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Harry Potter: Original Polaroids of Daniel Radcliffe (Harry Potter) Costume Fitting Hogwarts Robes, circa 2001, comprising two Polaroids of Daniel Radcliffe trying on two sets of Hogwarts robes (one with shorter sleeves, one cloak with Gryffindor badge visible), applied to a sheet of paper inscribed in blue ink DAN RADCLIFFE ROBES; a printed measurement form dated 31st August 200? for Harry Potter, production title Harry Potter 2; and a divider page titled 1. HARRY POTTER, accompanied with a letter concerning the provenance, Polaroids 4in x 4in (10cm x 10cm) each each sheet 8 1/4n x 11 3/4in (21cm x 30cm) Footnotes: Provenance: Offered directly by Hand & Lock Embroidery, who acquired MBA Costumes Ltd in the mid-2000s. This lot is sold without copyright. For further information on this lot please visit Bonhams.com

~ A PAIR OF GRAND TOUR MINIATURES OF APOLLO AND DIANA, ITALIAN, CIRCA 1800 Apollo with red cloak turned slightly to sinister, Diana in a blue dress slightly to dexter, painted on ivory, each in their Irish black and gilt verre eglomisé and giltwood frames, Apollo with trade label to wood backing for 'Js Hawkesworth / CARVER & GILDER / from London / No.12 / Duke Street / Dublin', ivory 9.5cm diameter, frames 21.5cm squareJames Hawkesworth is recorded at either 12 or 14 Duke Street, Dublin, between 1793-1806. It was not uncommon for works to be framed once the traveller had returned home from the Grand Tour.

A George V silver dressing table trinket tray, Birmingham 1930; a silver hafted table bell; a silver pill box; an Art Nouveau cloak clasp (4)

CIVILIAN POLICE INTEREST; a collection of police items, 1970's / 1980's, comprising a truncheon, with leather torch holster, length 39cm, a set of handcuffs (with keys) with leather pouch, epaulettes, three number badges, whistle, cloak pin, Surrey Constabulary badge, and four other items.PROVENANCE: The collection of Cpl Thomson RMP Northern Ireland (1971-1973)

19th Century school, study of a lady in a pink cloak holding a flower, unsigned oil on board, 20cm x 15cm 

Britannia, the Belgae AV Stater. 1st century BC. Wreath, cloak and crescents / Disjointed horse left, rectangular body and marine creatures below, many pellets above. ABC 746-750. 6.2g, 17mmEx Roma Numismatics Ltd, E-Sale 57, 30 May 2019, lot 53;Ex Paul Munro-Walker collection, Roma Numismatics Ltd., E-Sale 32, 7 January 2017, lot 16

Glazed, hand painted Bone China figurine. Man wearing a brown cloak sitting on purple base with multicolored ceramics.Royal Doulton backstamp. Artist: Charles J. NokeIssued: 1932 - 1992Dimensions: 7"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good

ATTRIBUTED TO UTAGAWA KUNISADA (UTAGAWA TOYOKUNI III, 1786-1865)Edo period (1615-1868), early/mid-19th centuryProbably originally a shikishiban surimono print, depicting a kabuki actor in an onnagata role, wearing a heavy and thick cloak standing on a veranda, leaning over the wood balustrade, peering down at a goose struck by an arrow tied with a letter, the signature missing; mounted on card. 17cm x 15.2cm (6 11/16in x 6in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

AN ITALIAN PLASTER SCULPTURE OF A CLASSICAL GREEK FEMALE TORSO MID 20TH CENTURY The figure of a Dancing Female thought to be Praxilla of Sikyon after the original found at Hadrian's villa 128cm high, 55cm deep, 45cm wide Condition Report: Surface wear and dirt which has become engrained. Some chips to lowest foot edge-small areas of edge rubbing throughout. Smaller sections of cloak seem slightly browner indicating some remedial restoration but this does not seem to come through under UV Please see additional images for visual references to condition which form part of this condition report.Please note viewing is at Guinevere (574-580 King's Road, London SW6 2DY). The auction takes place at Dreweatts Donnington Priory on Tuesday 23 May (10.30am BST). There will be no viewing or bidding at Guinevere on the day of the auction. Lots will be available for collection from Guinevere from Wednesday 24 - Friday 26 May (by appointment, 10am - 5pm). After Friday 26 May (5pm), all lots will be removed from Guinevere to commercial storage at Sackville-West Moving & Storing (Andover) and available for collection from Wednesday 31 May. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers Condition Report Disclaimer

Indistinctly-signed, Continental, a woman wearing a scarf and cloak with a small child, pastel, framed oval, 38 x 33cm and a Continental painting on glass of two young women holding a stock of corn, 23.5 x 18cm.

