due to complications following gallbladder surgery.Andy Warhol's contributions to art and popular culture have left an indelible mark, and his influence is still felt today. His ability to transform ordinary objects into art and his exploration of the intersection between art and consumer culture remain central to discussions about contemporary art.Measures 24 x 36.Mounted to linen.

Andy Warhol The Plastic Inevitable Show Poster Measures 21.75 X 13.75 Inches Sold as is where is

WARHOL, ANDY (1928 - 1987), "2-Jefferson Dollars", 1976, Multiple, mit blauem Stift signiert "Andy Warhol" und rückseitig mit seinem Namen gestempelt, mit aufgeklebter 13 ct-Briefmarke und Poststempel vom 13. April 1976. HxB: ca. 6,5 x 15,5 cm, HxB Rahmen: ca. 15 x 20 cm. Seriennummer: D00660588A. Im Plexiglas-Klemm-Rahmen. Altersspuren. ECHTHEITSZERTIFIKAT der Galerie 32, Nizza vom 23. Oktober 2019. Am 13. April 1976 wurden zur 200-jährigen Feier Amerikas Banknoten ausgegeben.| WARHOL, ANDY (1928-1987), "2-Jefferson Dollars", 1976, multiple, signed "Andy Warhol" in blue pen and stamped with his name on the reverse, with affixed 13 ct stamp and postmark dated 13 April 1976. HxW: approx. 6.5 x 15.5 cm, HxW frame: approx. 15 x 20 cm. Serial number: D00660588A. In a perspex clip frame. Traces of age. CERTIFICATE OF AUTHENTICITY from Galerie 32, Nice dated 23 October 2019. Banknotes were issued on 13 April 1976 to celebrate America's 200th anniversary.

WARHOL, ANDY (1928 - 1987), "2-Jefferson Dollars", 1976, Multiple, mit schwarzem Stift signiert "Andy Warhol" und rückseitig mit seinem Namen gestempelt, mit aufgeklebter 13 ct-Briefmarke und Poststempel vom 13. April 1976. HxB: ca. 6,5 x 15,5 cm, HxB Rahmen: ca. 15 x 20 cm. Seriennummer: D16246061A. Im Plexiglas-Klemm-Rahmen. Altersspuren. ECHTHEITSZERTIFIKAT der Galerie 32, Nizza vom 23. Oktober 2019. Am 13. April 1976 wurden zur 200-jährigen Feier Amerikas Banknoten ausgegeben. | WARHOL, ANDY (1928-1987), "2-Jefferson Dollars", 1976, multiple, signed "Andy Warhol" in black pen and stamped with his name on the reverse, with affixed 13 ct stamp and postmark dated 13 April 1976. HxW: approx. 6.5 x 15.5 cm, HxW frame: approx. 15 x 20 cm. Serial number: D16246061A. In a perspex clip frame. Traces of age. CERTIFICATE OF AUTHENTICITY from Galerie 32, Nice dated 23 October 2019. Banknotes were issued on 13 April 1976 to celebrate America's 200th anniversary.

Warhol, Andy (1928 Pittsburgh - New York 1987) "Flower" (Black and White). Siebdruck (l. fleckig), re. u. mit Bleistift monog. "AW" und verso handschriftlich sign. sowie Ex. 100/250 und dat. (19)74 und Copyrightstempel. Copyright By Andy Warhol Multiples Inc. & Castelli Graphics 2, 1974. Ca. 101,6 x 68,4 cm (103,2 x 69,2 cm). R. Wvz. Feldman/Schellman II.109.

