We found 7199 price guide item(s) matching your search

TWO MID VICTORIAN PORTRAITS, the first depicts a seated half-length portrait of an older gentleman, his hand is resting on the arm of a chair, no visible signature, oil on canvas, approximate size 74cm x 62cm, the second depicts a female figure depicted half-length, she appears to be against an outdoor backdrop and is wearing a cloak and head scarf, no visible signature, approximate size 75cm x 62cm, Condition Report: both have light surface mould, both are relined, the gentleman shows signs of some restoration and over painting across the whole surface, the Lady has several obvious repairs to the chest area and along the top edge with over painting across the whole surface, small hole to the middle of the lower half (2)

FOUR BOXED GENTLE GIANT STUDIOS RESIN LIMITED EDITION 'HARRY POTTER' COLLECTABLE FIGURES, comprising 'Harry Potter' 430/2000, 'Sirius Black' 298/1500, 'Dumbledore' 1012/1500 (small chip to front of cloak) and 'Professor Snape' 901/1500 (4 + 4 boxes + 4 certs.) (Condition Report: Harry Potter has broken spectacles and wand holding right hand, other obvious damage is mentioned in description, boxes have a few scuffs)

19th century Copeland Parian Ware figure, after R Monti, modelled as Lady Godiva, upon a circular titled plinth, signed and dated verso R Monti 1870, impressed to base Copyright Reserved Copeland, overall H22cmCondition Report: General wear commensurate with age, including surface scratches and nicks.Several small losses to drapery and to belt, and cracks running up base of cloak at back of figure.

Head and shoulders, portrait of a Victorian lady in a red cloak, oil on board, 7.5 x 5cm, framed and glazed

Durotriges Cranborne Chase Billon Stater. Circa 60 BC to 20 BC. 2.84g. 18mm. Wreath, cloak and crescents. R. Disjointed horse left. Ref: ABC 2169. PAS: HAMP-2F2F5D

Gordian III Antoninianus. Radiate bust right, IMP GORDIANVS PIVS FEL AVG. R. AETERNITATI AVG, Sol, nude except for cloak around shoulders, standing facing, head left, raising right hand and holding globe in left. Ref: RIC IV, 83.

Charles I Halfcrown. Tower mint under Paliament, 1643-4 AD. King horseback left, King wears cloak flying from shoulder. CAROLVS D G MAG BRI FRA ET HI REX. R. Oval garnished shield, mint mark (P). Ref: S.2778. Ex Middleham Hoard, discovered in June 1993.

British School (18th Century)Portrait of John Goodricke Bart (by repute, presumed to be 5th Baronet), head and shoulders, wearing a short powdered wig, standing before an architectural pillar and a classical roundel relief Oil on canvas, 72.5cm by 62cmThe painting is lined, all keys present, slightly slack tension. There is a quantity of debris behind the bottom stretcher. Original tacking margins removed, as can be seen at the face where they are exposed inside the frame sight. There are old associated retouched losses, and overpaint extends the natural edge of the paint in places. There a finescale and a largescale network of brittle age and impact craquelure throughout, with large passages of lifting and active flaking, particularly to the right through the arm and cloak and to the left side of the head and ajacent background. These area have had a history of flaking and loss, and older losses are filled and retouched. Newer losses are unretouched. The retouching is matte in places. In the rest of the painting, the cracks are lifting slightly and there are scattered further smaller losses, some retouched. There are thick old varnish layers, yellowed and fairly opaque so difficult to see if there is further overpaint in the background. There are patches of a thick gritty material to the left lapel, to the left lower edge, and in the top right corner. Scattered scuffs and surface abrasions, and a patchy, uneven surface gloss. There is a thick layer of surface dirt and dark scattered accretions.

