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Lot 530
TWENTY ONE LPs FROM THE 1960s AND 70s including Scott by Scott Walker, Relic and Darkside of the Moon (2nd Pressing) by Pink Floyd, Question of Balance, Seventh Sojourn, In Search of by The Moody Blues, JSR Band, Kontroversy by The Kink, Andy Warhol by The Velvet Underground (reissue), Transformer by Lou Reed, Desert Shore by Nico, The Best of, Little Deuce Coupe, two The Best of Vol 2, 20 Golden Greats and Greatest Hits by The Beach Boys, How do you Like It, Greatest Hits and In Ferry Across the Mersey by Gerry and the Pacemakers
Lot 62
Andy Warhol (American, 1928-1987) 'Campbells Soup Can' print, 1992 Offset lithograph print reproduction, After Andy Warhol. Measures 40 by 31cm full sheet / 34 by 27cm image. Unframed. This work was published as part of a portfolio in 1992 by the Neues Publishing Company. Authorised by the Andy Warhol Foundation with the stamp printed in the lower right corner. Condition is fair to good with light staining around the edges. The piece is a little tired as expected for the age, with foxing marks. ARR charges may be applicable.
Lot 273
Andy Warhol. 2 dollar bill with the signature of "Andy Warhol" in felt pen. Bears a 13c stamp stuck on the note with the postmark of July 6, 1976. Stamp on the back Certificate attached. - Weight: 700 g - Shipping available - Region: United States - Sizes: H 150 mm x L 200 mm - At first glance: excellent condition - Author / artist: Andy Warhol
Lot 274
Andy Warhol. 2 dollar bill with the signature of "Andy Warhol" in felt pen. Bears a 13c stamp stuck on the note with the postmark of April 13, 1976. Stamp on the back. Certificate attached. - Weight: 700 g - Shipping available - Region: Etats-Unis - Sizes: H 150 mm x L 200 mm - At first glance: very good condition - Author / artist: Andy Warhol
Lot 321
Warhol, Andy Zwei-Dollar-Banknote, 1976 (Pittsburgh 1928-1987 New York) Vorderseitig mit dem Portrait von Thomas Jefferson und der Seriennummer "F 10549429 A" sowie aufgeklebter US-Postage-Briefmarke Alexander Graham Bell Issue 13 Cent von 1976, abgestempelt in Atlanta am 13. April 1976; rückseitig Darstellung der Unabhängigkeitserklärung nach einem Gemälde von John Trumbull. Auf der Vorderseite handsigniert, auf der Rückseite Signaturstempel. 6,5 x 15,5 cm, in Plexiglasrahmen 15 x 20,3 cm. - Mit Zertifikat der Galerie 32 Nizza, Frankreich.amerikanischer Künstler, Amerikanischer Präsident, Andrew Warhola, Dollar bill, Pop Art, Ready-made, Two Dollar Jefferson
Lot 470
Warhol (Andy) Andy Warhol's Index (Book), first edition, pop-up and folding illustrations, original stiff pictorial wrappers, Andy Warhol price sticker to upper cover (rubbed), some rubbing to covers, light creasing to corners, 4to, New York, 1967.⁂ This is a complete copy containing: pop-up castle; pop-up accordion (now silent as often); pop-up aeroplane; a folded geodesic dome; a paper disc on a wire spring (still attached to book); a flexi-disc with a portrait if Lou Reed; a folding image of a nose with colourful overlays; pop-up tomato paste tin; a sheet of 8 stamps (2 detached but present), and a gold balloon (melted and fusing the pages together, as usual).
Lot 7
Andy Warhol (American 1928-1987) & Keith Haring (American 1958-1990) (Collaboration), 'Montreux Jazz Festival', 1986, screen print in colours on wove paper, printed by Serigraphie Uldry Bern; sheet: 100 x 70cm100 x 70cmIn very good conditionNo knocks or tears to the sheet Some minor markings to the sheet verso, potentially from time of production. This is not visible rectoMinor creasing to lower right hand corner of the sheet and along right edge, from previously being rolled/tubedThis work has been stored flat and has never been framed.