Andy Warhol, 1928 Pittsburgh – 1987 New York, nachMARILYN, 1970Farbserigrafie auf Papier.83 x 83,4 cm.Verso links unten signiert „Andy Warhol“, beschriftet „this is not by me“ und gestempelt „fill in your own signature“, rechts unten gestempelt „published by Sunday B. Morning“.Unter Plexiglasrahmung.Anmerkung: Nach dem Tod von Marilyn Monroe begann Andy Warhol seine Marilyn-Serie in 1967. Er erstellte ein Portfolio mit 10 verschiedenen Blättern, die alle das gleiche Bild der Schauspielerin in unterschiedlichen Farbvarianten zeigten. Die Mappe der Serie von 1967 hatte eine Auflage von 250 Exemplaren (91,4 x 91,4 cm). Es gibt nicht autorisierte Drucke (84,5 x 84,5cm), die 1970 in verschiedenen Farben aus dem Portfolio veröffentlicht wurden. Auf der Rückseite mit schwarzem Stempel versehen „published by Sunday B. Morning“ und „fill in your own signature“, einige davon sind beschriftet „this is not by me“ und von Warhol signiert.Literatur:F. Feldman, J. Schellmann, C. Defendi, Andy Warhol Prints, a Catalogue Raisonné 1962 - 1987, New York, Nr. II.22-31, Abb. II.23. (1391594) (1) (18)Andy Warhol,1928 Pittsburgh – 1987 New York, afterMARILYN, 1970Colour silk screen print on paper. 83 x 83.4 cm.Signed “Andy Warhol” on the back lower left, inscribed “this is not by me” and stamped “fill in your own signature”, stamped lower right “published by Sunday B. Morning”.In acrylic glass frame.On the back with black stamp “published by Sunday B. Morning” and “fill in your own signature”, some are inscribed “this is not by me” and signed by Warhol. Literature:F. Feldman, J. Schellmann, C. Defendi, Andy Warhol Prints, a Catalogue Raisonné 1962 - 1987, New York, no. II.22-31, ill. II.23

Andy Warhol (American, 1928-1987). Screenprint on paper from the "Sunset" series, 1972. The present work, depicted with a gold sun on a blue and green background, is one of 632 unique prints created for the Hotel Marquette in Minneapolis, Minnesota. Pencil signed and numbered 106/470 along the verso; stamped "Hotel Marquette Prints" along the verso.Provenance: Printed for the Hotel Marquette, Minneapolis, MN; Lesch Gallery, Minneapolis; Private Minnesota Collection.Lot Essay:Andy Warhol, born Andrew Warhola in 1928 in Pittsburgh, Pennsylvania, became a leading figure in the art movement known as Pop Art. As a child, Warhol was frequently kept home from school due to a chronic illness. During this time, Warhol immersed himself drawing and became captivated by the visual culture of the time, surrounded by snapshots of culture and celebrity in comic books, magazines, and commonplace items, laying the foundation for a later fascination with the intersection of artistic expression and commercial success.Warhol pursued formal art education at the Carnegie Institute of Technology and found initial success as a commercial illustrator in New York City during the 1950s. However, it was in the 1960s that Warhol catapulted to fame with the emergence of Pop Art. His Campbell's Soup Cans, Marilyn Monroe portraits, and Coca-Cola bottle paintings became iconic symbols of the movement. Warhol's unique approach drew inspiration from commercialism, mass media, and consumer culture, making him a distinctive voice in the 20th-century art scene alongside contemporaries like Roy Lichtenstein and Jasper Johns. His innovative studios, particularly "The Factory," served as avant-garde hubs of creativity, attracting diverse talents. Here, Warhol embraced screen printing, a technique that allowed for mass production of art. This method became a hallmark of his work, enabling him to blur the boundaries between art and consumer culture.In 1972, Warhol designed the Sunset series, 632 screenprints of a sunset, for the Hotel Marquette in Minneapolis, Minnesota. With their vivid colors and bold composition, the Sunset prints demonstrated Warhol's ability to elevate mundane subjects into captivating, mass-produced art, embodying his fascination with the intersection of art and commerce. In this particular print, the golden orb, haloed in a soft white, overlaid on a gradient of gray-blue and beige evokes a universality of place and beauty--an aesthetic experience and natural phenomena--that implores the viewer to consider the elemental nature of the scene, while also considering its present form: one among a series 632 similar prints. The Sunset series thus encapsulates Warhol's ability to merge high art with commercial culture while prompting reflection on the deeper implications of our consumer-driven world.In the decades since his passing in 1987, Andy Warhol’s legacy endures and his impact is evident in contemporary art, where artists continue to draw inspiration from his fusion of art, media, and consumerism. Warhol’s ability to capture the zeitgeist of his era and challenge artistic conventions ensures that his influence remains a lasting force, shaping the trajectory of art and culture well into the 21st century.Sight; height: 32 3/4 in x width: 32 3/4 in. Framed; height: 40 in x width: 40 in.

