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Lot 455

A 1960s theatrical costume worn by actress Elisabeth Bergner and designed by Yolande Sonnabend, consisting of a purple georgette/net cloak with purple feather detailing across entire cloak and with beaded decoration, with gold and lilac metallic headdress with beaded decoration This costume was designed by British theatre and ballet designer Yolanda Sonnabend for the 1967 production of The Madwoman of Chaillot by Jean Giraudoux and worn by Elisabeth Bergner, an Academy Award nominee for Best Actress for her performance in the film Escape Me Never. This lot is accompanied by a signed original theatre programme

Lot 451

A 1960s theatrical costume consisting of a peach silk and cream georgette dress with matching silk cloak designed by Marty Flood, the dress with ruched bodice and georgette sleeves and detailing across dress studded with sequins, the silk cloak with a diamante decoration and trim This costume was worn by the character of Eliza in the 1960s Anvil production of Pygmallion at the Oxford Playhouse

Lot 435

A full length gold and black lame dress and cloak from the 1980 film Flash Gordon worn by the character 'Hawkwoman', with feather pattern to the fabric, sequin detail, straps to dress, a 'V' neckline with bead detail to bust, an opening to front and Velcro fastening to back, the full length cloak with tie fastening to neck, together with a beaded and sequined headdress (3)

Lot 188

AN ASSORTMENT OF MARVEL COMICS INCLUDING OMEGA THE UNKNOWN NO. 1, 2, 3, SON OF SATAN NO. 1, 2, MORBIUS 1, 2, 3, SLEEPWALKER, THE AVENGERS, DARKHAWK, GHOST RIDER, CLOAK AND DAGGER NO. 9, 10 AND STALKERS NO. 7, 8 AND 9

Lot 204

A rare Samuel Gilbody (Liverpool) figure of Winter c.1756-60, modelled as a putto draped in a yellow cloak lined with ermine and wearing ice skates, his left hand covering his mouth, a few small chips, 11.5cm. Old label for Jas. A. Lewis & Son, New York. Provenance: from a private collection in Surrey.

Lot 604

A 19th century painted cast metal dinner gong in the form of a standing oriental male figure in cloak and wide brimmed hat holding a staff in his right hand, his left lifting a beam across his shoulder, supporting a brass bell and further brass gong, each with embossed detail together with associated strike, 24 cm tall x 30 cm long approx

Lot 113

A Hadley Worcester figure of a young girl in a hooded cloak carrying a basket, with predominantly green and gilt coloured finish, with incised mark Hadley and puce printed mark to base numbers 1874, 16 cm tall approx together with a further similar Worcester figure of a female character in eastern style costume with pointed head dress holding a staff, with impressed mark to base and numbers 810 (?), 22 cm tall approx, also together with a further Royal Worcester figure from the reproduction Hadley Collection - French Fisher Boy after James Hadley 1886

Lot 128

Pair Late C19th Dutch Oils on metal panels, C17th Carolean style interior inn scene with gentleman wearing red jacket drinking wine with his foot on a barrel & man smoking church warden style pipe with sword, bugle & cloak on the ground, each in heavy gilt frames with gilt slips, image sizes approx. 6 1/2" x 8" (2)

Lot 1155

A POLYCHROME PAINTED CARVED FIGURE OF THE BLESSED VIRGIN MARY standing on a sphere with hands together, wearing a painted cloak, with glass eyes, 19th century, 34" high

Lot 601

Roman Cloak Brooches - eleven examples of 1st - 4th Century Roman cloak brooches (11)

Lot 305

SEVENTEENTH CENTURY TOKENS, London, Clerkenwell (2): A.C., farthing, Ye Rose & Crowne (W.659; Edward Wright, farthing, 1658, Baker (W.669); Cloak Lane (2): N.B., farthing, At The Willow Tree (W.670), I.B., farthing, At The Willow Tree (W.671); Cloth Fair (12): William Bincks, halfpenny, 1666. At the 2 Brewers’ Arms (W.673); William Chandler, farthing, joined hands (W.676), poor; Thomas Gascoyne, halfpenny, 1668, Merchant Tailors’ Arms (W.679); Richard Gimbart, farthing, two brewers carrying barrel (W.680); William How, halfpenny, 1667, At Ye Harro (W.683); Henry Ingersole, halfpenny, 1668, At Ye 3 Tvnnes (W.684); Henry Ingersoule, farthing, ‘58, At Ye 3 Tvnnes (W.685); Isack Peckett, farthing, three stags/Butchers’ Arms (W.687); Mikhill Temple, farthing, Prince of Wales’ feathers (W.690); George Wallis, farthing, Tallow Chandlers’ Arms (W.691);William Wittingham, farthing, 1657, wyvern (W.692), except where stated, fair to nearly very fine (16)

