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Roman, bronze figure of Jupiter, 1st-2nd century, 4.5cm x 1.7cm, standing nude muscular male figure with the weight on his right foot, left leg slightly bent to the side on a rectangular base, right arm straight to the side holding a thunderbolt, left arm with a cloak draped over, bent at the elbow, (sceptre missing), head facing to the right with a thick beard; suspension loop behind. Good fine with a green patina eroded in areas £40-£60 --- Provenance: from a UK collection

Roman Imperial Coinage, Licinius I, Follis, Heraclea, c. 318-20, laureate bust right wearing imperial cloak and holding globe, sceptre and mappa, rev. camp gate surmounted by three turrets, a in field to right, smha in exergue, 3.38g (RIC 48 var.); together with contemporary coins of Constantine I (8) and Maximian [10]. Very fine to extremely fine £90-£120 --- Provenance: Steve Clarke Collection

A Carved Boxwood Group of the Virgin and Child, probably Flemish, late 17th/18th century, she standing wearing a fur-lined cloak and flowing robes holding Christ at her waist, a bird's head and crescent moon at her feet, on a globe base32cm high, on later ebonised plinthFor two related examples see Sotheby's, New York, 29 January 2009, lot 333Christ with both hands lacking. Other minor losses. Large splits to reverse.

Star Wars - Original Last 17 Lando Calrissian (General Pilot) with blaster & cloak, pen marking to figure but vg overall, accessories untested

together with three other Scottish brooches and a cloak pin. *Condition: All with some wear.

A gold and turquoise cloak pin, mid 19th century, composed of two pins, each topped with a gold sphere accented with rope-twist decoration and turquoise cabochons, connected by gold chain threaded with similar spherical beads, stick pin length 11cm, chain length 17cm

Charles I, Half-Crown mm Anchor 1638-9, flying cloak from kings shoulder, Reverse, Oval garnished shield.

19th century Italian school after Pierre MignardVirgin of the grapes, oil on canvas, oval, 65 x 55.5cmNot lined. Cracking to the paint throughout, with stretcher marks and minor scratches and abrasions. Slight bloom to the blue on the lower area of the cloak. Not examined under UV light.

A police officer's woollen cloak, a police officer's jacket and trousers, a hat and a number of Special Constable arm flashes, etc

AN EARLY 15TH CENTURY ICONOGRAPHIC GOLD RING, SAINT JOHN THE BAPTIST CIRCA 1430The slightly fluted bezel with shaped ends incised with the figure of Saint John the Baptist wearing heavy cloak and pointing to the lamb, to engraved sunburst shoulders to a floral engraved shank with diagonal beaded detailSize/dimensions: finger size MGross weight: 3.4 gramsDuring the late medieval period the veneration of Saint John the Baptist through imagery was prolific through various materials, including wall paintings, sculpture as well more personal tokens such as rings and pilgrimage badges, his importance amongst other Saints was due to his devotedly pious life, his recognition of Jesus as the Son of God, and his importance in the history of early Christianity. When John baptised Jesus in the River Jordan he said 'Behold, the Lamb of God' (John 1: 36), this ring shows the figure of the saint, with typically long beard, wearing his camel hair robe and pointing to the lamb (Agnus Dei).Condition Report: The ring is lacking any trace of enamel, but the detail is good, the carving of ST John the Baptist is clear and quite crisp, there is some very slight rubbing/smoothing to the side of the ring from use, there is some slightly greasy looking dirt to some areas of the shank and in some if the incised sections. It is in our opinion high carat goldCondition Report Disclaimer

Hooded Cloak', a patinated bronze and ivory figure of a girl retailed by Etling of Paris, mounted on an onyx circular base. Signed on the back of the figure, 'Chiparus, Etling Paris'. 19.5cms high overall *This figure is illustrated in Art Deco and other Figures by Bryan Catley, Page 68. Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit https://www.defra.gov.uk/ahvla-en/imports-exports/cites/ Ivory submission reference ZF57NNJ1. CITES permit is included. Exporting outside the EU will require an additional export permit. *Condition: The bronze and ivory seems is in good condition, the onyx base has some minor marks to the surface.