Lot 8
Andy Warhol (American 1928-1987), 'Chanel No.5', 1997, a complete set of four offset lithographs on linen backs; sheets: 71 x 53cm each (4)sheets: 71 x 53cm each (4)In very good conditionNo knocks, tears or creases to either of the sheetsSome minor fraying to the extreme edge of the linen backings, as is regularly seen on these works.Minor waving along right edge of green/blue sheetThese works have been stored flat and have not been framed.
Lot 153
Horace Panter (British, born 1953)The SpecialsNo.12/65, silk screen print and acrylic, signed and titled in pencil by the artist to the lower margin image 45.5 x 26.5cm (18 x 10 1/2in); paper size 56 x 76cm (22 x 30in)Footnotes:Horace Panter graduated from Lanchester Polytechnic (now Coventry University) with a BA in Fine Art in 1972. Whilst there, he met Jerry Dammers and, together with Lynval Golding, he founded 'The Specials'. Although better known as a musician, Horace has always kept up with his art practice, gradually moving away from the ethos of 'art language' to return to painting, influenced by the artists he had first encountered as a child of the 60s: Warhol, Lichenstein, Rauschenburg, Hopper, Blake, Rousseau.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 170
Andy Warhol (1928-1987)Mick Jagger, from Mick Jagger Portfolio, 1975 signed in pencil by the artist and numbered 227/250, signed in felt-tip pen by Mick Jaggerscreenprint in colours111 x 73.3cm (43 11/16 x 28 7/8in).Printed by Alexander Heinrici, New York, published by Seabird Editions, London, with their blindstampFootnotes:LiteratureFeldman & Schellmann, Andy Warhol Prints 1962-1987, Fourth Edition, 2003, no. II.143, p.93In 1964 the Rolling Stones embarked on their first tour of the United States. It was this year, at a party in New York, that Andy Warhol first met Mick Jagger. Their initial artistic collaboration was when the Stones asked Warhol to design the album cover for 1971's Sticky Fingers.It wasn't until 1975 that they began their second partnership, when Seabird Editions in London offered to publish a portfolio of ten screenprints. The Rolling Stones were touring the United States for the sixth time when Jagger, staying with his wife, Bianca in Warhol's Montauk home, sat for the Polaroids that would come to be the Mick Jagger Portfolio. From these Polaroids, Warhol made line drawings and combined them with collage-like blocks of solid colour; a technique that would be echoed in his later works. Jagger said of working with Warhol: 'Working with Andy was relatively easy. Doing the portraits that you see was so great, 'cause he just used to get his polaroid out and just do '1, 2, 3, and 4,' and then 'turn,' and then a few of that and you were basically done.'For further information on this lot please visit Bonhams.com
Lot 77
David BowieA 'Scary Monsters (and Super Creeps)' Promotional Poster For RCA Records and Tapes, 1980design, artwork and photography by Edward Bell 61 x 122cm (24 x 48in)Footnotes:David Bowie attended Edward Bell's first exhibition in a Covent Garden Gallery in 1980 and was sufficiently impressed to ask him to design the next album sleeve which was required within a week. He also encouraged Bowie to smear his lipstick in pursuit of a more decadent image of Pierrot. The resulting artwork bore the influence of Warhol portraits of the period.ProvenanceThis poster is from the collection of Roger Crimlis, and appears in the books, Cult Rock Posters, Aurum Press Ltd and Pin Ups, Cadiz MusicFor further information on this lot please visit Bonhams.com
Lot 6528
2 Bücher zum Thema Comics: "Mickey Mouse Art" und "Donald Duck". "Mickey Mouse Art" von Craig Yoe/Janet Morra-Yoe, Paul Neff Verlag KG, Wien (1992) und "Donald Duck" von Carl Barks, Abbeville Press Inc, N.Y (1978). Beigegeben: "Andy Warhol MICKEY MOUSE", 10 Kunskkarten (5 verschiedene Motive) mit Umschlägen.
Lot 12
After Andy Warhol (American 1928-1987) "Making Money is Art" Colour print.image size 90cm x 60cm (35.5in x 23.5in)The print is in very good, original condition with no obvious faults to report. The print is ornately framed and behind perspex. There are some minor scuffs and scratches across the perspex. The frame has some minor scuffs and knocks commensurate with age.
