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After Andy Warhol (American, 1928-1987) MAO ANNOUNCEMENT CARD Offset lithograph printed in colours, 1972, for the artist's Mao portfolio published by Multiples, Inc. and Castelli Graphics, New York, bearing a signature in black marker, on folded cardstock, the full sheet sheet 18 x 34.5cm, unframed
After Andy Warhol (American, 1928-1987) MAO ANNOUNCEMENT CARD Offset lithograph printed in colours, 1972, for the artist's Mao portfolio published by Multiples, Inc. and Castelli Graphics, New York, bearing a signature in black marker, on folded cardstock, the full sheet sheet 18 x 34.5cm, unframed
Andy Warhol (1928-1987)Tomato-Beef Noodle O´s, from Campbell's Soup II, 1969 (F. & S. II.61)screenprint in colours on smooth wove paper - number 155 from an edition of 250 (total edition includes 26 artist's proofs).Printed by Salvatore Silkscreen Co., Inc., New York. Published by Factory Editions, New York.hand signed in ball-point pen and stamp-numbered 155/250 verso88.90 x 58.40cm (35 x 23in)Provenance: Private Collection Literature: Feldman-Schellmann II.61One evening in 1962, the philosopher and art critic Arthur Danto happened to see a work by Andy Warhol in the window of the Leo Castelli Gallery in New York. The work was a stack of screen-printed Brillo Boxes, just like the boxes you could find in the supermarket, but these were recreated by Warhol and they were empty. Danto realised in that moment that Warhol had transformed the whole notion of fine art. As far as he was concerned, things would never be the same again.Born in Philadelphia in 1930, Warhol had worked as a very successful commercial artist and illustrator in New York since the early 1950s. But now he was transforming the subjects and methods of popular and commercial culture into the currency of fine art. Pretty much every American, Danto realised, could understand a Warhol. You didn't need knowledge of art history or any kind of insider information. At a stroke he had bypassed the pretensions of an art world elite - an elite that included Danto himself.Warhol went on to draw on any number of everyday subjects including, famously, Campbell's Soup cans, dollar bills, advertising imagery and film stars. When Warhol used images of film stars, he didn't aim for a classical studio portrait, he took ordinary publicity shots, as reproduced in newspapers and magazines, familiar to millions of people, made silkscreen versions of them, mechanically, but with some interventions, and produced them in multiples. His studio was called, appropriately, the Factory. His Ingrid Bergman has her in character as Sister Superior Mary Benedict in The Bells of St Mary's. Aidan Dunne, September 2019
Andy Warhol (1928-1987)The Nun, from Ingrid Bergman, 1983 (F. & S. II.314)screenprint in colours on Lenox Museum Board - numbered 215 from an edition of 250 (total edition includes 20 artist's proofs) with the printer's blind stamp Rupert Jasen Smith, New York.Published by Galerie Borjeson, Malmo, Swedenhand signed in pencil and numbered 215/250 lower right96½ x 96½cm (38 x 38in)Provenance: Taylor Gallery, Belfast; Private Collection Literature: Feldman-Schellmann II.314
After Andy Warhol (American 1928-1987) Mick Jagger Ten offset lithographs printed in colours, 1975, contained within promotional paper portfolio, published by Castelli Graphics and Multiples Inc., New York Each signed by Andy Warhol in felt-tip pen 15.5 x 10cm (6 x 3¾ in.) (10) Provenance: Jan-Eric Löwenadler, Sweden/New York Private Collection, Sweden (acquired from the above) Thence by descent to the present owner
Andy Warhol (after), a square coffee table, painted wood, the top inset with a silkscreen of Marylin Monroe after Warhol, published by Sunday B Morning, late 20th century, edition number 31 of 150, 34cm high, 91cm x 91cm Provenance: Lamberty Art & Design, selected items from the storages.A similar table by Sunday B Morning, was sold at Christie's Paris, First Open Home, 23 November 2016, lot 83
λ Fernandez Arman (Franco-American, 1928-2005), Untitled, paint brushes and running paints within a perspex case, signed and numbered 3/20, 71cm high, 30.5cm wide, 5.5cm deep, on a black base The present work is an example of Arman's 'found object art'. Strongly influenced by Dadaism, the Nice-born artist was a founding member of the Nouveau Réalisme group, alongside other renowned artists including Yves Klein and Jean Tinguely. Arman began displaying found objects in perspex vitrines in 1959. He referred to these works as 'poubelles' ('dust bins'). Andy Warhol allegedly owned two. Arman's work is held in the collections of MoMa New York, the National Gallery of Art, Washington and Tate Gallery, London. A set of six paintbrush works, entitled Color Strokes, was sold at Phillips New York, Editions, 29 April 2013, lot 25 λ Indicates that this lot may be subject to Droit de Suite royalty charges. Please see our Terms & Conditions for more information.
