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1st-3rd century AD.A pale blue stone cameo in the form of the face of Hercules (Herakles) with beard and lion head cloak to the top. 4.67 grams, 22mm (1"). Fine condition.From an important London collection, acquired in the 1990s. 

198-217 AD. A marble bust of the emperor Caracalla with bands of curly hair and short beard, strong muscular neck; to the back of the head a lion's skin cloak. 354 grams, 85mm (3 1/4"). Fine condition.Private collection, home counties, UK; acquired before 1980. [No Reserve] 

16th century AD.A pipe-clay figurine of one of the three wise men, standing in a long cloak on a domed base, clutching a small box to his chest, some original colour remaining. 88 grams total, 97mm (3 3/4"). Very fine condition.Property of an English collector; formerly in the Walter Steinberg collection; acquired 1960s-1980s; accompanied by an old dealer' ticket stating that the figure was found in the foundation of an old building. [No Reserve] 

16th century AD.A pipe-clay figurine of one of the three wise men, standing in a long cloak on a domed base, clutching a small box to his chest, some original colour remaining. 103 grams total, 10.4cm (4"). Fine condition.Property of an English collector; formerly in the Walter Steinberg collection; acquired 1960s-1980s; accompanied by a copy an old dealer's ticket stating that the figure was found in the foundation of an old building. [No Reserve] 

10th century AD. A silver pendant showing a male figure, Odin , with body composed of an interlaced strip with hands gripping the edge of the frame; suspension loop in the form of a bearded male face. Cf. Arwidsson, G. Birka II: 3 Systematische Analysen der Gräberfunde, Uppsala, 1986 p.27 fig.3:23 (Tuna, Alsike Ksp. Up. Typ Tuna"). 11 grams, 34mm (1 1/2"). Very fine condition. Rare.Property of a professional collector; acquired before 1990. Supplied with a positive X-Ray Fluorescence metal analysis certificate.In Norse mythology, from which stems most of our information about the god, Odin is associated with healing, death, royalty, the gallows, knowledge, battle, sorcery, poetry, frenzy, and the runic alphabet, and is the husband of the goddess Frigg. In Old Norse texts, Odin is depicted as one-eyed and long-bearded, frequently wielding a spear named Gungnir, and wearing a cloak and a broad hat. He is often accompanied by his animal companions—the wolves Geri and Freki and the ravens Huginn and Muninn, who bring him information from all over Midgard —and Odin rides the flying, eight-legged steed Sleipnir across the sky and into the underworld. Odin is attested as having many sons, most famously the gods Baldr and Thor, and is known by hundreds of names. In these texts, Odin frequently seeks knowledge in some manner and in disguise (most famously by obtaining the Mead of Poetry), at times makes wagers with his wife Frigg over the outcome of exploits, and takes part in both the creation of the world by way of slaying the primordial being Ymir and the gift of life to the first two humans Ask and Embla. Odin has a particular association with Yule, and mankind's knowledge of both the runes and poetry is also attributed to Odin. This pendant would appear to represent Odin sacrificing himself on the world tree, Yggdrasill, in his pursuit for knowledge and the sacred runes. Odin hung himself from a branch of the world tree that hung over the well of Urd, pierced himself with his spear and looked into the sacred waters. He hung for nine days and nights poised between life and death and on the last day the runes revealed themselves to him and he gained the sacred and secret knowledge that elevated him to an even higher state in the world of the gods. The Jellinge style of art takes its name from the tenth century, Danish, royal cemetery at Jelling in Jutland and is noted for the ribbon like animals that decorate a silver cup and a memorial stone from the site. 

