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Warhol, Andy. Index (Book). With the assistance of Stephen Shore, Paul Morissey, Ondine, Nico. General photographs by Nat Finkelstein etc. 34 Bl. Teils gefaltetes Buchobjekt mit Texten, Schwarz-Weiß-Fotos, 1 Schallplatte, 1 Luftballon, farbigen Pop-Up-Motiven und einigen variationsreichen Blatt-Faltungen. 27,5 x 22 cm. Illustr. schwarze OKart. New York, Random House, 1967.Sackner-Archive 859. - Andy Warhol (1928-1987), Hauptvertreter der Pop-Art, vermittelt die wohl ehrlichsten Aussagen zum "American way of life" durch seine Kunst der "totalen Dominanz des Kommerziellen, der reinen Sensation, der Trivialisierung und Vulgarisierung" (Pierre, Lex. der Pop Art, S. 138). - Der Luftballon (wie immer) zwei Seiten verklebend (brauner Durchschlag), die Schallplatte liegt lose bei. Sehr gut erhalten. - Dabei: Andy Warhol. Ca. 650 S. Mit zahlreichen ganzseitigen Abbildungen nach Fotografien. Editing: Andy Warhol, Kasper König, Pontus Hultén, Olle Granath. This book was published on the occasion of the Andy Warhol exhibition at Moderna Museet in Stockholm February-March 1968. 27 x 20,5 cm. Farbig illustrierte OBroschur. Stockholm 1968. - Sehr gutes Exemplar.

Andy Warhol (1928-1987) 'Queen Beatrix of the Netherlands' (1985). From the series 'Reigning Queens' (Royal Edition). Signed in pencil and numbered R 1/30 lower right. Published by George C. P. Mulder, Amsterdam (Andy Warhol 1985 copyright stamp verso). Literature: Feldman/Schellman, Andy Warhol Prints, a catalogue raisonné 1962-1987, p. 139 (F. & S. II.341). Provenance: Gallery Delaive, Amsterdam, purchased in 2012. Screenprint met 'diamond dust' op Lenox museum board 100 x 80 cm.

WARHOL, ANDY, after, Brigitte Bardot in green, silkscreen 91 x 91 cm.WARHOL, ANDY, naar ontwerp van, Brigitte Bardot in het groen, zeefdruk 91 x 91 cm.

WARHOL, ANDY, after, Marilyn Monroe, silkscreen 90 x 90 cm.WARHOL, ANDY, naar ontwerp van, Marilyn Monroe, zeefdruk 90 x 90 cm.

Ten lithographs Campbell Soup II. To Andy Warhol. Printed by Sunday B. Morning. Lithograph on paper. Dimensions: H 89 x W 58 cm. In good condition.

ANDY WARHOL (AMERICAN 1928-1987) AND KEITH HARING (AMERICAN 1958-1990) MONTREUX JAZZ FESTIVAL - Screenprint(the sheet 100cm x 70cm (39.25in x 27.5in), unframed)

Andy Warhol (1928-1987), Two dollar note in with signature and stamp, in plexiglass framed, with certificate of authenticity June 2019. 15x20 cm

Andy Warhol (1928-1987), two dollar note, with signature and stamp, in plexiglass framed, with certificate of authenticity, June 2019. 15x20 cm

ANDY WARHOL 'Lincoln centre ticket', 1967, lithograph, 76/100, Leo Castelli Gallery, edited by Georges Israel on Arches paper, gallery stamped on reverse, 49cm x 35cm, framed and glazed.

An Andy Warhol Campbell's Tomato Soup Cans Pop Art print shopping bag retailed by Cally & Co, a National Galleries of Scotland 2007 exhibition catalogue 'Warhol: A Celebration of Life... and Death' and a Thames and Hudson Andy Warhol Fashion book

WARHOL, Andy, zwei Vasen, eine "Grace", Porzellan, H 14 und 20,5, ROSENTHAL studie-linie

WARHOL, Andy, zwei Vasen, "Marilyn", und aus "Daisies", Porzellan, H 24,5 und 33,5, ROSENTHAL studio-linie

Collection of 6 pop art prints circa 1990s artist's include Peter Blake, Andy Warhol, Edward Kienholz, Richard Hamilton, Robert Rauschenberg, and Bruno Goller. All mounted but unframed, approx overall sizes 16 x 12 inches. Cellophane wrapped.