After Andy Warhol (American, 1928-1987). Manufactured by the Campbell Soup Company, United States. Screenprinted cellulose and cotton paper dress titled "The Souper Dress" with Warhol's iconic Campbell's soup can, ca. 1969. The dress is labeled along a tag on the inner lining "The Souper Dress/ no cleaning - no washing - It's Carefree/ Fire Resistant Unless Washed or Cleaned."Provenance: Private Minnesota Collection.Lot Essay:The trend of disposable paper dresses emerged in the 1960s. They often served as vehicles for advertisements and promotions and were made of materials such as Kaycel and Dura-Weave. While they initially operated on the fringes of fashion, the novelty was quickly adopted by high-fashion designers. Some paper dresses were even designed for themed balls, events, and boutiques.The "Souper Dress" paper dresses were designed as an advertising campaign as well as art. One advertisement for the dresses encouraged consumers to purchase two cans of Campbell's soup, remove the paper labels, and mail them in along with $1.00 to receive one of these iconic dresses. While not directly designed by Pop artist Andy Warhol, the Campbell's Soup Company tapped into the public knowledge of the artist's soup can works to promote their own product.Height: 44 in x width: 29 in.

Lowell Nesbitt (American, 1933-1993). Large oil on canvas painting titled "Two Irises on Black" depicting two blooming pink-red irises against a pure black background. Signed and titled along the verso.Provenance: Private Minnesota Collection.Lot Essay:born in Maryland, Lowell Nesbitt studied art throughout his scholarly career, eventually earning a Bachelor of Fine Arts degree from Temple University in Pennsylvania. Additionally, he studied stained glass and printmaking during a fellowship with the Royal College of Art in London. After serving in the United States Army for two years, he worked as a night watchman at The Phillips Collection before relocating to New York City to pursue his career as an artist.While he hosted his first exhibition at the Baltimore Museum of Art in 1958, it would not be until his 1964 debut at the Corcoran Gallery of Art that he would receive widespread recognition for his works. The botanical works displayed, much like the painting offered here, were influenced by Robert Indiana. Upon viewing some of Nesbitt's works in the preceding years, he suggested that Nesbitt should move from abstraction to realism, which would come to be the artist's forte.The photorealistic paintings - a term that Nesbitt fought against - would define his career. He established that his works covered a wide diversity of techniques and styles. He painted flowers, studio interiors, articles of clothing, x-ray figures, fruits and vegetables, caverns and ruins, and a plethora of other subjects.In addition to his painting career, he fostered relationships with some of the greatest artistic names of the 20th century including Andy Warhol, Roy Lichtenstein, Jasper Johns, Robert Motherwell, Larry Rivers, James Rosenquist, and Robert Mapplethorpe. His relationship with the latter caused some controversy when the Corcoran Gallery canceled an exhibition for being too explicit. Nesbitt publically revoked a $1.5 million bequest and gifted it instead to the Phillips Collection when the Corcoran Gallery refused to reinstall Mapplethorpe's works in a show of support.Unframed; height: 57 in x width: 39 1/2 in. Framed; height: 58 1/2 in x width: 41 in.

Andy Warhol (American 1928-1987), 'Marilyn (Invitation)', 1981, offset lithograph in colours on wove paper, signed in black ink, from an unknown edition size, with the original invitation text to the overlap, printed by Colour Editions Inc., published by Castelli Gallery; sheet: 17.7 x 17.7cm (Framed) sheet: 17.7 x 17.7cm (Framed) In good condition No knocks or tears to the sheet Extremely minor creasing in sections to the edges of the sheet, visible upon very close inspection Minor 'edgewear' to the extreme edges, due to the age of the work Markings to the inside left of the invitation and minor scratches verso. One scratch can be seen to the cheek area, this is visible in raking light Framed in a black frame with a black mount This work has been inspected inside and out of the frame. 