A mixed lot of silver items,comprising: a six-piece condiment set, by H. Matthew, Birmingham 1918, a three-piece condiment set, a mustard pot, a French beaker, of tapering circular form, a French cloak clasp, two Indian dishes, a set of six silver-handled fruit knives and forks, pistol-grip handles, plated blades and tines, and a set of twelve electroplated fruit eaters, in a fitted case, mother-of-pearl handles, approx. weighable 20oz. (qty)

A Longton Hall Commedia dell'Arte white 'snowman' figure of Scapino, after the Kaendler/Reinicke original, wearing a cloak and holding a hat in his left hand, circa 1750, 10cm. (two minor chips to cloak, some crazing).

Quarter length, wearing a brown cloak, white neckcloth and long wig, oil on canvas, within a painted oval 73.5 x 61cm. Provenance: By descent in the family of the sitter. The sitter married Jean Collard. *Condition: Lined; some craquelure; retouching; some frosted varnish.

A Chelsea Pensioners cloak

A ROMAN BANDED AGATE INTAGLIO. AURORA. 1st century A.D.9x14x2 mmBeautiful depiction of Aurora advancing to the left, holding her cloak raised by the wind with both hands. Interesting choice of banded agate. Wear marks.Provenance: From the Sangiorgi collection (1886-1965). Private coll., Monaco, 1970's13/05/202; thance by descent. Christies sale December 2017, lot n.3 ; U.K. private collection.

A FINE ROMAN TWO LAYERED CAMEO SET IN A GEORGIAN RING. VOTIVE SCENE. 1st century A.D.Stone 16x21 mm; int. Size 16,5x22 mm; 4,57 gr.A male character is standing, three-quarters facing right. With his right hand he holds a rod (or scepter), with his left hand he holds the bridle of his horse which is behind him, facing right in profile. The man is wearing a traveling cloak with his legs uncovered. On the left, a tree; to the right, a half-column with a cinerary urn above it. The scene probably requires more research for its full identification. Paoletti, in his glass impression collection, identified the subject (but without landscape and urn on the column) as one of the Dioscuri. The scene seems inspired by bas-reliefs. The male figure is characterized by physiognomic features that can probably be referred to the Augustan age. The horse is inspired by classical Greek models. The man seems to arrive in a bucolic place to contemplate or visit the incinerated remains of a family member or a comrade in arms.Very fine style and beautiful execution. Wear marks. Little missing on the edge and frame. For a very similar scene and style, see: L.P.Biroli Stefanelli, La Collezione Paoletti, vol. I, p. 41 n. 150 ("Polluce uno delli Dioscuri" from a sardonyx intaglio). Provenance: U.K. private collection acquired on the art market.

A ROMAN CARNELIAN INTAGLIO. WARRIOR. 1st - 2nd century A.D.11x14x3 mmThe warrior faces left and is characterized by a muscular and powerful body. He holds the sheathed sword in his right hand, the spear in his left. Below, the shield; long cloak over the shoulders. Rocks behind the figure. Wear marks and chip on the edge.Provenance: U.K private collection

A RARE ROMAN GOLD RING SET WITH A SAPPHIRE INTAGLIO. PORTRAIT OF A NUBIAN NOBLEWOMAN. 2nd century A.D.Stone 8x11 mm; int. diam 17 mm; 8,46 grWith rounded hoop, flatten within, expanding in broader shoulders and flanked with a beautiful and rare sapphire intaglio depicting the portrait of a young Nubian woman. She is characterized by a proeminent short nose, big lips and a very small chin. The bombed fronthead is surmounted by braided hair assembled on the back in a chignon. She wears a cloak. The choice of the stone express the importance and exotism of this portrait, that can be linked to an important social/political position of the Roman Empire elite inthe Eastern provinces. Presence of restoration and tools on the mounting. Wear marks. Provenance: U.K. private, acquired on the art market 1980s-1990s

A LARGE LATE RENAISSANCE AGATE INTAGLIO SET IN A METAL FRAME. MUZIUS SCAEVOLA. 16th - 17th century. 32x46x4 mmThe soldier is standing facing right, wearing armour, helmet and cloak. With his right hand he holds a spear, while he places his left hand above the fire of a burning altar in his famous gesture of courage and virtue. The scene symbolizes the power of Roman Virtus. Nice choice of zoned agate, unfortunately brocken in two parts diagonally. The stone is fixed in a metal frame. Wear marks.Provenance: European collection, acquired on the market, early 2000's.