Andy Warhol (1928-1987) Lithographic print of Marilyn Monroe, published by Mcgaw in association with the Andy Warhol foundation. Frame size approx 22 x 18 inches (Glazed)

(Pittsburg 1928–1987 New York)Andy Warhol’s exposures. Zweimal signiert und mit einer kleinen Zeichnung von Warhol. London, Hutchinson 1979. 4°. Original- Leinenband mit Orig. Umschlag. Photographs by Andy Warhol, Text by Andy Warhol with Bob Colacello. Werk mit Portraitfotografien Warhols von seinen Freunden, u. a. von F. Fellini, M. Jagger, P. Beard, D. Abbott, J. Johns, Capote, F. Bacon, T. Curtis, L. Minelli, Dali, Onassis u. v. m. Von Warhol mit Filzstift auf Umschlag signiert, sowie auf Titelblatt signiert und mit einer kleinen Zeichnung versehen. Umschlag mit kleinen Einrissen, sonst sehr gut erhalten.

Sturtevant (1924-2014)Study for Warhol's Marilyn 1965 signed, titled, and dated 1965acrylic and silkscreen ink on canvas50.8 by 40.6 cm.20 by 16 in.Footnotes:This work will be included in the forthcoming catalogue raisonné being compiled by the Sturtevant Estate, Paris.ProvenancePrivate Collection, HoustonAcquired directly from the above by the present owner circa 1977Each artistic generation is defined by its novel visionaries and 'enfants terribles'; Marcel Duchamp, Robert Rauschenberg, Maurizio Cattelan, Richard Prince – these are artists whose work shatters the cultural zeitgeist and reshapes the landscape of contemporary art practice in its time. American artist Sturtevant was one of the most prominent and highly regarded conceptual pioneers of the latter half of the Twentieth Century, caricaturing and challenging the entrenched ideas of what constituted the art image and object, inspiring artists, philosophers, and critical theorists for generations. In the painting presented here for sale, there is no finer representation of Sturtevant's lifelong artistic project than this: one of the earliest Study for Warhol's Marilyn works, from 1965, the first year of her 'repetitions,' as she termed them. Executed with all the panache of a consummate master, the underpainting, silkscreen quality, and electrifying colour palette are superbly definitive of the Pop Art canon that she sought to rattle. Her ideas were revolutionary and her artworks supremely astute, engaging in the broader discourse around media and cultural theory that had gained immense traction with artists, writers, and critics in the early 1960s. Her practice went head-to-head with the artist-titans of her time, repeating the paintings of Frank Stella, Jasper Johns, and Anselm Kiefer. Sturtevant's Warhol Marilyn series, however, stands as the most iconic of her career. Superimposing images and techniques, upending the symbolic order of source material and artistic license – using not only the visage of the most recognisable leading lady of the last 70 years, but also the most illustrious portrait of the same era – Sturtevant forced the audience to consider the work of art holistically. Her ideology represented the apex point of Warhol's own practice that conflated ubiquity and fame. Her artworks suspended meaning, and instead engaged the spectator in a hierarchy of images and information, undermining the authorial roots and aura of the work of art. Unlike many whose appropriation has inspired backlash, such as Richard Prince, Jeff Koons, and Sherrie Levine, Sturtevant's Marilyns were painted not only with Warhol's blessing, but with the technicians and materials made available to her at the Factory; the canvases, paints, and screens identical to those that Warhol began producing after the actress's untimely death in 1962. Sturtevant claimed that later, when asked how he made his silkscreened works, Warhol told people to 'ask Elaine [Sturtevant].' Her paintings cannot simply be termed 'copies,' therefore, but are instead something much more complex and subversive, entering the philosophical realm of simulacra – a term the artist consistently nodded to as her holy grail and creative driving force. In an age interwoven with digital and virtual machinations that replicate, reshape, and have largely replaced our engagement with 'the real,' Sturtevant's work has become still more relevant and arresting. Shifting to video and digital art in the latter decades of her practice after moving to Paris in 1990, her earliest paintings retain a mysticism that is reserved for those works of art that are true originals – not simply in appearance, but in substance. In the present work, this sense of presence and significance is palpable and undeniable. As academic Patricia Lee wrote, Sturtevant's 'Warhol Marilyn provocatively embodies a decisive moment in the history of the object in art [...] It is in Sturtevant's work that the issue of the copy and its ramifications in Pop, Minimalism and Conceptual art crystallises' (Patricia Lee, Warhol Marilyn: Sturtevant, London, 2016, p. 17). Not only has Sturtevant's work grown to stand apart from those artists she emulated, but the historical and artistic importance of her practice is assured, with works in global museum collections that include the Musée d'Art Moderne de Paris, the Whitney Museum of American Art, New York, the Museu das Artes de Sintra, Portugal, in addition to her major career retrospective, Double Trouble, that took place at the Museum of Modern Art in New York in 2014. A painting by an artist who emerged to compete at the height of the Pop Art and Minimalist movements, Sturtevant's contribution to and importance as one of the definitive Postmodernists of the Twentieth Century can be held in no doubt, and Study for Warhol's Marilyn from 1965 stands as one of the earliest and most collectible works from her career to come to market.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