Italian School (17th Century) Santa Dorothea Inscribed verso, "Re Lined by H W Holder, Portland Place, Hull", oil on canvas, 98cm by 92.5cmExhibited: National Exhibition, Leeds, 1868, according to label reverse Provenance: Private Collection, East Riding of Yorkshire  The painting has an old lining, which is painted red at the reverse with black drips/staining. On an old stretcher with keys missing, and the stretcher bar inscribed 'Sir Godfery Kneller 1760'. Fair tension, but loss of impasto associated with the lining.The canvas is distorted and slightly lumpy in the top corners (see images).There is a fine brittle age craquelure throughout, slightly elevated and cupped in places but mostly secure at present.It is difficult to see quite what is going on in the darker passages of the painting due to the opaque old varnish and cracking. However, there is likely several old campaigns of restoration across the painting with some reddish retouching and thick opaque brown restoration visible in strong torchlight. There are scattered old filled losses at the corners, centre top edge, in the top of the palm where the fillings are slightly lumpy and lifting. There has been some history of flaking, now overpainted, leaving the surface with an uneven appearance. Notably this can be seen in the dark cloak over the Saint's shoulder (see images in raking and reflected light). There are small scattered newer losses including in the top left quadrant. There are larger filled and retouched damages including an L-shaped filling and retouching possibly to an old tear through the white drapery of the Saint's left sleeve. There is a long line of old losses and associated restoration running ten centimeters in from the right edge, extending through the hair and shoulder of the boy to the bottom edge with discoloured overpaint. Not all the losses have been filled. Further larger losses/patches of overpaint include those to the upper lip of the boy, the hand of the Saint holding the palm.There have been successive campaigns of restoration, some partially removed, for example the opaque green leaves that extend over the lower hand of the Saint.Much of the paint surface of the flesh tones and red drapery has a pockmarked/pitted appearance with paint from paint flaking. This is usually associated with heat or chemical burning. Some of the larger losses have been overpainted (see images). There are futher passages of overpaint throughout, including to the hair, the black necklace, and the hand.There is a thick old yellowed varnish, partially removed in the face. Old ingrained dirt. Splashes and wipe marks across the surface and white powdery residue, thick surface dirt.Examined in frame.

RAF WW2 Chaplain's Attributed Accoutrements. A scare group of items attributed to Squadron Leader D.H. Pottie RAF Chaplain Department.Comprising: RAF Stole with King's crown embroidered device.Black Clerical Cloak with name REV D H Pottie MA.RAF Officer's cap, fitted with regulation regular RAF Officer Cap Badge. Named D H PottieLeather RAF Wallet with photographs etc including one of Sqd Ldr Pottie wearing the RAF stole and clerical cloak.Overall GC. (4 Parts) Squadron Leader D.H. Pottie RAF Chaplain Department was a Presbyterian Chaplain appointed in 1941. In November 1946 he was serving with BAOR Hamburg District. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER ONLY

* Callot (Jacques, 1592-1635). Gentleman with Sword, & Noblman with Folded Cloak, from the series La Noblesse, circa 1623, two etchings on laid paper, one with a partial shield watermark, some light surface marks, trimmed to plate margins, sheet size 146 x 95 mm (5 3/4 x 3 3/4 ins) and similar, 20th-century wood frames, glazed, with old pencil description pasted to verso of eachQTY: (2)NOTE:Lieure 554 and 558; Pawlak 1147 and 1151.

* Millais (John Everett, 1829-1896). The Bridge of Sighs, etching, depicting a woman dressed in large cloak standing on a riverbank, an arched bridge behind her, image size 11.5 x 9 cm (4 1/2 x 3 1/2 ins), framed and glazed (37.5 x 33 cm)QTY: (1)

STAR TREK: DEEP SPACE NINE (1993-1999) - Ferengi Phaser - A Ferengi phaser from Star Trek: Deep Space Nine. Originally designed as a "Vulcan energy pistol" for a scene that was ultimately deleted, the design was repurposed as a unique Ferengi phaser variant used by Quark (Armin Shimerman) in "The Magnificent Ferengi" and "The Siege of AR-558," as well as the mirror counterparts of Brunt (Jeffrey Combs) and Julian Bashir (Alexander Siddig) in "The Emperor's New Cloak."This resin phaser is painted gray, green, and gold-color. It exhibits scuffing to the paint and signs of repair, including a glued crack at the top of the grip. Dimensions: 9.5" x 5" x 2.5" (24.25 cm x 12.75 cm x 6.5 cm)Estimate: $1,000 - 2,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.

A collection of forty-five loose and playworn vintage LFL / GMFGI Star Wars action figures to include Zuckuss, IG-88 (X2), Luke Skywalker Jedi Knight, Prune Face, AT-AT Driver (x2), Han Solo in Trench Coat, Emperor Palpatine, Emperor's Royal Guard, Weequay with Vibroaxe, 8D8, Bib Fortuna (x2, one with cloak), Nikto, Darth Vader (x3, one with cape), Dengar, Biker Scout, Ben Kenobi with cape, Princess Leia Organa, Klaatu, R2-D2 (x2), Imperial Tie Fighter Fighter Pilot (x2), Yoda with cloak and belt, 2-1B (x2), AT-AT Commander, Stormtrooper (x2), Lando Calrissian, Han Solo Bespin Outfit, Luke Skywalker X-Wing Fighter Pilot, Jawa with cloth cape, R5-D4, Lobot, Admiral Ackbar, Luke Skywalker Hoth Battle Gear and Death Star Droid (45), together with 1995 Kenner figures of C-3P0 and Darth Vader