A LARGE LATE RENAISSANCE BLOODSTONE CAMEO. MADONNA WITH THE CHILD. Probably 16th century 55x75x24 mmHer shoulders and back covered by a cloak, the nimbus with lilies on the head, the long hair finely chiseled with very thin and wavy lines. With both hands she holds the holy child, also with a nimbus with lilies. The woman looks to the right with her face tilted downwards in three-quarters, while the child with his face tilted upwards in three-quarters with a tender gaze. The work is carved in high relief with great skill. Probably Italian. Beautiful execution. Missing on the edge.Provenance: From the Chenel collection, Paris; U.K. private collection.

AN AGATE CAMEO SET IN A GOLD PENDANT. BUST OF AN HELMETED WARRIOR. 18th centuryStone 28x35 mm; H max 50 mm; 11,83 grPossibly the portrait of a private person in heroic guise. The helmeted head is in profile to the left, while the bust is almost frontal, partially covered by a cloak, with the strap of the sword sheath visible. The helmet is decorated with a running griffin and a sphinx. The man is characterized by peculiar facial features and long wavy hair. Nice four layered agate work.Provenance: U.K. private collection acquired on the art market.

AN ETRUSCAN CARNELIAN SCARAB. MALE FIGURE AT THE FOUNTAIN.4th - 3rd century B.C.11x5x7,5 mmA man with a cloak is in the act of putting his foot into a basin, with his hands he holds a container probably for pouring a liquid and washing himself. Hatched border. Wear marks. Provenance: From a private collection, France, acquired on the art market in the early 2000s

A PTOLEMAIC CARNELIAN INTAGLIO. BUST OF YOUTH WITH PHRYGIAN CAP. 2nd-1st century B.C. 14,5x16x4 mmThe male character is shown from behind, his head in profile facing left upward. He is characterized by a laureated Phrygian cap. The features of the face shown a large almond eye straight nose and semi-opened lips with proturding chin. His musculature is raised by strong shoulders covered by a cloak. The effigy can probably be identified with Paris. Chips and loss on the edge. Wear marks. Provenance: U.S. private collection, acquired on the art market. This lot is sold under temporary import status.

A FINE LATE ROMAN REPUBLICAN SARD INTAGLIO SET IN A GOLD RING. ATTIS WITH TWO SPEARS. 1st century B.C.Stone diam. 15 mm; int. Size 18x20 mm; 5,35 grA male character advances to the right, walking on tiptoe. With his left hand he holds two spears, while bringing his right hand towards his face. He wears a cloak on his back and a Phrygian cap on his head, which is characterized by small curls. Use of globular elements. The subject is to be identified. The attributes may be referrable to Attis, while the pose and gait to a theater actor in the act of impersonating a mythological hero. Rare. Wear marks.Provenance: U.K. private collection

An ormolu-mounted figure of a Meissen putto emblematic of Winter, mid 18th centuryThe putto wearing a fur-lined pink cloak embellished with puce floral sprays and snowshoes, on a scrollwork ormolu base, a miniature Meissen vase also mounted beside the figure, moulded with rocailles and painted with flower sprays, 18cm high, the figure with crossed swords mark in underglaze-blue to the rear of the base (small chips)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A Meissen group of putti emblematic of Winter, mid 18th centuryModelled with four putti, one kneeling working on an arrowhead on an anvil, another seated beside a fire, the third seated on rockwork holding a floral cloak and the fourth standing at the back clutching a quiver of arrows, the base moulded with gilt-edged rocailles, 6.8cm high, impressed numeral 18 some restoration to extremities)For further information on this lot please visit Bonhams.com

