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Pair of Royal Worcester figures representing 'Before the Wind' and 'Against the Wind' printed and impressed marks to bases, (2) 28cm high Condition report: large chip to the rear edge of 'Before' small chip to the cloak of 'Against'

A painted ceramic figurine of Madonna and child in a long cream dress and blue cloak, circular plinth with indistinct signature, 37cm tall

A Male by Paul "Sportive" gents cloak, labelled "Male by Paul 39 & 47 Carnaby St London" black with black velvet collar and gilt metal lions head clasp

Celtic Iron Age Coins - Corieltauvi - Early Uninscribed - Gold 'Star Cross' North East Coast Stater 50-10 BC, NE5-6. Obv: wreath, cloak and crescents with tiny pellets within the design. Rev: disarticulated sinuous horse right, pellets and charioteer's arms above, pelletal 'sun flower' below, with star cross below the horse's neck. 5.98 grams. S. 28 variant; BMC 187-191; ABC 1719 variant. Good very fine; near as struck. Scarce.

Ancient Roman Imperial Coins - Nero - Emperor and Soldier Riding Sestertius 65 AD, Lyons mint. Obv: NERO CLAVD CAESAR AVG GER PM TR P IMP P P legend with laureate head left with small globe at point of bust. Rev: Nero, bare-headed, cuirassed and with cloak floating free, prancing right on horseback, holding spear in right hand; beyond and behind him, soldier on horseback prancing right with vexillum held over shoulder; S-C across fields, DECVRSIO in exergue. 24.81 grams. RIC 397; WCN 413; cf. Sear 1957. See Wildwinds.com (this coin"). Extremely fine; near as struck. Rare (R2).

Roman Marble River God Sculpture 1st-3rd century AD. Part of a pediment from an important building, a finely carved and detailed marble sculpture depicting a river god; the figure with broad shoulders and pronounced musculature; the head slightly raised, the animated face with startled expression, wide eyes, and parted lips; the hair and beard characteristically shaggy; the deep incisions between the locks of hair creating a dramatic chiaroscuro effect; a cloak draped around the left shoulder and right hip, pulled across to meet the left wrist; a horn of plenty in the left hand and female nude, with hands behind her back and band to the chest, at his left shoulder; at the left knee, a putto holding a tympanum aloft, nude but for a diagonal crossband to the chest, the head of a bearded man visible below his feathered wing; at the right knee, the head of a horse, facing downwards, with finely detailed curling mane; beneath, the head of a beardless young man with flowing hair; the back flat and uncarved; probably once part of a larger piece. 69.7 kg, 87cm including stand (34 1/4"). Property of a London collector, by descent 1950s. Campbell, B., Rivers and the Power of Ancient Rome, (UNC Press Books, 2012); Gais, R “Some Problems of River God Iconography” American Journal of Archaeology 1978, pp.355-70; Huskinson, J – “Rivers of Roman Antioch”, E. Stafford and J.Herrin, Personifications in the Greek World: From Antiquity to Byzantium (Ashgate Press, 2005) pp. 247-264; Kleiner, F.S. A History of Roman Art, Enhanced Edition (Cengage Learning, 2010); Ostrowski, J.A., Personifications of Rivers in Greek and Roman Art, (Jagiellonian University Press 1991"). The convention of representing rivers and oceans anthropomorphically began in classical Greece, where they were often identified with local deities and heroes, and depicted reclining. It was used during the Hellenistic period, particularly in the East, to denote local identity, with personifications of rivers often appearing on coins. During the Roman period, this identification of river gods with localities became used ‘in triumphal imagery to represent locations of Roman victories or conquered territories’ (Huskinson, p.249"). This is true of the personification of the river Jordan depicted on the Arch of Titus in Rome, commemorating Titus’ victory in Judaea; the god was depicted as a sick old man, being carried away on a bier. The pained expression of the god in this lot may suggest a similar identification with a conquered locale. River gods are commonly depicted with putti or cupids, as here, denoting the fertility bestowed by a river; the most extreme example of this is the colossal personification of the Nile displayed at the Palazzo del Senatore, Rome, which has sixteen. The complex iconography of this piece is noteworthy, and the dense detail may have been intended to evoke a vivid sense of chaos or disarray. Whilst the putto represents fertility, the tympanum in his hands may indicate a connection to the cult of Cybele, the Near Eastern Great Mother, whose worship continued into the Imperial period. If this god is indeed connected to a particular locale, it may have been in the eastern Empire. The cornucopia in the god’s hand, although conventional, is mean and empty, perhaps also suggesting subjugation. The female figure at his shoulder may depict a water nymph, although, with her arms twisted behind her back, as though bound, it is possible that she is intended to represent a captive. The god’s shaggy hair and beard, observable in almost all Roman river personifications, symbolise flowing water. Fine condition, repaired. Accompanied by an Art Loss Register certificate.