A collection of loose vintage Kenner / Palitoy Star Wars action figures, some with accessories, to include Jawa with cloth cape, Teebo with headgear, axe and battle horn, Logray Ewok Medicine Man with headgear and pouch, Wicket W. Warrick with hood, Yoda with snake, belt and cloak, R5-D4 (Arfive-Defour), R2-D2 (Artoo-Detoo), Chief Chirpa with hood and Chewbacca with Bowcaster (9)

A collection of forty-eight loose and playworn vintage LFL / GMFGI Star Wars action figures to include Princess Leia Boushh Disguise (x2), Klaatu (x2), Teebo, Luke Skywalker X-Wing Fighter Pilot (x2), Imperial Tie Fighter Pilot, Rebel Commando, 4-Lom, Stormtrooper, AT-AT Driver (x2), Nikto, Nien Nunb, Lando Calrissian Skiff Guard Disguise, Boba Fett, Dengar, Han Solo Hoth Gear, Han Solo (lacking trench coat), Admiral Ackbar, Weequay (x2), Zuckuss (x2), Imperial Royal Guard (x2, one with trimmed cloak), Imperial Stormtrooper Hoth Battle Gear, Biker Scout (x2), Squid Head, Han Solo Bespin Outfit, Emperor Palpatine, Chewbacca, Gamorrean Guard, Tusken Raider, AT-ST Driver, C-3P0 (missing one leg), Darth Vader (x2), Bib Fortuna (x3), Klaatu Skiff Guard Outfit, R2-D2 (x2) and Princess Leia Organa (x2) (48). Together with a small number of weapons and accessories, MTV-7 Mini-Rig, Speeder Bike body and a Star Wars Pop Up Book

Three Limited edition Hermann teddy bears, a Queen's Special Birthday bear to celebrate the 80th Birthday of Queen Elizabeth II, 67 of 80 with card tag --16in. (41cm.) high; a Golden Jubilee bear 314 of 500 with card tag, blond mohair bear wearing blue and metallic gold crown and fur lined cloak and another

ASSORTED JEWELLERY AND A BOX, to include a silver curb link bracelet, each link stamped with a sterling mark, fitted with a spring clasp, and attached with various coins and a silver AF locket, hallmarked Chester, a large white metal moss agate brooch, fitted with a brooch pin and C clasp, unmarked, approximate dimensions length 73.1mm x width 61.3mm, a white metal oval banded agate brooch, unmarked, fitted with a brooch pin and C clasp, approximate dimensions length 45.9mm x width 32.2mm, a white metal continental cloak clip, unmarked, a white metal bar brooch set with a colourless paste, a rolled gold bracelet, a pair of rolled gold cufflinks, beaded necklace, napkin ring, a boxed ladies 'Guy Laroche' wristwatch, brooches etc

A quantity of 18th century Dutch white metal buttons and a cloak clasp, decorated with figures and horses.

Two wind-swept children, unaware of the protective six-inch angel above, watch over them with graceful arms open and a beautiful red cloak providing warmth and safety. Goebel TMK5. Issued: 1972-1979Dimensions: 3.75"L x 3"W x 6.5"HManufacturer: Goebel HummelCountry of Origin: GermanyCondition: Age related wear.

A Staffordshire portrait figure of Wellington, circa 1840, modelled standing in his blue dress uniform with ermine cloak, plumed bicorn hat and canon, polychrome enamel painted, mounted on a white gilt-titled base, 26cm high.

Six Staffordshire royal children figure groups, circa 1860, modelled as a seated girl in cobalt blue and ermine red cloak beside a standing boy in kilt and sporran, 15.5cm, together with another figure group modelled as a boy in plumed hat seated on a black and white spaniel, beside a girl seated on white steps, on oval plinth, 18cm high, a matching pair of royal children on horseback, polychrome enamel painted on white, ovoid gilt-lined bases, 14.5cm high, and two spill vases on white, ovoid gilt-lined bases, modelled as a seated boy and girl feeding rabbits and chicks respectively, 10cm high (6).

A Chinese blue & white porcelain baluster vase, decorated with oriental figures , probably representing a fable. An old man carrying another person on his back and another in hat and cloak by a pine tree. Rich pigment under glaze blue., 35cm high

Six Staffordshire polychrome enamel painted figure groups, circa 1860, including one modelled as a sailor standing against a canon on a white titled base 'Britains Glory' 27cm high, a pair of figures with flags, likely depicting a sailor and his sweetheart modelled standing, arms linked, on a sea-bound boat, 21.5cm high, a standing female figure modelled wearing plumed hat and ermine fringed cloak holding an anchor, 25cm high; three standing figures of sailors, one attrib. Thomas Parr factory is a Pricne Alfred portrait figure modelled as a young boy with anchor, mounted on a naturalistic, gilt-scrolled, rococo base, 30.5cm high; a figure modelled as a bearded sailor with barrel on a white gilt-lined base, 29.5cm high, and a sailor modelled as 'Ben Backstay', 22.5cm high (6).