A German porcelain miniature group of a lady and gentleman, circa 1755-60Each wearing fur-lined cloak, the gentleman in a white tricorn and black boots, the lady with a white bonnet and fur muff, standing in front of a column, the rectangular base with canted corners, 10.5cm high (tiny chips)Footnotes:Provenance: With Newman & Newman Antiques, London (paper label to underside)For further information on this lot please visit Bonhams.com

A Doccia white figure of a Saint, circa 1750Likely based on a model by Massimiliano Soldani-Bemzi, draped in a cloak, holding a book under his right arm, on a square plinth, 23.5cm high (left arm broken offFootnotes:It has been suggested that this figure could be related to the series of reliquaries with gold statues of various saints mounted in ormolu and hardstone that were made for Grand Duke Cosimo III de Medici's Capella di Camera. This was one of the first major orders directly from Cosimo III to the young sculptor, Massimiliano Soldani Benzi, some of whose bronzes and wax models were acquired by the Marchese Ginori to serve as models for his Doccia porcelain manufactory. For further information on the series and Ginori's reproductions, see: D. Zikos, Il decoro della nostra Italia in ragione di scultura, in La Fabbrica della Bellezza, La manifattura Ginori e il suo popolo di statue, exhibition catalogue, Museo Nazionale del Bargello (2017), p. 52ff.For further information on this lot please visit Bonhams.com

A Meissen figure of a lady with a lion, early 19th centuryWearing a crown and a pale yellow cloak with purple and gilt floral sprays, her left hand on the head of a lion, on a rectangular base, 21.1cm high, crossed swords mark in blue, incised numerals 791 and 59 (right arm restored)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A Meissen figure of Scapin from the Duke of Weissenfels seriesModelled by P. Reinicke and probably J.J. Kaendler, wearing a white cloak over a pale-yellow tunic with gilt frogging, a bag and dagger at his waist, blue trousers and puce shoes with blue ribbons, the base applied with a leaf and flower, 13.5cm high, faint crossed swords mark in underglaze-blue to rear edge of base (some very minor flaking)Footnotes:After the engraving Habit de Scapin by Jouillain in Riccoboni's Histoire du Théâtre Italien. The figure is mentioned in Reinicke's work notes for July 1744; see M. Chilton, Harlequin Unmasked (2001), p.18. A further example was sold in these Rooms, 3 December 2008, lot 227.For further information on this lot please visit Bonhams.com

A Meissen figure of Pantalone from the Duke of Weissenfels series, circa 1745Modelled by Peter Reinicke and J.J. Kaendler, wearing a black skull-cap, long white cloak with lace collar, iron-red doublet with gilt buttons and iron-red breeches, the base applied with leaves and flowers, 13cm high, faint crossed swords mark in blueFootnotes:Based upon the engraving by Joullain after Jacques Callot, see M. Chilton, Harlequin Unmasked (2001), no. 105, fig. 316.Reinicke's work records state in March 1744: '1 Pandelon in Thon reparirt' [1 Pantalone modelled in clay], and in April 1744: '1 Pandelon, 7 1/2 Zoll hoch, zu bohsiren angefangen' [1 Pantalone, 7 1/2 Zoll high, started to model]; see R. Jansen (ed.), Commedia dell'Arte Fest der Komödianten (2001), p.27. Kaendler reworked a number of the models from the series and mentions correcting the figure of Pantalone in his work records in May 1744, see Jansen (ed.)(2001), p. 28.For further information on this lot please visit Bonhams.com