JOHN LENNON DAN RICHTER PHOTOGRAPHS. Collection of four 13.5" x 13.5" colour photographs taken from the negative, depicting John Lennon at his Tittenhurst Park home in 1971. The images were intended to be used for the album cover of Imagine but this changed when Yoko accidentally took the double exposed shot of John with the clouds around him. In the "Making of Imagine" documentary John, Yoko and others (including Andy Warhol and Dan Richter) are sat around the dining table discussing how they are going to use the images. The lot also includes an 8"x10" black and white photograph of John. These images were taken by photographer Dan Richter, who was living with John and Yoko Ono at the time and who also shot the Plastic Ono Band LP covers.
ANDY WARHOL JOHN LENNON SILKSCREEN PRINT. An image of John Lennon silkscreen printed on silver card in shades of brown, red, orange and yellow. Created by Andy Warhol at the Factory in New York City and acquired by Alister Taylor before being passed onto the vendor. Details of the items are documented in a letter from Alistair Taylor.
NO RESERVE Anfam (David) Mark Rothko: The Works on Canvas. A Catalogue Raisonné, fourth printing, New Haven & London, 2008 § Harrison (H.A.) & others. Jackson Pollock: A Centennial Retrospective, text in Japanese & English, Tokyo, 2011 § Del Roscio (N., editor) The Essential Cy Twombly, 2014 § Wilmes (U.) Gerhard Richter: Large Abstracts, Ostfildern, 2008 § McShine (K., editor) Andy Warhol: A Retrospective, New York, 1989, illustrations, many colour, original cloth or boards, all but the second with dust-jackets, the first also with slip-case; and 12 others, abstract and/or American art, 4to & 8vo (17)
Andy Warhol (American, 1928-1987). Soup Can Sketch in black ink, signed by the artist. In presentation frame with photograph of Warhol. Sketch size: 15.5 x 10.5cm. Framed and glazed, frame size: 42 x 49cm. Provenance: Frasers Autographs October 1999, sold with original receipt. . Some yellowing of paper.