19th / 20th century Spanish School, oil on board, study of an elderly man wearing a hat and cloak and a watercolour river scene, bears signature, 'Creswick', 45 x 21cm and 25 x 36cm

A late 19th century continental white metal cloak button, depicting Adam and Eve stood interlinked with Cain and Abel besides, 6cm diameter

A silver gilt 'Gratitude' pendant dated 1925 depicing an angel, 4.1cm wide, a cloak pin, a pair of blue stone set cufflinks, assorted chains etc

French Wooden Peg Cloak stand

T.L. Rowbotham, study of a shepherdess in red cloak crossing a bridge over a river, attendant flock nearby, signed watercolour, dated 1865 and numbered 680, 18cm x 43cm

An Art Deco engine-turned silver three-piece brush set, Birmingham 1946, to/w two small clothes brushes, a vesta case, Gaelic cloak-clasp, Egyptian 800 grade bracelet and a scent flask and stopper overlaid with white metal (box)

A Dutch 833 grade cloak-clasp, as two outsize button-bosses with star centres, beading, piercing and chain rims, linked by an elongated wire loop, each boss 7.5 cm

CUT STEEL. A large brass & cut steel buckle & a cut steel cloak clasp. Buckle 9 x 4cm.

CUT STEEL. A French 19th century cut steel, curved buckle, 6 x 5.5cm. Also a very large cut steel buckle, 13.5 x 10.5cm & a cloak clasp.

A VICTORIAN TARTAN FULL CIRCLE CLOAK. This early Victorian tartan cloak, is made from wool, with a wonderful ruffled neckline, tied at the front with a ribbon. The cloak is a full circle with one back seam. The cloak is double lined for warmth with a soft red satin silk outer lining. Needs airing. (1)

A FUR TRIMMED SILK AND BEADED CLOAK Light blue silk with silver thread embroidery and glass bead work. Trimmed with white rabbit fur, lined in blue satin. Gold buttons and chain fastener. Good condition. With two rayon silk under slips. (3)

A Victorian gold plated swivel portrait brooch, with twist frame and a gilt metal cloak chain (2).

A 19th Century Ludwigsburg style figure of Pantalone bearing crowned interlaced "C" marks to base CONDITION REPORTS Has had significant repairs, over-painting to the figure, especially the front foot, outstretched arm and the back arm and back of the cloak

E. Frith (early 19th century)Portrait of a Lady, bust-length, wearing a large ribbon-tied bonnet and orange cloak, her hair in ringlets and dressed with a flowersigned, watercolour, 11.5cm x 10.5cm

A North European polychrome carved wood figure of a cleric, early 19th century, with tasselled cloak and long robe (a.f), 57.5cm high.

Six 19th century and later gold and silver brooches, comprised of a Scottish silver cloak brooch, 6.3cm long, a Chinese carved agate oval scarf clip, 3.2cm long, a silver gilt paste set bird brooch, and a Victorian hollow gold and pink topaz openwork scroll brooch, 3cm long, and two amethyst paste set brooches CONDITION REPORT: If Carnelian clip - With sprung clip. Stamped 'China' to the underside of the clip and stamped four times with a symbol which looks like a house and could possibly be the Chinese character for gold?. Gilt worn to the reverse. Scottish cloak brooch - With hallmarks of Queen Victoria's head, thistle and maker's mark M.C. Bird Brooch - Stamped 'Sterling'. Three clear paste stones missing. Blue stone with chip under a claw and sight wear. 5cm across. Topaz set brooch - With soldered repairs to the back and additional gold plated panels added. Oval amethyst paste brooch - Mount worn and repaired and facets on stone rubbed, 2.4cm wide. Square amethyst paste set brooch - Stamped 'T+H' to the reverse. Stone with wear to the facets, 2.4cm across

A 60th Battallion (Canadian Expeditionary Forces 1915-1917) silver and enamel sweetheart brooch, a silver and agate set Scottish cloak brooch in the form of a dirk, a silver black onyx and marcasite set dress ring, a blue paste set bar brooch and two other items CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description

Affortunato Gory: a bronze and ivory figure of a young boy, wearing a cloak standing on a mound base, signed GORY, 20cm highFaint split to side of nose. Typical wear to extremities throughout. 211116

A Celtic Silver Cloak Brooch, the back engraved 1773 PMG, 7 cm

A "Gentlemen's Cloak Room" rectangular brass plaque by Southwood & Co. Exeter & Bristol, 14 3/4 x 7".

A "Ladies Cloak Room" rectangular copper plaque with inset enamel letters, 12 x 4 1/2".

Arlie PANTING (1911-1989), two oils on canvas of a man in a cloak, titled "The Belt", and a stylised painting of Adam & Eve

LEON NOEL DELAGRANGE (1872-1910) FRENCH A GOOD STANDING BRONZE OF A YOUNG LADY with flowing cloak and dress. Signed. 17ins high.