Dammann, Paul-Marcel (French, 1885-1939); b. Montgeron FRANCE, 25e Anniversaire de la Compagnie Parisienne de Distribution d’Éléctricité, 1932, an Art Déco bronze medal by P.-M. Dammann, facing female head with flame-like hair, rays behind, rev. female figure in cloak and long dress, rays from her outstretched hands pouring over the city of Paris, 64mm, 111.65g (Maier 319; BM Acq. 1978-82, pl. 54, 62; cf. DNW 187, 792). About extremely fine; one of the classic Art Déco medallic images £80-£100 --- The city of Paris merged the diverse privately-run electricity companies under the banner of the Compagnie Parisienne de Distribution d’Éléctricité in 1907.

Follower of John ClostermanPortrait of a lady, traditionally identified as Lucy, Countess of Carlisle (1599-1660), three-quarter length, wearing a brown dress and green cloak, seated in a landscapeInscribed by a later hand LUCY COUNTESS OF CARLISLE (upper left)Oil on canvas125.9 x 102.5cm; 49½ x 40¼in

French School Late 17th CenturyPortrait of a lady, three-quarter length, wearing a fur-lined cloak and holding a string of pearls, within a painted ovalTraces of a signature (lower left)Oil on canvas120.5 x 91.4cm; 47½ x 36in

Late 19th/early 20th Century brocade cloak with lace trim and ribbon ties. (B.P. 21% + VAT)

UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 1/4 sovereign, 2017. Royal Mint. Proof. Commemorating the 200 year anniversary of the modern sovereign 1817-2017, featuring the original design of St. George and the Dragon as made by Pistrucci.Fifth crowned head of Elizabeth II facing right; JC below; ELIZABETH II · DEI · GRA · REG · FID · DEF · 2017 ·. Design by Jody Clark. / The reverse depicts an illustration of the legend of St George as the slayer of the dragon, in its original 1817 interpretation. St George is on horseback, advancing to right, wearing a helmet and chlamys (cape, or cloak) fastened in front by a fibula, and holding a broken lance. His left hand clutches the rein of the horse's bridle, and he does not wear armour, other than on his lower legs and feet, with his toes bare. The saint's horse appears to be half attacking, half shrinking from the dragon, which lies wounded by George's spear and in the throes of death. The point of the lance is broken off in the dragon's side. In relief in the left part of the ground line, the artist's initials B.P. (for Benedetto Pistrucci). Surrounding the image, a Garter circlet inscribed with the Order of the Garter's motto, HONI · SOIT · QUI · MAL · Y · PENSE · (from old French: Shame on he who thinks evil). Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC PF 69 ULTRA CAMEO, certification number 6381183-005. NGC Census in this grade: 55.NGC Census in higher grade: 480Total NGC Census: 543Reference: S-SA5Mintage: 4,188.Diameter: 13.5 mm.Weight: 2 g. (AGW=0.0590 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

1500-500 B.C. Standing female deity (Astarte?), wearing a long cloak and two broad necklaces; arms bent and hands placed on the chest; mounted on a custom-made stand; repaired. 260 grams total, 23 cm high including stand (9 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [No Reserve]

1st century B.C.-1st century A.D.. Advancing wearing an ankle-length toga drawn over the head as a cowl, the left hand supporting a partly-unfurled scroll; mounted on a custom-made stand. Cf. Rolland, H., Bronzes Antiques De Haute Provence, Paris, 1965, item 460, for similar. 149 grams total, 88 mm high including stand (3 1/2 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent.The statuette represents a priest dressed in a tunic and large cloak, the hem of which covers the head (capite velato). His right hand had to hold a portion of incense, while with his left hand he holds a container for the same incense. [No Reserve]

Late 10th-early 11th century A.D.. Sheet gold disc with three holes close to the rim for attachment of links (two damaged); repoussé facing image of a nimbate saint standing wearing a knee-length tunic with decorative hatched panel to the front, calf-length cloak with hatched texture, disc brooch beneath the chin, both arms raised in the orans gesture. Cf. Evans, H.C. & Wixom, W.D., The Glory of Byzantium. Art and Culture of the Middle Byzantine Era A.D.843-1261, New York, 2006, item 107, for a larger example with enamelled fill. 1.19 grams, 23 mm (7/8 in.). Ex Elie Borowski, 1988. [No Reserve]