Andy Warhol (American 1928-1987), 'Chanel No.5', 1997, a complete set of four offset lithographs on linen backs; sheets: 71 x 53cm each (4)sheets: 71 x 53cm each (4)In very good condition No visible knocks or tears to the sheets Minor wear the lower left hand edge of the blue/yellow sheet, visible upon close inspection Some minor fraying to the extreme edge of the linen backings, regularly seen on these worksThese works have been stored flat and have not been framed.

Andy Warhol (American 1928-1987), 'A Whole Stocking Full of Good Wishes', 1956, offset lithograph in red on wove paper, bearing the ink stamps of the Andy Warhol Foundation for the Visual Arts inc. verso, annotated with the foundation number PM 16.0360 verso: 59.5 x 46cm inc frame59.5 x 46cm inc frameIn very good condition No visible knocks or tears to the sheet Minor crease to the right hand section of the sheet, and some minor wear/creasing to the corners of the sheetThere is some minor wear to the left hand edge of the sheet and very light marking can be seen down the left and right edges of the sheetThis work has been framed in a black frame and float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.

Andy Warhol (American 1928-1987) & Keith Haring (American 1958-1990) (Collaboration), 'Montreux Jazz Festival', 1986, screen print in colours on wove paper, printed by Serigraphie Uldry Bern; sheet: 100 x 70cm sheet: 100 x 70cmIn very good condition No visible knocks tears or creases to the sheet There are some markings across the sheet verso, these are not visible recto Very minor wear the the middle of the upper edge of the sheet, visible upon close inspection This work has been stored flat and has not been framed.

Schifano, MarioHoms 1934 - 1998 Rom, Maler, Musiker und Filmproduzent, Vertreter der italienischen Postmoderne, während einer USA-Reise lernte er Andy Warhol und Mark Rothko kennen, Biennale-Teilnehmer in Venedig. "Früchtestillleben", auf grünem Grund, verso auf Leinwand sign., Öl/Leinwand, HxB: 30/40 cm. Altersspuren. Mit Rahmen.

Schifano, MarioHoms 1934 - 1998 Rom, Maler, Musiker und Filmproduzent, Vertreter der italienischen Postmoderne, während einer USA-Reise lernte er Andy Warhol und Mark Rothko kennen, Biennale-Teilnehmer in Venedig. "Fische (Aquario)", zwei Tierdarstellungen in Grau vor blauem Grund, unten rechts sign., verso auf Leinwand bez., Acryl/Leinwand, HxB: 82/60 cm. Altersspuren, fleckig. Mit Rahmen. Zertifikat der Galleria d'arte Traiano liegt bei.

Schifano, MarioHoms 1934 - 1998 Rom, Maler, Musiker und Filmproduzent, Vertreter der italienischen Postmoderne, während einer USA-Reise lernte er Andy Warhol und Mark Rothko kennen, Biennale-Teilnehmer in Venedig. "Fahrrad", Darstellungen in Weiß vor silbernem Grund, unten rechts sign., verso auf Leinwand bez., Keilrahmen mit Galeriestempel, Acryl/Leinwand, HxB: 80/60 cm. Mit Rahmen. Zertifikat der Galleria d'arte Traiano liegt bei.

Digigraphy after Andy Warhol "Mao Zedong" with stamp of the publisher "Sunday B Morning" Dim Image 91 x 91 cm - Frame 95 x 95 cm.

Andy WARHOL (After), Offset print Numbered 297/300 and signed in the plate "Marilyn Monroe" Dim Image 30 x 27 cm - Frame 49,5 x 46 cm.

After Andy Warhol "Elisabeth Queen of England" Colour lithograph numbered 24/100 and with stamps from the Art Gallery Leo Castelli - New York. Dim Image 57,5 x 38,5 cm Frame 77,5 x 58,5 cm.

