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VICTORIAN SCHOOL (CIRCA 1850). Head and shoulders of a young man wearing a black cloak. 3ins x 2.25ins.

A 19TH CENTURY ORIENTAL CARVED BAMBOO FIGURE, holding a vase and wearing a spiked cloak, 18in high.

Two linen Al-Hajis cloaks with embroidered decoration and another heavy brown wool cloak with braid decoration. (3)

Two ancient dark green carved stone figures depicting a man and a woman, the bearded man carved ornately to back and front with ornate headdress and ceremonial ware, clasping a staff with carved cross to base, the semi naked woman with ornately carved hair, shoulder cloak and dress holding a small pillar with circular carved hash marking to base, both weighing approx. 400 gms. The figures being possibly North African.

AN OFFICER`S CLOAK AND OTHER ITEMS OF THE GUIDES CAVALRY with maker`s label of Hawkes, 14 Piccadilly, inscribed to JK Hensley Esq. A fine dark blue cloak with scarlet cloth lining to collar. A double row of plain white metal half-ball buttons to front, scarlet shalloon lining (top button missing); two lightweight khaki Service Dress tunics, one with scarlet piping round the collar (both lacking all badges and buttons); a good Sam Browne belt of Guides pattern, with white metal fittings, complete with sword-frog, brace and whistle but lacking its rectangular regimental waistplate; a brown pigskin pistol-holster and flat leather pouch, both with loops to attach to a Sam Browne; and a leather-covered swagger-stick (7) Frederic King Hensley was commissioned into the 15th Madras Infantry in 1902, transferring to the Guides shortly afterwards. He was promoted Lieutenant in 1903 and Captain in 1910. The 1914 Indian Army List shows him attached to the Assam Military Police. He accompanied the Egyptian Expeditionary Force from June to November 1918, and subsequently transferred to the 12th Frontier Force Regiment. He appears as a Lieutenant Colonel in the 1927 IAL

A box wood carving of a man, late 19th/early 20th Century, the figure standing up full length, wearing cloak and holding a toad, on a pierced wooden base, with a wooden box with cloth decorated interior, figure 21 cm high, together with another carved model of an immortal, standing on a money sack, 23cm. high (2)

A 16th Century Oak Panel carved in relief and depicting Potiphar's wife grabbing Joseph's Cloak, staged beneath a draped canopy 10 ins x 9¼ ins (25 cms x 23.5 cms), presented in a later ripple moulded frame 16½ ins x 16 ins (42 cms x 40 cms).*

A 16th Century Oak Carving of a Saint with shoulder length hair wearing a long draped cloak over full length tunic and standing 28 ins (71 cms) in height.

A 16th Century French Polychromed Carving of Saint Jacob with forked beard wearing a blue cloak over a red belted tunic and holding an open book, 19 ins (48 cms) in height,

Three Unusual Elizabethan Three-quarter Length Figures carved from dark, richly patinated pine. Two carved in the form of bearded men wearing cloaks over doublets & full breeches; their hair curled around their heads and fashioned into small quiffs at the front, 18½ ins & 18 ins (47 cms and 46 cms) in height. The third wearing a head-dress and cloak over a tunic with rope tied around the waist, 17 ins (43 cms) in height.*

A pair of early 19th Century portrait miniatures of a young boy and girl wearing a black cloak and white dress with in gilt oval frames, 7.5cm x 6cm (2)

A 19th Century woolwork study of a young boy wearing a red cloak seated and feeding a lamb, worked by Esther Lower 1863, 63cm x 48cm

A 19th Century Continental hand decorated porcelain Spill Vase modelled as a young boy in hat and pink and blue cloak playing a flute and with his seated dog, on circular base, (possibly Saint Bartholomew) 27.5cm high

An Italian bronze ship`s plaque of San Francesco Da Paola, patron Saint of boatmen, mariners and naval officers:, the central circular relief depicting Francesco Da Paola with staff, cloak and monks on an anchor beneath a pendant banner inscribed as per title, flanked by helm and compass points with steamship to left hand side opposed by sailing vessel, the anchor entwined by dolphins over the Latin `Ad Litus Educ Patriae` (Guide us to the native shore) , the whole within a chain border, 34.5 x 39cm

AN UNUSUAL ORIENTAL MONKEY PORCELAIN TEAPOT, part glazed with a green cloak with floral decoration, the spout modelled with arms holding a flower, impressed marks to the base, H 14.5 cm

Two Charles II crowns, made into a cloak clasp, various Chinese coins and other coins (qty)

* A PORCELAIN FIGURINE OF A WANDERER GARDNER MANUFACTORY, MOSCOW, 1820s Height 20 cm. Provenance: Anonymous sale; Russian Pictures, Works of Art and Icons, Sotheby’s Olympia London, 2 December 2004, lot 452. Realistically modelled, leaning against a tree stump wearing a green tunic and a black hat with navy blue cloak tucked behind him through strap of shoulder-bag, modelled on a square naturalistic base, with incised and blue underglaze manufactory mark.