ANDY WARHOL (1928-1987)Hong Kong 1956 signed with the artist's initials and titled; stamped by the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts, Inc., numbered 217.030 and inscribed VF on the reverseballpoint pen on paper 26.7 by 40.7 cm.10 1/2 by 16 in.This work was executed in 1956.Footnotes:This work is registered in The Andy Warhol Foundation for the Visual Arts, Inc., New York, under no. 217.030.ProvenanceThe Andy Warhol Foundation for the Visual Arts, New YorkPrivate CollectionSelling exhibition: S|2 Gallery, Hong Kong, From Warhol, With Love, 2013Art Trade, LondonAcquired directly from the above by the present ownerFor further information on this lot please visit Bonhams.com

Andy Warhol (American 1928-1987), 'Brooklyn Bridge', 1983, screenprint in colours on Lenox Museum Board, signed and numbered from an edition of 200 in pencil, published by the Brooklyn Bridge Centennial Commission, Inc., New York, printed by Rupert Jasen Smith, New York, bearing the Artist's Copyright Stamp in red ink verso; sheet: 100 x 100cm (Framed)

Andy Warhol (American 1928-1987), 'Karen Kain', 1980, screenprint in colours with diamond dust on Lenox Museum Board, signed by both the Artist and the Sitter in pencil, numbered from an edition of 200 in pencil, published by William Hechter, Toronto; 127 x 107cm inc frame

Keith Haring (American 1958-1990)& Andy Warhol (American 1928-1987) (Collaboration), 'Montreux Jazz Festival', 1986, screenprint in colours on wove paper, printed by Serigraphie Uldry Bern; sheet: 100 x 70cm

After Andy Warhol, a framed print with 'Double Elvis' image. 40cm x 80cm

ANDY WARHOL 'Schlitz Beer Cans', 1961, lithograph, numbered 84/100, Leo Castelli Gallery, edited by Georges Israel (blind-embossed) on Arches paper, gallery stamped on reverse, 49cm x 37cm, framed and glazed.

ANDY WARHOL 'Three Coke Bottles', 1962, lithograph, numbered 88/100, Leo Castelli Gallery, edited by Georges Israel (blind-embossed) on Arches paper, gallery stamped on reverse, 46cm x 34cm, framed and glazed.

ANDY WARHOL 'Marilyn', pink background, 1967, lithograph, numbered 71/100, Leo Castelli Gallery, edited by Georges Israel (blind-embossed) on Arches paper, gallery stamped on reverse, 48cm x 38cm, framed and glazed.

ANDY WARHOL 'Pepsi Cola on green background', 1977, lithograph, 5/100, Leo Castelli Gallery, edited by Georges Israel on Arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed.

Andy WARHOL (1928-1987)"Two dollars bill",1976Billet de 2 dollars américain 1976, n°A07875009A, signé au marqueur noir.Encadré sous plexiglas.6,6 x 15,6 cmAccompagné de son certificat d'authenticité de la Galerie 32 à Nice en date du 13 juin 2019

Andy WARHOL (1928-1987)"Two dollars bill",1976Billet de 2 dollars américain 1976, n°A07875010A, signé au marqueur noir.Encadré sous plexiglas.6,6 x 15,6 cmAccompagné de son certificat d'authenticité de la Galerie 32 à Nice en date du 13 juin 2019

Four Andy Warhol tins of Campbell's condensed tomato soup.

Andy Warhol (American 1928-1987) Mick Jagger - promotional cardOffset lithograph, 1975Signed in felt tip pen, from the edition of unknown size, co-published by Multiples, Inc., New York, and Castelli Graphics, New York15 x 10cm (5¾ x 3¾ in.)Provenance:Belgravia Gallery, LondonCondition Report: Tape visible at two places along upper edge indicating hinging verso. In good original condition. Under perspex and unexamined out of frame.Condition Report Disclaimer

A collection of ceramics, to include a Rosenthal Andy Warhol Studio Line coffee cup, a Royal Copenhagen leaf shaped pickle dish, a Noritake centre piece, a Victorian press glass hen, etc.