Lot 101

White metal Claymore cloak pin together with another smaller with inset hardstone panels and a hat pin with hardstone sphere to terminal (3)

Lot 1019

A 19th c. Bronze figure of a child in cloak, signed Chiapparelli Roma. 9'' tall

Lot 526

A silver crocheted evening dress embellished with blue and pearl beads, lined with grey silk, 43 cm across chest, a 'Shampers' black jersey and velvet evening cloak and an ivory sequinned evening dress inset with lace, boned bodice and matching evening bag (3)

Lot 834

A brown patinated bronze of a putto wearing a cloak (possibly 'Winter' from a Four Seasons set), signed F _ (indistinct), on square slate base, 16 cm high

Lot 442

AN EARLY OLD MASTER PORTRAIT STUDY OF A GIRL IN HOODED CLOAK

Lot 46

A VICTORIAN SCOTTISH AGATE AND SILVER KILT BROOCH/CLOAK PIN, set with citrine, amethyst and almandine garnets

Lot 194

A Victorian gilt metal cloak chain set malachite and coral beads, having snake twist finials to the pins.

Lot 90

Selection of Vintage Star Wars Action Figures consisting of Luke Skywalker (yellow hair), Han Solo large head, Luke Skywalker X-Wing pilot, 2x Stormtroopers, 2x Chewbacca, Obi-Wan Kenobi, Darth Vader (with damaged cloak), Death Star Droid, Greedo, Walrus man, Red Snaggletooth, Tusken Raider, Boba Fett, Tie Fighter Pilot, Luke Skywalker Bespin, Han Solo Hoth, R2D2 Sensorscope, Hoth Rebel soldier, ATAT Driver, IG-88, Zuckuss, 4-Lom, Lobot, FX-7 Medical droid (damaged), 2x AT-ST Drivers and General Maidine body with black bespin guards head. All are played with examples and show wear, chips etc. (29 items)

Lot 799

Pair of Russian biscuit porcelain figures by the Gardner Family (late C19th), each realistically modelled comprising a woman dancing and a man wearing a tall black hat and cloak. 8.25ins and 9.5ins high Printed and pressed Mark

Lot 417

An retro full length 1970's black velvet cloak, having a fully lined interior

Lot 2344

A silk dark grey circa 1920s cloak, with moleskin collar, a velvet cloak having a white shaved Coney collar (2)

Lot 153

A boxed Steiff 1994 Edwardian Opera teddy bear, no. 653131, with numbered white and red tag to ear, with white fur and an opera cloak, with musical movement playing Lloyd Webber's "All I Ask of You", 1974 in a limited edition of 2000, height 40cm, with certificate. CONDITION REPORT: Good condition.

Lot 334

Wilhelm Kage for Gustavsberg - an Argenta two-handled vase, unusually decorated in white metal and gilt with a nude woman and cloak, holding a torch on one side, painted mark, shape number 935, 21cm high

Lot 865

A. Foucher, 'Joan of Arc', a silvered and textured bronze and ivory figure, circa 1920, carved and cast as a young woman in a flowing belted cloak, signed 'Foucher', on an onyx plinth (a.f), 20.5cm high.

Lot 124

An American silver oval bread basket by Ball, Black & Co., New York, circa 1851-1876 (damaged); an American silver coloured bowl by Poole Silver Co., Paul Revere Reproduction (damaged); and a collection of plated wares, including: South American cloak pins, photograph frames (some pewter mounted), salvers and other items, 1392g (44.75 oz) weighable

Lot 492

A Chinese armorial porcelain warming dish: of circular form with short handle and spout, the centre enamelled with a shield and the initials H.V.C. covered in an ermine trimmed cloak, within a flower festoon, husk and ribbon border, late 18th century, 25 cm diameter, [light wear].