Digigraphy after Andy Warhol "Flowers" with the stamp of the publisher Sunday B Morning and the stamp "Fill in your own signature" both stamps on the back. Dim Image 91 x 91 cm - Frame 95 x 95 cm.

after Andy Warhol Mickey Mouse, Leo Castelli Gallery New York, signed in the plate and numbered 38/100 Image 57 x 38,5 cm - Framed 81 x 61,5 cm.

Offset Print after Andy Warhol "Elisabeth Taylor" numbered 133/300 and signed in the plate Dim: Image 30 x 27,5 Frame : 51 x 47 cm.

Digigraphy after Andy Warhol "Marilyn Monroe" with the stamp of Sunday B Morning on the back and "Fill in your own signature" Dim: Image 91 x 91 cm - Frame 95 x 95 cm.

Serigraphy After Keith Haring and Andy Warhol, published for the Jazz Festival in Montreux in 1986, signed in the plate by both artists. Dim Image 100 x 70 cm - Frame 108 x 78 cm.

After Andy Warhol, Lithography signed in the plate and numbered 26/100, "Cat Sam" Image 57 x 38 cm - Framed 79 x 59 cm

Andy Warhol Toro Lingotto print of Elvis Presley Arte Americana, 70 x 120 cm. Not available for in-house P&P

Pop Art print of the Statue of Liberty indistinctly signed and titled NYC '99 after Andy Warhol

Warhol, Andy (1928 Pittsburgh - 1987 New York, nach) - "Statue of Liberty", Granolithographie auf festem Papier, unten rechts im Druck signiert, unten links mit Bleistift num. 758/2400, herausgegeben vom Carnegie Museum of Art, Pittsburgh 1980er Jahre, rückseitig mit Tintenstempel "CMOA", Blattgröße ca. 60 x 60cm, Blatt liegt lose

Warhol, Andy (1928 Pittsburgh - 1987 New York, nach) - "Dollar Sign", Farblithografie, unten rechts Drucksignatur, unten links mit Bleistift num. 63 / 125 sowie Trockenstempel "©Andy Warhol", verso blauer Stempel "Andy Warhol", Blattmaße: 50 x 35 cm, Blatt liegt lose

Warhol, Andy (1928 Pittsburgh - 1987 New York, nach) - "Self-Portrait", Granolithographie auf festem Papier, unten rechts im Druck signiert, unten links mit Bleistift num. 860/2400, herausgegeben vom Carnegie Museum of Art, Pittsburgh 1980er Jahre, rückseitig mit Tintenstempel "CMOA", Blattgröße ca. 60 x 60cm, Blatt liegt lose

Warhol, Andy (1928 Pittsburgh - 1987 New York, nach) - "Superman", Granolithographie auf festem Papier, unten rechts im Druck signiert, unten links mit Bleistift num. 781/2400, herausgegeben vom Carnegie Museum of Art, Pittsburgh 1980er Jahre, rückseitig mit Tintenstempel "CMOA", Blattgröße ca. 60 x 60cm, Blatt liegt lose

Warhol, Andy (1928 Pittsburgh - 1987 New York, nach) - "Mickey Mouse", 9 Granolithographien in verschiedenen Farbvarianten, nach einer Original-Serie (um 1980), jeweils unten links im Druck signiert, unten mittig mit Bleistift num. (369/2400, 565/2400, 675/2400, 682/2400, 751/2400, 895/2400, 1033/2400, 1638/2400, 1931/2400), herausgegeben vom Carnegie Museum of Art, Pittsburgh 1980er Jahre, rückseitig jeweils mit Tintenstempel "CMOA", Blattgröße ca. 60 x 60cm, Blätter liegen lose

Warhol, Andy (1928 Pittsburgh - 1987 New York, nach) - "Marilyn", 9 Granolithographien in verschiedenen Farbvarianten, nach einer Original-Serie (um 1960), jeweils unten rechts im Druck signiert, unten links mit Bleistift num. (915/2400, 966/2400, 983/2400, 1222/2400, 1452/2400, 1758/2400, 1780/2400, 1479/2400, 2001/2400), herausgegeben vom Carnegie Museum of Art, Pittsburgh 1980er Jahre, rückseitig jeweils mit Tintenstempel "CMOA", Blattgröße ca. 60 x 60cm, Blätter liegen lose

