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Click here to subscribe[ART] Twenty assorted works, in twenty-three volumes, including Nicolson, Benedict. Joseph Wright of Derby, Painter of Light, two volumes, first edition, The Paul Mellon Foundation for British Art / Routledge & Kegan Paul, London, 1968, cloth, dustjackets, numerous illustrations, quarto; Finkelstein, Nat. Andy Warhol: The Factory Years, 1964-1967, first edition, Canongate, Edinburgh, 1999, boards, dustjacket, illustrations throughout, quarto.
Property of a Gentleman Andy Warhol (1928 - 1987) 'Gee Merrie Shoes' Offset lithograph with hand-coloring, on wove paper, circa 1956 From the edition of unknown size With the 'Estate of Andy Warhol' and the 'Andy Warhol Art Authentication Board' ink stamps and annotated 'PMXXXXX' in pencil on the reverse Dimensions: (Paper) 9.25 in. (H) x 8 in. (W)
Andy Warhol (1928-1987)Mao (Feldman and Schellmann II.125A)Screenprint in colours on wallpaper, 1974, printed by Bill Miller's Wallpaper Studio, published by Factory Additions, New York, for the artist's exhibition at the Musée Galliera, Paris, the full sheet printed to the edges, sheet 1012 x 749mm (39 7/8 x 29 1/2in)
Andy Warhol (1928-1987)Mother and Child, from Cowboys and Indians (Feldman & Schellman II.383)Screenprint in colours, 1986, signed in pencil, numbered from the edition of 250, printed by Rupert Jasen Smith, New York, with his blindstamp, published by Gaultney, Klineman Art, Inc., New York, on Lenox Museum Board, the full sheet printed to the edges, sheet 914 x 914mm (36 x 36in)
MICHAEL COOPER - PHOTOGRAPHS, ten copies of original photographs of eight named and two un-named celebrities from the 1960's, photograph 1) Andy Warhol, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions, 41.1cms x 30.3cms, photograph 2) Roman Polanski, stamped Michael Cooper Collection 2002, the limited edition print from this collection is 1/25, outer print dimensions, 41.1cms x 30.7cms, photograph 3) Twiggy, pictured standing against a Carousel, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions, 30.1cms x 41.1cms, photograph 4) Rene Magritte wearing a bowler hat, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions 40.3cms x 30.2cms, photograph 5) Rene Magritte's finger pushing his doorbell, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions, 40.4cms x 30.3cms, photograph 6) Marcel Duchamp, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions, 50.7cms x 41cms, photographs 7,8, unknown personality being photographed in a car, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions, 50.7cms x 41.2cms and 40.3cms x 30.3cms, photograph 9, unknown female in box hat, partial silhouette, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions, 30.2cms x 40.4cms, photograph 10) unknown personality behind film camera, stamped Michael Cooper Collection 2002, the limited edition print from this collection is numbered 1/25, outer print dimensions, 40.5cms x 30.2cms (Artist resale rates may apply)
MANUEL TERÁN (Chile, 1974)."Tribute to Kusama and Velázquez".Oil on masonite.Signed in the lower right corner. Signed, dated and titled on the back.Size: 108,5 x 108,5 cm; 131 x 130 cm (frame).In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies".A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he made his name in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).