Andy Warhol [d'apres] (American, 1928 - 1987). "Mao #07". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Editioned in pencil. Cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.96. Overall size: 23 5/8 x 23 5/8 in. (600 x 600 mm). Image size: 23 5/8 x 23 5/8 in. (600 x 600 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28701-5-800]
Andy Warhol (American, 1928 - 1987). "Texan [Robert Rauschenberg]". Original color letterpress print. Printed 1970. Signed in white marker, center right. Edition of c200. Medium weight light cream uncoated wove paper. The full sheet. Fine impression. Fine condition. Overall size: 9 1/2 x 9 7/8 in. (241 x 251 mm). This rare letterpress print was published as part of the Warhol portfolio of eight prints which was included in the publication/portfolio "Artists & Photographs" published by Multiples, Inc., New York City, in association with Colorcraft Inc., NYC in 1970. The publication consists of a cardboard box containing artist's publications, multiples, artist's books, etc. by Warhol, Rauschenberg, Ruscha, Nauman, Gormley, Christo, Lewitt, and others. The stated edition size was 1,200 but as Peter Gidal indicates "…rumors abound that the art-box never got made in more than 800 copies, but even the origination gallery can no longer verify it. What is certain is that no "extra" copies of any of the multiples were made, and that the Gormley was in an edition of 200 and the Rauschenberg in an edition of 400. This substantiated the fact that complete boxes could never have been more than 200." Warhol's contributions were printed in different sizes, scales, and mediums. Our example is stamped verso "File Copy - Colorcraft Inc. - Please Return" indicating that it came from the Colorcraft archives. No auction records located. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28842-2-300]
Andy Warhol [d'apres] (American, 1928 - 1987). "Ice Cream Cone - Double". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Overall size: 17 x 14 1/8 in. (432 x 359 mm). Image size: 10 5/8 x 4 1/4 in. (270 x 108 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28685-3-600]
Andy Warhol [d'apres] (American, 1928 - 1987). "Sam #15". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IV.66A. Overall size: 17 1/4 x 14 1/2 in. (438 x 368 mm). Image size: 10 x 9 5/8 in. (254 x 244 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28683-3-400]
Andy Warhol (American, 1928 - 1987). "Orangutan [announcement]". Color offset lithograph. 1983. Signed in black marker, lower right. Edition unknown, presumed small. Light cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: Undoubtedly to be included in the forthcoming revised edition of the catalogue raisonne of Warhol's ephemera by Paul Marechal; cf. Feldman/Schellmann II.299. Overall size: 6 x 4 1/4 in. (152 x 108 mm). No auction records located. The image of this scarce announcement was issued as one of the silkscreens in Warhol's famous 'Endangered Species' portfolio, one of his most sought after series. Published by Ronald Feldman Fine Arts, New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28596-1-500]
Andy Warhol (American, 1928 - 1987). "Mona Lisa". Original color offset lithograph. 1986. Signed in black marker, lower right. Cream wove paper. The full sheet. Fine impression. Fine condition. Overall size: 36 x 24 1/4 in. (914 x 616 mm). Image size: 25 1/2 x 19 3/4 in. (648 x 502 mm). Apparently scarce - no auction records located. For the group exhibition at the Museum of Art, Fort Lauderdale, Florida, January 18th to March 30th, 1986. Undoubtedly to be included in the forthcoming catalogue raisonne of Warhol's non-commissionedposters by Paul Marechal. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28522-6-600]
Andy Warhol [d'apres] (American, 1928 - 1987). "Liz Taylor [Morris International]". Color poster. 1965. Edition unknown, presumed small. White wove paper. The full sheet. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.7. Overall size: 23 1/4 x 25 3/4 in. (591 x 654 mm). Image size: 22 x 22 in. (559 x 559 mm). Scarce. Published for the exhibition at Morris International, Toronto, March 15 - April 3, 1965. Undoubtedly to be included in the forthcoming catalogue raisonne of Warhol's posters by Paul Marechal. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28948-5-400]
Andy Warhol [d'apres] (American, 1928 - 1987). "Mao #08". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Editioned in pencil. Cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.97. Overall size: 23 5/8 x 23 5/8 in. (600 x 600 mm). Image size: 23 5/8 x 23 5/8 in. (600 x 600 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28702-5-800]