Late 5th-6th century A.D.. Fragmentary vessel, cylindrical in form with lateral D-shaped lugs at the rim, each pierced to accept a bronze drop-handle with returned ends; the outer face with decorative frieze executed in pointillé technique consisting of a hunting scene: (1) a nude male with right arm raised to wield a spear overarm, left arm hidden behind a lenticular shield with pointed boss, with a cloak billowing from the left shoulder and wearing calf-length boots, advancing towards (2) a panther with densely spotted pointillé body, in rampant pose with s-curved tail, raised forepaws and with a curled tree behind the body, attacking (3) a nude male similarly equipped to (1), with head turned to the rear, wielding a sword or large knife in his right hand, following (4) another nude male with a cloak, shield and knife which he plunges into the throat of (5) a bear attacking to the left with forelegs raised, its rounded head with small lobed ears while to its rear stands (6) a male with shield raised and cloak billowing, right hand raised holding a rounded trefoil item (perhaps a net), and to his rear stands (7) a nude male with cloak, shield and spear which he thrusts towards (8) the neck of an attacking gryphon, winged, with an erect mane and beaked head in leaping pose behind (1); the figures all executed in pointillé style with pellets for the eyes, navel and nipples; detached base plate, undecorated but showing signs of tinning. See Mango, Mango, Evans & Hughes, A 6th century Mediterranean bucket from Bromeswell Parish, Suffolk, in Antiquity 63, 1989, pp.295-311; Carver, M., Sutton Hoo. A Seventh Century Princely Burial Ground and its Context, London, 2005, p.485-7; Drandaki, A., ??????? ??? KYPI(E) A Late Roman brass bucket with a hunting scene published on Academia.edu. 523 grams, 22 cm wide (8 5/8 in.). Found East Anglia, believed Cambridgeshire, UK.From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent.Accompanied by a copy of Drandaki, A., ??????? ??? KYPI(E) A Late Roman brass bucket with a hunting scene.The vessel is of an unusual type: three have been found in Turkey, Italy and Spain, three in England (excluding the present examples) and three others have unknown findspots; this find brings the total of known examples to ten. The rarity of these vessels indicates the high status of their owners. Each of these buckets is decorated with a hunting frieze and most have an inscription in early medieval Greek. Their manufacture is so similar that it is thought that they were produced at a single workshop in the Eastern Empire, possibly at Antioch, in the 6th century AD (Drandaki, n.d.). Their exact use is not certain, but since several of the inscriptions refer to 'good health' this suggests a domestic setting related to bathing. The rounded object held by figure (6) is clearly based on a similar rounded clump which appears on the vessel in Benaki Museum (beneath the word ' KA?OI') where it is more convincingly executed with a hatched fill (Drandaki, p.39). Only three examples of this type of vessel are previously known from England: one from Bromeswell, Suffolk, within 1 km of the Sutton Hoo cemetery, found in preparatory work for the Sutton Hoo Visitor Centre; one from Chessell Down, Isle of Wight, where the bucket was part of a rich female grave excavated in the 19th century; one from Breamore, Hampshire, found by metal-detectorist, and excavated by Hampshire County Council's archaeology team who discovered that the grave in which it was found formed part of an important early Anglo-Saxon cemetery. The excavation was filmed by Channel 4's Time Team in August 2001; the cemetery held six more burials with bronze containers, though none as grand as this Byzantine example. [No Reserve]

18th century A.D.. Comprising two recessed panels, the left hand panel showing biblical scenes divided into two panels: in the upper panel the deposition of Christ in the tomb and the Resurrection of God, holding a flag in his left hand and grasping the hand of Adam with the right; in the lower panel the flagellation of Christ and the road to the Calvary; Ge'ez inscriptions on the field; the right hand panel showing the Crucifixion, Ge'ez inscriptions on the field. See Chojnacki, S., Major Themes in Ethiopian Painting, indigenous developments, the influence of foreign models and their adaptation, from the 13th to the 19th century, Wiesbaden, 1983, figs.90, 91, for similar Crucifixion and Resurrection scenes. 946 grams total, 32.5 x 21.5 - 33 x 21.5 cm (12 3/4 x 8 1/2 - 13 x 8 1/2 in.). Ex Alistair McAlpine collection, 2004.Ex central London gallery.The icon shows Western influence on Ethiopian art. The Crucifixion image contains many elements of this iconography which are found in many Oriental and Western art of the Middle Ages, but with significant changes from the previous representations: Jesus is nailed with three nails and not four, the head leaning towards his right shoulder and the hair falling on his shoulders. Following the Western influence, Christ is represented in a spasm of physical pain, and consequently a more detailed anatomy of his chest and abdomen is depicted. This concept of the Crucifixion, common in the Italian Late Middle Age and Renaissance art, found its way to Ethiopia at some time towards the end of the 15th century, or at the beginning of the 16th century. As in the majority of the Resurrection icons of this period, Christ is dressed in a long robe with a cloak or toga draped over one shoulder. [No Reserve]

Circa 2nd-3rd century A.D.. Modelled in the half-round with a dressed hair and stylised facial features; bare-chested except for a folded cloak fastened over his left shoulder. 34.5 grams, 42.5 mm (1 5/8 in.). Acquired from J. S. Fine Art, Bodicote, Oxfordshire, UK.Property of a Shropshire private collector. [No Reserve]

1st-4th century A.D.. Group of three implements comprising: cloak pin with conical bulb finial and piercing; hooked rod; spear-shaped surgical blade with probe to the other end. 104 grams total, 19.7-25.5 cm (7 3/4 - 10 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [3, No Reserve]

2nd century A.D.. The bust of the god Asclepius (Greek Asklepios), dressed in chiton (tunic) and chlamys (cloak), attachment still preserved. 48 grams, 53 mm (2 in.). From a home counties collection, formed 1970-1980.