(See English version below)Andy Warhol (Pittsburgh 1928 – 1987 New York). „Neuschwanstein“. 1987Farbserigrafie auf Karton. 85 × 60 cm ( 33 ½ × 23 ⅝ in.). Signiert und gestempelt.Feldman/Schellmann/Defendi II.372.–Ex. 8 von 100 nummerierten Exemplaren aus einer Gesamtauflage von 140. München/New York, Edition Schellmann und München, Sabine Knust 1987. [3525]Zustandsbericht: Ex. 8/100. In gutem Zustand. Die Farben frisch und leuchtend. Die Blattkanten ohne Einrisse oder Fehlstellen. Entlang der linken Kante stellenweise mit minimalen Anhebespuren. Die rechte untere Blattecke mit einem leichten Knick. Unter UV-Licht sind keine Restaurierungen erkennbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Andy Warhol (Pittsburgh 1928 – 1987 New York). ”Neuschwanstein”. 1987Colour silkscreen on cardboard. 85 × 60 cm ( 33 ½ × 23 ⅝ in.). Signed and stamped.Feldman/Schellmann/Defendi II.372.–No. 8 of 100 numbered copies from a total edition of 140. Munich/New York, Edition Schellmann and Munich, Sabine Knust 1987. [3525]Condition report: No. 8/100. In good condition. The colours fresh and luminous. The sheet edges without tears or losses. Minimal handling creases in places along the left edge. Light crease in the lower right corner. There are no repairs visible under UV-light. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.

(See English version below)Andy Warhol (Pittsburgh 1928 – 1987 New York). „Photo Edition for Parkett“. 1987Buch mit 4 Fotografien, maschinell vernäht, in Pergamenthülle. Buch: 25,5 × 21 cm; Fotografien: 24,5 × 19,5 cm ( 10 × 8 ¼ in.; Fotografien: 9 ⅝ × 7 ⅝ in.). Signiert.Ex. 25 von 120 nummerierten Exemplaren. Zürich/New York, Parkett Editionen, 1987. [3513]Provenienz: Privatsammlung, BerlinZustandsbericht: Ex. 25/120. In sehr gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Unter UV-Licht sind keine Restaurierungen erkennbar. Schöner harmonischer GesamteindruckWir berechnen auf den Hammerpreis 30% Aufgeld.Andy Warhol (Pittsburgh 1928 – 1987 New York). ”Photo Edition for Parkett”. 1987Book with 4 photographs, machine sewn, in a parchment cover. Book: 25,5 × 21 cm; photographs: 24,5 × 19,5 cm ( 10 × 8 ¼ in.; photographs: 9 ⅝ × 7 ⅝ in.). Signed.No. 25 of 120 numbered copies. Zurich/New York, Parkett Editions, 1987. [3513]Provenance: Private Collection, BerlinCondition report: No. 25/120. In very good condition. The sheet edges without tears or losses. There are no repairs visible under UV-light. Fine harmonious overall appearanceWe charge 30% premium on the hammerprice.

(See English version below)Andy Warhol (Pittsburgh 1928 – 1987 New York). „Endangered Species“. 19873 Farboffsets, jeweils auf Glanzpapier. Jeweils 21 × 21 cm (21,5 × 21,5 cm) ( 8 ¼ × 8 ¼ in. (8 ½ × 8 ½ in.)). Jeweils rückseitig mit dem Stempel in Schwarz: Art 18/87 Basel Vintage Print LTD. Edition 1000 Copies.Vgl. Schellmann 301 01/06.–[3569]Zustandsbericht: In gutem Zustand. Die Blattkanten ohne Einrisse oder Fehlstellen. Stellenweise schwache Druckstellen. Rückseitig jeweils entlang der Kanten mit Papierklebestreifen an das Passepartout montiertWir berechnen auf den Hammerpreis pauschal 30% Aufgeld und 7% verauslagte Einfuhrumsatzsteuer.Andy Warhol (Pittsburgh 1928 – 1987 New York). ”Endangered Species”. 19873 colour offsets, each on glossy paper. Each 21 × 21 cm (21,5 × 21,5 cm) ( 8 ¼ × 8 ¼ in. (8 ½ × 8 ½ in.)). Each stamped in black on the verso: Art 18/87 Basel Vintage Print LTD. Edition 1000 Copies.See Schellmann 301 01/06.–[3569]Condition report: In good condition. The sheet edges without tears or losses. Faint pressure marks in places. Each sheet mounted on the reverse with paper tape onto the mount along the edgesWe charge 30% premium and 7% import tax on the hammerprice.