Andy Warhol [d'apres] (American, 1928 - 1987). "Sam #07". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IV.58A. Overall size: 17 x 14 1/4 in. (432 x 362 mm). Image size: 8 1/16 x 7 1/2 in. (205 x 190 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28682-3-500]
Andy Warhol (American, 1928 - 1987). "Baron Philippe Rothschild". Color offset lithograph with gold and blind embossing. c1975. Signed in black marker, center left. Edition unknown, presumed very small. Very light cream wove paper with gold embossing and letterpress. Full margins. Fine impression. Very good to fine condition with crisp corners; the label has never been affixed to a bottle. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 14, no.53. Overall size: 6 x 4 in. (152 x 102 mm). A limited number of these labels were printed exclusively for distribution to friends, suppliers, etc., and were not intended to be used on the bottle. Chateau Mouton Rothschild is a wine estate located in the village of Pauillac in the Medoc, 30 miles northwest of the city of Bordeaux, France. It produces one of the world's greatest clarets. In 1946 the vineyard began the tradition of having each year's label designed by one of the world's great artists or sculptors of the day (Picasso, Chagall, Miro, etc.). For the 1975 vintage label, Warhol juxtaposes two different images of Baron Philippe Rothschild. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28401-1-400]
Andy Warhol [d'apres] (American, 1928 - 1987). "Marilyn #05". Color lithograph. Printed c1986?. Bears signature in black marker lower left; signed in the plate, lower right. Editioned in pencil. Cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.23. Overall size: 23 9/16 x 23 9/16 in. (598 x 598 mm). Image size: 23 9/16 x 23 9/16 in. (598 x 598 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28918-5-800]
Andy Warhol (American, 1928 - 1987). "Joseph Beuys [museum card]". Color offset lithograph. Printed 1981. Signed in black marker, right margin. Edition unknown. Cream wove paper. Full margins. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.247. Overall size: 5 3/4 x 4 in. (146 x 102 mm). Scarce. No auction records located. Published by The Arts Council of Great Britain. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28795-1-225]
Andy Warhol (American, 1928 - 1987). "Mick Jagger #03 (first edition) [announcement]". Color offset lithograph. 1975. Signed by Warhol in black marker, center right. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(g); cf. Feldman/Schellmann II.145. Overall size: 6 1/8 x 4 in. (156 x 102 mm). This from the first edition of the Mick Jagger announcement set, unlike the second not signed in the plate both by Warhol and Jagger, nor numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28979-1-400]
Andy Warhol (American, 1928 - 1987). "Queen Beatrix (#3)". Color offset lithograph. 1985. Signed in black felt tip pen, upper left. Edition unknown, presumed very small. Light cream wove paper. Printed to the edge of the sheet. Fine impression. Fine condition; affixed to very thin and supple archival acid-free support sheet, not mount/board. Literature/catalogue raisonne: cf. Feldman/Schellmann II.340. Image size: 7 x 5 9/16 in. (178 x 141 mm). Very scarce, and rare signed. Issued to promote the portfolio "Reigning Queens" published by George Mulder, Amsterdam. The portfolio consists of 16 separate images of each of four reigning queens: Queen Elizabeth II, Queen Beatrix, Queen Margrethe II, and Queen Ntombi Twala, all printed by Rupert Jasen Smith, New York. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The reception was held in the late afternoon of September 20th, 1985 at Castelli Uptown and the exhibition ran from September 21st to October 12th. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28662-1-500]
Andy Warhol (American, 1928 - 1987). "California Condor". Color offset lithograph. 1986. Signed in black marker, right center. Very light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Feldman/Schellmann IIIB.51.11. Overall size: 10 7/16 x 10 5/16 in. (265 x 262 mm). A proof from the lithograph edition of unknown size published in October of 1986, which was based on the "Vanishing Animals" silkscreen series of the same year. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28572-2-300]
Keith Haring (American, 1958 - 1990). "Absolut Haring [postcard edition]". Color offset lithograph. 1986. Printed 1989. Signed in black marker, center right. Edition unknown. White wove paper. Full margins. Fine impression. Fine condition. Overall size: 6 x 3 5/8 in. (152 x 92 mm). In 1986, Haring received a commission from Absolut Vodka (on the recommendation of Andy Warhol) to create an advertising image for them. He was the second artist to create artwork specifically for Absolut. Image copyright © The Keith Haring Foundation. [28774-1-300]