Lot 551

A pair of large Nove creamware figures: , he modelled standing before a stump wearing a fig leaf, on a canted square base, she partially draped in a cloak with a dolphin at foot, on a canted and stepped square base, incised Nove, 19th century, 62 and 60 cm high, [glue repairs, she with some glaze loss]. *Provenance. Rockbeare Manor, Exeter, Devon

Lot 665

A Meissen figure allegorical of winter: after the original by J.J.Kaendler, the beaded man wearing a fur lined cloak, a flaming brazier at his side, cancelled crossed swords mark and incised C 83, late 19th century, 20 cm high [some damage].

Lot 55

A Burgh of Calton Special Constable disc, early 19th Century The disc with the coat of arms of Calton dated 30th August 1817, with Special Constable no. 308, suspended on a linked chain, it is believed only three of these presented (Ref JCG page 41, plate 3, figures 8 & 9), a similar bronze Calton Special Constables disc lacking chain (Ref JCG page 41 plate 3, figures 8 & 9), a Queen Victoria Lion's Head cape/cloak clasp.

Lot 192

In the manner of Sir Peter Lely, oil on canvas, portrait of a seated lady wearing a red dress and blue cloak with dog on her lap, 48ins x 38ins

Lot 200

A Middle Eastern rectangular silk rug; a Bedouin cloak (2)

Lot 477

British School, portrait of a young girl in cloak with posy, coloured print. Framed and glazed.

Lot 296

A LLADRO PORCELAIN FIGURAL SCULPTURE of a lady with flowing cloak holding a bunch of flowers, 31cm high together with a further Lladro porcelain sculpture of a girl holding flowers and another of a girl with flowers and a small garden bird perched on her hand (3)

Lot 536

A late 19th Century white metal Highland regalia part set to include a sporran, cloak pin, belt buckle and leather sash and horn powder flask each decorated with a relief crown within scrolling thistle border, the cloak pin and flask both set with Cairngorm stones and the sash detailed with a Hay Clan crest. (5).

Lot 832

Edwardian Oak Cloak / Hallstand with Mirrored Back

Lot 1011

Early 20th century Walnut Mounted Cloak Rail with Heart Shaped and Horse Shoe Shaped Mirrors

Lot 27

Roman Empire, ca. 1st to 3rd century CE. A solid bronze cast near-miniature figurine depicting Mercury, Roman mythology's youthful god of commerce, Hermes in Greek mythology. The sculptor presented Mercury as an athletically built young man. Note his trained body with rippling muscles that are clearly delineated on his torso. Although the figure is standing, we are viewing him in motion. Notice the contrasting stance of his legs, the ever so slightly twisted torso and the gentle turn of his head. Clearly this Roman artist was under the influence of Greek Hellenistic sculpture with its idealistic model of anatomical proportions and delicate facial features. This figurine may be small, it boasts many layers of iconography as Mercury is depicted with several of his attributes. As one of the most revered gods, Mercury was known to attend their feasts. Here he dons a fanciful wreath for such an occasion. Small wings are delineated behind his wreath and he wears winged shoes. After all, he was the messenger of the gods. Because of his activities as messenger and guide to souls of the underworld, Mercury was a traveler who was never at rest. In this depiction, a long, traveler’s cloak, a chlamys, hangs over his left forearm. Figurines depicting deities such as this were usually used as votive offerings brought to temples or kept at more intimate home shrines for private worship. A wonderful example from the ancient Roman Empire! Custom, museum quality stand. Size: figurine itself measures 2.5" H (6.4 cm); 4.5" (11.4 cm) on stand Provenance: Ex-private M. Reniger collection, Chicago, IL. Condition: Old losses to hands. Otherwise a nice representation with deep green patina. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111377

Lot 305

Roman Empire, ca. 43 to 410 CE. A beautiful bronze "crossbow" fibula or brooch used to fasten a cloak of a Roman soldier and citizen. Given its attractive design, this fibula also served as an impressive decorative ornament. Yes, the brooches of the ancients were both serviceable and beautiful! Gorgeous green patina. Size: 3.5" L x 2" W (8.9 cm x 5.1 cm) Provenance: Ex-private M. Reniger collection, Chicago, IL. Condition: Intact. Integrated pin still there! Gorgeous green patina. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111409