YAYOI KUSAMA (Matsumoto, Japan, 1929)."Pumpkin red", 2015.Lacquered resin.Stamp on the base.Size: 10 x 7,5 x 7,5 cm.This red pumpkin sculpture depicts the artist's signature optical patterns of brightly coloured polka dots. Kusama first used the gourd design at the 1993 Venice Biennale.Yayoi Kusama is an artist and writer who, throughout her artistic career, has experimented with and developed a wide variety of artistic techniques including painting, collage, sculpture and performance and installations, most of which exhibit her thematic interest in psychedelia. Kusama is a forerunner of the pop art, minimalism and feminist art movements and influenced artists contemporary to her such as Andy Warhol and Claes Oldenburg. Born in Matsumoto (Nagano) to an upper middle-class family of seed merchants, Kusama began to develop an interest in art from an early age, which led her to study Nihonga (Japanese-style paintings) in Kyoto in 1948. Frustrated with this Japanese style, she became interested in American and European avant-garde, mounting several solo exhibitions of her paintings in Matsumoto and Tokyo during the 1950s. In 1957 she moved to the United States, settling in New York City where she produced a series of paintings influenced by Abstract Expressionism. Kusama switched to sculpture and installation as her primary media and became a fixture of the New York avant-garde with her works exhibited alongside Andy Warhol, Claes Oldenburg and George Segal in the early 1960s when the artist became associated with the Pop Art movement. Embracing the rise of the hippie counterculture of the late 1960s, Kusama came to public attention when she organised a series of happenings in which nude participants were painted with brightly coloured polka dots. She returned to Japan permanently in 1973, where she has lived ever since in a psychiatric hospital, committed of her own free will. Throughout her career, Kusama has received major awards both in Japan and abroad, including the French Ordre des Arts et des Lettres in 2003 and the Japanese Praemium Imperiale in 2006 in the category of painting. The artist has become particularly well known for her installations with mirrors, red balloons, toys and other objects, in the midst of which she placed herself on stage. Her works of recent years are paintings on cardboard in an ingenuist style. Among the most recent exhibitions devoted to her work is the complete retrospective devoted to her by the M.N.C.A. Reina Sofía, in collaboration with the Tate Modern in London, in 2011, which subsequently travelled to the same Tate, the Centre Georges Pompidou in Paris and the Whitney Museum in New York. Kusama is currently represented at MoMA in New York, the Fukuoka Art Museum, the National Gallery of Modern Art in Tokyo, the Haus der Kunst in Munich, the Art Institute of Chicago and many other museums and art centres around the world.
JEAN-MICHEL BASQUIAT (New York, USA, 1960 - 1988) for DUNNY KIDROBOT.Untitled.Vinyl.With stamped signature of the Estate of Jean-Michel Basquiat and the publisher.Original box enclosed.Measures: 20 x 13,5 x 7 cm.In collaboration with the Estate of Jean-Michel Basquiat, Kidrobot presents Jean-Michel Basquiat Faces Dunny Art Figure focusing mainly on the "faces" of Basquiat's works. Each art figure represents a face or an image from one of the prolific New York artist's most iconic paintings.A prolific artist, Jean-Michel Basquiat began drawing at the age of three, inspired by urban culture through the cars, taxis and buses that roamed the streets, as well as through television and comic books. He captured this view of his surroundings in his paintings throughout his life, especially in the form of vibrant lines, intense strokes, figures cut in black, facial expressions pushed to the limit, and so on. During the early 1980s he began to emerge as an artist, at a time when the reign of conceptual art and aesthetic minimalism in all its forms was predominant. The presence of urban culture and graffiti mixed with the European figurative tradition. His first solo exhibition took place in 1982, at the Annina Nosei Gallery in SoHo, New York. This marked the beginning of a series of solo and group exhibitions that brought together his work with that of other important contemporary artists, such as Julian Schnabel and David Salle. During these years he produced more than two hundred canvases with portraits of influential figures belonging to that culture, including Muhammad Ali and Dizzy Gillespie. It was at this time that his works began to be highly sought after, and logically his presence was in demand at the most exclusive events of the time. It is worth mentioning his close relationship with Andy Warhol, who had a powerful influence on their work. The intensity with which Jean-Michel Basquiat created was mirrored in his life. A fan of drugs and nightlife since his teenage years, his consumption increased to such an extent that he developed a strong addiction to heroin and cocaine, which led to his death in 1988. From his first solo exhibition to the present day, his work has toured the world's most famous museums. His media power, the outrageous auction prices of some of his works and his visual intensity continue to move crowds. The strong influence of his canvases, graffiti and writings on contemporary art explains the enormous interest in his figure. He is currently represented in museums and institutions such as the Museum of Modern Art (MoMA) in New York, the Centre Pompidou in Paris, the Gagosian Gallery, the Museu d'Art Contemporani de Barcelona - MACBA in Barcelona, the Guggenheim Museum of Modern and Contemporary Art in Bilbao, The High Museum of Art in Atlanta, The Modern Art Museum of Fort Worth in Fort Worth, the Castellani Art Museum in Lewiston, the Whitney Museum of American Art in New York, the Broad Contemporary Art Museum in Santa Monica, the Fondation Carmignac in Paris, the Fukuoka Art Museum in Fukuoka, Japan, as well as in numerous private collections, such as that of David Bowie.