Roman Marble Cloaked Male Torso 2nd century AD. A carved figurine of a standing male in the sagum or military cloak, draped to the shoulders and arms; possibly Telephus, god of healing. 612 grams, 13.5cm (5 1/4"). Acquired on the London art market prior to 1980. [No Reserve] Fine condition.

Greek Thracian Stone Heros Karabazmos Horse and Rider Stele 1st century BC-2nd century AD. A carved limestone stele with pentagonal recess and inscription to the base; the recess with the Thracian Rider motif modelled in the half-round on a leaping plumed horse, wearing tunic, helmet and riding cloak, right hand raised holding a torch; the base inscribed '???????????[...] / ?????????????[...] / ???'. 6.7 kg, 32cm (12 1/2"). From an important North London collection formed before 1980. Heros Karabozmos was a Thracian deity connected with the underworld and is often shown defeating a dragon or serpent. His cult spread across the Roman world when Thrace became part of the Empire. In late antiquity and the Byzantine period his cult influenced the iconography of St George. Very fine condition.

Medieval Enamelled Bronze Heraldic 'Robert Tipetot' Cloak Fastener 14th century AD. A flat-section heater-shaped plaque with strap to the reverse, loop to one end and hook to the other; the surface with red-enamelled saltire engrailed design on a plain field. 10 grams, 31mm (1 1/4"). Found near Warwick, Warwickshire, UK. The red saltire engrailed is associated with Robert Tipetot (or Tibetot) in the Dering Roll, where the field is white (argent"). The same name appears in the Camden Roll, D70; St George's Roll, E228; Charles's Roll, F88. Very fine condition. Excessively rare.

Lot of Two (2) Japanese Carved Ivory Netsukes. Both with Applied Enamel Decoration. Man & Child, One with Mythical Beast Cloak 1-3/4 Inches Tall; One a Chicken on a Drum. Both Signed With Character Marks. The Chicken with Minor Enamel Bead Loss or in Good Condition. This item will only be shipped domestically and was legally imported into the United States. Shipping to California and New York is Not Available for this Lot. Shipping $30.00

Boxed Lladro figure of a young Oriental woman in cloak, number 16 to base, 7 high

Two cloak clasps with chain links in style of leaves - Niels Erik design, unmarked

Two boxes containing a collection of Victorian clothing and textiles to include finely embroidered voile and cotton deep shawl collars, a cream grosgrain and lace infant's cloak, infants' gowns, dresses and bonnets, a 'spider' thread shawl, embroidered silk shawl, cream tambour net lace shawl etc., etc. (2 boxes) Condition Report Infants cloak perished and torn, cotton shawl collars slightly yellowed. Approx. 20 pieces in total