Lot 31

Roman Empire, ca. 1st to 3rd century CE. A solid bronze cast figurine depicting the youthful god of commerce, Mercury in Roman mythology, Hermes in Greek mythology. This depiction is an early example, one that prefigured more Hellenisitic-influenced portrayals. Instead, this figure displays a more abstract, archaic representation of the figure's anatomy and visage. While the figurine may be small, near miniature in fact, it is replete with iconography befitting Mercury depicting several of his attributes. As one of the most revered gods, Mercury was known to attend their feasts. Look closely and you will see that he dons a wreath for such an occasion with small wings atop his coiffure befitting of this messenger of the gods. Because of his activities as messenger and guide to souls of the underworld, Mercury was a traveler who was never at rest. In this depiction, a long, traveler’s cloak, a chlamys, hangs over his left forearm. He also holds a herald’s staff, or caduceus, with two entwined snakes at the top, in his left hand. This staff was believed to possess magical powers, one of which was to inspire a dream oftentimes associated with a sudden death. Mercury is also understood as the protector of financial gain and commerce. As a testament to this, here Mercury holds a purse made of skin that preserves the shape of a small animal in his right hand. Figurines depicting deities such as this were usually used as votive offerings brought to temples or kept at more intimate home shrines for private worship. A lovely and quite early example from the ancient Romans! White marble block stand. Size: Mercury himself measures 2.875" H (7.3 cm); 3.5" (8.9 cm) Provenance: Ex-private M. Reniger collection, Chicago, IL. Condition: Intact and superb, with lovely green patina. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111379

Lot 319

Roman Britain, ca. 43 to 410 CE. This is a pair of two beautiful bronze fibulas/brooches. These items were used to fasten the ubiquitous clothing item of cold, damp Roman Britain -- the cloak. Both show the particular influence of Celtic artwork on Roman British artifacts, especially the more delicate of the two which suggests an animal head in its shape. Size of largest: 2" L x 1.1" W (5.1 cm x 2.8 cm). Provenance: Ex-Estate of M. Reiniger, Chicago, IL Condition: Both have patinas; one is missing its pin; the other's hinge is frozen in place. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111562

Lot 56d

China, Ming Dynasty, ca. 1368 to 1644 CE. Green glazed, molded ceramic figure of a man wearing a green robe and a fez-like hat. One of his arms is curled up and touching his face, wrapped in his cloak. Figures ranging in size from lifelike to miniature were placed in Chinese tombs for decades. In one undisturbed Ming Dynasty prince's tomb, archaeologists found an array of small figures like this one placed as if in ceremonial procession; the dead man's books, paintings, clothing, and other personal affects were also present. Size: 1.75" L x 3" W x 8" H (4.4 cm x 7.6 cm x 20.3 cm). Provenance: Ex-Private PA collection Condition: Intact/excellent. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #111757

Lot 429

A 19th Century Chinese bronze figure of a sleeping immortal wrapped in his cloak, wearing a decorated wide brimmed hat with gourd finial, together with a fitted hardwood stand, 17cm high overall

Lot 29

A Dresden porcelain group, Europa and the Bull, modern figure with billowing cloak and rose festoons, attended by cherub, 26cm.

Lot 680

A WWII Lieutenant’s uniform of Q Alexandra’s Imperial Military Nursing Service Reserve, comprising peaked cap with badge, tunic (one collar badge missing), skirt and cloak (few moth holes) mostly named to D. Easton; and another tunic with lanyard to D. Hunter. Generally GC (some service wear)

Lot 54

A pair of Royal Dux figures, female character, one with pitcher and dove, the other adjusting her cloak, 38 cm overall

Lot 181

A carved painted wood an wrought iron Troika style model sleigh, seated woman up front in a cloak with two dogs, 53cm long