Warhol, Andy (1928 Pittsburgh - 1987 New York) - „Two Jefferson's Dollars“, 2 Dollarnote mit Signatur, 1976, Seriennummer 'G23402516A', vorderseitig signiert mit Acrylfilz in Schwarz 'Andy Warhol', verso gestempelt "Andy Warhol", Maße: ca. 15,5 x 6,6 cm, in beidseitigem Magnet-Acrylrahmen ca. 20,2 x 15,1 cm, laminiertes Zertifikat der Galerie-32 / Nizza anbei

Warhol, Andy (1928 Pittsburgh - 1987 New York, nach) - "Barbie", Granolithographie auf festem Papier, unten rechts im Druck signiert, unten links mit Bleistift num. 782/2400, herausgegeben vom Carnegie Museum of Art, Pittsburgh 1980er Jahre, rückseitig mit Tintenstempel "CMOA", Blattgröße ca. 60 x 60cm, Blatt liegt lose

Warhol, Andy (1928 Pittsburgh - 1987 New York, nach) - " Apple Macintosh", Farblithografie auf Arches-Papier, unten rechts Drucksignatur, unten links mit Bleistift num. 30 / 100 sowie Trockenstempel "Georges Israel Editeur", verso diverse Stempel, u.a. "Leo Castelli New York", Blattmaße: 57 x 38,5 cm, Blatt liegt lose

Warhol, Andy (1928 Pittsburgh - 1987 New York, nach) - "John Lennon", Granolithographie auf festem Papier, unten rechts im Druck signiert, unten links mit Bleistift num. 981/2400, herausgegeben vom Carnegie Museum of Art, Pittsburgh 1980er Jahre, rückseitig mit Tintenstempel "CMOA", Blattgröße ca. 60 x 60cm, Blatt liegt lose

Warhol, Andy (1928 Pittsburgh - 1987 New York, nach) - "Volkswagen", Granolithographie auf festem Papier, oben rechts im Druck signiert, links mit Bleistift num. 978/2400, herausgegeben vom Carnegie Museum of Art, Pittsburgh 1980er Jahre, rückseitig mit Tintenstempel "CMOA", Blattgröße ca. 60 x 60cm, Blatt liegt lose

Warhol, Andy (1928 - 1987), "2 USD (Thomas Jefferson)" (1976), vs. handsign., m.Briefmarke, rs. m. Stempel, Seriennr. "HO5615189A", Gr. ca. 155,955 x 66,294 mm, hinter massivem Plexiglas. Sehr guter Zustand. Zertifikat anbei.

Warhol, Andy (1928 - 1987), "2 USD (Thomas Jefferson)" (1976), vs. handsign. m.Briefmarke, rs. m. Stempel, Seriennr. "D16246062A", Gr. ca. 155,955 x 66,294 mm, hinter massivem Plexiglas. Sehr guter Zustand. Zertifikat anbei.

KONVOLUT 5 BÜCHER. GROSZ, Georges, "Ecce homo" Meulenhoff & Co., Amsterdam 1966. GENIUS, 2 Ausgaben Bilder und Aufsätze zu alter und neuer Kunst, Kurt Wolf Verlag 1920. Im ersten Band fehlen folgende Orig.-Grafiken: E. Heckel Holzschnitt auf Seite 114, Max Kaus Holzschnitt S. 308, A. Rouveyre Holzschnitt auf S. 320. Zudem ist der Buchrücken lose. Im zweiten Band (3.Jahr 1920/21) fehlen: C.Hofer S. 156, Schmidt-Rottluff S. 292, sonst sind alle anderen Original-Grafiken enthalten. WARHOL, Andy, Buch von Rainer Crone, Verlag Hatje, 1970. MÜHLENHAUPT, Kurt, Buch Haus Blücherstraße 13, Selbstverlag Atelier Handpressendruck Kladow und Kreuzberg, 1976, mit 6 Holzschnitten und 4 Farbreproduktionen, je sign., 1790/3000. HANSEN-BAHIA, Karl Heinz, "Bar Flor de S. Miguel", mit Holzschnitten, nummeriert 288, im Druckvermerk handsigniert, leicht besch.