50 B.C.-50 A.D. Obv: wreath, cloak and crescents. Rev: disjointed horse right with pellet group above. Cf. ABC 2166 for general type.3.24 grams. Ex David Harthill collection, UK (with ticket).[No Reserve]

127-151 A.D. Obv: PAO KANHPKI legend with Kanishka standing left, holding trident in left hand and sacrificing over altar to left. Rev: AQPO with Athsho (Hephaistos), bearded, standing left, wearing diadem and cloak with flames emanating from his shoulders, holding filleted diadem in right hand and tongs in left; tamgha in left field. ANS Kushan 459-462; Donum Burns 183; MK 772; Whitehead 92-96.16.46 grams. Ex David Harthill collection, UK.[No Reserve]

Circa 1550 A.D. Composed of a pair of recessed panels forming folding doors; the right panel with painted crucifixion scene depicting robed Mary, John the Evangelist and another apostle, angels collecting the blood in cups; the left panel with nude Adam and Eve with deceased reaching up towards resurrected Christ holding the standard of Victory in his left hand, two holy women, the myrrh bearers (Mary Magdalen and Mary, mother of Jesus) to the left. See Chojnacki, S., Major Themes in Ethiopian Painting, indigenous developments, the influence of foreign models and their adaptation, from the 13th to the 19th century, Wiesbaden, 1983, figs.39, 89, 90, 183, for similar Crucifixion and Resurrection scenes.499 grams, 24 cm high each (9 1/2 in.). Ex French private collection, 2000. Ex central London gallery. The icon shows the Western influence on Ethiopian art. The Crucificion image contains many elements of this iconography which are found in many Oriental and Western Art of Middle Ages, but with significant changes from the previous representations: Jesus is nailed with three nails and not four, the head leaning towards his right shoulder and the hair falling on his shoulders. Following the Western influence, Christ is represented in a spasm of physical pain, and consequently a more detailed anatomy of his chest and abdomen is depicted. This concept of the Crucifixion, common in the Italian Late Middle Age and Renaissance art, found its way to Ethiopia at some time towards the end of the 15th century, or at the beginning of the 16th century. Like in the majority of the Resurrection Icons of this period, Christ is dressed in a long robe with a cloak or toga draped over one shoulder. [No Reserve]

Basel, Switzerland, circa 1520 A.D. Shown beneath an arcade, offering his cloak on the end of his sword to the beggar at his feet; polychrome detailing; repaired with lead cames and held in a wooden frame. 1.8 kg, 49.5 cm, (54.5 cm including box) (19 1/2 - 21 1/2 in.). Ex old Swiss private collection. Ex central London gallery.[No Reserve]

Early 19th century A.D. Comprising a folded length of thin leather or vellum, with lines of Ge'ez text in black and red ink, coloured figural illuminations at the top depicting the winged Archangel Michael brandishing a sword, wearing a richly decorated lembd as a covering cloak. See Heldman, M., Munro-Hay Stuart, C., African Zion, The sacred art of Ethiopia, Yale University Press, 1993, pp.65, 72.32 grams, 35 cm (13 5/8 in.). Stephen Keynes collection (1927-2017). Ex central London gallery. Ethiopian phylacteries or parchment scrolls combined apotropaic prayers and images. These ‘magic scrolls’ utilise only a few designs that derive from Christian imagery, namely the holy rider, the sword-bearing angel Michael, and the cross. Here the text asks intervention and protection from Saint Michael, commander of the heavenly Host. Interestingly, the accoutrement of the Angel reflects that of the military Ethiopian elite in 19th century A.D. [No Reserve]