A selection of small silver items to include a Scottish silver and enamelled cloak pin, hat pins and a letter opener/magnifying glass combination, along with other items

A beech modern bentwood hat and cloak stand, in the style of Michael Thonet, 194.5cm H

A Chinese coloured porcelain seated Buddha, 20th century, the figure smiling whilst grasping his cloak in one hand and holding beads in the other, the base with impressed makers mark, 21cm high

A Royal Worcester figure of a barefoot girl carrying a basket and wearing a green dress and red cloak, with green printed mark to base number 1874

A bronze sculpture after Paul Comolera (1818-1897), the naturalistically modelled figure of a fighting bull with horn piercing matadors cloak and with a spear in his side, on an oval black marble base, signed and impressed seal from J.B Deposse

GWR wood with cast letters Platform Sign `PARCELS OFFICE AND CLOAK ROOM`. Measures 55" x 18", in extremely good condition.

Star Wars Master Replicas Emperor Palpatine cane & cloak clasp from episode VI: Return Of The Jedi. 1:1 scale. Limited edition number 58 of 1500 pieces. Complete with wall mountable display, stand presentation plaques, certificate of authenticity, all related paperwork, original box and packaging and Master Replicas branded outer cardboard box. Item number SW-113P.

Great BritainQueen Elizabeth II Issues1971 Anniversaries3p. Serviceman and Nurse of 1921, variety red-orange (nurse's cloak) omitted, unmounted mint, fine. With normal for comparison. S.G. 887b, £800. GBR 1774b, £750, quantity: circa 100. Photo Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

JOHILLCO. MOUNTED LIFE GUARDS x 2 (one winter red cloak). Charbens mounted guards officers x 2. Crescent mounted guards Trumpeters x 2. Timpo Dragoon guards on prancing horses (one base and tail broken) and Life Guard by unknown maker (all VG) (10)

Five framed, portrait miniatures on ivory, to include a pair of oval, early 20th Century watercolours on ivory, each showing a young lady in 18th Century costume, inscribed verso, `Mrs Mary Mary Robinson, Sam Shelley` and `Lady Augusta Campbell, John H? Benwelli`, a pair of oval framed, 20th Century watercolours on paper, one signed, `A. Boy`, showing a royal figure, wearing crown, pearl earrings and necklace and ornate dress, the other signed `P. Rove`, showing a gentleman in 16th Century costume, holding a book, and a rectangular watercolour on ivory, 19th Century portrait of a woman in white lace bonnet and cloak, 6.5cm x 5.5cm (x2), 8cm x 6.5cm (x2) and 7.5cm x 6cm, (5).

A Meissen figure of a dancing cobbler, 19th century, after the model by Kändler from the Craftsmen series, a ribboned shoe resting on his raised left knee, a wooden shoe form by his right foot, draped in a long wine-coloured cloak and wearing a black tricorn hat, blue crossed swords mark, incised 1377, 21.5cm. Cf. K. Butler, Meissener Porzellanplastik des 18 Jahrhunderts die Sammlung der Ermitage, no. 127.

EVENING CLOAK. A reversible pink & coral silk evening cloak with self covered buttons.

COMMEMORATIVE MEDALS, WORLD MEDALS, MEXICO Our Lady of Guadaloupe, a highly important 17th Century Pilgrim’s Badge in gold and enamels, open-work design set with six squares of native emeralds, the crowned central image of a radiant Madonna supported on a cherub’s head, continuous legend in border around (partly hidden by stones), MCONCEBADSNPECADOORGNAL, the enamel in four colours: red, blue, green and white, 66mm x 51.5mm, total weight 35.54g. Some slight damage to enamel, otherwise in excellent condition, scarce. Our Lady of Guadaloupe (Nuestra Señora de Guadalupe) is the image of the Madonna which appeared on the cloak of a peasant who is now vernerated as Saint Juan Diego Cuauhtlatoatzin or Juan Diego (1474-1548), at Tepeyac, near Mexico City. Accounts of the apparition were first published in Spanish in 1648, by Father Miguel Sànchez, Imagen de la Virgen María, Madre de Dios de Guadalupe (“Image of the Virgin Mary, Mother of God of Guadalupe”). It is quite possible that the jewelled badge dates from around the time of this publication.