Circa 2nd century A.D.. Comprising a ring handle, filling-hole and air hole in lower discus; the discus with a horse advancing left mounted by a cavalryman with a flying cloak. Cf. Bussière, J., Lindros Wohl, B., Ancient Lamps in the J. Paul Getty Museum, Malibu, nos. 278-279, for the types (Bussiere form D I 3). 44 grams, 73 mm (2 7/8 in.). From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent.The main charateristic of the type (Bussiere form D I 3) is the form of the nozzle, which is tangent to the lamp rim (nozzle form Bussiere 3). [No Reserve]

Circa 1st-2nd century A.D.. Two-part model comprising: galloping horse with fore-legs extended, detailed mane; rider wearing a crested helmet, cloak billowing to the rear, knee-length tunic with gathered waist, legs curved to the rear; mounted on a custom-made stand. Cf. Durham, E., Metal Figurines in Roman Britain, vol. 2, Reading, 2010, pl.87a,b, for type. 189 grams total, 92 mm including stand (3 5/8 in.). Found UK.From a collection acquired on the UK art market from various auction houses and collections mostly before 2000.From an important Cambridgeshire estate; thence by descent. [No Reserve]

A DEHUA BLANC DE CHINE PORCELAIN FIGURE OF GUANYIN Modelled seated, with one knee raised, raised on scrolling wave base, an attendant at her side 19cm high Provenance: From a private family collection, acquired in Hong Kong 1980s Condition: Condition Report A small chip to one side on the top of the head, small losses to end of fingers, small chip to right hand underside of attendants cloak, firing cracks to interior This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

19th Cent European sculpture in ivory with small cabochons of different gemstone types and small pearls: "Bishop with staff, miter and church in his hand", probably depicting Saint Amandus of Maastricht . His cloak with two doors hides - when open - bas-reliefs with scenes from his life and various characters - on an base in wood - with European CITES certificate || Negentiende eeuwse Europese, allicht Franse, sculptuur in ivoor bezet met kleine cabochons van verschillende edelsteensoorten en pareltje : "Bisschop met staf, mijter en kerk in de hand", waarschijnlijk St Amandus van Maastricht voorstellend, die - wanneer open - bas-reliëfs met scènes uit zijn leven en met verschillende personages verbergen - hoogte : 25,5 cm - op sokkel in hout met Europees CITES certificaatThis item is not legal to sell in the UK.

Antique German Fine German Kley and Hahn character boy  baby with closed mouth c 12” , bisque head with original glass dark brown glass eyes, mama crier box fitted , and original wig  and painted, quizzical feathered brows , and comp painted asymmetrical character  body, antique clothes and cloak( doll with clothing)

A collection of vintage theatrical dress costumes in a fairy style - used in a production of 'Iolanthe' consisting of flower fairy dresses, glittery fairies, an Iolanthe cloak and a flower fairy queen. All in good condition with wear commensurate with age and use. (qty 42 items in two boxes)

Measurements: 29x22x21 cms. Weight 3.2 kg, in fine silver. Writing desk with a silver tray in its color and gilded finish that has four containers with lids and a pedestal in the center topped by a seated sculpture. The tray, rectangular in shape with the four sides slightly curved outwards, shows an edge decorated with plant elements and, on the larger fronts, a cresting at the top followed by another in the lower area creating a symmetrical composition with scrolls, a figurehead on the front and plant motifs, and four monster-shaped legs (leaf foot, elongated body with breasts, long neck, head of a lion or similar and feathered wings). Each of the containers has a circular base on which the monstrous female figures that decorate them rest on their plant “leg” (winged, holding plant motifs in front of their breasts), a bulbous shape and a raised lid towards the center decorated with a band of simple architectural motifs, which is, in turn, topped by a bird hunting a snake. In the center, on a circular and stepped pedestal, there is a tubular pedestal decorated with garlands, vegetal scrolls, venerated shapes and monstrous masks. Sitting on a seat, a human figure is presented dressed in a tunic and cloak, barefoot and carrying some objects, with short uncovered hair. Note that the monsters (sometimes called fantastic bugs) that the piece presents as legs are very similar to those on the writing desk dated around 1847 that has marks from the Royal Silver Factory of Antonio Martínez and that is preserved in the Museum del Prado (Madrid). The masks mentioned on the pedestal are very similar to those presented by “The Allegory of Justice” which was a gift from Medina de Pomar to the Minister of Grace and Justice in 1849 (Museum of Romanticism, Madrid) and which also shows punches by Martínez. This work is clearly inspired by the office of the presidency of the Council of Ministers of the Royal Palace of Madrid (National Heritage, ref. B. 428-9045) made in 1851 by the Real Fábrica de Platería Martínez. Note that the four “putti” or child figures that would surround the central figure do not appear here, that it has a slightly different posture, and that the crests of the tray are different, among other details. Weight: 3174 grams.