ANDY WARHOL 'Pepsi Cola on blue background', 1977, lithograph, 15/100, Leo Castelli Gallery, edited by Georges Israel on Arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed.

ANDY WARHOL 'Moonwalk' (white), 1987, lithograph, numbered 244/2400, CMOA stamp on reverse, printed on Lenox Museum card, 60cm x 60cm, framed and glazed.

ANDY WARHOL 'Moonwalk' (red), 1987, lithograph, numbered 244/2400, CMOA stamp on reverse, printed on Lenox Museum card, 60cm x 60cm, framed and glazed.

ANDY WARHOL 'Superman', 1961, lithograph, numbered 15/100, leo Castelli Gallery, edited by Georges Israel (blind-embossed) on Arches paper, gallery stamped on reverse, 55cm x 38cm, framed and glazed.

A Lorna Bailey Set of Four Andy Warhol Beatle Character Teapots, approx. 11cm high.

Andy Warhol (1928-1987)Electric Chair (Feldman and Schellmann 11.79)Screenprint in colours, 1971, signed and dated in pencil, numbered with the rubber stamp from the edition of 250 verso, printed by Silkprint Kettnet, published by Bruno Bischofberger, Zurich, with his rubber stamp verso, on wove paper, the full sheet printed to the edges, sheet 902 x 1219mm (35 1/2 x 48in) (unframed)

Here we have a classic privately released LP by The Rolling Stones; Emotional Tattoo (1D 1266, 1983 German pressing of studio outtakes from the 1970s. Features the wonderful cover art by Andy Warhol. The record is in beautiful Ex. The sleeve has some light edge shelf wear and foxing. Strong VG+).

6 bottles Dom Perignon Andy Warhol 2002 Champagne. Moet et Chandon In original carton This lot is offered in bond (LCB Burton-on-Trent) and is subject to excise duty and VAT on the hammer price if taken duty-paid

Andy Warhol (1928-1987), Flowers, a plate from Sunday B. Morning, screenprint in colours, Open Eye Gallery Edinburgh label verso, "Sunday B. Morning Impression / 1969 / Limited Edition of 250", framed. 91cm square

Janssen, Horst (Wandsbek 1929 - 1995 Hamburg),  Zwei Offset-Plakate: Andy Warhol "All is pretty", rechts unten im Blatt monogrammiert und datiert 10. 8. 71, Passeparoutausschnitt, 60 x 30 cm, im Wechselrahmen unter Glas gerahmt, Gesamtgröße 83,5 x 53 cm, unten rechts im Blatt und nachträglich auch in Graphit monogrammiert; 2 Schuhe und Walnussschale, bez. "Horst Janssen Artist Galleri, Ridder velds gt. 9 Oslo 2 Norge", rechst unten datiert 26. 1. 80, unten rechts im Blatt und nachträglich in Graphit monogrammiert, Passepartpouausschnittt, 60 x 43 cm, im Wechselrahmen unter Glas gerahmt, Gesamtgröße 70 x 50,5 cm.   2617-001

ANDY WARHOL 'QUERELLE' REPRODUCTION FILM POSTER, 99cm x 69cm

WARHOL, Andy(1928 Pittsburgh - 1987 New York City) 2 Werke: "Portraits of Ingrid Bergman" 2 Farbsiebdrucke. Blatt: je 23 x 22,5 cm. Im Passepartout: je 50 x 40 cm. Aus dem Portfolio von Ingrid Bergman, Ausstellung der Galerie Börjeson, Malmö 1983 US-amerikanischer Künstler, Filmemacher und Verleger; Mitbegründer und bedeutendster Vertreter der Pop-Art.

KUHL, Hans-Jürgen(*1941 Dattenfeld) "Goethe" Farbsiebdruck. Bleistiftsignatur. Blatt: 35 x 35 cm. Im Passepartout: 50 x 50 cm. Nach Andy Warhol

WARHOL, Andy(1928 Pittsburgh - 1987 New York City) "Marilyn" Farbsiebdruck in Grün- und Gelbtönen. Verso gestempelt: "fill in your own signature" und "published by Sunday B. Morning". 1970. 91 x 91 cm. US-amerikanischer Künstler, Filmemacher und Verleger; Mitbegründer und bedeutendster Vertreter der Pop-Art. Provenienz: Aus der Ausstellung "Köpfe" der Galerie 88 in Hanau 2011.