ATTRIBUTED TO LISA SOTILIS, AN ANTIQUE STYLE FRINGE NECKLACE The shaped front piece with wire decoration, suspending a gold coloured bar swag, with various antique style bead drops with and intaglio glass panels of Classical scenes Size/dimensions: 50cm long Gross weight: 140 grams Known in Art circles as the Golden Greek, Lisa Sotilis was born in Athens, Greece in 1939, first studying in Athens, then at the Academy of Arts in Milan, Italy. Sotilis was at first an artist and sculptor, and when finding no jewellery to her taste, she embarked on designing and making her own jewellery. She was somewhat of a child protégé and after a first solo exhibition at the age of 16 in Milan, and then her first international exhibition at 18 years old in Berlin, she was noticed by the pioneering taste setter of 20th century art and world leading art dealer and gallery owner, Alexander Iolas. Sotilis began exhibiting at Iolas' top international galleries alongside many of the 20th century greats such as René Magritte, Andy Warhol, and her great mentor Giorgio de Chirico. Her works were collected by the surrealist Salvador Dali, and other pinnacles of the elite society. In 1970 she was contracted exclusively with Cartier to design watch faces and bezels. Her home Via Dante in Milan was known as a cultural space where Andy Warhol and Rudolph Nureyev were frequent guests. She has exhibited in many of the best international galleries, and examples of her work can be found in some of the finest museums and private collections in the world. She is reported to have said of her artistry 'I sleep three hours a day because my creativity never ends. When I get tired of making jewellery, which I call micro-sculptures, I paint, I design furniture. I don't make traditional jewels; they are different, my way, because I have to recreate what I see in my dreams'. Condition Report: There is a lot of solder visible, this is possibly from construction, there are possibly beads and sections missing, some decoration may have come off, or it could be the design of the piece. Condition Report Disclaimer
Three boxes of books relating to art and photography, to include:-Rewald, Sabine "Paul Klee, the Berggruen Collection", inspiring reform - Boston Arts and Crafts Movement, Richard HamiltonDoisneau, Robert"Syler"Warhol, Lucien Le Long, Roy Lancaster, Magritte, Bert Stern, Tim Davis, etc (3 boxes)
THE VELVET UNDERGROUND & NICO LP (UK 2ND PRESS - VERVE SVLP 9184). A wonderful UK 2nd pressing of the legendary 60s LP The Velvet Underground & Nico, with cover artwork by the icon Andy Warhol (SVLP 9184, 1969 UK 2nd pressing on Verve Records. A-2/ B-2 matrix. Labels without Sold In UK text are in lovely, bright & clean shape. The record, although bright and glossy has a number of hairline paper marks, strong VG condition/ the front laminated sleeve with 3 flaps on the rear is in lovely shape. The cover is bright and glossy, displaying a small split in the middle of the top edge, minor edge storage wear and the paper rear suffers from the usual age-related handling wear).
ART INTEREST WARHOL (2001) Ediciones Poligrafa. Together with SURREALISM By Uwe M Schneede (nd) Harry N Abrahams and TURNER 1775-1851 (1974) Tate Gallery and PIERO DELLA FRANCESCO By Carlo Bertelli (1992) BCA and THE COLLECTION OF VICTOR AND SALLY GANZ (1997) Christie’s plus thirteen others (18).
PHILIP TREACY ANDY WARHOL collaboration Green cotton bucket /festival /sun hat - Size LPhilip Treacy X Andy Warhol pale green Bucket Hat with Andy Warhol Elizabeth Taylor print, with "Campbells Beef Noodle Soup Cans" print lining, labelled size largeCondition Report: Used but good condition commensurate with age
Two bottles of Château Mouton Rothschild 1984, Pauillac, France.Category: Red wine.75 cl.With damage to the labelling.Grade: C.Considered one of the best wines in the world, Château Mouton Rothschild is produced in the wine estate of the same name, located in the village of Pauillac and owned by Baroness Philippine de Rothschild, only daughter of the legendary Baron Philippe. The Official Bordeaux Wine Classification of 1855 did not include this vineyard among the first crosses, probably because it had recently been acquired by an Englishman and was therefore no longer French-owned. In 1973, however, Mouton was finally elevated to Premier Cru status. The idea of having each year's label designed by a famous artist of the time came from Baron Philippe de Rothschild, and in 1946 this became a permanent and significant aspect of Mouton's image, with labels created by some of the world's greatest painters and sculptors: Jean Cocteau, Georges Braque, Pablo Picasso, Antoni Tàpies, Henry Moore, Andy Warhol, Keith Haring, Salvador Dalí or Francis Bacon, among others.
