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Andy Warhol/ Dom Perignon - six display bottles (no content), and six champagne flutes, boxed.

1941 Dattendeld/Sieg. Sechs Farbserigraphien in der Art von Andy Warhol. Pop-Art. 'Kölln Flocken'. 'Brandt Zwieback'. 'Bärenmarke'. 'Maggie Würze'. 'Barilla Penne rigate'. 'Rotkäppchen Camenbert'. Jeweils mit Bleistift sign. Jeweils 34,8 x 33 cm. Pass. R.

WARHOL ANDY: (1928-1987) American Pop Artist. Bold, black ink signature ('Andy Warhol') on a slim oblong 8vo piece. VG

WARHOL ANDY: (1928-1987) American Pop Artist. Signed postcard photograph by the controversial artist, the Constantin/Vogelmann image showing a close-up portrait pose. Signed in bold black ink to the lower white border of the image. Accompanied by the original printed stationery envelope of the Andy Warhol Enterprises, Inc., Broadway, New York. VG

An Andy Warhol framed and glazed original "Chanel" poster, 49cm 39cm

Warhol (Andy) The Philosophy of Andy Warhol (From A to B and Back Again), first edition, signed and inscribed "To John Campbell's Duck Soup Andy Warhol Oct 1975" with large soup can drawing in black felt tip pen to half-title, original red cloth-backed yellow boards, dust-jacket, a little rubbing to edges and slight creasing to foot of upper panel, 8vo, New York & London, 1975.⁂ Two American icons in one go; excellent Soup Can drawing and inscription with amusing reference to the Marx Brothers' film Duck Soup and its star Groucho Marx. Warhol executed a print of the Marx brothers as one of his Ten Portraits of Jews of the Twentieth Century series in 1980. Although he inscribed several copies with a soup can drawing it is rare to find one including a flavour and this one with the pun is exceptional.

Warhol, AndyPittsburgh, 1928 - New York, 1987Blattgröße: 98 x 68,5 cm, o. R."Mao", 1974. Farbserigraphie auf Tapete.Feldman/Schellmann, II.125A.

Original authorized Andy Warhol Collection poster in frame ca. 1980s. Size: 115 x 88 cm. Condition: Fair.

ANDY WARHOL - Sunday B Morning silkscreen print, framed, 90cm x 90cmGood condition

Art Reference. The art reference library of Dr Jeffrey Sherwin (1936-2018), containing numerous exhibition catalogues, artist monographs, coffee-table books, auction catalogues (Sotheby's and Christie's), and similar, on artists including Dali, Henry Moore, Picasso, Van Gogh, and others, publishers including Tate, Thames & Hudson, Royal Academy of Arts, etc., together with assorted other books including vintage Penguin paperbacks (mainly classics of English literature), Yorkshire reference, etc., individual titles including: 1) Horner (Libby, & Gillian Naylor), Frank Brangwyn 1867-1956, 2 copies, limited editions, each numbered 1 of 100 copies, Leeds: Leeds Museums and Galleries, 2007, folio, original red cloth, slipcases, each front cover lettered 'Presented to Dr. Jeffrey Sherwin' in gilt, dedication leaf to each volume reading 'Presented to Dr. Jeffery Sherwin by Leeds Museums and Galleries. This special edition has been hand bound in binders cloth. Limited edition No. 001 of 100', 2) McShine (Kynaston, editor). Andy Warhol. A Retrospective, 1st edition, New York: Museum of Modern Art, 1989, 4to, original patterned boards, clear plastic dust jacket with printed outline portrait and title to front panel, 3) Gilbert (Christopher). Furniture at Temple Newsam and Lotherton Hall, 1st edition, [London?]: published jointly by the National Art-Collections Fund and the Leeds Art Collections, 1978. 2 volumes, 4to, dust jackets, signed by Gilbert and others, together with: Walton (Peter, Creamware and other English Pottery at Temple Newsam House, Leeds, 1st edition, Bradford & London: Manningham Press, 1976. 4to, original cloth, dust jacket, signed by Walton and others, both works housed in single slipcase with gilt morocco label 'To Jeffrey, with good wishes from all his directors in Leisure Services, May 1980', 4) British Surrealism & Other Realities. The Sherwin Colleciton, 2 copies, Middlesbrough: Middlebrough Institute of Modern Art, 2008, 8vo, original cloth-backed photographic boards (qty: 37 boxes) 'Dr Jeffrey Sherwin ... was a GP who became instrumental in creating the Henry Moore Institute in Leeds and who assembled a renowned collection of British surrealist art which he placed on show around the world ... Dr Sherwin was educated at Leeds Grammar, Leeds University and Balliol College, Oxford ... It was in 1977 that he met the Castleford-born sculptor, Henry Moore, and learned that despite his world renown and having studied in Leeds, he had never been invited back to the city. A fruitful relationship ensued, and Dr Sherwin conceived the idea of creating a separate sculpture gallery at the front of the old Leeds City Art Gallery, fighting to secure the £150,000 funding needed to make the Henry Moore Institute a reality. The son of a Jewish GP father, Jeffrey had inherited his interest in art from his mother Rachey, an amateur ceramicist. He began collecting paintings whilst a student in Oxford. An event at Leeds City Art Gallery to commemorate the 50th anniversary of the 1936 International Surrealist Exhibition opened his eyes to British surrealism, and he began to acquire works at auctions and directly from living artists ... It became the largest collection of British surrealist art assembled through amateur enthusiasm rather than for private gain, and works from it have been sent on loan to the Tate in London and the Museum of Modern Art in New York as well as galleries in France, Spain, and Germany' (Obituary, Yorkshire Post, 17 November 2018).