2nd-3rd century A.D. Displaying a figural scene in relief showing the Dioscuri, wearing a crested helmet and raising the right arm in salutation; the bust of Sol wearing a radiate crown and the horned bust of moon surmounted by a crescent, border to the perimeter representing two snakes; the inner border with seven six-pointed stars, a large dolphin-like creature swimming to the right, to the left a group of round objects; to the right of the left hand rider, a three-legged offering table with three candle-sticks; between the sun and the moon a standing female deity dressed in peplos and chiton, facing right with her right arm raised in front of her; behind the moon a bird waddling to left; to the right of the left hand rider, a cockerel; beneath the horse’s hooves two prostrate figures lying face down, head to the right and left, the right figure with the left knee bent in supplication; at the centre, between the two horsemen, a standing female deity in long chiton (Helen of Troy); behind the right horse, a standing male figure facing left with his right hand raised in salutation, wearing a knee length tunica, short boots and a heavy cloak; on the lower margin a small prostrate figure with head to the right, limbs extended, a twin-handled wine cup, a standard surmounted by a lamp, a figure hanging head down from a stunted tree and a lion stalking left. See Tudor, D., Corpus Monumentorum Religionis Equitum Danuviorum, 2 vols, Leiden, 1969-1976; Rinaldi Tufi, S., 'I cavalieri danubiani e i loro misteri', in I Daci, Catalogue of the exhibition, Milan, 1997, pp.90-91.61 grams, 70 mm (2 3/4 in.). From the collection of a North American gentleman, formed in the 1990s. The plaque contains a complex iconography of divine figures and symbols, probably associated with Thracian or Dacian beliefs of the Lower Danube region, but also with the Greek myth of the divine twins Castor and Pollux (the Dioscuri), an important element of Roman religion since its origins, here mixed with the cult of the Danubian rider. Presiding over the whole scene is usually the Sol Invictus (the unconquered sun-god) and his sister the Moon (Selene). [No Reserve]For this specific lot, 5% import VAT is applicable on the hammer price

Elizabeth Hughes/Portrait of a Young Girl/looking right, wearing a white bonnet and cloak/oil on canvas laid to board, 21cm x 15cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Red rich and black glaze, unrecorded version modeled as a granny owl wrapped in a cloak. Impressed 228 to base. Royal Doulton backstamp. Artist: Charles NokeIssued: c. 1918Dimensions: 3"L x 3.75"W x 8"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

A VERY RARE PALE GREEN AND RUSSET JADE 'FOREIGNER AND BOY CARRYING PAGODA' GROUP17th/18th centuryCrisply carved as a foreigner with long curly hair and earrings, wearing a large cap, bent slightly forward and resting his right hand on a staff, dressed in long flowing robes and clad with a large cape tied at his neck and spreading like a sail around his body to his outstretched arm touching the head of a boy carrying a pagoda, the stone of greenish-grey tone with russet patches. 9.3cm (3 5/8in) high.Footnotes:十七/十八世紀 青白玉雕番人童子把件Provenance: Joseph (1938-2005) and Bella (1941-2011) Shapiro, and thence by descent 來源：Joseph Shapiro (1938-2005)和 Bella Shapiro (1941-2011)舊藏，並由後人保存迄今The unusual representation of a boy carrying pagoda, suggests that the hooded adult figure may be identified as the luohan Nandimitra (also known as Subinda), who according to legend was the last disciple of Buddha. The ear-ringed figure with long curly hair, wide hood and cape, appears to be a foreigner. Small jade figures of this type representing foreigners were first made during the Tang dynasty when figures of foreigners were produced in various materials, representing the cosmopolitan society of the period. Two such standing figures from the collection of Dr and Mrs Cheng Te-k'un, both dated to the Tang dynasty, are illustrated by J.Rawson and J.Ayers in Chinese jade throughout the ages, Oriental Ceramic Society, London, 1975, nos.216 and 219. Each figure is similarly identified as a foreigner by his apparel, which includes a cloak.Compare with a related pale green jade carving of a foreigner, small Buddhist lion and kneeling figure, 17th century, which was sold at Bonhams New York, 21 March 2022, lot 231. See also a small pale green jade figure of a foreigner, late Ming/early Qing dynasty, which was sold at Christie's New York, 17 March 2016, lot 950.For further information on this lot please visit Bonhams.com

AMENDED DESCRIPTION A Kenner Star Wars vintage Lando Calrissian General Pilot 3 3/4 inch action figure, one of the last 17, complete with grey palace blaster and cloak.