Lot 3562
Warhol, Andy (1928 Pittsburgh/PA – New York City 1987), nach Zwei Arbeiten: a) Dollar Sign. Digital Print/Papier, re. u. im Druck bez. und li. u. mit Bleistift Ex. 734/3.000. Bildmaß 50x 40 cm und b) Uncle Sam. Digital Print/Papier, re. u. im Druck bez. und li. u. mit Bleistift Ex. 4.012/5.000. Bildmaß 24x 24 cm.
Lot 3163
AUCTION CATALOGUES. The Andy Warhol Collection. New York: Sotheby's, 1988. 6 vols., 8vo (269 x 210mm.) Numerous colour photographic illustrations. Original card covers, slipcase (6).Buyer’s Premium 24.5% (including VAT @ 0%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 5% (including VAT @ 0%) of the hammer price.
Lot 143
LISA SOTILIS, A PAIR OF ANCIENT STYLE BEAD AND GOLD COLOURED EAR CLIPSThe tapered reeded panels with a circular glass antique style bead bases, the reverse of one with an applied panel embossed with Sotilis, clip fittingsSize/dimensions: 4.7cm longGross weight: 31.5 gramsKnown in artistic circles as the Golden Greek, Lisa Sotilis was born in Athens, Greece in 1939. She studied in Athens and then at the Academy of Arts in Milan. Sotilis was in initially an artist and sculptor, but embarked on designing and making her own jewellery, having decided she didn't like contemporary jewellery design . Her first solo exhibition was at the age of 16 in Milan, and her first international exhibition was held in Berlin two years later. The world leading art dealer and gallery owner Alexander Iolas noticed her work, and allowed Sotilis to exhibit her work at international galleries alongside many of the 20th century greats such as René Magritte, Andy Warhol, and her great mentor Giorgio de Chirico. Her pieces have been collected by many in the contemporary artworld including Salvador Dali. In 1970 she entered an exclusive contract with Cartier to design watch dials and bezels. Her home Via Dante in Milan was known as a cultural space where Andy Warhol and Rudolph Nureyev were frequent guests.She has exhibited in many of the best international galleries, and examples of her work can be found in some of the finest museums and private collections in the world. She has said of her artistry: 'I sleep three hours a day because my creativity never ends. When I get tired of making jewellery, which I call micro-sculptures, I paint, I design furniture. I don't make traditional jewels; they are different, my way, because I have to recreate what I see in my dreams'. Condition Report: The ear clips have some light wear, commensurate with occasional use, they will need new replacement rubber ear cushions as the original ones have perished. There are some patches to the panels from construction, thick solder to the reverse as typical of her pieces.One of the beads has large worn chip, but as the beads are quite possibly ancient it has been worn down and smoothed out, as part of the beads history. There are some further smaller chips as typical with ancient beads. The beads are not completely matching in side profile, one has more banding than the other. Condition Report Disclaimer
Lot 145
LISA SOTILIS, A PAIR OF ABSTRACT CUFFLINKSThe two colour panels with textured finish and applied spots, the backs of the pierced shaped panels with an applied customary signature panel, one with an embossed SSize/dimensions: principal panels approximately 2.5cm x 3cmGross weight: 17.5 gramsKnown in artistic circles as the Golden Greek, Lisa Sotilis was born in Athens, Greece in 1939. She studied in Athens and then at the Academy of Arts in Milan. Sotilis was in initially an artist and sculptor, but embarked on designing and making her own jewellery, having decided she didn't like contemporary jewellery design . Her first solo exhibition was at the age of 16 in Milan, and her first international exhibition was held in Berlin two years later. The world leading art dealer and gallery owner Alexander Iolas noticed her work, and allowed Sotilis to exhibit her work at international galleries alongside many of the 20th century greats such as René Magritte, Andy Warhol, and her great mentor Giorgio de Chirico. Her pieces have been collected by many in the contemporary artworld including Salvador Dali. In 1970 she entered an exclusive contract with Cartier to design watch dials and bezels. Her home Via Dante in Milan was known as a cultural space where Andy Warhol and Rudolph Nureyev were frequent guests.She has exhibited in many of the best international galleries, and examples of her work can be found in some of the finest museums and private collections in the world. She has said of her artistry: 'I sleep three hours a day because my creativity never ends. When I get tired of making jewellery, which I call micro-sculptures, I paint, I design furniture. I don't make traditional jewels; they are different, my way, because I have to recreate what I see in my dreams'. Condition Report: There is light wear to the panels, no noticeable damage or repairs.Condition Report Disclaimer
Lot 142