Pedro Paricio The Collectors, 2021 Mixed Media on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Paricio was born on 16 January 1982 on Tenerife in the Canary Islands. As a child, he was always drawing, but at high school he studied science and only began to contemplate a future in the arts a few months before going to college. 'To be honest, the thing that attracted me was the freedom that society gives to the artist', he explains. 'I chose art because I wanted a different life'. Yet, with the benefit of hindsight, he now feels that the chain of events that led him into art was a process of discovering his fate, his destiny. Paricio enrolled at the Faculty of Fine Arts of the University of La Laguna, Tenerife, moving on to a course in Salamanca and completing his training with a degree in Fine Arts at the University of Barcelona (2004-2006). While at college, he considered a career as an art critic-cum-curator; such essays as Unfinished Articles I and II convey a lucid intelligence that enables him to reflect, for example, on the tyrannical relationship between artistic theory and practice. Paricio was focusing mostly on sculpture, installation and video art at the time of his first group show, Don't Call it Performance (2004), at Domus Artium 2002 (DA2), Salamanca, Spain, but shortly afterwards decided to make painting his sole medium; he considers the latent possibilities of painting to be infinite and dismisses the idea of using other media or technology in response to fleeting fads in art. Paricio currently divides his time between Tenerife and London. His paintings are held in many private collections around the world, and he enjoys an international reputation following exhibitions throughout Europe and the United States. The Master Painters show at Halcyon Gallery, London, in 2011 made an impact on the international art scene, and in 2012 The Theatre of Painting, his solo museum exhibition in Spain, was staged at the Institute of Culture and Arts of Seville. In early 2013, he took part in the Gabinete de Curiosidades, a mixed exhibition of works by modern and contemporary artists at the Plataforma Arte Contemporáneo (PAC), Madrid, and the Art Madrid Maestros Art Fair in Madrid. Paricio was honoured to be selected for inclusion in Francesca Gavin's book 100 New Artists (2011), representing an innovative generation that is forming the aesthetics of the coming decade. 2006 BA Fine Arts, University of Barcelona, Spain SOLO EXHIBITIONS 2019 Paricio, Picasso, Halcyon Gallery, London, UK 2016 Dreams, Halcyon Gallery, London, UK 2014-15 Elogio de la pintura, Espacio de las Artes (TEA), Tenerife, Spain 2014 Dialogo con el color la belleza y la forma, Galería Muro Valencia, Spain 2014 Shaman, Halcyon Gallery, London, UK 2012 Diary of an Artist and Other Stories 2007-2012, Halcyon Gallery, London, UK 2012 The Theatre of Painting, Casino de la Exposición (ICAS), Seville, Spain 2011 Master Painters, Halcyon Gallery, London, UK 2010 Fe infinita, Galeria Balaguer, Barcelona, Spain 2009 Pedro Paricio, Seyhoun Gallery, Los Angeles, EEUU 2009 Un pintor otro, Galeria Muro, Valencia, Spain 2008 The Canary Paradise, Ikara Gallery, Barcelona, Spain 2006 Intimissimo, Espacio Joven, Salamanca, Spain SELECTED GROUP EXHIBITIONS 2018 ArtRocks, Halcyon Gallery, London, UK 2017 Quijotes en tiempos de crisis, Liceo de Taoro, La Orotova, Spain 2017 Pelé: Art Life Football, National Football Museum, Manchester, UK 2017 Clouded Lands, Fundación Caja Burgos (CAB), Burgos, Spain 2015 Pelé: Art, Life, Football, Halcyon Gallery, London,UK 2015 The Art of Creating, Halcyon Gallery, London, UK SELECTED COLLECTIONS Fundación Cesáreo Rodríguez-Aguilera, Jaén, Spain Fundación Caja Burgos (CAB), Burgos, Spain Norton Museum of Art, Florida, EEUU Espacio de las Artes (TEA), Tenerife, Spain Ernesto Ventos Collection, Olorvisual, Barcelona, Spain SELECTED PUBLICATIONS 2019 Paricio, Picasso, published by Halcyon Gallery, London, UK 2016 Dreams, published by Halcyon Gallery, London, UK 2015 Pelé: Art, Life, Football exhibition catalogue with essays: Brian Winter, 'Why Pelé Still Inspires Us'; Dr.Bernard Vere, 'Andy Warhol, Pelé, and the 'Athletes' Series' (Halcyon Gallery) 2015 Elogio de la pintura, exhibition catalogue (TEA Tenerife Espacio de las Artes)