A 19th century continental, possibly German, cloaked religious / Biblical figure carved from fruitwood, possibly St. Peter or a Greek philosopher, with clasped cloak and sculpted beard, with arms cut off at elbow. Slight damage visible to verso of cloak include woodworm holes, possible loss to left toes. Measures 56cm tall.

A 20th century oak carving of mother and child. Carved from a single piece, believed to represent the Virgin Mary and Child of Christ. Child wrapped in mothers cloak with embracing arm. Measures approx 48cm.  

Five small scraps of antique textiles, to include an antique red velvet and gold stumpwork Persian / Indian piece from a sleeve / cloak, a 29cm x 19cm scrap of tapestry / upholstery depicting a lion and foliate motifs, and a 59cm x 28cm scrap of tapestry / upholstery with a Roman style head / bust to the left hand side and foliate motifs in gold and red, and a larger 20th century stump work Indian piece on brown fabric, measuring 83cm x 87cm.

A Chinese blanc-de-chine figure of GuanyinMing/Qing dynasty, 17th centuryFinely modelled seated in dhyansana on a lotus base with hands together resting in her lap, 19cm high.十七世紀 德化窯觀音像Condition Report: Three small areas of professional restoration (to hood and left side of cloak)

Vera Cummings - He-Tino-Toa (Half Length Portrait of a Maori Man with Moko Tattoos, wearing a Korowai Cloak and Tiki), early 20th century oil on canvas, signed, 19.5cm x 14cm, within a stained wood frame.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Police Constabulary style uniform items comprising woollen night cape / cloak with chain fastening, helmet and truncheon

Three various Meissen porcelain figures, comprising a boy resting a basket of grapes upon a marble pedestal, a figure embematic of Winter with fur cloak, and a boy feeding ducks, some damages, 13cm high and smaller, (3)

Life Guards troopers cloak, size 5, Hashket & Partners Ltd. 1964; together with a Life Guards cap (2)

AOHNA [Athena] - Greece - Military Ranges, comprising: Set 31 - Evzone Band: Band Master with Baton & 7 x Musicians Playing various Instrumentation, depicted in Red Jackets & Set 48 - Ancient Greek Hoplite's: Officer in Cloak & 4 x Hoplite's with Spears & Shields. Mint overall, contained [Athens City / Parthenon-Salamis Inserts] in generally near Mint [minor storage wear] window set boxes. [2]

A Chinese soapstone figure of Budai or 'laughing Buddha', Qing Dynasty, 19th centuryThe red-veined green stone carved as a seated Budai accompanied by five monkeys.8cm highCondition:Snmall loss to lower edge of cloak. Some tiny surface chips and scratches in places.

An Ecclesiastic Clergy white metal cloak chain/clasp, with lion's head on shield, length 14cmSome surface wear but appears in good condition

Large box of Marvel comics, mostly 1980's and 90's. To include Black Knight, Cloak and Dagger, Cage, Avengers, Hawkeye, Wolverine, Alpha Flight and many others. Approximately 230 comics.

An industrial style cloak room rail, 152cm x 187 x 62

Deutsches Reich 1933 - 1945 - Führende Persönlichkeiten des 3.Reiches : Umhang zur großen Galauniform des Staatsministers Dr. Otto Meissner.Umhang zur großen Galauniform des Staatsministers Dr. Otto Meissner.Feines schwarzes Tuch, der Kragen in feinster versilberter Metallfadenstickerei mit dem vorschriftsmäßigen Eichenlaubdekor. Innenfutter aus feiner schwarzer Seide.Meines Wissens der erste jemals auf einer Auktion angebotene Umhang zur Galauniform der höchsten Staatsbeamtendienstgrade.The Third German Reich 1933 - 1945 - Leading Personalities of the 3rd Reich : Cloak for the great gala uniform of the Minister of State Dr. Otto Meissner. Cloak for the great gala uniform of the Minister of State Dr. Otto Meissner. Fine black cloth, the collar in finest bullion silver-plated metal thread embroidery with oak leaf decor. Inner lining made of fine black silk. As far as I know the first cape ever offered at an auction for the gala uniform of the highest civil servant ranks.