ATTRIBUTED TO LISA SOTILIS, A 1970S QUATREFOIL PENDANT The textured quatrefoil panel with a central cultured pearl accent, loop fitting verso, in a Sotilis lozenge shaped boxSize/dimensions: 5.1cm longGross weight: 9.3 grams Together with a jewellery exhibition catalogue titled Sotilis, for the Alexandre Iolas Gallery, with a forward by Salvatore Quasimodo, 1970; and an exhibition catalogue for artwork, 1963Known in artistic circles as the Golden Greek, Lisa Sotilis was born in Athens, Greece in 1939. She studied in Athens and then at the Academy of Arts in Milan. Sotilis was in initially an artist and sculptor, but embarked on designing and making her own jewellery, having decided she didn't like contemporary jewellery design . Her first solo exhibition was at the age of 16 in Milan, and her first international exhibition was held in Berlin two years later. The world leading art dealer and gallery owner Alexander Iolas noticed her work, and allowed Sotilis to exhibit her work at international galleries alongside many of the 20th century greats such as René Magritte, Andy Warhol, and her great mentor Giorgio de Chirico. Her pieces have been collected by many in the contemporary artworld including Salvador Dali. In 1970 she entered an exclusive contract with Cartier to design watch dials and bezels. Her home Via Dante in Milan was known as a cultural space where Andy Warhol and Rudolph Nureyev were frequent guests.She has exhibited in many of the best international galleries, and examples of her work can be found in some of the finest museums and private collections in the world. She has said of her artistry: 'I sleep three hours a day because my creativity never ends. When I get tired of making jewellery, which I call micro-sculptures, I paint, I design furniture. I don't make traditional jewels; they are different, my way, because I have to recreate what I see in my dreams'. Condition Report: There is solder to the reverse and a couple of patches to the front of the pendant, but this is from construction. Some light wear. Condition Report Disclaimer
Lot 144
Y LISA SOTILIS, A PAIR OF ABSTRACT EAR CLIPSThe ear clips each with two shaped panels with textured borders, with gold coloured disc sides, and a trio of mother of pearl discs above, with ancient style bead accents, the bottom panels signed Sotilis, with clip fittingsSize/dimensions: 5.1cm longGross weight: 36.1 gramsKnown in artistic circles as the Golden Greek, Lisa Sotilis was born in Athens, Greece in 1939. She studied in Athens and then at the Academy of Arts in Milan. Sotilis was in initially an artist and sculptor, but embarked on designing and making her own jewellery, having decided she didn't like contemporary jewellery design . Her first solo exhibition was at the age of 16 in Milan, and her first international exhibition was held in Berlin two years later. The world leading art dealer and gallery owner Alexander Iolas noticed her work, and allowed Sotilis to exhibit her work at international galleries alongside many of the 20th century greats such as René Magritte, Andy Warhol, and her great mentor Giorgio de Chirico. Her pieces have been collected by many in the contemporary artworld including Salvador Dali. In 1970 she entered an exclusive contract with Cartier to design watch dials and bezels. Her home Via Dante in Milan was known as a cultural space where Andy Warhol and Rudolph Nureyev were frequent guests.She has exhibited in many of the best international galleries, and examples of her work can be found in some of the finest museums and private collections in the world. She has said of her artistry: 'I sleep three hours a day because my creativity never ends. When I get tired of making jewellery, which I call micro-sculptures, I paint, I design furniture. I don't make traditional jewels; they are different, my way, because I have to recreate what I see in my dreams'. Condition Report: The clips with some light wear. There is solder and glue at the backs of the clips, but this appears to be from construction. Sotilis is known to have mostly created her jewellery in 18 carat gold, however these are unmarked, the solder at the back is quite thick, giving support to the gold fronts. On one of the clips top panel there is some solder coming through the top of one of the panels where there must have been a hole at construction. The beads appear to possibly be ancient, they show wear and some losses, they are not identicalCondition Report Disclaimer
Lot 95
After Andy Warhol (American, 1928-1987). Group of two silkscreens based on Warhol's iconic 1970 "Flower" portfolio. One in blue, pink, red, orange, and yellow. The other in green, white, and blue.Green; height: 24 1/4 in x width: 24 in. Red; height: 27 in x width: 26 1/2in.Condition: The prints are in fair condition with no major creases, losses, or tears. The color is bold and bright. Both prints do not show a sign of restoration when inspected under UV light. The green-themed print is mounted on the board and has soiling, most noticeably to the dark blue flower as shown in the listing image. Scattered light creases throughout, possibly due to glue from the recto. To the upper right flower, there is a vertical light grey mark; please see the listing image. Wear along the margins. The red-themed print has a few scattered areas of creases, most noticeably by the orange flower. There is a light crease to the upper left margin, measuring 1 1/2 in. To the lower right corner, there is a minute tear. Along the margins, there is light wear. Along the verso, there are several scattered creases that are also visible from the recto; along the upper margin, there is skimming from an old tape.