Pedro Paricio The Collectors, 2021 Mixed Media on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Paricio was born on 16 January 1982 on Tenerife in the Canary Islands. As a child, he was always drawing, but at high school he studied science and only began to contemplate a future in the arts a few months before going to college. 'To be honest, the thing that attracted me was the freedom that society gives to the artist', he explains. 'I chose art because I wanted a different life'. Yet, with the benefit of hindsight, he now feels that the chain of events that led him into art was a process of discovering his fate, his destiny. Paricio enrolled at the Faculty of Fine Arts of the University of La Laguna, Tenerife, moving on to a course in Salamanca and completing his training with a degree in Fine Arts at the University of Barcelona (2004-2006). While at college, he considered a career as an art critic-cum-curator; such essays as Unfinished Articles I and II convey a lucid intelligence that enables him to reflect, for example, on the tyrannical relationship between artistic theory and practice. Paricio was focusing mostly on sculpture, installation and video art at the time of his first group show, Don't Call it Performance (2004), at Domus Artium 2002 (DA2), Salamanca, Spain, but shortly afterwards decided to make painting his sole medium; he considers the latent possibilities of painting to be infinite and dismisses the idea of using other media or technology in response to fleeting fads in art. Paricio currently divides his time between Tenerife and London. His paintings are held in many private collections around the world, and he enjoys an international reputation following exhibitions throughout Europe and the United States. The Master Painters show at Halcyon Gallery, London, in 2011 made an impact on the international art scene, and in 2012 The Theatre of Painting, his solo museum exhibition in Spain, was staged at the Institute of Culture and Arts of Seville. In early 2013, he took part in the Gabinete de Curiosidades, a mixed exhibition of works by modern and contemporary artists at the Plataforma Arte Contemporáneo (PAC), Madrid, and the Art Madrid Maestros Art Fair in Madrid. Paricio was honoured to be selected for inclusion in Francesca Gavin's book 100 New Artists (2011), representing an innovative generation that is forming the aesthetics of the coming decade. 2006 BA Fine Arts, University of Barcelona, Spain SOLO EXHIBITIONS 2019 Paricio , Picasso, Halcyon Gallery, London, UK 2016 Dreams, Halcyon Gallery, London, UK 2014-15 Elogio de la pintura, Espacio de las Artes (TEA), Tenerife, Spain 2014 Dialogo con el color la belleza y la forma, Galería Muro Valencia, Spain 2014 Shaman, Halcyon Gallery, London, UK 2012 Diary of an Artist and Other Stories 2007-2012, Halcyon Gallery, London, UK 2012 The Theatre of Painting, Casino de la Exposición (ICAS), Seville, Spain 2011 Master Painters, Halcyon Gallery, London, UK 2010 Fe infinita, Galeria Balaguer, Barcelona, Spain 2009 Pedro Paricio, Seyhoun Gallery, Los Angeles, EEUU 2009 Un pintor otro, Galeria Muro, Valencia, Spain 2008 The Canary Paradise, Ikara Gallery, Barcelona, Spain 2006 Intimissimo, Espacio Joven, Salamanca, Spain SELECTED GROUP EXHIBITIONS 2018 ArtRocks, Halcyon Gallery, London, UK 2017 Quijotes en tiempos de crisis, Liceo de Taoro, La Orotova, Spain 2017 Pelé: Art Life Football, National Football Museum, Manchester, UK 2017 Clouded Lands, Fundación Caja Burgos (CAB), Burgos, Spain 2015 Pelé: Art, Life, Football, Halcyon Gallery, London,UK 2015 The Art of Creating, Halcyon Gallery, London, UK SELECTED COLLECTIONS Fundación Cesáreo Rodríguez-Aguilera, Jaén, Spain Fundación Caja Burgos (CAB), Burgos, Spain Norton Museum of Art, Florida, EEUU Espacio de las Artes (TEA), Tenerife, Spain Ernesto Ventos Collection, Olorvisual, Barcelona, Spain SELECTED PUBLICATIONS 2019 Paricio, Picasso, published by Halcyon Gallery, London, UK 2016 Dreams, published by Halcyon Gallery, London, UK 2015 Pelé: Art, Life, Football exhibition catalogue with essays: Brian Winter, 'Why Pelé Still Inspires Us'; Dr.Bernard Vere, 'Andy Warhol, Pelé, and the 'Athletes' Series' (Halcyon Gallery) 2015 Elogio de la pintura, exhibition catalogue (TEA Tenerife Espacio de las Artes)

Ten lithographs. Campbell Soup II. Published by Sunday & Morning. Design Andy Warhol. Lithographs on paper. Dimensions: H 88 x W 58 cm. In good condition.

Rolling Stones.: Charles Robert "Charlie" Watts (geb. 1941), Bill Wyman (geb. 1936), Michael Philip Jagger (geb. 1943), Keith Richards (geb. 1943) und Michael "Mick" Kevin Taylor (geb. 1949). Signierte Autogrammkarte. London, Decca (1970). 14,5 x 9,5 cm. Auf der Bildseite zusätzlich zu den roten Drucksignaturen von allen "Stones" mit verschiedenen Stiften handsigniert. - Die Signaturen von Tayler, Jagger und Watts stärker ausgebleicht. - Dazu: 2 verschiedene Exemplare der LP "Sticky Fingers", deutsche Ausgabe, Köln, EMI 1971. - Mit dem berühmten Cover von Andy Warhol und: seltene, da zensierte spanische Fassung, Madrid (1971). - Rote Pressung mit einer geöffneten Konservendose aus der drei Finger ragen auf dem Cover. - Cover mit leichten Gebrauchsspuren, die Schallplatten in gutem Zustand. - Die legendäre LP enthält auch "Wilde horses" mit der virtuosen Lead-Gitarre von M. Tayler, der auch zu einigen anderen Songs während seiner Zeit als Bandmitglied (1969-1974) wichtige Beiträge leistete. - " Etwa 1970 begannen Jagger und Taylor damit, intensiver zusammenzuarbeiten, weil Richards wegen seiner zunehmenden Drogenabhängigkeit immer seltener zu Studioterminen erschien. Ohne Richards nahmen Taylor und Jagger Songs wie Sway, Moonlight Mile, Winter, Till the Next Goodbye und Time Waits for No One auf, ohne dass Taylor je eine Bestätigung in Form von Tantiemen für seine Beteiligung an der Entstehung dieser Titel erhielt. Einzige Ausnahme bildete der Song Ventilator Blues aus dem Album Exile on Main Street (1972). Im Dezember 1974 verkündete Taylor, dass er die Rolling Stones verlassen wolle. Ursache für diesen Entschluss war unter anderem Taylors zunehmende Frustration über die Art und Weise, in der Jagger und Richards seine künstlerischen Beiträge übergingen" (Wikipedia). - "Taylor ist der beste Techniker, der je bei den Stones gespielt hat. Ein Bluesgitarrist mit einem Gespür eines Jazzmusikers für melodische Erfindungen, Taylor war nie ein Rock 'n Roller und nie ein Showman" (Robert Palmer in The New York Times).

nach Andy WarholMercedes 300 SL Gullwing2007Serigraphie auf Papier; gerahmt85,2 x 68,8 cmStempel der Andy Warhol Foundation / DaimlerChrysler AG mit Nummerierung rechts unten: 105 / 500Prägung links: Andy Warhol Schriftzug / Andy Warhol KonterfeiRückseitige Klebeetikette der Burkhard Eikelmann Galerie.Auflage: 500 Stück nach Andy WarholPrivatbesitz, Wien

WARHOL, ANDY, after,Marilyn Monroe, screen print 62 x 62 cm.WARHOL, ANDY, naar ontwerp van, Marilyn Monroe, zeefdruk 62 x 62 cm.