A mahogany railback doll`s chair; and a mahogany balloon back chair; together with a collection of doll`s clothing, including a red velvet cloak & bonnet

A late 18th Century oval portrait miniature of the Duchess of Hamilton, head and shoulders to dexter, wearing a frilled bonnet and black cloak, 7 x 6 cm (2 3/4 x 2 3/8 in.); a 20th Century oval portrait miniature of a lady wearing a string of pearls, and a 19th Century rectangular portrait miniature of a young child beside a harp (3)

Lenci Mother and Child modelled wearing floral cloak on turned base, painted marks to base, 31cm high Condition report: Tiny glaze flake to the edge of the mother`s cloak, overall crazing. No other damage or restoration.

Circular brooch of red and blue guilloche enamel dressed with rose cut diamonds and split pearls (one missing), diameter 2cm; a Victorian gilt metal circular cloak pin, 5.5cm; and an unmarked cushion shaped memoriam brooch with seed pearls and plaited hair (3)

AN UNUSUAL EARLY 1900s ROYAL DOULTON (BURSLEM) POTTERY CLOCK (the movement replace), the tapered rectangular case with spreading plinth base moulded in low relief with Pied Piper, his cloak and wide brimmed hat in blue enamels, the wide hem with honesty, a further border of honesty with whip-lash stems encircling the top, the whole covered with a translucent brown glaze, printed mark, design registration number 399944, 11 1/2"" (29cm) high

A rootwood Shou Lao, mid 19th century, the god with peach-form head and long beard, wearing a knobbly cloak and holding a peach and staff, and standing on an openwork base, 81cm 清十九世纪中 根雕寿星立像 CONDITION REPORT: Staff replaced, lacquer distressed in areas around head and shoulders. Small chip to rear of head.

DU MAURIER DAPHNE: (1907-1989) British Author. T.L.S., Daphne, two pages, 8vo, Menabilly, Par, Cornwall, 18th April 1966, to 'My dear' (Foy Quiller-Couch). Du Maurier writes to her friend immediately following her return from Greece with news of her travels, 'my life was saved at Knossos where I found a shepherd's short white cloak with a hood, and this I wore, day in day out, much to the surprise of the fellow-travellers! Greece we really adored, I would return any day, Delos - uninhabited - my highlight, quite superb, though a larger island to the far north, Thasos, also glorious. In the Peloponnese, Mycenea, Epidauros, Olympia, all quite wonderful. I was rather put off by Turkey, possibly because of the weather. But it was not so inviting, and the people all looked rather grim and hostile, only men in the streets, and the women shut away. Though one day, at one of the ports, the inhabitants came to dance to us on the quayside in national costume, and this was fun….Tessa was wonderful, so friendly with everyone, and had I been alone I know I should have hidden in our cabin, but she dragged me from my shell, and it was really the right thing to do….We vied for the favours of Sir John Wolfenden, and I fear Tessa won - no doubt middle-aged ex University Vice Chancellors have an eye to the young (!) but both he and his wife were extremely kind to us, and - you will have known it in the past - I did find what I call the scholarly intellect stimulating, such rapier-like talk and exchanges between Sir John and Sir Maurice Bowra. Both superb as lecturers, and an Irishman from Trinity College equally good, Professor Luce. In a way it was awfully like being at a University, we were all the pupils, and the dining room might have been a huge Common Room.' In concluding Du Maurier writes of mutual friends and also remarks 'No news on the Menabilly front, except that I asked an architect friend to look around Kilmarth and he was appalled, saying thousands would be needed to make it even habitable today. Oh, dear, Oh, dear, I wonder where I stand.' A couple of light, small tape stains to the head of the first and final pages, only slightly affecting one word of text, and not the signature, otherwise VG Foy Quiller-Couch - daughter of British writer Arthur Quiller-Couch (1863-1944), and a life-long friend of Du Maurier. Indeed, Du Maurier was accompanied by Foy Quiller-Couch when she became inspired with the storyline for her novel Jamaica Inn. Some years previously the two ladies were staying at Jamaica Inn and went riding on Bodmin Moor. They became lost in bad weather conditions and apparently sheltered for some time in a derelict cottage on the moor but were eventually led back to Jamaica Inn by their horses.

A reproduction medieval style steel helmet together with matching cloak and two reproduction axes

A `House of Vanheems` Clerical Cloak, the woollen cloak featuring a lion mask chain fastener.

An antique Chinese carved polished soapstone / jade figure of a seated Buddha, the figure having finely carved hair locks with ornately carved cloak. The Buddha clasping a set of beads in his left hand with a branch in his right hand. Character mark to top right shoulder, approx. 12 cms, width of base 8.3 cms. Provenance; brought to England from China in the 1900`s by a high ranking Naval Officer.