E. Frith (early 19th century)Portrait of a Lady, bust-length, wearing a large ribbon-tied bonnet and orange cloak, her hair in ringlets and dressed with a flowersigned, watercolour, 11.5cm x 10.5cm

A collection of vintage clothing, including an Edwardian walking cloak in black with floral embroidered decoration; 1930s-60s dresses; a quantity of Victorian and Edwardian silk and cotton petticoats; maids' caps and aprons; etc.

An Anokhi Indian printed cotton dress, 1970s, with drawn string sleeves, size medium; together with an Indian paisley cloak with red quilted silk lining, 1920s-30s; and an Indian waistcoat. (3)

Simon & Halbig bisque headed doll having closing eyes and fully jointed body, marked WSK4, with lace dress and cloak

Pair of Chinese early 20th century carved ivory figures of archers in full battle dress wearing armour and resting weapons, raised on pierced bases, 30cm high CONDITION REPORT: Generally in good condition. Small hole & crack to top of man's head. Possible cracks to man's cloak, see images.Height without base 26cm. Generally good condition. They are carved from one piece and are pinned to the stands. Some of the inked colour is gone or worn. Some small age cracks, particularly to fine areas of robe folds.Believed to be approx 1930's. Estimate time 2pm-3pm

Icon of SAINT ELIAS Tempera on wood, dimensions 31x26 cm, 19th Century. Saint Elias, also known as Elijah, is commemorated in the Byzantine Church on July 20th. Elias is an Old Testament prophet who lived in the 9th Century before the Coming of Jesus Christ. The troparion of his feast calls him "a pillar of prophets, and the second forerunner of the coming of Christ". The icon depicts him in a chariot drawn by fiery horses heading heavenward and his cloak falling earthward into the outstretched arms of Elisha, his companion and disciple, crossing the River Jordan. The main scene presents the saint hiding from persecutors in Cherith and miraculously fed by a raven. On the left side of the icon he is depicted with his disciple and with an angel illustrating scenes from his life. The end of the earthly life of Elias came mysteriously. As he was conversing with Eliseus on the hills of Moah, "a fiery chariot, and fiery horses parted them both asunder, and Elias went up by a whirlwind into heaven" (Kings. 2:11) Jews, Christians and Moslems pay high honor to Elias, Carmelite monks cherish the belief that their order was in some sense founded by him. Together with Moses, he appeared at Christ`s transfi guration.

Collection of metal detector finds inlcuding Anglo Saxon cloak pins

A policemens' cloak, a jacket, two helmets and a pair of handcuffs

An Austrian cold painted orientalist bronze figure of a whirling dervish, standing with his arms crossed, the base of his cloak stamped with a 'B in a vase' for Franz Bergman, early 20th century, 16.5cm high. See Joseph Zobel, Antique Vienna Bronzes, p. 147 for an identical bronze.

An Austrian cold painted orientalist bronze figure of a whirling dervish, standing with his arms aloft, the back of his cloak stamped with a 'B in a vase' for Franz Bergman, the base edge with indistinct numbers and stamped 'GESCHÜTZT', early 20th century, 20cm high. See Joseph Zobel, Antique Vienna Bronzes, p. 147 for an identical bronze.

E. Frith (early 19th century)Portrait of a Lady, bust-length, wearing a large ribbon-tied bonnet and orange cloak, her hair in ringlets and dressed with a flowersigned, watercolour, 11.5cm x 10.5cm

A large cloak, Fez and table clock

Oil-on-canvas, laid down on board of an Edwardian female in black bonnet and cloak coat, signed with initials J.R.S., framed, 66 x 112cm

AFTER SIR JOSHUA REYNOLDS, PRA (1723-1792) PORTRAIT OF FREDERICK HOWARD, 5th EARL OF CARLISLE (1748-1825) Quarter length, wearing a dark blue coat, a fur lined cloak over his shoulder, oil on canvas, numbered 106 verso (possibly an inventory reference at Castle Howard) 74.5 x 62cm. Provenance: see previous lot * This may be identified as ref 945a in David Mannings's `Sir Joshua Reynolds - A Complete Catalogue of his Paintings` (Yale, 2000) as the copy in `Private Collection (Howard family), Hampshire`. The prime version, painted in 1767, is in a private collection. Lord Carlisle was a pallbearer at Reynolds's funeral. ++ Unlined; some craquelure/slight bitumen damage

A Roman bronze cloak pin excavated at the Valley of the Kings, length 14.5cm, and an 8th century B.C. Luristan cloak pin, length 15.5cm (2).