2. Hälfte 20. Jahrhunderts, Modell ¨Daisies¨, Entwurf ANDY WARHOL, bauchige, tiefe Form mit glattem Rand, innen polychromes Blumendekor, am Rand Faksimile-Signatur, Manufakturmarke, D ca. 18cm

Rosenthal Studio Line Glass Plate with Andy Warhol Daisy Head Design, 34cm diameter.

ANDY WARHOL(Pittsburgh 1928–1987 New York)Terrier (aus: Toys series). 1983.Synthetisches Polymer und Siebdruck auf Leinwand.Auf der überlappenden Leinwand signiert und datiert: Andy Warhol 83. Zudem auf dem Keilrahmen nummeriert: 5.35,5 × 28 cm.Andy Warhol hat mit seiner Pop-Art die Kunst revolutioniert und gehört zweifelsfrei zu den prägendsten Künstlern des 20. Jahrhunderts. Nach einem Nervenzusammenbruch im Alter von acht Jahren bleibt Warhol für mehrere Wochen ans Bett gefesselt und entwickelt eine Leidenschaft für Comics, Filme, Zeichnen und Basteln. Nach dem Studium für Bildgestaltung und seinem Abschluss in Malerei und Design zieht er 1950 nach New York, wo er die moderne Konsumgesellschaft mit ihren zahlreichen Versuchungen, Schattenseiten, Berühmtheiten, Schlagzeilen und Tragödien entdeckt. Fasziniert von dieser Welt avanciert Warhol schon bald zum erfolgreichsten Werbegrafiker der Stadt. Doch er will mehr. Er will Künstler werden und verwandelt kurzerhand banalste Alltagsgegenstände in begehrte Kunstobjekte. Zu Beginn der 1960er Jahre beginnt das brillante Genie den Siebdruck für sich zu entdecken, dessen Technik ihm die Serialität sowie ein furioses Arbeitstempo ermöglichen. Mit seiner im Jahr 1962 gegründeten Factory, die zum Inbegriff der Kunst-, Musik- und Glamourszene wird, steigt die Jahresproduktion seiner Bilder sprunghaft an. "It must have been Walt Disney. I cut out Walt Disney Dolls. It was actually Snow White that influenced me", antwortet Warhol auf die Frage, welcher Künstler ihn als Erster beeinflusst hat. Da seine künstlerische Arbeit schon immer vom Spielethos geleitet worden ist, erstaunt es kaum, dass ihm die Idee seines Galeristen Bruno Bischofberger, eigens eine Ausstellung für Kinder zu machen, auf Anhieb gefällt. Der spielende "Terrier" auf dem vorliegenden Gemälde ist Teil der "Toys Series" von 128 Werken mit Affen, Papageien, Clowns und Robotern. Inspiration für die kleinformatigen Arbeiten findet Warhol in seiner privaten Sammlung von aufziehbarem Blechspielzeug. Der putzige Terrier besticht mit seiner herzhaften Verspieltheit und entführt den Betrachter auf eine Reise ins Reich der Kinderspielwelt.

ANDY WARHOL(Pittsburgh 1928–1987 New York)Holly Leaves and Berries. 1958.Tinte auf Papier.Verso mit den Stempeln: Estate of Andy Warhol und Andy Warhol Foundation for the Visual Art, sowie der Nummer: 324.014.37,8 × 28,7 cm.Provenienz: Ehemals Susan Sheehan Gallery, New York (verso mit dem Etikett).

ANDY WARHOL(Pittsburgh 1928–1987 New York)Still life flowers. 1952.Tinte auf Papier.Verso mit den Stempeln: Estate of Andy Warhol und Andy Warhol Foundation for the Visual Art, sowie der Nummer: 314.012 und XA-12-34.35,5 × 27,5 cm.Provenienz: Ehemals Susan Sheehan Gallery, New York (verso mit dem Etikett).

ANDY WARHOL(Pittsburgh 1928–1987 New York)Brown Sam. Um 1954.Aquarell und Offset auf Papier.Unten links signiert: Andy Warhol, sowie mittig rechts betitelt: sam. Verso mit dem Stempel und der Referenznummer: Andy Warhol Authentification Board A152.0510.22,7 × 14,6 cm.Provenienz: Ehemals Susan Sheehan Gallery, New York (verso mit dem Etikett).

ANDY WARHOL(Pittsburgh 1928–1987 New York)Committee 2000. 1982.Farbserigrafie. 1907/2000. Unten rechts mit Bleistift signiert: Andy Warhol sowie verso mit dem Copyright-Stempel: © ANDY WARHOL 1982. Darstellung 50,5 × 50 cm auf Lenox Museum Board 76 × 51 cm. Erschienen beim Committee 2000, München. Gedruckt bei Rupert Jasen Smith, New York (mit dem Blindstempel).Provenienz:- Barrington Gallery of London, New York.- Bei obiger Galerie 1997 vom heutigen Besitzer erworben, seitdem Privatsammlung Schweiz.Werkverzeichnis: Feldman/Schellmann, Nr. II.289.

ANDY WARHOL(Pittsburgh 1928–1987 New York)$1. 1982.Farbserigrafie. T.P. 8/15, trial proof ausserhalb der Auflage von 60. Unikat. Unten links mit Bleistift signiert: Andy Warhol. Blattmass 50,2 × 39,8 cm auf Lenox Museum Board. Erschienen bei Andy Warhol, New York. Gedruckt bei Rubert Jasen Smith, New York (mit dem Blindstempel).Blatt 5 aus dem 6-teiligen Portfolio "$1".Provenienz:- Barrington Gallery of London, New York. - Vom heutigen Besitzer 2007 bei obiger Galerie erworben, seitdem Privatsammlung Schweiz.Werkverzeichnis: Feldman/Schellmann, Nr. II.278.