Two bottles of Château Mouton Rothschild 1984, Pauillac, France.Category: Red wine.75 cl.With damage to the labelling.Level: C and D.Considered one of the best wines in the world, Château Mouton Rothschild is produced in the wine estate of the same name, located in the village of Pauillac and owned by Baroness Philippine de Rothschild, only daughter of the legendary Baron Philippe. The Official Bordeaux Wine Classification of 1855 did not include this vineyard among the first crosses, probably because it had recently been acquired by an Englishman and was therefore no longer French-owned. In 1973, however, Mouton was finally elevated to Premier Cru status. The idea of having each year's label designed by a famous artist of the time came from Baron Philippe de Rothschild, and in 1946 this became a permanent and significant aspect of Mouton's image, with labels created by some of the world's greatest painters and sculptors: Jean Cocteau, Georges Braque, Pablo Picasso, Antoni Tàpies, Henry Moore, Andy Warhol, Keith Haring, Salvador Dalí or Francis Bacon, among others.
Two bottles of Château Mouton Rothschild 1984, Pauillac, France.Category: Red wine.75 cl.With damage to the labelling.Level: C and D.Considered one of the best wines in the world, Château Mouton Rothschild is produced in the wine estate of the same name, located in the village of Pauillac and owned by Baroness Philippine de Rothschild, only daughter of the legendary Baron Philippe. The Official Bordeaux Wine Classification of 1855 did not include this vineyard among the first crosses, probably because it had recently been acquired by an Englishman and was therefore no longer French-owned. In 1973, however, Mouton was finally elevated to Premier Cru status. The idea of having each year's label designed by a famous artist of the time came from Baron Philippe de Rothschild, and in 1946 this became a permanent and significant aspect of Mouton's image, with labels created by some of the world's greatest painters and sculptors: Jean Cocteau, Georges Braque, Pablo Picasso, Antoni Tàpies, Henry Moore, Andy Warhol, Keith Haring, Salvador Dalí or Francis Bacon, among others.
Two bottles of Château Mouton Rothschild 1984, Pauillac, France.Category: Red wine.75 cl.With damage to the labelling.Grade: C.Considered one of the best wines in the world, Château Mouton Rothschild is produced in the wine estate of the same name, located in the village of Pauillac and owned by Baroness Philippine de Rothschild, only daughter of the legendary Baron Philippe. The Official Bordeaux Wine Classification of 1855 did not include this vineyard among the first crosses, probably because it had recently been acquired by an Englishman and was therefore no longer French-owned. In 1973, however, Mouton was finally elevated to Premier Cru status. The idea of having each year's label designed by a famous artist of the time came from Baron Philippe de Rothschild, and in 1946 this became a permanent and significant aspect of Mouton's image, with labels created by some of the world's greatest painters and sculptors: Jean Cocteau, Georges Braque, Pablo Picasso, Antoni Tàpies, Henry Moore, Andy Warhol, Keith Haring, Salvador Dalí or Francis Bacon, among others.
Andy Warhol for Rosenthal Studio-Line, 'A Merry Christmas' or 'Weihnachtskalender', twenty-four cuboid pots, each decorated with part of a nativity scene to one side, opposite a date within a wreath, in a fitted plywood case, 53.5cm wide39.5cm deep10.5cm highCondition ReportThe pieces are in good overall condition. No issues with chips or any further damage. In a fitted case with foam edges.
MANUEL TERÁN (Chile, 1974)."Eclectic (Lucio Fontana)". Tribute to the Geniuses, 2021.Oil on canvas. With painted crevices.Signed in the lower right corner. Signed, dated and titled on the back.Measurements: 100 x 140 cm; 111 x 145 cm (frame).In this work we can observe Lucio Fontana's characteristic language, which approaches an aesthetic of a conceptual nature, where he introduces the intellectual necessity in the exercise of reflecting on the work and its representation. In the catalogue of the exhibition "Tribute to the Geniuses", it is stated that "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies".A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he made his name in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).
Andy Warhol (1928-1987) Limited edition offset lithograph hand numbered in pencil 41/125 on Fabriano paper with the Andy Warhol blind stamp bottom left and a facsimile signature bottom right. Complete with certificate of authenticity verso, published by The Andy Warhol Factory. Frame size approx 27 x 21 inches.
Collection of 9 pop art prints circa 1990s artist's include Robert Indiana (LOVE), David Hockney (MY PARENTS), Roy Lichtenstein (OK HOTSHOT), Andy Warhol, Peter Blake, James Rosenquist, Mel Ramos and Martial Raysse x2. All mounted but unframed, approx overall sizes 3 at 20 x 16 inches and 6 at 16 x 12 inches. Cellophane wrapped.Not original prints.Not signed.
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