A Meissen figure of Pantalone from the Duke of Weissenfels series, mid 18th centuryModelled by Peter Reinicke and J.J. Kaendler, wearing a black skull-cap, long white cloak with lace collar, iron-red suit and yellow shoes, the base applied with leaves and flowers, 13.3cm high, crossed swords mark in blue (right lower arm restored)Footnotes:Based upon the engraving by Joullain after Jacques Callot, see M. Chilton, Harlequin Unmasked (2001), no. 105, fig. 316.Reinicke's work records state in March 1744: '1 Pandelon in Thon reparirt' [1 Pantalone modelled in clay], and in April 1744: '1 Pandelon, 7 1/2 Zoll hoch, zu bohsiren angefangen' [1 Pantalone, 7 1/2 Zoll high, started to model]; see R. Jansen (ed.), Commedia dell'Arte Fest der Komödianten (2001), p.27. Kaendler reworked a number of the models from the series and mentions correcting the figure of Pantalone in his work records in May 1744, see Jansen (ed.)(2001), p. 28.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A Meissen rare figure of Tartaglia from the Duke of Weissenfels series, circa 1745Modelled by Peter Reinicke, wearing a white doublet with gilt buttons and white ruff, a white cloak, pink trousers and yellow shoes, the base applied with leaves and flowers, 14.5cm high, crossed swords mark in blue (tiny chip to back of hat)Footnotes:The model is based on Joullain's engraving, Habit de Tartaglia, from Luigi Riccoboni's Histoire du théâtre italien, published in 1728. Reinicke mentions the model in his work records from 1744: '1 dergl., Tartaglio, in Thon bouhsirt' [1 ditto Tartaglia, modelled in clay]; see M. Chilton, Harlequin Unmasked (2001), p. 312, no. 112.For further information on this lot please visit Bonhams.com

An Egyptian basalt bust of an official Middle Kingdom, 13th Dynasty, circa 1783-1640 B.C.8cm highFootnotes:Provenance:Heinz Schmidt (b. 1914) collection, Germany; thence by descent to the present owner, U.K.The official is shown swathed in a cloak with only his hands protruding, a common mode of dress during the 12th-13th Dynasties. In style, pose and costume the above lot is typical of some statuettes of the later Middle Kingdom, cf. W. Hayes, The Scepter of Egypt, Part 1, Metropolitan Museum of Art, 1953, p. 209, fig. 126.For further information on this lot please visit Bonhams.com

A Large Quantity of Marvel and Other Comics, to include Cloak and Dagger, Dazzler, Sabre, Grim Jack American Flagg, Wolfpack, etc, condition overall good.

Five Original Star Wars Trilogy Plastic Action Figures, all with original card backs, comprising of Teebo (headgear, battlehorn and axe), AT-ST driver (no weapon), Prune Face (cloak and dressellian rifle), Weequay (no weapon), Squid Head (belt present, no weapon), card poor, all cards without bubbles, and displaying signs of damage and pen writing.

A 19th century or later painted wooden toy organ grinder music box painted in red and green, the fall front concealing mechanism, original winding handle, the front painted with name 'IAN', 21 ¾in. (55.4cm.) long, 18 ¼in. (46.4cm.) high, with a 1930s Norah Wellings monkey, grey wool plush, long tail, red glass eyes, velvet face, ear linings, hand & feet, red velvet hat and cloak, label to foot.

Three early 19th century pearlware Staffordshire figures of saintsdepicting St. Mark, St. Luke and St. Matthew, each on an oval titled base with painted blue and red-brown swirled decoration, 7 ¼in. (18.4cm.) high, St Matthew missing hand, restorations. (3) *St Luke and St Mark both have old, well executed restoration to the right hand, and also to the book on St Mark. Chip to one horn of calf on St Luke. St Matthew is missing the left hand and has a few paint flakes to maroon cloak. We belive that the head has also been off and that there is well executed old restoration to the neck.