ANDY WARHOL(Pittsburgh 1928–1987 New York)$1. 1982.Farbserigrafie. 25/60. Unten rechts mit Bleistift signiert: Andy Warhol, sowie verso mit dem Copyright-Stempel: © ANDY WARHOL 1982. Blattmass 50,2 × 39,8 cm auf Lenox Museum Board. Erschienen bei Andy Warhol, New York. Gedruckt bei Rubert Jasen Smith, New York (mit dem Blindstempel).Blatt 1 aus dem 6-teiligen Portfolio "$1".Provenienz:- Barrington Gallery of London, New York. - Bei obiger Galerie 1999 vom heutigen Besitzer erworben, seitdem Privatsammlung Schweiz.Werkverzeichnis: Feldman/Schellmann, Nr. II.274.

ANDY WARHOL(Pittsburgh 1928–1987 New York)Volkswagen. 1985.Farbserigrafie. 143/190. Unten rechts mit Bleistift signiert: Andy Warhol. Verso mit den Stempeln: ANDY WARHOL 1985 PUBLISHER RONALD FELDMAN FINE ARTS, INC. NEW YORK, sowie mit dem Copyright: ©1960 Volkswagen of America, Inc. used with expressed permission. Blattmass 96,5 × 96,5 cm auf Lenox Museum Board. Erschienen bei Ronald Feldman Fine Art, New York (mit dem Blindstempel). Gedruckt bei Rupert Jasen Smith, New York (mit dem Blindstempel).Aus dem 10-teiligen Portfolio "Ads"."I love the automobile." Andy WarholProvenienz: - Barrington Gallery of London, New York.- Bei obiger Galerie 1995 vom heutigen Besitzer erworben, seitdem Privatsammlung Schweiz.Werkverzeichnis: Feldman/Schellmann, Nr. II.358.

ANDY WARHOL(Pittsburgh 1928–1987 New York)Pine Barrens Tree Frog. 1983.Farbserigrafie. 27/150. Unten links mit Bleistift signiert: Andy Warhol, sowie verso mit dem Copyright-Stempel: © ANDY WARHOL 1983. Blattmass 96,5 × 96,5 cm auf Lenox Museum Board. Erschienen bei Ronald Feldman Fine Arts, New York (verso mit dem Stempel). Gedruckt bei Rupert Jasen Smith, New York (mit dem Blindstempel).Aus dem 10-teiligen Portfolio "Endangered Species".Provenienz:- Galerie Tobias Loeffel und Co., Basel.- Bei obiger Galerie 1993 vom heutigen Besitzer erworben, seitdem Privatsammlung Schweiz.Werkverzeichnis: Feldman/Schellmann, Nr. II.294.

ANDY WARHOL(Pittsburgh 1928–1987 New York)Aus: Marilyn Monroe (Marilyn). 1967.Farbserigrafie. 25/250. Verso mit Bleistift monogrammiert und datiert: AW 67, sowie mit der gestempelten Nummerierung. Blattmass 91,4 × 91,4 cm auf festem Vélin. Erschienen bei Factory Additions, New York. Gedruckt bei Aetna Silkscreen Products, New York. Aus dem 10-teiligen Portfolio.Werkverzeichnis: Feldman/Schellmann, Nr. II.25."I don't want to make money. I just want to be wonderful." Marilyn Monroe

ANDY WARHOL(Pittsburgh 1928–1987 New York)Rebel without a cause (James Dean). 1985.Farbserigrafie. 131/190. Unten rechts mit Bleistift signiert: Andy Warhol. Verso mit dem Copyright-Stempel: © ANDY WARHOL 1984, sowie dem Stempel: This interpretation created and copyrighted by Andy Warhol is derived from an original version of a JAMES DEAN poster copyrighted by Warner Bros., Inc. Blattmass 96,5 × 96,5 cm auf Lenox Museum Board. Erschienen bei Ronald Feldman Fine Arts, New York (mit dem Blindstempel, sowie verso mit dem Stempel). Gedruckt bei Rupert Jasen Smith, New York (mit dem Blindstempel).Aus dem 10-teiligen Portfolio "Ads"."He is not our hero because he was perfect, but because he perfectly represented the damaged but beautiful soul of our time." Andy WarholProvenienz:- Barrington Gallery of London, New York.- Bei obiger Galerie 1998 vom heutigen Besitzer erworben, seitdem Privatsammlung Schweiz.Werkverzeichnis: Feldman/Schellmann, Nr. II.355.

ANDY WARHOL(Pittsburgh 1928–1987 New York)Joseph Beuys (3-teilig). 1980.3 Farbserigrafien, zwei mit Diamantstaub. 23/90. Unten rechts mit Bleistift signiert: Andy Warhol. Darstellung 102 × 76 cm auf schwarzem Arches Cover Vélin 112 × 76,5 cm. Erschienen bei Editions Schellmann & Klüser, München/New York (mit dem Blindstempel). Gedruckt bei Rupert Jasen Smith, New York (mit dem Blindstempel)."I like the politics of Beuys. He should come to the US and be politically active there. That would be great... He should be President.’’ Andy Warhol Provenienz: Privatsammlung Deutschland.Werkverzeichnis: Feldman/Schellmann, Nr. II.245-247.

ANDY WARHOL(Pittsburgh 1928–1987 New York)Merce Cunningham II. 1979.Farbserigrafie. 17/25. Verso mit Bleistift signiert und datiert: Andy Warhol 1979©. Blattmass 76,2 × 50,8 cm auf Japanischem Geschenkpapier. Erschienen bei Multiples, New York. Gedruckt bei Rupert Jasen Smith, New York.Werkverzeichnis: Feldman/Schellmann, Nr. II.125.Provenienz:- Marianne Goodman Gallery, New York. - Bei obiger Galerie vom heutigen Besitzer erworben.Merce Cunningham (1919-2009) gehört zu den einflussreichsten Tänzern und Choreografen Amerikas. In Zusammenarbeit mit seinem Partner, dem Musiker John Cage, entstehen wegweisende Tanzdarbietungen, in denen es für Bewegungen keine Einschränkungen gibt. In New York, wo er ab Anfang der 1940er Jahre lebt, pflegt er enge Kontakte zur Avantgarde, so stammen viele seiner Bühnenbilder von Robert Rauschenberg, und so findet er auch Einzug in Andy Warhols Werk.