Sam Francis (American, 1923-1994). "Pink Venus Kiki". Color lithograph. 1963. Edition of 2,000. White wove paper. The full sheet. Fine impression with fresh colors. Fine condition. Overall size: 16 1/8 x 11 3/8 in. (410 x 289 mm). Image size: 15 3/8 x 10 5/8 in. (391 x 270 mm). For Walasse Ting's "1¢ Life." Prints from the One Cent Life portfolio are in most major and public collections worldwide including MOMA (New York), Tate Modern (London), Museum of Contemporary Art (Montreal) and the Andy Warhol Museum (Pittsburg). Text and/or image may be on verso. Image copyright © Estate of Sam Francis / Artists Rights Society (ARS), New York. [26820-4-225]
Andy Warhol (American, 1928 - 1987). "Reigning Queens [invitation]". Color offset lithograph. 1985. Signed in black marker, right center. Edition of c250. Smooth cream wove paper. The full sheet. Fine impression. Condition: fold as issued, else fine. Literature/catalogue raisonne: Undoubtedly to be included in the forthcoming revised edition of the catalogue raisonne of Warhol's ephemera by Paul Marechal; cf. Feldman/Schellmann IIB.334-349. Overall size: 7 1/4 x 13 3/4 in. (184 x 349 mm). Image size: 7 1/4 x 5 7/8 in. (184 x 149 mm). Scarce when signed. The invitation for "Andy Warhol: Reigning Queens 1985" at Castelli Uptown, New York City, September 21-October 12, 1985. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28113-2-225]
Andy Warhol (American, 1928 - 1987). "Puerto Rican Parrot". Color offset lithograph. 1986. Signed in black marker, center right. Very light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: Feldman/Schellmann IIIB.51.95. Overall size: 10 7/16 x 10 1/4 in. (265 x 260 mm). A proof from the lithograph edition of unknown size published in October of 1986, which was based on the "Vanishing Animals" silkscreen series of the same year. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28569-2-400]
Andy Warhol [d'apres] (American, 1928 - 1987). "Dollar Sign $ [white background; brown symbol]". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Editioned in pencil. Cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IIA.274. Overall size: 19 3/4 x 15 3/4 in. (502 x 400 mm). Image size: 19 x 13 in. (483 x 330 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28673-3-800]
Andy Warhol (American, 1928 - 1987). "Uncle Sam [announcement]". Color offset lithograph. 1981. Signed in black marker, right center. Edition unknown, presumed small (250?). Light cream wove paper. Printed to the edge of the sheet. Fine impression. Fine condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no. 36(g); cf. Feldman/Schellmann II.259. Overall size: 6 7/8 x 6 7/8 in. (175 x 175 mm). Image size: 6 7/8 x 6 7/8 in. (175 x 175 mm). This "mini portfolio" card announcement is based on a photograph of James Mahoney by Warhol, with make-up and costume by Jac Colello. The image was issued as one of the silkscreens in Warhol's famous 'Myths' portfolio, one of his most sought after collections. Our example is one of the set of 10 announcements included in a purple portfolio wrapper with a separate card containing information about the series (folder and information card not part of lot). Published by Ronald Feldman Fine Arts, Inc., New York City. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28482-1-600]
Andy Warhol [d'apres] (American, 1928 - 1987). "Marilyn #01". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Editioned in pencil. Cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.29. Overall size: 23 5/8 x 23 5/8 in. (600 x 600 mm). Image size: 23 5/8 x 23 5/8 in. (600 x 600 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28705-5-800]
Andy Warhol [d'apres] (American, 1928 - 1987). "Marilyn #10". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Editioned in pencil. Cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.22-31. Overall size: 23 9/16 x 23 9/16 in. (598 x 598 mm). Image size: 23 9/16 x 23 9/16 in. (598 x 598 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28713-5-800]
Andy Warhol (American, 1928 - 1987). "16 Jackies [museum notecard]". Color offset lithograph. 1964. Printed c1980. Signed in black marker, lower center. Edition unknown, presumed small. Light cream wove paper. Full margins. Very good impression. Very good condition. Overall size: 7 x 5 in. (178 x 127 mm). The original acrylic and silkscreen enamel on canvas was composed by Warhol in 1964 and is in the collection of the Walker Art Center, Minneapolis. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [29275-1-400]