A Maori wood tinder box, rectangular with allover carved with linear and notched designs, the ends with tiki heads on open supports, the cover with a further tiki head with extending tongue, all heads with shell inlaid eyes, 27cm long. Provenance - By repute George Marsden Waterhouse (1824 - 1906) and thence by descent. George Marsden Waterhouse was born in Penzance, Cornwall and emigrated with his family to Hobart, Australia in 1839. His father the Rev John Waterhouse was general superintendent of the Wesleyan Missions in Australia and Polynesia. George's merchant career placed him politics where he rose to the premier of South Australia from 1861 - 1863, returning to England and then to New Zealand in 1869. Again involving himself in politics and becoming the premier between 1872 - 1873. Sir Ellis Kirkham Waterhouse (1905 - 1985) Art historian, director of National Galleries of Scotland and held the Barber chair at Birmingham University. c.f. Pitt Rivers Museum, Oxford. A kiwi feather cloak (1969.12.1) donated by Sir Ellis K Waterhouse, originally belonging to his great uncle, George Marsden Waterhouse.

A green tone coloured lamé dress and matching cloak worn by one of the Hawk Woman characters in Flash Gordon, dress with silvered metallic thread detailing and green plastic decoration, thin straps and silvered bead detailing to bust, cloak of in matching material and design, silver tie to neck

Three bright coloured handmaiden costumes from the 1980 film Flash Gordon, one in cerise, one in blue and one in orange, costumes consisting of oversized floaty chiffon cloak each with gold thread trim and gold paint decoration and with matching elaborate headdresses, headdresses wired with beaded decorating and long matching chiffon train (3)

A Gentleman's Cloak-room original illuminated cinema/theatre sign 16 x 18in. (41 x 46cm)

English School, 18th Century: Half length portrait of a young lady wearing a green cloak and red dress. Oil on canvas. 73.5 x 50cm. Gilt frame damaged

Early European carved bone figure of a saint with a staff and a book, 10.5cm x 3cm CONDITION REPORT: Section broken off to bottom left corner Dirty throughout Age cracks in various places including to face Face and hands are slightly rubbed Possible loss to figure left hand side cloak

A CHINESE PORCELAIN FIGURE of an Immortal with yellow glazed cloak and a holding a rosary and a water lily, 19.5cm high

A collection of Luristan and other bronze antiquities, including Ibex, cloak pin, pouring vessel, chariot, blade and other similar items, together with a bill of sale and a report by Charles Bovington from Tehran University, dated 1972.

Early 20th Century German bisque head sleep eye doll by Heuback Koppelsdorf, no 302-6 1/2, composition body, brown curly wig, clothed in a bonnet and cloak, height 27" approx.

Three Dutch style wooden peg dolls in Welsh dress, c.late 19th/early 20th century: one with small head, home-spun clothes, Welsh hat (height 27cm); larger doll with cloak, missing an arm (height 31.5cm); smallest doll in original home-spun clothing (height 19cm), one arm loose, together with a Welsh love spoon (length 9.5cm).

An Early XX Century Japanese Walrus Ivory Figure, depicting a sleeping immortal, seated, wrapped in a cloak, 6.3cms high.

F Lavie, a 19th century bronze of a Venetian lady wearing a cloak and a mask in her left hand, standing beside a young child, arm outstretched raised upon a naturalistic base, impressed signature, 60cms high (illustrated).

A 20th century continental school, an expressionist head and shoulder portrait of a bearded gentleman, wearing a crimson cloak, indistinctly signed Boris Yrigonev?, oil on canvas, H.55cm, W40cm

Two 20th Century painted terracotta figures, faces half covered, cloak to bodies highlighted in multi coloured ornamentation, mounted on red velvet backing in gilt frame, 58 x 37.5cms; (22 3/4 x 14 3/4in.) (size of frame); together with a plaster wall ornament of nude bodies in various poses, 38cms (15in.). (2)

Three good quality black wool capes, to include a Gieves of London by appointment to HM The Queen and HRH The Duke of Edinburgh, Naval Tailors and Outfitters, decorated with naval feature buttons, a further vintage cape from Gieves, and a gold light weight cape with velvet collar by Christine Thompson (3) (illustrated) CONDITION REPORT: Naval cape, good overall condition. Some light coloured water type staining to lining. Approx 107cm, chest measured laid flat side to side, second button down approx. 83cm. Gold lined cloak in good condition, some pinprick holes by left arm hole. Aprox. 130cm long, approx. 73cm across at 3rd button. Last gives clock with some light staining (dry cleaning or sponging to remove?), discolouration to lining around neck, variouse pen marks and further staining/discolouration in line with age (circa 1950s). Buttons missing Approx 110cm long, 75cm across.