An unusual 1970s Andy Warhol-style chair modelled as a tin of Campbell's Condensed Tomato Soup

After Warhol, Chanel no.5, lithographic poster, 62cm x 46cm

After Andy Warhol, Chanel, lithographic poster, full sheet size H.70cm W.50cm

Pop Art - - Domberger Siebdruck-Kalender für 1969. 1969. Mit sechs Farbserigraphien amerikanischer Pop-Art Vertreter. 6 Kalenderblätter mit transparenter Schutzfolie für jeweils 2 Monate mit je 1 Farberigraphie, je auf leichtem Karton. Blattmaße je 39 x 38 cm. Verso je typographisch bezeichnet m. Werks-, Editions- u. Copyrightangaben. Im Einband mit Spiralbindung. - Titelblatt gebrauchsspurig, ein Kalenderblatt vereinzelt m. Braunflecken, Graphiken nicht betroffen und farbsatt. Mit je 1 Arbeit von: - Jime Dine - Robert Indiana - Nicholas Krushenick - Roy Lichtenstein - Andy Warhol und Tom Wesselmann. - Edited by Multiples. Idea, design and silk-screen by Domberger KG. New York und Stuttart. - Einer von 900 unsignierten Exemplaren. Domberger silkscreen calendar for 1969. With six colour serigraphs of American Pop Art representatives. 6 calendar sheets with transparent protective foil for 2 months each with 1 colour serigraph each, each on light cardboard. Verso each typographically inscribed with details of work, edition and copyright. Bound in a spiral binding. - Title page with traces of use, one calendar page sporadically with brown spots, graphics not affected and rich in colour. - With 1 work each by: - Jime Dine - Robert Indiana - Nicholas Krushenick - Roy Lichtenstein - Andy Warhol and Tom Wesselmann. - Edited by Multiples. Idea, design and silk-screen by Domberger KG. New York and Stuttart. - One of 900 unsigned copies.

Pop Art - - Nat Finkelstein. (1933 - 2009 New York). Hommage to Andy Warhol. 1965. Set aus 6 Farbserigraphien auf leichtem Karton. Je 96,5 x 96,5 cm. - 1 Arbeit unter Passepartout montiert. Je teils mit leichten Lagerspuren (vornehmlich an den Ecken und Rändern). Insgesamt wohlerhaltenes Set der großformatigen Drucke. Unikate Trial Proofs abseits der nummerierten Auflage von 100 Exemplaren. Dieser ursprünglich 4 Stück umfassenden Edition (mit den Farbvarianten Silver on Scarab Blue, Gold on Violet, Copper on Burgundy u. Silvergold on Pigeon Blue) sind in diesem Set 2 weitere trial proofs mit Farbverläufen beigefügt. - Seltenes Set, dessen Motiv auf dem berühmten Warhol-Porträt basiert, das 1965 bei einer Vernissage in der Leo Castelli Gallery in New York entstand. - Mit einer Expertise der Galerie Eikelmann, Düsseldorf. Set of 6 colour silkscreens on light cardboard. 1 work mounted under passepartout. Each with some slight storage traces (predominantely at the corners and edges). All in all well preserved set. - Unique trial proofs apart from the numbered edition of 100 copies. This original edition of 4 pieces (with the color variants Silver on Scarab Blue, Gold on Violet, Copper on Burgundy and Silvergold on Pigeon Blue) is accompanied by 2 additional trial proofs with color gradients in this set. - Rare set, whose motif is based on the famous Warhol portrait taken in 1965 at a vernissage at the Leo Castelli Gallery in New York. - With an expertise of the Eikelmann Gallery, Dusseldorf.

Pop Art - - Andy Warhol - nach. (1928 Pittsburgh - 1987 New York). Marilyn (Suday B. Morning). (Nach 2000). Farbserigraphie auf Karton. 91,5 x 91,5 cm. Verso mit den Stempeln "fill in your own signature" und "published by Sunday B. Morning". - Hochwertig unter Glas gerahmt. Am rechten Rand sowie im rechten unteren Eck teils etwas knickspurig. Insgesamt aber sehr farbfrisch und gut erhalten. After Andy Warhol. Colour silkscreen on cardboard. Verso with the stamps "fill in your own signature" and "published by Sunday B. Morning". - High quality framed under glass. At the right margin and in the lower right corner somewhat creased. Overall very fresh in color and well preserved.

Thomas Hoepker. (1936 München). Double exposure of Andy Warhol at the Factory at Union Square, New York City, USA. 1981. C-Print auf Photopapier. 15 x 15 cm. Verso m. Etikett, dort signiert u. typographisch bezeichnet m. Werksangaben. - Guter Zustand. Aus einer Magnum Edition, 2019. C-print on photographic paper. With label on verso, there signed a. typographically inscribed with details of the work. - Good condition. - From a magnum edition, 2019.

Willy Gursky(1921 Taucha - 2016)Model vor einem Siebdruck von Andy Warhol und einer Arbeit von Jim Dine. Photographie auf Alu Dibond kaschiert (1970er Jahre). 70 x 70 cm. Verso signiert und datiert (2010). An den Kanten etwas bestoßen, Oberfläche etwas berieben. Willy Gursky war der Vater von Andreas Gursky und studierte an der HGB Leipzig 1948 - 55 in Leipzig selbständig, ab 1956 Übersiedlung nach Düsseldorf, seit Mitte der 1980er Jahre war er als vornehmlich photographischer Porträtkünstler aktiv. 2016 verstarb er. Model in front of a silkscreen by Andy Warhol and a work by Jim Dine. Photography laminated on Alu Dibond (1970s). 70 x 70 cm. Verso signed and dated (2010). A little bumped at the edges, surface somewhat rubbed. Willy Gursky was the father of Andreas Gursky and studied at the HGB Leipzig 1948 - 55 in Leipzig independently, from 1956 moved to Düsseldorf, since the mid-1980s he was active as a primarily photographic portrait artist. In 2016 he passed away.