A mid-20th century Scottish silver Celtic penannular cloak pin, by Robert Allison, hallmarks Glasgow 1950, ring diameter 46.3mm, 28.4gNo damage or repair, only general surface wear, hallmarks clear

BENTWOOD CLOAK TREE 20th century

A Mid-20th Century Royal Naval Officer’s Boat Cloak In Blue Wool, With Gilt Lion Head Cape Chains And Gilt Buttons And White Lining.

A group of ten figures, to include angelic choir group, two seated children with wings, a young girl in cloak and a sleeping baby (10).

Friesland, een paar gouden stiften, ca 1900. Gedecoreerd met een rozet en granulé. Vermaakt tot mantelsluiting bruto 16,6 gr., h. 50 x b. 50 mm Provenance: Van een Amsterdams verzamelaarsechtpaar [2] Friesland, a pair of gold head ornaments, ca 1900. Decorated with a rosette and granule. Altered to a closure for a cloak

Zeeland, zilveren schortenhaak, ca 1900, gedecoreerd met Goese knopen, spinnetjes en filigrain. Hierbij, een zilveren mantelhaak, 19e eeuw, mt. Hendrik Decker, Amsterdam 1816 - 1847 bruto 58,5 gr. Provenance: Van een Amsterdams verzamelaarsechtpaar [4] Zeeland, silver apron hook, ca 1900, decorated with 'Goese buttons' and filigree. Hereby, a silver cloak hook, 19th century, makers mark Hendrik Decker, Amsterdam 1816 - 1847

A Meissen porcelain figure, modelled as the allegorical Season of Winter, modelled as a bearded man wearing a fur cloak, lacking flaming brazier to base, blue mark to underside and incised number 6.83, 20cm high. (AF)

A miniature Samson portrait bust of Robert Burns, 93mm, a German porcelain figure of a crusader in chains, another Henry Lauder, a colourful moulded figure of a lady in purple cloak holding an effigy of Satyr and a miniature Royal Doulton figure of Fagin (5)(staffordshire pottery theatre theatrical opera musical literature)

William III: a late-17th century English Delft dish well painted in magenta, blue, yellow and turquoise with a crowned full-length figure wearing armour and a cloak, holding the orb and a stylised sceptre, flanked by trees and within a banded border, 300mm, some restoration* Dishes from this series depicting the Monarch wearing armour, sometimes with a cloak and variously holding the orb and sceptre or a sword or flowers, are almost invariably flanked by trees and within a border banded in either magenta or blue may be found initialled WR or KW have been attributed to London or Brislington. See Christies New York, 14th December 2015, lot 272 and Historical & Collectable 18th November 2017, also lot 272.(commemorative commemorate royal royalty)

Sea Nymph (64) purple cloak(potlid pot lid pratt prattware)

Sea Nymph (64) red cloak(potlid pot lid pratt prattware)

MINKO: A WOOD NETSUKE OF YOJO STABBING THE KING'S CLOAK By Tanaka Juntoku Minko (1735-1816), signed Minko 岷江 with kakihanJapan, Tsu, early 19th century, Edo period (1615-1868)Depicting Yojo seated and stabbing Cho Bujutsu's cloak with his sword, his expression marked with determination. The pupils are minutely inlaid in dark horn. One ringed himotoshi through the cloak and signed to the underside with red pigment MINKO. Note the superbly carved hair in the back with boldly incised strokes, interestingly somewhat similar in conception to Minko's goat beards (lot 137).LENGTH 3.9 cmCondition: Very good condition with associated old surface wear.Literature comparison:Compare to a netsuke depicting the same subject in Jirka-Schmitz Patrizia, The World of Netsuke, The Werdelmann Collection at the Museum Kunstpalast Duesseldorf, p. 40, no. 80.The story of Cho Bujutsu and Yojo is described in Henri L. Joly, Legend in Japanese Art, p. 569. Yojo (in Chinese Yu Jang) wanted to avenge the death of his master by the hands of Cho Bujutsu. Several futile attempts ended up with Yojo begging for Cho's royal mantle, which he then stabbed into shreds with his sword as a token of his revenge. Afterwards, Yojo killed himself as he could no longer live under the same heaven as his rival.