TWO CAPES. An Edwardian black velvet evening cloak & a red wool cape. CONDITION REPORTS: 1. The red cape is in good, pre-owned condition. There are no tears, rips or other damage. Some of the black trimming is a little pulled, but not damaged. 2. The black velvet cape is in a delicate condition. The lining is aged and very thin in places. Around the collar line, it is torn away from the velvet. The velvet itself is in good condition.

INDIAN FIGURES. Three Indian ivory figures, two musicians & a four-armed goddess. Tallest 13cm. CONDITION REPORTS: 1. Musician with bare legs - this figure has some fine, natural cracking along the grain of the ivory, especially down the arms and legs. The pipe has broken off at the point furthest from the body, but there are no other losses or repairs. 2. Musician with cloak - this figure has lost the pipe instrument (the holes can be clearly seen). Otherwise, apart from some age cracks, this figure is in original condition. 3. Goddess figure - two of the 'petals' on the base have been chipped - the rest are intact. The hands and arms appear to be intact. The very top point of the finial on the headdress appears to be rubbed/worn. There are a few natural stress cracks, but generally the condition is good.

After Adriaen van de Velde, Dutch 1636-1672- Three cows; engraving, signed 'A V Velde del' within the plate, 11x13.2cm: After Wenceslaus Hollar, Czech/British 1607-1677- A woman standing to left on a ledge with hands folded, wearing a houpette, veil and cloak over ornate gown; etching, from St Gabriel's College Collection, bequest Mr & Mrs Houthuesen according to label attached to the reverse, 13.9x17.5cm: After Raphael, Italian 1483- 1520- "Madonna della Sedia" publ. Medici Society, London; colour reproduction print, bearing label for Medici Society, London attached to the reverse, 38x38cm, (3) Provenance: from the St Gabriel's College Collection, London

Two brass character pots with hinged lids in the form of a begging dog, and a bearded figure with cloak and cap, 7cm

A MIXED LOT: A 19th century silvergilt & filigree work piece (perhaps a cloak clasp or ornament), six panels from a belt, and an American chain mail purse with a floral scroll top section, by Gorham & Co., 1900; the latter 4" (10 cms) wide; 11.9 oz (3)

FOLLOWER OF ADRIAEN VAN OSTADE (1610-1685) MAN IN A CLOAK AND HAT Oil on panel 12.5 x 10cm. ++ Some old chipped losses; needs a clean

Bactria. Eucratides. c. 171-145 BC. Tetradrachm, 16.92g (12h). Obv: Helmeted, draped, cuirassed bust of king right; on his helmet, horn and ear of bull. Rx: ??S???OS ??G???? ?????????? The Dioscuri on horseback right, each wearing pilos and holding spear and palm branch; in front, monogram. SNG ANS 469. Good EF Privately purchased from Freeman & Sear The portrait coins of Eucratides are among the most impressive and flamboyant of the Hellenistic age. The ruler is shown in full military dress, with helmet, cloak and cuirass, as though ready for battle during a campaign