Original vintage event poster advertising an exhibition titled Le Peintre et l’Affiche: De Daumier a Warhol - The Painter and the Poster : From Daumier to Warhol. Held in Tarascon France from 19 July to 11 September 1988. The poster features a design by Garcia of a man in a black coat, green wide brimmed hat and pink scarf. Honore Daumier (1808-1879) was a French painter, sculptor, and printmaker. Andy Warhol (1928-1987) was an American artist, film director, and producer, famous for being a leading figure in the pop art movement. Good, creasing, minor staining. Country of issue: France, designer: Garcia, size (cm): 95x60, year of printing: 1988

Limited Edition Zitura Andy Warhol design wrist watch and leather strap in Boccia watch case

Collection of 3 pop art prints circa 1990s artist's include Andy Warhol (Close cover before striking (Pepsi Cola), David Hockney (Two boys in a pool) and Robert Indiana (Love). All mounted but unframed, approx overall sizes 20 x 16 inches. Cellophane wrapped.

Andy Warhol - Interview Magazine, signed by Andy Warhol, framed. This framed Art Piece has the July 1986 Front Cover of the Interview Magazine, depicting Catherine Oxenberg. Interview magazine was founded in 1969 by Andy Warhol and journalist John Wilcock. It was nicknamed ' The Crystal Ball of Pop ' and featured interviews with artists, musicians, celebrities and creative thinkers. Certificate of authenticity included. If you require more information in regard to this item please contact Joanne Bartholomew at joanne@bornfree.org.uk

Keith Haring (American 1958-1990) & Andy Warhol (American 1928-1987) (Collaboration), 'Montreux Jazz Festival', 1986, screenprint in colours on wove paper, printed by Serigraphie Uldry Bern; sheet: 100 x 70cm

Andy Warhol (American 1928-1987), 'Chanel No.5', 1997, a complete set of four offset lithographs on linen backs; sheets: 71.5 x 56.5cm each (4)

David Shrigley (British 1968-), 'Warhol Lives', 2019, linocut on wove paper, signed and numbered from an edition of 12, published by Schaefer Grafik; sheet: 76 x 56cm ARR

Andy Warhol (American 1928-1987), 'Studies For A Boy Book (Bodley Gallery Announcement)', c.1959, offset lithograph on paper, bearing 'The Estate Of Andy Warhol' stamp in blue in verso; sheet: 40 x 34.5cm

†Andy Warhol: original Marilyn exhibition litho poster

Andy Warhol, 1928 Pittsburgh – 1987 New York MONROE MARILYNFarboffsetlithografie.Sichtmaß: 83 x 83 cm.Rückseitig signiert und datiert „This is not by me / Andy Warhol 70 N.Y.“.Hinter Glas gerahmt.Nicht geöffnet. Provenienz: Michael Haber, New York.Privatsammlung, New York.Privatsammlung Deutschland.Literatur:Vgl. Auszug Werksverzeichnis „ Andy Warhol Prints, A Catalogue Raisonné 1962 - 1987“, 4. Auflage, ca. 1970, S. 69: II.31: Marilyn Monroe (Marilyn) 1967: There are some unauthorized prints, 33 ¼ x 33 ¼“ (84,5 x 84,5 cm), which were published in 1970 in different colors from the portfolio. Stamped in black on verso, published by Sunday B. Morning and fill in your signature; some prints are inscribed by Warhol, This is not by me. Andy Warhol.“ (1271152) (1) (18)Andy Warhol,1928 Pittsburgh – 1987 New YorkMONROE MARYLINColour offset lithograph.Visible size: 83 x 83 cm.Signed and dated “This is not by me / Andy Warhol 70 N.Y.” on the reverse.Provenance:Michael Haber, New York.Private collection, New York.German private collection.Literature:Compare catalogue raisonné excerpt„ Andy Warhol Prints, A Catalogue Raisonné 1962 - 1987“, 4th edition, ca. 1970, p. 69: II.31: Marilyn Monroe (Marilyn) 1967: There are some unauthorized prints, 33 ¼ x 33 ¼“ (84,5 x 84,5 cm), which were published in 1970 in different colors from the portfolio. Stamped in black on verso, published by Sunday B. Morning and fill in your signature; some prints are inscribed by Warhol, This is not by me. Andy Warhol.“

Andy Warhol, 1928 Pittsburgh – 1987 New York SELBSTPORTRAIT, 1966Serigraphie auf Leinwand.Verso gestempelt „Sunday B. Morning“135 x 118 cm.Frei gestellt in Rahmen.Kleinere Knittersp. am linken Rand.Literatur: Vgl. Frayda Feldman, Jörg Schellmann, Andy Warhol Prints, II.16, München/New York 1985. (1271153) (1) (18)Andy Warhol,1928 Pittsburgh – 1987 New YorkSELF PORTRAIT, 1966Serigraphy on canvas.135 x 118 cm.Literature: Compare F. Feldman, J. Schellmann, Andy Warhol Prints, II.16, Munich/New York 1985.