MARCEL GUILLARD FOR EDITIONS ETLING OF PARIS, CERAMIC NUDE OF A LADY, CIRCA 1920 modelled standing with cloak, over a tapered square base, indistinct signature to lower drapery, impressed marks to base61cm high

Follower of Bento Coelho da Silveira,  Portuguese 1617-1708- Madonna and Child enthroned with saints; oil on panel, 44 x 35 cm. Provenance:  Property from a European Private Collection. Note:  The present work recalls the works of Bento Coelho da Silveira, who was himself heavily influenced by Marcos da Cruz (c.1610-1683), and who served as Royal Painter to Pedro II of Portugal (1648-1706). The scene depicts a number of saints defined by their attributes below the seated Madonna and the Christ Child, who is shown holding a stalk of lilies. Visible among the saints are Saint Sebastian impaled by arrows and Saint George who slays a dragon, both to the lower right of the composition, and Saint Martin, who offers half of his cloak to a beggar, to the lower left. 

After Rembrandt Harmensz. van Rijn,  Dutch 1606-1669- Portrait of a bearded man in a cap; oil on canvas, feigned oval, 62 x 45.5 cm. Provenance:  Property from a European Private Collection. Note:  The present work appears to be a copy after Rembrandt's 1642 painting of a bearded man wearing a cloak and a hat, described as a rabbi, which was recorded as being in the private collection of the financier Jules Porgès (1839-1921). The original was illustrated on page 393 of Adolf Rosenberg and Wilhelm Reinhold Valentiner's 1908 catalogue raisonné of Rembrandt's work, and was again referenced in Abraham Bredius's 1935 catalogue raisonné of the artist (no.220). 

Mattel, Toy Biz, Hasbro - 4 x boxed figures to include Star Wars, Lord of the Rings, Harry Potter - Lot includes a Mattel Harry Potter Aragog and Invisibility Cloak figures. A Toy Biz Lord of the Rings The Two Towers Gollum figure. A Star Wars Hasbro Attack Of The Clones Anakin Skywalker Speeder. Boxes appear in good condition with minor storage wear. Figures appear in mint condition. (This does not constitute a guarantee) (M)

A set of twelve mirror anamorphosis cards, possibly French, circa 1860, twelve hand-coloured lithographs, toned and spotted, with some soiling, 15.5 x 19cm with cylindrical viewing mirror with turned wood base and finial (finial cracked), subjects include crowned princess, ten of hearts playing card, lady in green cloak, elephant, hooded man smoking a pipe, ballet dancer, gentleman with blanket, matador, bunch of flowers, puss in boots, child with animal, and a squirrel, Similar to a set of twenty-four cards designed by Armand Louis Henri Telory.

A SMALL QUANTITY OF PICTURES AND PRINTS ETC, to include two unframed early 20th century oils on board signed A. Mearns, an unframed oil on board depicting a Jubilee class steam locomotive 'Kolhapur', early 20th century portrait photographs, a black and white print after James Gutherie 'The Velvet Cloak', Mabel Oliver Rae etching 'The Bridge of Sighs, Cambridge', etc