WARHOL, Andy(1928 Pittsburgh - 1987 New York City) "Marilyn" Farbsiebdruck in Grautönen. Verso gestempelt: "fill in your own signature" und "published by Sunday B. Morning". 1970. 91 x 91 cm. Unsignierter, von Andy Warhol autorisierter Druck US-amerikanischer Künstler, Filmemacher und Verleger; Mitbegründer und bedeutendster Vertreter der Pop-Art. Provenienz: Aus der Ausstellung "Köpfe" der Galerie 88 in Hanau 2011.

WARHOL, Andy(1928 Pittsburgh - 1987 New York City) "Marilyn" Farbsiebdruck in Neonfarben. Verso gestempelt: "fill in your own signature" und "published by Sunday B. Morning". 1970. 91 x 91 cm. US-amerikanischer Künstler, Filmemacher und Verleger; Mitbegründer und bedeutendster Vertreter der Pop-Art. Provenienz: Aus der Ausstellung "Köpfe" der Galerie 88 in Hanau 2011.

WARHOL, Andy(1928 Pittsburgh - 1987 New York City) 3 Porträts berühmter Frauen 3 Farbsiebdrucke. "Ingrid Bergman", Blatt: 23 x 23 cm, verso Stempel: "Published by Börjeson 1983 Sweden", im Passepartout: 40 x 40 cm | "Diane von Furstenberg", Blatt: 50 x 40 cm, Drucksignatur, Exemplar: 479/2000 | "Marilyn Monroe", Nr. 40-0770, published by Minerva A/S, Copenhagen, Blatt: 50,5 x 70 cm US-amerikanischer Künstler, Filmemacher und Verleger; Mitbegründer und bedeutendster Vertreter der Pop-Art. Provenienz: Aus der Ausstellung "Köpfe" der Galerie 88 in Hanau 2011.

ANDY WARHOL 'Pepsi Cola on black background', lithograph, 50/100, Leo Castelli Gallery, edited by Georges Israel on Arches paper, gallery stamped on reverse, 58cm x 38cm, framed and glazed.

ANDY WARHOL ORIGINAL COCA COLA DENIM JEANS SIZE 32 WAIST 32 LEG

After Andy Warhol, three pop art oils of Marilyn Monroe, 90cm by 90cm (3)

Assorted modern perfume dummy factices and scent bottles, including Andy Warhol, Fendi, Nina Ricci, five Escada cased sets of five 4ml scents, sample scents, Andy Warhol tin enclosing scent bottle and watch and two Fendi perfume sets etc (one box)

Fabric of Pop V&A Exhibition poster 1974, bearing Andy Warhol Campbell Soup imagery - this event was one of the first academic celebrations of Pop-Art & street culture in Britain, rolled, 20 x 30 inches

ANDY WARHOL (1928-1987)A 2 dollars bill signed by Andy Warhol, 1976 Accompanied by certificate of authenticity N° G28900985A 15,5 x 6,6 cm

ANDY WARHOL (1928-1987)A 2 dollars bill signed by Andy Warhol, 1976 Accompanied by certificate of authenticity N° G28900987A 15,5 x 6,6 cm

Andy Warhol (1928-1987) Plate signed lithographic print of a cat 'Sam', published by Mcgaw in association with the Andy Warhol foundation.

Chelsea GirlsAn Autographed Film Poster, 1966Andy Warhol Films, British poster, artwork by Alan Aldridge, signed and dated in black ink 'Alan Aldridge 1971', unframed 76 x 51cm (30 x 20in)Footnotes:LiteratureT. Nourmand and G. March, Film Posters of the 60s, Aurum Press, 1997, p. 39, illustratedThis lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

RICHARD YOUNG (BRITISH, BORN 1947)Andy Warhol, The Factory, New York, 1979original vintage photographic print, signed by the photographer in black ink and stamped to the verso, unframed approx. 20 x 25.5cm (8 x 10in)Footnotes:ProvenanceOffered directly by the photographer'I started working with David Bailey's Ritz magazine from around 1976. He sent me off to New York to photograph Andy at The Factory. Bailey was responsible for opening many doors for me.'- Richard YoungFor further information on this lot please visit Bonhams.com