Andy Warhol, 1928 Pittsburgh – 1987 New YorkSUNSET, 1980 Offsetdruck. 57 x 56 cm.Rahmenmaß: 82 x 77 cm.Eines von nur wenigen handsignierten Exemplaren. Hinter Museumsglas gerahmt.Original Ausstellungsplakat der „Galerie im Hause Behr“, Stuttgart, 10. 10. - 22.11. 1980. (12715268) (13)

Andy Warhol (1928-1987)Pepper Pot from Campbell's Soup I (Feldman & Schellmann II.51) Screenprint in colours, 1968, on wove paper, signed in ballpoint pen and lettered Q verso, one of 26 artist's proofs aside from the edition of 250, published by Factory Additions, New York, the full sheet, with pale light-staining, the red attenuated, otherwise in good condition, framedSheet 890 x 587mm. (35 x 23 1/8in.)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Andy Warhol (1928-1987)Mick Jagger (F&S II.147) Screenprint in colours, 1975, on Arches Aquarelle paper, signed in pencil by the artist and by Mick Jagger in red felt-tip pen (attenuated), numbered 196/250 in pencil, printed by Alexander Heinrici, New York, published by Seabird Editions, London, with their ink stamp verso, the full sheet, with time staining to extreme sheet edges, with backboard staining, a 10mm. tear to the right lower sheet edge, generally in good conditionSheet 1108 x 734mm. (43 5/8 x 28 7/8in.) Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Andy Warhol (1928-1987)Golda Meir (Feldman & Schellmann II.153A) Screenprint in blue, 1973, on felt, signed in felt-tip pen, from the edition of 550, published by the American Friends of the Israel Museum, New York, as a gift for attendees at the Beaux Arts Ball in New York, printed to the edges of the felt, lacking the label verso, the blue attenuated, framed Sheet 176 x 176mm. (6 7/8 x 6 7/8in.)Footnotes:ProvenanceSotheby's Old Master, Modern and Contemporary Prints, London, 21 June 2000, lot 397.Acquired from the above sale by the current owner.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Andy Warhol (1928-1987)Wrapping Paper (not in Feldman & Schellmann) Offset lithograph with hand-colouring, 1957, on wove paper, with the Estate of Andy Warhol and Andy Warhol Art Authentication Board Inc. stamps verso, with initials T.J.H. and number PM.24.0006 in pencil on the reverse, from an edition of unknown size, the full sheet, the pink attenuated, framed Sheet 737 x 584mm. (29 x 23in.)Footnotes:ProvenanceSotheby's Contemporary Art Day Sale, London, 27 June 2002, lot 287.Acquired from the above sale by the current owner.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Andy Warhol (1928-1987)Edward Kennedy (Feldman & Schellmann II.240) Screenprint in colours with diamond dust, 1980, on Lenox Museum Board, signed and numbered 60/300 in pencil (there were also 25 artist's proofs), printed by Rupert Jasen Smith, New York, published by the Kennedy for President Committee, Washington, D.C., the full sheet, in good condition, framedSheet 1015 x 812mm. (40 x 32in.)Footnotes:ProvenanceGeorgetown Frame Schoppe, Washington DC (with their label).Acquired directly from the above by the current owner.Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

ANDY WARHOL (1928-1987)Lamentation from Martha Graham (Feldman & Schellmann II.388) Screenprint in colours, 1986, on Lenox Museum Board, signed and numbered XIII/XXV in pencil verso, one of 25 artist's proofs aside from the edition of 100, printed by Rupert Jasen Smith, with their blindstamp, published by Martha Graham Center of Contemporary Dance, Inc., New York, with their ink stamp verso, with the artist's copyright inkstamp verso, the full sheet, in very good condition, the colours fresh and vibrant, framedSheet 914 x 914mm. (35 13/16 x 35 13/16in.)Footnotes:Click for an instant shipping quoteFor further information on this lot please visit Bonhams.com

Andy Warhol1928 Pittsburgh - 1987 New YorkFlowers2 Blätter. Verso Stempel: Fill in your own Signature / Sunday B. Morning. 2 Farbserigraphien auf Velin. Edition Sunday B. Morning. 91,4 x 91,4 cm. Ein Blatt mit leichten Stauchungen. Beide gerahmt. Werkverzeichnis: Feldman/Schellmann II 66,II 73 Provenienz: Galerie Terminus München, 1996 (Rechnung liegt vor). Firmensammlung Hannover Leasing Andy Warhol1928 Pittsburgh - 1987 New York Flowers2 sheets. Stamp verso: Fill in your own Signature / Sunday B. Morning. 2 colour serigraphs on vellum. Edition Sunday B. Morning. 91.4 x 91.4 cm. Minor damage to 1 sheet. Both framed. Catalogue Raisonné: Feldman/Schellmann II 66,II 73 Provenance: Galerie Terminus Munich, 1996 (invoice is available). Company collection of Hannover Leasing

Andy Warhol1928 Pittsburgh - 1987 New YorkAndy Warhol. Portraits von Willi BrandtAusstellungsplakat. Unten Mitte mit der Gefälligkeitssignatur und rechts unten signiert von Willy Brandt. Farbserigrafie auf dünnem Papier. Plakat der Ausstellung in der Galerie Wünsche, Bonn-Hamburg Juli 1976. 60 x 59,5 cm. Blattgröße: 84,3 x 59 cm. Blattkanten gewellt, Unten links berieben und mit Kratzspuren. Kleiner Einriss am oberen Blattrand. Provenienz: Privatsammlung Süddeutschland Andy Warhol1928 Pittsburgh - 1987 New York Andy Warhol. Portraits of Willy BrandtExhibition poster. With complimentary signature lower centre and signed by Willy Brandt lower right. Colour serigraph on thin paper. Poster of the exhibition in the Galerie Wünsche, Bonn-Hamburg July 1976. 60 x 59.5 cm. Sheet size: 84.3 x 59 cm. Edges of the sheet wavy, rubbed lower left and scratches. Small tear on the upper edge of the sheet. Provenance: private collection, South Germany

Andy Warhol. 1928 Pittsburgh - 1987 New York. Ready-made von 1976. "The two dollar Jefferson". 2-Dollar-Note, numm. E05087222A, mit abgestempelter 13-Cent-Marke. Mit schwarzem Filzstift sign. und verso Stempelsign. Zwischen Plexischeiben fixiert. 6,5 x 15,5 cm. Echtheitszertifikat der Galerie 32