Hasbro a boxed Episode 1 Comm Tech Chip group to include Darth Maul (Tatooine) with Cloak and Lightsaber, Watto with Datapad, Darth Sidious, Qui-Gon Jinn (Jedi Duel) with Lightsaber plus others similar. Conditions generally appear Excellent to Mint in generally Good to Near Mint boxes. (15)

Vintage Berber silver cloak or cape clasps and other silver enamel jewellery, inc. coral earrings

Glaze finish figure that is part of the Street Vendor series. Depicts a stree vendor in a green cloak, selling oranges.Hand written title and HN number. Royal Doulton backstamp. Artist: Charles J. NokeIssued: 1917-1938Dimensions: 5.25"L x 6.25"W x 6.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Property of a GentlemenItalian16th CenturyA bronze statuette of Hercules wearing a lion-skin cloak, holding a club and the apples of Hesperides.On a bronze base cast with festoons and garlandsDimensions:10 in. (H)14.25 (H) (including base)

Middle Eastern small bronze vessel with incised decoration to the belly 9cm high- has no base T/W bronze cloak pin with feathered detail to the one end 16cm long and a zoomorphic bronze figure

ROBIN HOOD: PRINCE OF THIEVES (1991) - Azeem's (Morgan Freeman) Tunic - Azeem's (Morgan Freeman) tunic from Kevin Reynolds' action-adventure Robin Hood: Prince of Thieves. Azeem wore his tunic under his blue cloak throughout the film, and maintained his oath of accompanying Robin Loxely (Kevin Costner) and one day saving his life in return for freeing him from the Moorish prison.The tunic is made from a brown oilcloth with a cotton lining and blue woven trimmings on the sleeves. It is missing the matching blue woven neck detailing seen on screen. An Angels label is sewn to the interior featuring the name "Azlam" [sic] handwritten in black pen. The piece has been intentionally distressed to look aged and worn, and also exhibits gold-color paint marks and stage blood stains from production use.Estimate: $1,500 - 3,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.

ROBIN HOOD: PRINCE OF THIEVES (1991) - Sheriff of Nottingham's (Alan Rickman) Cape - Sheriff of Nottingham's (Alan Rickman) cape from Kevin Reynolds' action-adventure Robin Hood: Prince of Thieves. The Sheriff wore his dark cape throughout the original theatrical version as he attempted to capture Robin Hood (Kevin Costner) and his band of outlaws and continue to corruptly rule the land. However, this cloak does not appear in subsequent cuts. The cloak is made of patchworked black leather and features two studded straps that are worn across the chest and fastened at the back. Custom-made for production by the costumier house Angels, it includes an inventory tag that reads "Alan Rickman, Robin Hood Prince of, Black Leather Cape."Estimate: $1,500 - 3,000Bidding for this lot will end on Friday, June 30th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Thursday, June 29th.

HARRY POTTER AND THE CHAMBER OF SECRETS (2002) - Harry Potter's (Daniel Radcliffe) Distressed Costume with Glasses - Harry Potter's (Daniel Radcliffe) distressed costume with glasses from Chris Columbus' fantasy-adventure film Harry Potter and the Chamber of Secrets. Potter wore his costume as he fought against Tom Riddles' (Christian Coulson) giant Basilisk snake in the mysterious Chamber of Secrets hidden below Hogwarts School of Witchcraft and Wizardry. This lot consists of a dark gray polyester-blend Gryffindor hooded cloak with a Gryffindor house patch labeled "Daniel Radcliffe 15215 Harry Potter: Wizard Harry Potter 2"; a white cotton button down shirt (size 14); a red and gold-color polyester Gryffindor necktie; a gray wool blend V-neck sweater with a red and gold-color Gryffindor trim; gray polyester blend trousers (size 30) marked "D. Radcliffe" with a black leather belt; black leather suede shoes marked "7M EC"; and a pair of Potter's iconic round metal frame glasses. The glasses may have also been used in the first film. This lot exhibits intentional distressing throughout, such as mud on the cloak, sweater, and pants, and stage blood applied to the shirt around the collar and cuffs.Estimate: $75,000 - 150,000Bidding for this lot will end on Wednesday, June 28th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, June 29th or Friday, June 30th.