Elagabalus. AE 31, 13.82g (5h). Laodicea ad Mare, Syria. Obv: IMP CAES M…Bust laureate right, fold of cloak on front shoulder. Rx: Frontal quadriga bearing Stone of Emesa, decorated with eagle standing front, head right, with raised wings, and flanked by four religious standards ("parasols"), two on each side; above the stone, crescent and annulet (?); circular legend naming Laodicea as colony and metropolis is off flan or not struck up, in exergue IIII PR, between the standards probably ? on left and E on right. Cf. Meyer, Bronzeprägung von Laodikeia, Jahrb. Für Num. 1987/8, pl. 18, B (above stone crescent and star, ANS). Another example, with star only above the stone: CNG 93, 22 May 2013, lot 976. Possibly only the third recorded specimen of this Stone of Emesa reverse type at Laodicea ad Mare. VF+ Ex Helianthus annuus Collection Types showing the Stone of Emesa in a quadriga under Elagabalus appeared on the coins of only a few provincial cites, Alexandria in Egypt, Aelia Capitolina in Judaea, Neapolis in Samaria, Hierapolis-Castabala in Syria, and now Laodicea in Seleucis and Pieria, and are generally even rarer than the similar types on Roman imperial aurei and denarii. In addition our coin gives Laodicea the interesting title "Metropolis of the Four Provinces", that is metropolis of the four regions Seleucis and Pieria, Phoenicia, Commagene, and Coele-Syria, which Laodicea was apparently able to retain after Septimius Severus took it away from Antioch as punishment for Antioch`s support of Pescennius Niger in the civil war of 193-4: see E. Meyer in the article cited above, pp. 68-73

Trebonianus Gallus. 251-253 AD. AE 24, 10.10g (1h). Samaria, Neapolis. Obv: [AVT KAI G OVIB TPI]B GA??OC CEB Bust laureate, cuirassed right, seen from front, fold of cloak on front shoulder. Rx: F? NEAC - ?O?EWC Gallus and Volusian, both togate, stand facing each other, each extending patera over altar between them with right hand and holding short scepter in left; between their heads, Mt. Gerizim between star and crescent. Harl, Neapolis, Museum Notes 29, 1984, no. 120 (A28-P113), pl. 13 (mislabeled 121), citing Rosenberger 112. Apparently only the second recorded specimen of this interesting type. Light smoothing, band of radiate crown and hair above forehead tooled. Repatinated after its appearance in Gemini VII. VF Ex Gemini VII, 9 January 2011, lot 867 (Dr. Patrick Tan Collection) Harl seems to have misidentifed the obverse die of the Rosenberg specimen of this coin as being his A27, when in fact it is his A28. Our coin is definitely from his A28, the same obverse die as his catalogue no. 124, pl. 13 = SNG ANS 1034

A George IV short staff, painted with a red painted ground, with a crown above a scene of St. Martin on horseback before a portcullis, giving his cloak to a beggar, above `GR `IV`, `DOVER`, the reverse with the date `1823`, the end pierced, 47.6cm long.

Agrippa. Died 12 BC. Æ As (27mm, 10.29 g, 6h). Rome mint. Struck under Gaius (Caligula), AD 37-41. M • AGRIPPA • L • F • COS • III, head left, wearing rostral crown / S C across field, Neptune standing left, naked except for cloak hanging over right arm, behind back and over left shoulder and upper arm, holding small dolphin in outstretched right hand, vertical trident in left. RIC I 58 (Gaius); BMCRE 161-8 (Tiberius); BN 77-97 (Caligula). EF, even, red-brown patina, some deposits. A handsome coin with an impressive portrait. From the collection of the MoneyMuseum, Zurich. Ex Kurt P. Wyprächtiger Collection; Sternberg XII (18 November 1982), lot 528.

Agrippa. Died 12 BC. Æ As (27mm, 11.44 g, 6h). Rome mint. Struck under Gaius (Caligula), AD 37-41. M • AGRIPPA • L • F • COS • III, head left, wearing rostral crown / S C across field, Neptune standing left, naked except for cloak hanging over right arm, behind back and over left shoulder and upper arm, holding small dolphin in outstretched right hand, vertical trident in left. RIC I 58 (Gaius); BMCRE 161-8 (Tiberius); BN 77-97 (Caligula). Near EF, attractive dark green patina, some earthen deposits. From the RAM Collection, purchased from Edward J. Waddell, April 1996.