MINKOKU: A FINE IVORY NETSUKE OF YAMA-UBA AND KINTAROBy Shuyusai Minkoku (Minkoku III), signed Minkoku 民谷Japan, Edo (Tokyo), mid-19th century, Edo period (1615-1868)Published: Sagemonoya (2022), The Gabor and Georgina Wilhelm Collection, p. 42, no. 61.The mountain witch Yama-uba depicted here in a youthful manner, wearing a loosely fitted leaf cloak, opening at the chest, supporting Kintaro on her back, while the strong boy pulls on her hair, causing her visible discomfort, the other hand pulling on the leg of a minutely carved baby boar which tries to escape Kintoki's clutches. The details are masterfully carved, particularly the expressions are lifelike and animated. Large himotoshi through the back, the signature located on the hem of the robe within a rectangular reserve MINKOKU.HEIGHT 5.5 cmCondition: Excellent condition with minor expected wear.Provenance: The Gabor Wilhelm Collection, Paris.Kintaro (also known as the "Golden Boy") is a folk hero from Japanese folklore. A child of superhuman strength, he was raised by Yama-uba on Mount Ashigara. Later he became a loyal follower of Minamoto no Yorimitsu under the new name Sakata no Kintoki. In his youth he was known to wrestle various animals from the mountain and was reputed to be able to lift a baby boar as an infant.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number FR2207511178-K).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

KOKU: A STAG ANTLER KNIFE HANDLE IN THE FORM OF A MONKEY WITH A LOTUS CLOAKBy a follower of Ozaki Kokusai (1853-1892), sealed Koku 谷Japan, Tokyo, Asakusa, late 19th centuryThe netsuke sized handle exquisitely carved as a tanuki-like monkey seated on a circular platform rising from a lotus blossom, wearing a large worm-eaten lotus leaf as a cloak over its back and head, the simian's fur neatly incised and darkly stained, its face well detailed with round eyes and the mouth wide open revealing tongue and teeth, the back carved with the seal KOKU.HEIGHT 6.3 cmCondition: Very good condition, minor wear, natural imperfections.While the Koku seal is perfectly cut and the overall quality is indicative of this grand artist, the carving is a little too refined for Ozaki Kokusai, a more likely artist being a close follower such as Hoshunsai Masayuki.Literature comparison:Compare a related stag antler box and cover by Kokusai, with similarly carved lotus petals and leaf, also sealed Koku, illustrated in Sydney L. Moss Ltd. (2016) Kokusai the Genius: and Stag-antler Carving in Japan, vol. II, p. 322-323, no. 252. Compare also two stag antler netsuke of stylized bats with similarly incised fur and eyes, attributed to Masayuki, illustrated in ibid., vol. III, p. 78-81, nos. 375-376.Auction comparison:Compare a related stag antler netsuke of a kappa ningyo, attributed to Ozaki Kokusai but more likely by Masayuki, at Galerie Zacke, Fine Netsuke, Sagemono & Okimono, 2 November 2019, Vienna, lot 253 (sold for EUR 21,488). Compare also an ivory netsuke of a cat in a kimono by Masayuki at Lempertz, Netsuke aus der Sammlung Albert Brockhaus, 27 June 2020, Cologne, lot 529 (sold for 18,750 EUR).

T Claton, Figure of a Violinist with Hat, Sash and Cloak, oil wash on wooden panel, outlined in pencil, signed bottom left T Claton (61cm x 35cm)

Lucas Vorsterman I (1595-1675), Self-portrait of Anthony van Dyck / Description: Portrait of Anthony van Dyck, half-length turned away but looking over his right shoulder towards the viewer, wearing a large lace collar, doublet with buttoned shoulders, cloak, and chain, his left hand holding the cloak at the level of his right shoulder, sixth state with initials of Gillis Hendricx burnished; after Anthony van Dyck's self-portrait / Dimensions: 24,50 x 15,50 cm / Condition: Good impression on fools head watermarked laid paper trimmed on/just inside plate border, narrow at bottom with signature of Vorsterman partly cut of. New Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (59.VI) -- Hollstein / Dutch and Flemish etchings, engravings and woodcuts c.1450-1700 (152) -- Mauquoy-Hendrickx 1991 / L'Iconographie d'Antoine Van Dyck, Catalogue raisonné (79.VI) / Medium: Engraving /Circa: 1630-1645