DARK CRYSTAL, THE (1982) - Skeksil the Chamberlain's Cloak Pin Prototype - Skeksil the Chamberlain's cloak pin prototype from Jim Henson's and Frank Oz's fantasy adventure The Dark Crystal. Chamberlain wore his cloak pin throughout the film as he schemed to become the Skeksis' Emperor.Created by The Jim Henson Company, this resin pin is hand-painted brown and yellow to resemble stone and bone. It features 10 bone spikes, seven faux rubies inset on the front, and an unfinished back. The lot exhibits missing and chipped pieces, and white staining to the resin from exposure. Dimensions: 4" x 2.25" x 1" (10 cm x 5.75 cm x 2.5 cm)Estimate: $800 - 1,600Bidding for this lot will end on Thursday, June 29th. The auction will begin at 8:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Wednesday, June 28th or Friday, June 30th.

Follower of Hans Holbein Portrait of King Henry VIII (1491-1547) bust-length, in a fur-lined cloak and gold-brocade doublet, with a chain and feathered black hatinscribed 'Henricus Octavvs' (above the sitter)oil on panel33 x 26.5cmProvenance:Bonhams, London, 13th April 1999, lot 2, when acquired by the late Barry Lock (1934-2021)This bust-length portrait derives from the lost full-length image of the King by Holbein, which was part of a mural for Whitehall Palace executed in 1536-7. Based on the iconic images of Henry VIII which Holbein and his studio produced throughout the sitter’s lifetime, these depictions of Henry VIII became the sanctioned images of the court and were reproduced widely. They were intended to propagate the strength of the Tudor dynasty and the total authority of Henry VIII as King. Significantly, these images achieved this without the traditional symbolism of royal power such as a crown or sceptre, but instead through Henry VIII’s posture, facial expression and symbols of wealth, such as his costume and jewellery.The painting is executed in oil on a wooden panel support formed from a single oak board. The panel is in a good condition and is uniformly in plane. The thinly applied paint layers have developed a network of age cracks following the vertical woodgrain of the panel. These are slightly raised and vulnerable in some areas. There is extensive overpaint in the face covering wear and abrasion. There are also brushy areas of overpaint in the red background. The varnish has yellowed with age and no longer adequately saturates the paint layers below. There are scuffs and scratches across the surface.Stencil Christie's - PH456 Framed 50.5 x 44cm

Circle of Francis Hayman (1708-1776) Portrait of a lady in a white silk dress with blue bow and blue cloak, a string of pearls in her hair, in a painted ovaloil on canvas, in a carved and giltwood frame74 x 62cmProvenance:Presumably by descent within the Jackson family to Elizabeth Jackson, who married Thomas Berney of Bracon,Thence by descent to the present ownerThe sitter by family tradition was Grace Jackson (née Goldstone, c.1750-1798), later Lady Duckett, daughter and heir of London merchant, Gwyn Goldstone of Goldstone, Shropshire, and his wife Grace Duckett. In 1775, she married George Jackson (1725-1822), politician, Deputy Secretary to the Admiralty and patron of Captain James Cook. In 1791, her husband was created a baronet. Upon the death of her uncle, Thomas Duckett, in 1797, her husband assumed the name Duckett to secure the inheritance of the family Hartham estate at Corsham, Wiltshire, becoming Sir George Duckett, 1st Bt. From the dress, however, and fashion of the sitter, the latter cannot be someone born circa 1750. The painting is executed in oil on a canvas support which has been lined. There are localised areas of flaking and loss located at the edges of the picture, associated with framing and impact. The rest of the paint layers are in a good, stable condition. Overpaint is present, visible in ultraviolet light, mainly covering wear and abrasion in the background. The varnish is matte, dull and no longer adequately saturating the paint layers. There are matte spots and surface dirt present.