Andy Warhol [d'apres] (American, 1928 - 1987). "Sam (Red Sam Sitting)". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Cream wove paper. Full margins; deckle edges three sides. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IV.59B. Overall size: 17 x 15 15/16 in. (432 x 405 mm). Image size: 9 x 7 1/8 in. (229 x 181 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28681-3-500]
Andy Warhol (American, 1928 - 1987). "Man Ray #8". Color offset lithograph. 1974. Signed in black felt tip pen, center left. Edition unknown, presumed very small. Cream wove smooth paper. Ample margins. Fine impression. Fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann II.148. Overall size: 7 3/8 x 7 5/16 in. (187 x 186 mm). Rare. Issued to promote the 'Man Ray' exhibition at Galleria Il Fauno and Alexandre Lolas, Milan, Italy, in August of 1974. The show consisted of 28 separate images of Man Ray. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. Printed by Poligrafico Roggero & Tortia, Beinasco/Turin, Italy. In the early 1970s Warhol began to accept regular commissions to paint the portraits of the rich and famous. However, as well as commissions, he also painted a number of portraits of people he admired, especially other artists. Man Ray was one of his heroes, so much so that, when he could afford it, Warhol acquired a number of his photographs, paintings and early books. This image is based on a Polaroid photograph he took of him, cigar in mouth, in 1973. As with the portraits of his mother and other people he felt close to, these portraits of Man Ray are among the most painterly and heavily-worked Warhol ever painted. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28811-1-500]
Andy Warhol (American, 1928 - 1987). "Knives #04". Color offset lithograph. Printed 1982. Signed in white marker, center right. Edition unknown, presumed very small. Light cream wove smooth coated paper. The full sheet. Fine impression. Very good condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IIIA.32. Overall size: 7 7/8 x 5 11/16 in. (200 x 144 mm). Rare. No auction records located. Issued to promote the 'Andy Warhol: Guns, Knives, Crosses' exhibition at the Galeria Fernando Vijande, Madrid, Spain. The show consisted of dozens of separate images of Warhol's renditions of guns, knives, and crosses. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went fast. The reception was held on December 19th and the exhibition ran from December 20th, 1982 to February 12, 1983. Printed by Grafex, Madrid. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28854-1-400]
Claes Oldenburg (Swedish/American, b.1929). "All Kinds of Love". Original lithograph. 1963. Signed with the initials in the plate, lower right. Edition of 2,000. White wove paper. The full sheet. Fine impression. Fine condition. Overall size: 16 1/16 x 11 1/4 in. (408 x 286 mm). Image size: 10 1/8 x 9 5/8 in. (257 x 244 mm). For Walasse Ting's "1¢ Life." Prints from the One Cent Life portfolio are in most major and public collections worldwide including MOMA (New York), Tate Modern (London), Museum of Contemporary Art (Montreal) and the Andy Warhol Museum (Pittsburg). Text and/or image may be on verso. [26832-3-100]
Andy Warhol (American, 1928 - 1987). "Mick Jagger #08 (first edition) [announcement]". Color offset lithograph. 1975. Signed by Warhol in black marker, center left. Edition limited, quantity unknown, probably very small. Cream smooth wove paper. The full sheet. Strong, bright colors. Very good condition. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 8c, no.33A(f); cf. Feldman/Schellmann II.143. Overall size: 6 1/16 x 4 in. (154 x 102 mm). This from the first edition of the Mick Jagger announcement set, scarcer than the second edition and unlike the second not signed in the plate both by Warhol and Jagger, numbered in the plate 2/250. Co-published by Multiples Inc., New York, and Castelli Graphics, New York. Based on the image from Warhol's portfolio of 10 color screenprints of Mick Jagger from 1975. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28547-1-400]
Andy Warhol [d'apres] (American, 1928 - 1987). "One Blue Pussy". Color lithograph. Printed c1986?. Bears signature in black marker, lower left; signed in the plate, lower right. Light cream wove paper. The full sheet. Fine impression. Very good to fine condition. Literature/catalogue raisonne: cf. Feldman/Schellmann IV.68A. Overall size: 17 1/4 x 14 1/4 in. (438 x 362 mm). Image size: 8 5/8 x 7 1/8 in. (219 x 181 mm). Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28714-3-600]
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6071 item(s)/page