ANDY WARHOLCommittee 2000 1982Farbserigraphie. Signiert. Ex. 1299/2000. 76 x 51 cm. Feldman/Schellmann 289.

ANDY WARHOLMildred Scheel 1980Farbserigraphie mit Diamantstaub auf festem Velin, mit dem Trockenstempel des Druckers Rupert Jasen Smith, New York, verso mit dem Copyright-Stempel 'Andy Warhol 1980'. Signiert. Ex. 276/1000. Herausgegeben von der Deutschen Krebshilfe e.V., Köln. 77,5 x 54,6 cm. Feldman/Schellmann 238.(Alters- und Montagespuren, stellenweise Reibspuren und Stauchspuren.)

ANDY WARHOLNeuschwanstein 1987Farboffsetlithographie auf Velin. Stempelsignatur. Eines von 1200 Ex. 85 x 60 cm (91 x 62 cm). Vgl. Feldman/Schellmann 372.(Rückseitig umlaufende Klebespur.)

ANDY WARHOLGreta Garbo, Kestner-Gesellschaft 1981Plakat. Farboffsetdruck auf Plakatpapier. Nicht signiert. 84 x 59,3 cm.(Leichte Altersspuren, Knitterspuren, wenige kleine Randmängel.)Beilage: Allen Jones complete graphics. 1969. Plakat. 84 x 59 cm. (Altersspuren, mehrfach gefaltet.).

WALASSE TINGSAM FRANCIS: 1¢ Life / One Cent Life. Ed. by Sam Francis. Bern: Kornfeld und Klipstein 1964. 41 x 29,5 cm. MIt 62 farb. OrLithographien und weiteren Illustrationen von Sam Francis, Walasse Ting, P. Alechinsky, Asger Jorn, Tom Wesselmann, Andy Warhol, Roy Lichtenstein, Jim Dine, Mel Ramos u. a. 88 Bll. Rohe Bogen in OrLn.-Einbanddecke mit OrSchutzumschlag in OrLn.-Schuber und privatem Holz-Schuber.(Schuberbezug mit kleinem Kantendefekt. Schutzumschlag an Ecken und Kanten leicht berieben; kleine Fehlstelle im Bereich des unteren Rückens. Innen stellenweise gering angestaubt, sonst unbedeutende Alters- und Gebrauchsspuren. Seite 39 mit kleinem Einriss im Außenrand.)Nr. 1339 von 2000 Ex. Druck der Lithographien bei Maurice Baudet, Paris, nach der Typographie von Georges Girard. – Beliebtes Malerbuch der 1960er-Jahre, das zu den bekanntesten Zeugnissen des abstrakten Expressionismus und der Pop Art sowohl amerikanischer wie europäischer Prägung zählt.

A Rosenthal glass flower plate or serving plate designed after Andy Warhol 80's, with original box, W33,7cm, 20th century.

The Andy Warhol Foundation for Rosenthal Studio Line, a daisies decorated bowl, diameter 12cm, label to the underside, and original box

Andy Warhol (1928-1987) Brillo Soap Pads Screenprint in colours, 1970, signed in pencil, from the edition of unknown size, published by the Pasadena Museum of Art, Pasadena, with their copyright 1970 stamp, on wove paper, the full sheet printed to the edges, sheet 760 x 660mm (29 7/8 x 26in)  

Andy Warhol (1928-1987)Kiku (Feldman & Schellman II.308)Screenprint in colours, 1983, signed in pencil, numbered from the edition of 300, printed by Rupert Jasen Smith, New York, and Ryoichi Ishida, Tokyo, published by Gendai Hanga Center, Tokyo, with the printer and the publisher's blindstamps, with the Andy Warhol rubber stamp verso, on BFK Rives paper, the full sheet printed to the edges, sheet 498 x 660mm (19 5/8 x 26in)