Four Chinese famille rose figures Qianlong Including a pair of standing female figures wearing yellow and green ground robes decorated with flowers and peach branches, one holding an ingot, the other holding a lotus bud with leaves; the taller female figure wearing a green cloak and long pink robe decorated with pumpkin with leaves and flowers, her left hand holding a handkerchief; the male figure wearing a long pink robe and a magua with floral and leafy roundels on a green ground, with a jovial expression; each standing on a raised plinth, together with a glazed pottery vase, and a porcelain plate decorated with figures in a landscape, diameter 28cm (6). For further information on this lot please visit Bonhams.com

FIVE BOXED PELHAM WALT DISNEY SL PUPPETS, Mickey Mouse, Mickey Mouse wearing the Sorcerers cloak and hat from Fantasia, Donald Duck, Pluto and Goofy, all appear complete and in good condition with only minor wear, Donald in correct yellow lidded box, others in mixture of correct and incorrect modern boxes, some with fading, wear and damage, Fantasia Mickey in modern cardboard box

Follower of Gortzius Geldorp (1553–1618),Bust length portrait of a young lady in brown hat and cloak,Oil on canvas,59cm x 46.5cm,Gilt framed

A 19th century hardwood carving, of a bearded man, wearing a hood cloak, 41cm high, c.1880

AFTER A MODEL BY GIOVANNI BOLOGNA (GIAMBOLOGNA, 1529-1608) A BRONZE FIGURE OF A PEASANT RESTING ON HIS STAFF PROBABLY LATE 17TH OR EARLY 18TH CENTURY ITALIAN The figure wearing a short tunic, boots with floppy tops and a broad rimmed hat, with a small water barrel, set on an alabaster mounted, brass strung and mounted walnut base figure 13cm high including peg to base, the whole 23cm high, base 7.5cm square Provenance: Ex Kenneth Clark Collection The earliest reference to this figure- one of a set of four- came in 1601 when a silver version was loaned to Giambologna's former assistant Antonio Susini for casting in bronze. The document described it as follows: "a little figure in silver of a peasant with his hat and a staff, leaning upon his staff" (Una figuretta d'arg(en)to di un villano co(n) Capello co(n) bastoncino che sappoggia il su il bastone) Cf Giambologna 1529-1608: Sculptor to the Medici., Avery, Charles & Radcliffe, Anthony, published by UK: The Art Council, 1978. The earliest casts tend to be distinguished by having an oval base the figure stands on- together with clearer definition and space in the execution of staff and cloak. This later cast is closer to examples such as the one found at Anglesey Abbey, Cambridgeshire (NT 515066) but lacks the careful stippling and detailing.Condition Report: The whole presenting quite dirty- has been in a cupboard for some time. The patina showing paler/more golden areas from wear from handling and display. It has been suggested that some gilding may have been applied- then patination over it The stand dirty- associated- traces of former mounted object to top- one panel with crackWear, marks, knocks and scratches as per age, handling, use, and cleaning.Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.   Condition Report Disclaimer

Spanish Colonial School, oil on canvas laid on board - Conquistador, 60cm x 50cm, in gilt frame We have kindly been informed that this is Saint Martin of Tours dividing his cloak with a beggar, based on an engraving by Anton Wierix after Martin de Vos.

Frances Strickland (1803-1888)/Portrait Miniature of Henry Eustatius Strickland (1777-1865)/the Artist's Father/half-length, clad in a blue cloak/inscribed verso/watercolour on ivory, 8.5cm x 7cm/Ivory registration reference: X8TJPVMK CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

Studio of Willem Wissing (1656-1687)/Portrait of Queen Anne when Princess of Denmark/full-length, standing by a jardinière of flowers with a dog at her feet/oil on canvas, 206cm x 134cm/Note: This picture was acquired by the vendor from Sotheby's where it was catalogued as Studio of Godfrey Kneller, Portrait of a Noble Woman. The sale was in November 2006 CONDITION REPORT: Old re-lining, repaired hole to left below crown, another by edge of pedestal, areas of thinness in blue cloak, extensive areas of re-touching, good craqueleur to flesh tones

A Victorian figural white metal desk seal, the bloodstone intaglio bearing the armorial of Thomas MacKnight Crawfurd of Cartsburn, Co. Renfrew, the figure in a cloak and resting on a shield, 10.5cm high/Note: With letter dated 1994 from the Somerset Herald CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

An Italian terraglia figure from the Commedia dell’Arte, c.1800, decorated in green and manganese, modelled with his arms folded, pulling his cloak around him, wearing a cap and a mask, standing on an oval mound base, 16.1cm high