Lot 647

*Evans (Gwendolen Mary, early 20th century). Guardian Angels, 1926, pastel and gouache on paper, showing a child in a hooded cloak against a starry sky, holding a staff and a lantern, with two angels and an owl behind, and a child angel with animals and birds in the foreground, signed and dated lower right, 53 x 37cm (21 x 14.75ins), mounted on card, framed and glazed Gwendolen Mary Evans wrote and illustrated two books for children: The House in the Little Green Wood (published in 1928) and Turn Again Lane (published in 1929). This work is typical of the soft and atmospheric qualities of her work, which often depicted angels and fairies. (1)

Lot 93

BELGO MODELS, BRITISH PEWTER AND OTHERS DIE CAST UNPAINTED FIGURES AND MODELS OF MAINLY HISTORICAL FIGURES AND SOLDIERS, includes Charles I standing with detachable cloak, Herman Goering by Cameo Models etc... approx 49 unpainted models/figures (49)

Lot 878

Naval General Service, 1793-1840, single clasp, Trafalgar (Mark Sweny. Actg. Lieut.), erased and engraved in contemporary upright capitals, lightly toned, a few small spots and hairlines, very fine. NOTE: Captain Mark Halpen Sweny (1783-1865) was born in Dublin, the second son of Eugene Sweny, a druggist from Mary Street, Dublin, Ireland, and Elizabeth Halpen. He joined the Royal Navy in 1798 as a 1st Class Volunteer, and rose to the rank of Midshipman the following year aboard H.M.S. Castor. Whilst aboard this vessel, an explosion of powder mutilated both of his hands and blinded him temporarily. Later in his career he joined H.M.S. Colossus in 1805 as Acting Lieutenant, and during this famous battle he was also severely wounded. Sweny was promoted to Lieutenant on the 22nd of January 1806 and served aboard HMS Africa in 1808 where he was wounded again during the subsequent action against the Danish flotilla in the Malmö Channel. It is said that he lost one or two fingers in the action off Malmö, and when seen in combination with his earlier wounds, he came to be called ‘Three Finger Jack’. Sweny left the Africa, and took part in an action in China on the St. Alban’s in 1809, under Capt. F. W. Austen (Jane’s brother) with whom he became friends, and did have occasion to meet Jane later in life. In 1815 he served as First Lieutenant aboard HMS Northumberland he accompanied Napoleon Bonaparte to St Helena, and the United Services Gazette dated the 2nd of December, 1865, records the following: ‘Napoleon several times played chess with Lieutenant Sweny, and on one occasion remarked to him that he could not but think he had seen him previously in military attire. On explanation it appeared that Lieutenant Sweny’s brother, a Captain in the King’s Dragoon Guards, had, when desperately wounded at Waterloo, been taken prisoner, and carried before Napoleon, who questioned him on several points and, observing that he was faint from loss of blood, ordered his own surgeon to attend him; curiously enough, this was the first intimation Lieutenant Sweny had of his brother’s life having been placed in jeopardy in that battle. Napoleon added: “Telles sont les vicissitudes de la vie; votre frère était mon prisonnier, et je suis maintenant la votre”. This is an additional example of Napoleon’s remarkable memory for physiognomy, Lieutenant Sweny and his brother being very much alike.’ Sweny is also mentioned in ‘Diaries of a Lady of Quality’ (1797-1844) by Miss Frances Williams Wynn, who had met him at a ball in Hastings in 1822. She calls him Captain Sweeney, so she was probably writing from her notes after 1838, when he had been promoted. He gave her an account of another encounter with the famous prisoner during his long voyage. She reports one exchange Sweny had with Napoleon: ‘One day he was sitting on deck in rain such as I am told can scarcely be conceived by those who have not felt tropical rains: Bertrand, Montholon, and Lascasas were all standing round him bareheaded. My informant spoke to them, and especially to Lascasas, who has very delicate health, telling them they would make themselves ill if they did not put on their hats: they did not answer, and Buonaparte gave him a very angry look, but said nothing. He then said, ‘General, you had better send for a cloak; you’ll be wetted to the skin’. He very sternly replied, ‘I am not made of sugar or salt.’ In 1816 he was awarded a pension for his wounds of £91.5s annually. Sweny was promoted to Commander in 1821, and in 1838 he was promoted to captain, receiving a pension for his wounds, and he ended his days as a Resident Captain (Governor) in Greenwich Hospital. He died in 1865 and the inscription on his gravestone at Greenwich Pleasaunce reads: ‘Mark Halpen Sweny, Captain Royal Navy, Served in H.M.S. “Colossus” at Trafalgar, Died 25th. Novr 1865, Aged 82 Years’. Another medal to the same recipient, but officially impressed, was sold with a matching portrait painting at Spink on the 16th of July, 1996 (lot 204).