Germanicus. Died AD 19. Æ Dupondius (28mm, 15.90 g, 8h). Rome mint. Struck under Gaius (Caligula), AD 37-41. GERMANICVS/CAESAR in two lines above, Germanicus, bareheaded and draped, standing right in chariot, holding eagle-tipped scepter and reins in left hand, driving triumphal quadriga right; chariot decorated with figure of Victory advancing right, shield in front of her to right / SIGNIS RECEPT/DEVICTIS GERM/S C in three lines across field, Germanicus, bareheaded, wearing cuirass and short tunic, standing left, right leg bent at knee and drawn back behind left, extending right hand in gesture of command, cloak over left arm, holding aquila in left hand. RIC I 57 (Gaius); BMCRE 93-100 (Caligula); BN 140-51 (Caligula). Near EF, hard green and brown patina, traces of deposits and porosity, minor cleaning marks. From the RAM Collection, purchased from R. M. Smythe, January 2002.

Nero. AD 54-68. AR Denarius (17mm, 3.34 g, 6h). Rome mint. Struck circa AD 66-67. IMP NERO CAESAR AVGVSTVS, laureate head right / IVPPITER CVSTOS, Jupiter, bare to waist, with cloak around lower limbs, seated left on throne, holding thunderbolt in right hand and vertical scepter in left. RIC I 64; WCN 62; RSC 121; BMCRE p. 210, note; BN 233-5. Good VF, toned, minor porosity, area of flat strike on reverse. From the D. Fagan Collection, purchased from Tom Cederlind.

Vespasian. AD 69-79. Æ Sestertius (32mm, 25.85 g, 6h). Rome mint. Struck AD 71. IMP CAES VESPASIAN AVG P M TR P P P COS III, laureate head right / S C across field, Mars, helmeted, naked except for cloak around waist, advancing right, holding transverse spear in right hand and trophy in left over left shoulder. RIC II 199; BMCRE 777; BN 539-40. Near EF, green patina.

Lucius Verus. AD 161-169. AR Denarius (17mm, 3.53 g, 12h). Rome mint. Struck AD 163. L VERVS ?VG ?RMENI?CVS, bare head right / TRP III • IMP II COS II, Armenia, wearing cloak and breeches to ankles, and pointed cap, seated left on ground, in attitude of mourning, propping head on right hand, right elbow bent and resting on right knee, left hand on bow and quiver; vexillum and shield to left; shield to right. RIC III 505; MIR 18, 60-14/10; RSC 220; BMCRE 234. EF, lightly toned, underlying luster.

Gordian III. AD 238-244. AV Aureus (20mm, 4.98 g, 12h). Rome mint, 1st officina. 8th-11th emission, AD 240-243. IMP GORDIANVS PIVS FEL AVG, laureate, draped, and cuirassed bust right / AETER NITATI AVG, Sol, radiate, naked except for cloak over shoulders and left arm, raising right hand and holding globe in left hand. RIC IV 97; Calicó 3186a; Biaggi 1352; cf. Hunter 41. Superb EF, lustrous.

Gordian III. AD 238-244. AV Aureus (19mm, 4.39 g, 12h). Rome (or Antioch?) mint, 1st officina. 8th-11th emission, AD 240-243. IMP GORDIANVS PIVS FEL AVG, laureate, draped, and cuirassed bust right / AETER N ITATI AVG, Sol, radiate, naked except for cloak over shoulders and left arm, raising right hand and holding globe in left hand. RIC IV 97; Calicó 3186a var. (break in rev. legend); Biaggi 1352 var. (same); cf. Hunter 41. Superb EF, minor deposits, die break on reverse. Unusual portrait style. Perhaps minted at Antioch.

Crispus. Caesar, AD 316-326. AV Solidus (19mm, 4.34 g, 6h). Nicomedia mint, 1st officina. Struck AD 324-325. FL IVL CRIS PVS NOB CAES, laureate bust left, wearing balteus, holding spear forward and shield / VIRTVS CAESARI N, Crispus on horseback charging right, cloak flying, holding spear in right hand and shield in left hand, spearing kneeling enemy falling backward; under horse, another fallen enemy and shield; SMNP. RIC VII 84-5 var. (officina); Depeyrot 35/6; Biaggi 2068 var. (same). EF, some hairlines on obverse, traces of deposits. Very rare with this officina.