Frankreich - Bronzemedaille 1901, Jahresfeier der Gobelin Manufaktur Paris, von Alphée Dubois (1831 - 1905), Av: CHARLES LE BRUN / 1619 - 1690, sign. "Alphée Dubois", 3/4- Büste Charles le Bruns mit Umhang und Perücke nach links, Rv: Darstellung Athenas mit zwei Eroten. Sie unterweist eine junge Frau in der Kunst der Tapisserie, TROISIEME CENTENAIRE DES GOBELINS 1601 - 1901 in Kartusche "DESCLEFS", sign. ALPHÉE DUBOIS D'APRÈS TRÉMOLIÈRES, Rand: Randpunze "Füllhorn" und "BRONZE", vz., mehrere kleine Randfehler, feine Patina, geringe Kratzer, kleine Randkerben, teils Berieb des Reliefs, ca. 129,9g.Bei der Vorlage des rückseitigen Reliefs handelt es sich um ein Gemälde von Pierre-Charles Trémolières (1703 - 1739) im Pariser Hôtel de Soubise. Der Hofmaler Charles le Brun (1619 - 1690) war u. a. Direktor der königlichen Gobelin-Manufaktur in Paris. | France - Bronze medal 1901, anniversary of the Gobelin Manufactory Paris, by Alphée Dubois (1831 - 1905), Obv: CHARLES LE BRUN / 1619 - 1690, sign. "Alphée Dubois", 3/4- Bust of Charles le Brun with cloak and wig to the left, Rv: Depiction of Athena with two Erotes. She is instructing a young woman in the art of tapestry, TROISIEME CENTENAIRE DES GOBELINS 1601 - 1901 in cartouche "DESCLEFS", sign. ALPHÉE DUBOIS D'APRÈS TRÉMOLIÈRES, edge: edge punch "Füllhorn" and "BRONZE", several small edge defects, fine patina, minor scratches, small edge nicks, some rubbing of the relief, approx. 129.9g.

Wooden pine cloak rack measures approx 59 inches wide

Bronze giltTibet , 20th century Dimension: Height 13 cm Width 10 cm Depth 7 cmWeight: 435 grams Depictions of spiritual masters in Tibetan Buddhism show mostly deceased lamas who acquire divine features only after their death. They were made for commemorative purposes for the disciples. Representations were usually individualized and stereotypical, however they can bear small details which makes them distinguishable apart from a dedicatory inscriptions. This lama is seated cross-legged on rectangular cushions with decorative patterns on the side. His hands are gently lying on his knees, he is wearing flowy robes and a pleated cloak, a high headdress covers his presumably bald head. He has a broad, distinctive face and is smiling lightly. The statue is hollow. 

ROHWEDDER, HEINRICH (geb. 1935), "Hirtenreiter", 1977, Bronze, patiniert, stilisierte Figur eines Hirten mit weitem Umhang, H: ca. 29 cm, Gewicht ca. 7,2 kg. PROVENIENZ: Galerie Dorn, Stuttgart, Rechnungskopie mit Beschreibung von 1989 liegt bei.| ROHWEDDER, HEINRICH (born 1935), "Hirtenreiter", 1977, bronze, patinated, stylised figure of a shepherd with a wide cloak, h: approx. 29 cm, weight approx. 7.2 kg. PROVENANCE: Galerie Dorn, Stuttgart, copy of invoice with description from 1989 enclosed.

A police officer's woollen cloak with chain clasp in the form of two lions heads, approx. 95cm l

FLEMISH SCHOOL (17TH CENTURY) CRUCIFIXION Oil on panel 104 x 71.5cm (40¾ x 28 in.) Condition Report: The panel has two beams on the verso which cradle the painting. The panel presents various visible crack; starting from the left: the first crack starts from the top border and ends on the foot of the crossed man on the left; the second crack starts from the top, crosses the right hand of Christ, and continues in a straight line to the bottom; the third crack, similarly, passes from Christ's left arm and follows to the bottom; the forth crack follows the pole of the crucified on the right; while the last crack starts from the top right corner and ends at the bottom, crossing by St. John's cloak. UV light reveals various retouches scattered across. The most visible are the ones covering the abovementioned cracks, especially the first, third, and forth crack, where the applied paint is thick enough to see without UV light. Furthermore, there is a restoration of about 6cm long on the right to Christ's pelvis, and various retouches on the dress of Mary Magdalen, of which some of them up to 3cm wide; other a present above the head of Christ, on the body of the crucified man on the left, and a few more on the borders. To conclude, a thick varnish is applied unevenly across the whole surface. Condition Report Disclaimer

A large Russian porcelain figure of a Sart Woman, Imperial Porcelain Factory, dated 1913, from the Peoples of Russia series modelled by Pavel Kamensky, standing with her hands on her hips, wearing a brightly coloured cloak and cap, her long black hair in two plaits falling down her front, printed mark dated 1912, painter's mark dated 1913, 39cm. Provenance: a private English collection; acquired in Latvia during the 1920s and thence by familial descent.Cf. State Hermitage Museum, inventory number: Мз-И-1761 for a similar version.

An early Victorian silver cloak pin by Henry Samuel Ellis, each circular terminal intertwined with a foliate engraved ribbon motif, with a pendant drop hung from an anchor link chain, detailed ‘Combmartin Silver H.S. Ellis Exeter 1847’, weight 16.1g, width 10.2cm.

A Dan mask with mudcloth cloak 'Angel', Cote D'Ivoire, 24cm high.

A Grebo (Kru) six eyed warrior mask with raffia beard and cloak, Liberia, approximately 50 years old, 35cm high.