Lot 213
Andy Warhol (1928-1987) after.I Love Your Kiss Forever Forever (Sunday B. Morning)Screenprint in colours, 2013, numbered from the edition of 2500 in pencil verso, published by Sunday B Morning, with their rubber stamps in blue ink verso, on Vellum paper, the full sheet printed to the edges, sheet 419 x 571mm (16 1/2 x 22 1/2in)This work is accompanied by a certificate of authenticity issued by the publisher.
Lot 217
Andy Warhol (1928-1987) after.Mona Lisa (Sunday B. Morning) (set of three)Screenprints in colours, 2019, each inscribed 'PP' and numbered from the edition of 1,500 in pencil verso, each a printer's proof aside from the standard edition, published by Sunday B Morning, with their rubber stamps in blue ink verso, each on Archival Museum Board, each the full sheet printed to the edges, each 890 x 585mm (35 x 23in)
Lot 212
Andy Warhol (1928-1987) after.Marilyn Monroe (Sunday B. Morning)Screenprint in colours with diamond dust additions, 2012, numbered from the edition of 2500 in pencil verso, on Archival Museum Board, published by Sunday B Morning, with their rubber stamps in blue ink verso, the full sheet printed to the edges, sheet 915 x 915mm (36 x 36in)This work is accompanied by a certificate of authenticity issued by the publisher.
Lot 237
DALLESANDRO JOE: (1948- ) American actor and Warhol superstar, a sex symbol of gay subculture in the 1960s and 1970s. Signed and inscribed 10 x 8 photograph of Dallesandro in a bare-chested half-length pose with his nickname ('Little Joe') tattooed on one arm. The photograph is a publicity portrait for the Andy Warhol film Flesh (1968) in which Dallesandro starred in the role of the hustler Joe. Signed by Dallesandro in dark fountain pen ink to a clear area at the head of the image and dated 1975 in his hand. A few very small, minor pinholes to the corners of the white border, otherwise VG Provenance: The present photograph originates from the collection of Pierre Goulliard, a French gentleman who, for over 50 years, dedicated himself to obtaining in person autographs of British, American and European movie stars, always obtaining the signatures in fountain pen ink.
Lot 4092
Andy Warhol (Pittsburgh, Pennsylvania, 1928 - 1987New York Presbyterian),(attributed to), Marilyn Invitation & Mickey Invitation (2x)(Castelli Graphics) is a miniature version of Andy Warhol's Marilyn (FS II.30) and was created as an announcement for the exhibition Andy Warhol: A Print Retrospective 1963-1981, which runs from November 21 to December 22. 1981 at Castelli Gallery in New York. In addition to his pop art images of Brillo boxes and Campbell's soup cans. Both with signature on the front.17,5 x 17,5 cm.
Lot 4094
Andy Warhol (Pittsburgh, Pennsylvania, 1928 - 1987New York Presbyterian),(attributed to), Marilyn Invitation &Flower Invitation (2x)(Castelli Graphics) is a miniature version of Andy Warhol's Marilyn (FS II.30) and was created as an announcement for the exhibition Andy Warhol: A Print Retrospective 1963-1981 which was on view from November 21 to December 22, 1981 at Castelli Gallery in New York. In addition to pop-art images of Brillo boxes and Campbell's soup cans, both with a signature on the front.
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