Lot 174

DOLMEN/MONTAGUE, JOHN.The Great Cloak, with a woodcut by Raoul Ubal, SPECIAL LIMITED EDITION, 34/75, Dolmen Press 1978, bound in quarter leather in slip case, signed by John Montague.

Lot 183

*Italy, Apollo with the Three Graces, uniface lead medal by Pompeo Leoni (the reverse of a medal of Don Carlos, son of Philip II of Spain, died 1568), Apollo standing left, naked but for cloak billowing around head, holding bow and arrows in left hand and a group of the Three Graces on his extended right hand; trees and lyre at his feet, 67mm (cf. Attwood 118), a very fine early cast

Lot 6

*Spain, Saiti, as, circa 120-20 BC, diademed head to right with cloak fastened at neck, palm behind, rev., horseman galloping right holding spear, saiti below, 13.58g (AB 2100), good very fine

Lot 121

KNIGHTS OF ST JOHN CLOAK PIN C13th. A cloak pin in bronze with its original pin for a member of The Order of St John of Jerusalem, one of the oldest crusader orders. The pin is in good condition, found in France and dating from the C13th. 40-60

Lot 3

4 x CELTIC BRONZE ITEMS. A large bronze cloak pin 3 ½ inches in length, a disc form clothes toggle, a decorative mount from a shield and a junction strap all of Celtic origin and in as found condition, detector finds from the south of England. 30-40

Lot 172

A PAIR OF RUSSIAN BISCUIT PORCELAIN FIGURES by THE GARDNER FAMILY (LATE 19TH CENTURY), each realistically modelled comprising a woman dancing and a man wearing a tall black hat and cloak. 8.25ins and 9.5ins high. Printed and Impressed Mark.

Lot 318

A GOOD AUSTRIAN PAINTED COLD CAST GROUP AS AN ASHTRAY, the Arab man holding a cloak around a young lady which covers her nudity.Signed. Figure 4.5ins high.

Lot 1312

An 18ct gold fine link chain supporting an enamelled oval pendant in pierced frame set with cultured pearls, the plaque decorated with a young woman wearing red cloak, the reverse inscribed "C.Faure Limoges", length of pendant approx 4cm, weight of chain approx 3g. CONDITION REPORT: A few surface scratches to enamel, otherwise OK.

Lot 70

St. Agnes holding her attribute the lamb, - in an initial on a page from a devotional manuscript book in an initial on a page from a devotional manuscript book, in Latin on parchment [southern Germany (perhaps Augsburg, mid-fifteenth century] Single leaf with a large initial O (opening O gemma pudicicie virginitatis … ) in burnished gold enclosing the saint with a simple white face and rosy cheeks, the saint in a brown robe with a bright red cloak, and holding a lamb (the agnus dei, following the closeness of her name to the title of this religious symbol), all on pale green grounds and within a realistic interlaced soft pink frame, red rubrics, capital touched in red, 15 lines in a fine late gothic German hand, small scuffs to gold, else in excellent condition, c. 110 by c. 75mm., in arch-topped nineteenth-century frame with brown velvet mount as a religious icon (this 183 by 135mm.), old collection sticker and label in Swedish on reverse The illumination here is in the style named Nonnenarbeiten (see J. Hamburger, Nuns as Artists, The Visual Culture of a Medieval Convent , 1997), and associated with predominantly female monastic decoration of their own devotional books. Appropriately, the saints are often, as here, women. The style while simple has great rustic charm, and has recently seen a boom in collecting interest with single leaves sold in Christie s, 6 June 2007, lot 17, for £2280, and Sotheby s, 5 July 2005, lot 25 for £1560, and entire volumes in Sotheby s, 3 July 2013, lot 44, for £15,000.

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