Leonardo de Vinci - Deformed heads, by Wenceslaus Hollar / Description: The Leonardo da Vinci studies of deformed heads are famous. Here an old couple with deformed faces depicted bust-length, the woman wearing a cap and dress with round collar, the man with blown-back long hair, wearing a cloak with narrow collar; after Leonardo da Vinci; first state, before the number '5' added to lower right. Etching by Wenceslaus Hollar after Leonardo da Vinci. Signed upper left 'Leonardo da Vinci inu / W Hollar fecit'. / Dimensions: 7,00 x 10,40 cm / Condition: A very good sharp early impression of the first state. On a dense laid paper with still some ink in the plate border. Condition is very good. A wonderful untouched condition. All lot's are listed with several high resolution images, which is the best way to give a clear and objective idea of the general very good condition. Textual description is limited, so please examine the images carefully and ask for more info if needed. / Literature: New Hollstein (German) / The New Hollstein: German engravings, etchings and woodcuts 1400-1700 (747.I) --- Pennington 1982 / A descriptive catalogue of the etched work of Wenceslaus Hollar (1593.I) / Medium: Etching /Circa: Circa 1645

A Staffordshire pearlware bust of John Locke, c.1800-20, modelled wearing a red cloak draped around his shoulders, raised on a socle with faux marble decoration, incised 'LOCKE' to the reverse, 19cm.The English philosopher and physician, John Locke, was one of the key figures in the Age of Enlightenment whose writings influenced Voltaire and Rousseau.

A Vienna figure group, c.1760, depicting a couple, possibly an actress and her companion or relating to the Commedia dell'Arte, she seated and holding a mask in her left hand, her right raised in remonstrance, her companion seated on a black cloak and leaning on her left thigh, blue shield mark, firing cracks and restoration, 14.5cm high.

A Meissen figure of the Racegoer's Companion, 19th century, wearing a fur-lined lilac cloak over a striped floral dress, her left hand tucked inside a muff of brightly coloured feathers, a sealed envelope held in her right hand, cancelled blue crossed swords mark, incised D66, some restoration to her right arm and hand, 20.5cm.

A small Meissen figure of Jupiter, mid 18th century, wearing a pink patterned cloak and standing beside a white eagle with a gilt firebolt between his feet, blue crossed swords mark, and a Vienna figure emblematic of Winter, blue shield mark, small repairs, 12cm max. (2)

A 1940’s/50’s police cloak with lion’s head brass fastenings and collars numbered 1255, together with a North Wales police jacket circa 1970’s (2)

Hasbro - Tiger Electronics - A boxed model #70794 (alternate no dash model number) Special Limited Edition 1998 'Royal' Electronic Furby by Hasbro. The Furby with blue body fur, yellow stomach wearing Royal cloak and crown appears Mint, still attached to its base and is presented in a Very Good - Excellent sealed box which has some light surface creases to cellophane window. (This does not constitute a guarantee)

AD 114-117. Trajan Ar. denarius, AD 114-117, Rome. IMP CAES NER TRAIANO OPTIMO AVG GER DAC; Bust of Trajan, laureate, draped, cuirassed, right. Rev. P M TR P COS VI P P SPQR; Mars, helmeted, naked except for cloak round shoulders, advancing right, holding transverse spear in right hand and trophy over left shoulder in left. RIC 337. Very Fine.Size: 17.26mm; 5.58gProvenance: Private London collection.

Eastern Viking, Ca. 600-900 AD. A wooden idol is an anthropomorphic, free-standing sculpture, characterized by simplified features and a long cloak. The figure has an oval-shaped head with simple carved facial features, including large, circular eyes and a broad nose. The body is elongated and slim, with the arms and legs outstretched. These idols were used in religious practices, serving as representations of their deities. They were believed to have magical powers and were used for protection, guidance, and good fortune.Size: L:130mm / W:45mm ; 50gProvenance: Property of a European collector; formerly in a collection of German ambassador F. von Pourtalès, early 20th c., bought in St. Petersburg in 1910s. After his death in 1928, in family’s possession in Germany, bought by German dealer in 1980s.

A Victorian Staffordshire pottery figure of a traveller with cloak, 16" high