A Marshall & Snelgrove 1920s blue velvet coat, a 1950s gold brocade evening coat, a black silk velvet dress, a blue reversible velvet cloak, and a fancy dress costume, (5)

A 19th Century velvet devoré cloak; together with two 19th Century black velvet jackets, and a quantity of similar garments

A Republic Period vase, one side of the baluster shape painted with a deity dancing on clouds with a paint brush in his left hand, a pink cloak tied to his bare shoulders, 23.5cm (9.25 in) high Good

STONEWARE FIGURE OF FUKUROKOJU, standing holding a staff and fan, enamelled wearing a blue and green cloak, height 30cm (with wooden stand)

AN ART NOUVEAU SILVER BUCKLE hallmarked for London 1890, 6cm. long, together with a silver engraved locket pendant, a mesh necklace and a silver cloak clasp.

A PAINTED TUBULAR SCHOOL CLOAK ROOM DOUBLE SIDED TWENTY HOOK COAT RACK, each hook numbered with wooden seats attached to both sides, approximate length 300cm

Oriental hand painted Plaster Figure of a Persian Woman wearing a red cloak, carrying two baskets, 22”h

Oil on Canvas, Portrait of The Virgin Mary wearing a blue cloak, on a gilt stool, Jesus supported by two angels, signed Lackson, in a moulded gilded frame, 31”w x 43”h

Large Oil on Canvas, classic lady in a blue cloak, greet a cherub, signed E Anthony, large moulded green frame, 40”w x 68”h approx.

5th-4th century BC. A ceramic figure of a bearded male wearing a Phrygian cap and cloak, seated on the back of a horse with short legs and arching body. 69 grams, 12cm (4 3/4"). Property of a German gentleman; acquired 1980-1990. . Fine condition.

A Japanese ivory okimono, a female symbolising a Tennin or Bhuddhist angel standing holding a hagoromono (feather cloak) and accompanied by a small child standing at her side, her robes engraved with an all over 'C' scroll motif. Signed in sosho on inset red panel. Late Meiji. Height 18cm.

A Chinese seated figure of a bearded Lohan his arms crossed at chest high and enveloped within the folds of a hooded cloak. 1900-1930. Height 12cm.

A pottery figure group cast from a model by G Deblaize, on rectangular base, modelled as a reclining nude woman resting against a woman draped in a yellow cloak, glazed cream, yellow and black, signed in the base G Deblaize, 38cm. wide

‡ Dorte Clara Dodo Burgner, (1907-1998) Girl in a Yellow Cloak pencil and watercolour on paper unsigned 60 x 39.5cm. (sheet)

An exceptional dagger for esoteric rituals, dating: mid-19th Century, provenance: France, dating: mid-19th Century, provenance: France, Straight, double-edged blade engraved with floral motifs, at the base a deep groove featuring crescents, small tang; gilt bronze hilt depicting the effigy of death with cloak, a snake at the quillon; wooden scabbard with leather covering, hand painted (small parts missing), with gilt brass mounts, decorated with bas-relieved floral motifs., length 42.5 cm.

A rare Alexander Ritchie cloak fastener white metal of twin shield shape, each with four spiral bosses and stylized leaf motifs, inspired by medieval manuscripts with a interlaced key pattern border, all recesses filled with black enamel, the two halves linked with a curb link chain terminating in a heart shaped motif with spiral details, with three loops to the back of each to be sewn onto a cloak, the reverse with raised letters A.E.R. IONA, stamped A.R Iona. Dimensions shields 5.7cm diameter, length of chain 11.5cm including pendant terminal

Early XX Century Silk Christening Gown, together with an embroided cloak.