Andy Warhol (1928-1987)New York Heart Association Phonebook Ad (Feldman & Schellman IIIA.57[a])The unique screenprint in red, circa 1984, with the ''Estate of Andy Warhol'' and "Andy Warhol Foundation for the Visual Arts" ink stamps verso, initialled 'VF' in pencil verso, inscribed 'UP30.31', printed by Rupert Jasen Smith, New York, on Stonehenge White paper, produced by the artist as a gift, the full sheet, sheet 564 x 386mm (22 1/8 x 15 1/8in)

Andy Warhol (1928-1987)Paloma Picasso (Feldman and Shellmann II.121)Screenprint in colours, 1975, signed and numbered from the edition of 90 in pencil verso, as included in the portfolio America’s Hommage à Picasso, published by Propyläen-Verlag, Berlin and Panthéon Press, Rome, on Arches paper, the full sheet printed to the edges, sheet 1041 x 749mm (41 x 29 1/2in)

WARHOL ANDY: (1928-1987) American pop artist. An excellent vintage signed postcard photograph of Warhol in a head and shoulders pose. Signed in blue ink with his name alone (with a more unusual form of his signature in capital letters) to the lower white border. One very slight, extremely minor corner crease, otherwise VG

THE VELVET UNDERGROUND & NICO S/T LP (UK STEREO ORIGINAL - SVLP.9184 - RARE LABEL MISPRINT). An original stereo UK pressing of the legendary 1967 self-titled album by The Velvet Underground & Nico, produced by iconic pop-art pioneer Andy Warhol (SVLP.9184, 1967 UK STEREO pressing on Verve Records) with the missing '8' (V6 500B) on side 2 of the record. The vinyl is in strong VG+ condition displaying some light surface marks/ hairlines. The sleeve is VG with some dirt around the edges and age-related wear/ creasing.

Andy Warhol lithographic print entitled 'Statue of Liberty' published by Neues New York in association with the Andy Warhol foundation - approx. 62cm x 51cm

Andy Warhol, nach, gepflegter Sammlungsnachlass mit 14 Farboffset-PrintsAndy Warhol, 1928 Pittsburgh - 1987 New York City, nach, amerikanischer Künstler, Filmemacher und Verleger sowie Mitbegründer und bedeutendster Vertreter der amerikanischen Pop Art, hier: Sammlungsnachlass mit: 5 x Cars (Achenbach/ Hans Meyer, Düsseldorf 1988), je 90 x 70 cm // 4 x Goethe (3 x Achenbach art edition, 66 x 66 cm - zwei versch. Farbvarianten, 1 x "Salve" - Weimar 1999, Kulturstadt Europas, 80 x 60 cm) // 1 x Willy Brandt, teNeues, 70 x 70 cm // 1 x Diamant Dust shoes & 1 x Dollar, teNeues, je 80 x 60 cm // 1 x Mick Jagger, 83 x 57 cm // 2 x Self portrait in zwei Farben, Achenbach Art edition 1993, je 65 x 65 cm, alle Arbeiten in sehr guter Erhaltung

Andy Warhol (after) 'Chanel' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 84/100 (Leo Castelli, Art Gallery New York and Tree of Life stamps on the back), without additional documentation, unframed

Andy Warhol (after) 'Mickey Mouse' offset lithography, size 60 x 60 cm, plate signed bottom left, numbered with pencil, limited edition 426/2400, heavy paper, stamped with CMOA on the back (Carnegie Museum of Art, Pittsburgh), without additional documentation, sold unframed

Andy Warhol (after) 'Turtle' offset lithograph in colors on Arches paper, Georges Israel Editeur, sheet size 38,5 x 57 cm, plate signed bottom right, numbered with pencil, limited edition 10/100 (Leo Castelli, Art Gallery New York and Tree of Life stamps on the back), without additional documentation, unframed