W. Hartman (early 20th century Continental school), a half length portrait of a gypsy woman in head scarf and red cloak, signed upper left, oil on board, W. 48 cm, H. 62 cm.

A poured wax shoulder head doll, late 19th century, with fixed blue glass eyes, inverted blonde hair wig, stuffed fabric body, wax covered arms and legs, with original or contemporary lace edged cream silk dress, with cloak and bonnet, 19" high

PIERRE MIGNARD (1612-1695) "Louis of France Le Grand Dauphin", a study of the young prince in armour and red cloak lined with blue, with lace collar and cuffs, bearing the riband of the St. Esprit, holding a baton in his right hand, portrait study, half length, oval, oil on canvas, unsigned, bears old stencil marks and page 8 from catalogue dated Friday March 26th 1965 verso, 60.5 cm x 49.5 cm (Provenance: Bought by Joyce Lady Talbot de Malahide for her godson Valentine Bennett as a housewarming present, and thence to the present vendor by descent) CONDITION REPORTS Under ultra-violet light : painting generally shows up a fairly milky white, with some darker patches particularly to clothing to the lower section and to the right-hand side of the painting to the background (which may be due to the scuffing/small surface losses and deterioration to varnish visible under natural light). Under natural light the areas which showed up dark under ultra-violet light appear as surface scuffing and some surface losses/deterioration to the paint & varnish, painting generally has some craqueleur, there are some slight undulations to the canvas Frame has quite a few chips, cracks and some losses. Under UV light the blue riband has the same appearance as the armour, face and the others parts of the painting, with exception of the areas which have small surface losses / scuffs which show up dark. There is a small dark area approx 1cmx1.5cm to the right of his breast plate which is matt and slightly indented and appears to be where some paint has flaked off and has been touched up. There is also a dark matt area to the right of his waist. Some deterioration to the varnish, particularly around edges and to lower areas of picture.

A black silk velvet opera cloak with pale blue lining and a green Chinese jacket

Victorian mourning dress comprising cloak, associated scarf, rosette, purse, etc.

A 19thC turned hanging wig and cloak stand, 42cm wide, 44cm high.

Comics A collection of approximately 200 Marvel Comics, including, Magik, Red Sonja, Daredevil, Cloak and Dagger and much more. 1980`s/ 90`s (vg)

An Early Steel Cloak Pin With Etched Pattern

Chris Booth Earth Cloak pumice, basalt, stainless steel and kanuka 202mm x 1700mm x 200mm Commissioned by the present owner from the artist in 1994

A MURRLE BENNETT 9CT CLOAK PIN

Sea Nymph with Trident (64) medium, purple cloak, small hairline crack to border and The Shrimpers (63) (2) potlid, potlids, pot+lid, pot+lids, prattware

COSTUMES: Halloween; A large collection of Halloween themed fancy dress theatre costumes to include Wizard cloak, bride of Dracula costumes, various devil outfits, Mortisha, Witches outfits, Mink gown, vampire, purple witch etc. Two of most costumes.

A vintage black velvet lady`s evening cloak, tog. with a group of Jaeger and other skirts and jackets

4 painted porcelain figures of French Napoleonic period officers in full dress: Napoleon, Staff officer in cloak with baton, Hussar with sword, guards officer with sword, height 12” including uniform bases painted with “N” in wreath. VGC

An embroidered purple silk cloak with integral hood

John Hassall RI (1868- 1948) watercolour of a gentleman in a cloak, signed lower left, 37 x 19 cm.

A Lazaro bodice, as new with attached labels; a purple hooded cloak; two white cotton corsets; turquoise Pakamac and other assorted ladies costume (a lot)

AN EARLY 19TH CENTURY PINK ENAMELLED TRINKET BOX the lid with motto `Alafs I die if you deny`, 4cm diameter, together with a papier mache snuff box decorated with the portrait of a seated man in a red cloak (AF), 10.25cm diameter (2)

A set of four ivory veneer rectangular framed, early 20th Century oval portrait miniatures on ivory, one after François Gérard`s 1802 portrait of Madame Récamier, bears name `Gérard`, one in the style of Jean- Marc Nattier (1685 - 1766) indistinctly signed, of a French lady in gold and navy dress, with cello, one indistinctly signed of an 18th Century style lady in hat and curled hair, and one intialled `J.K.`, portrait of gentleman in wig, and red, fur trimmed cloak, 8cm x 6.5cm (4).

Circle of GEORGE MORLAND (1763 - 1804) Framed, unsigned, watercolour on paper, showing a horse and cart in English woodland country clearing, whilst driver speaks to seated woman in red cloak, 62cm x 75cm.