ITALY, Lucca. Republic. 1369-1799. AV Zecchino (22mm, 3.43 g, 12h). Sixteenth century emission. S • VVLTV S • (DE) LV(C?), crowned and draped Volto Santo facing slightly left; coat-of-arms of mastro di zecca at end of legend / • S • M? R TI N V S •, Martino di Tours seated left on horseback, dividing cloak with sword held in right hand; to right, poor man standing left, partially covered in cloak. CNI XI 161; MIR 169/3; Bellesia 7/A. Good VF, toned.

THESSALY, Larissa. Circa 450/40-420 BC. AR Drachm (19mm, 5.92 g, 8h). Thessalos, nude but for petasos and cloak tied at neck, holding band across horns of bull leaping left / Bridled horse leaping right; ?API-S-AIA above and below; to lower right, c/m: uncertain design in incuse circle; all within incuse square. Lorber, Thessalian 50 (same obv. die); BCD Thessaly II 174 (same obv. die); SNG Copenhagen 108 (same obv. die); SNG München 49; Pozzi 1213 (same obv. die); Hess 253, lot 160 = Ars Classica XII, lot 1282 (same dies). Near EF, lightly toned, some patches of die rust. From the RH Collection.

East Anglia and Norfolk Miscellany : Storey E. : Spirit of the Fens, 1985; Douglas Brown R. : East Anglia 1939, 1980; Cook O. : Breckland, 1980; Baldry G. The Rabbitskin Cap, 1979; Savory A. : Fisherman Fowler, 1976; Gliddon G. : Norfolk & Suffolk in the Great War, 1988; Ketton-Cremer R. : Norfolk in the Civil War, 1985; Rider Haggard L : the Cloak That I Left, 1976. All 8vo. Hb. + Dj. Some 1st.Eds. Togther with 22 related titles ( some pbs.) All mainly vg/vg. A nice collection of 20th.C. regional titles with some reprints of classics.

*Commodus (177-192), sestertius, 181 AD, laureate bust right wearing aegis, rev., Jupiter standing facing, head left, holding thunderbolt and cloak in right hand protecting emperor, who stands left, holding branch and sceptre, 24.52g (RIC 308c; C. 274), good very fine, with green patina Ex Galerie des Monnaies auction, Los Angeles, 9 June 1978, lot 1773.

*France, René de Birague, Chancellor of France, uniface bronze medal attributed to Germain Pillon, bearded bust right, aged 70, wearing ruff and cloak with fur-collar, 164mm (cf. Jones 121; Currency of Fame 144), later cast, extremely fine, patinated and lacquered, with integral suspension loop [illustrated two-thirds actual size]

Framed, indistinctly signed and dated, oil on canvas, 19th century half length portrait of an early 18th Century style man in a suit of armour, with lace jabot, red cloak and long brown curled wig, with his right arm raised holding a baton, 88.8cm x 71cm.

A 3rd Century B.C. Hellenistic terracotta figure of a boy wearing a cloak, 11.5 cm high (surface worn)

David Wood Haddon (British, 1859-1914) Portrait of an elderly lady in a workhouse cloak signed lower right ""D W Haddon"" oil on canvas 42 x 32cm (16 x 12in) Under glass and appears fine.

A lovely carved chalcedony figure of the happy Buddha wrapped in a cloak H 7cm x 5cm x 4cm

A SIGNED 19TH/20TH CENTURY JAPANESE NETSUKE, of a squatting boy draped in a bulbous cloak, 2in high.

A Victorian christening gown, an 1850s wedding chemise, a child`s cloak, assorted chiffon scarves, silk nightgown and a patchwork quilt

Ladies' vintage black opera cloak by Su-Kay with padded stiffened rounded collar in grosgrain with crepe lining and two embossed metal button fastenings, plus black velvet evening cape - single button at neckline, gold and black brocade full length evening coat (3)

A Victorian christening gown, an 1850s wedding chemise, a child`s cloak, assorted chiffon scarves, silk nightgown and a patchwork quilt