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A group of eleven Victorian and later stick pins, in gold and other metals, including a Mexican two gold 2 pesos, 1920, a lozenge pin with a central red enamel bead on a white ground, three other 9ct gold and enamel pins, a 'Manx' shield, a padlock clasp, an emerald two stone initial 'K', a cloak pin, and others in various designs
AFTER JEAN-JULES SALMSON, 19th century, a pair of bronze figures of Anthony Van Dyck, wearing a broad brimmed hat, stylish costume and high boots, holding a folio under his left arm and holding cane in his right hand; and companion, a grandee, wearing a broad rimmed hat, cloak and breeches, with ribboned shoes, holding a book in his right hand and sword to his left, on circular bases, signed Salmson, 22in. (56cms) high.
Continental figure of a Gentleman, modelled standing, holding a mirror and a single rose, a dog at his side, on a heavily scrolled base, he wears a yellow floral coat, pink striped breaches, and a green cloak, pseudo Meissen mark to base, mid 19th century, (some restorations and small damages) 25cm high
A Pair of Meissen Figures of a Swain and Shepherdess, mid/late 19th century, the girl stepping down a scroll-moulded base with a sheep at her feet, her striped skirt flouncing in a breeze, her companion wearing a blue suit and fur-lined ermine cloak, standing with a garland in his raised hand, a dog at his side, incised model numbers 1305 and 1306, impressed 120 and 140, crossed swords in underglaze blue, {25cm} (she: repairs to hat, hands, waist, crook, leaves and sheep's leg; he: repairs to head, dog's legs, leaves).
(*)CIRCLE OF SIR GODFREY KNELLER (1646-1723) 'Portrait of Barbara, wife of Sir Wadham Wyndham, seated three quarter length, wearing a brown dress and ermine trimmed cloak, on a terrace of a country house, bears later inscription 'Barbara, wife of Sir Wadham Wyndham Kt and date 1655', oil on canvas, in a period carved English frame, 125cm x 100cm.
THOMAS CURRIE BELL (Fl.1892-1925) ELEGANT PORTRAIT OF LADY MAUD CHARRINGTON-JONES Seated full length in an interior, wearing a coral pink evening dress with a white fur cloak, signed and dated 1928, pastels on paper 156 x 110cm. ++ Good condition; no apparent damp damage, rubbing or foxing; good gilt frame
A small collection of tortoiseshell pique, comprising; a cloak pin in the form of two pins with spherical terminals decorated with pique pose florets, with spherical drops and linked by a square section pique pose chain, a rectangular buckle decorated with pique pose stars and three similar round buttons
A collection of Victorian and later jewellery, comprising; a red Aberdeen granite twin cabochon cloak clip, a citrine and yellow enamel brooch in the manner of Bernard Instone, an Arts and Crafts stick pin centred with a hessonite garnet and three green aventurines with a penannular loop, possibly by the Gaskins, a garnet and paste cluster bar brooch, a carved ivory panel brooch possibly emblematic of charity, a paste forget me not brooch, and a banded agate cluster brooch, in a green leather jewellery case
A rare Bow 'Cries of Paris' figure of a Peasant Woman, enamelled in a restrained palette proffering a bill inscribed The Last Speech and carrying a basket of spectacles, buckles and other goods for sale, a sealing-wax red short cloak over her shoulders and wearing a mauve and yellow gown and flowered skirt, on a mound base, 14cm h, c1755-60
Pair of large Continental figures in Japanese costume, he stands dressed samurai battle armour wearing a red and orange cloak, she wears a pale blue floral dress with a large purple tie, both modelled on circular dragon moulded bases, impressed marks to base, late 19th century, (tip of the ladies fan missing) (2) 45cm high
A PAIR OF LATE VICTORIAN PHOTOGRAPH ALBUMS of Whitehaven interest, in matching gilt-tooled and embossed leather bindings with brass clasps, each containing 88 items mainly carte-de-visite portraits of members of the Adair/ Douglas families who were associated by marriage, and who had a Booksellers' and Stationers' business in Whitehaven, but also including views of houses, literary and other figures including Charles Dickens, Sir Wilfred Lawson, et.al., a remarkable image of a much tattoed Maori with European jacket and tie, pork-chop sideburns, etc (inscribed in ink verso Hon Kingi, Wangonai(?), another of a young Maori with cloak and jade axe, the family photographs mainly by local photographers, Whiteheaven, Egremont, Maryport etc, also including two silhouette portraits, one or two school groups, 23cm x 16cm, (9in x 6.25in), (each in delapidated but original carton), and ANOTHER ALBUM, half-bound in black morocoand black buckram, 37c, x 29cm, (14.5in x 11.5in) vacant
Christian-Ludwig II, Duke of Mecklenburg-Schwerin (1683-1756), and his wife Gustava Carolina, nee Mecklenburg-Strelitz, by Orazio Imberciadori, after earlier portraits, one signed with initials and dated 1802, the Duke wearing full armour and an ermine-lined red cloak, the Duchess wearing a brown dress held with jewelled clasps and an ermine-lined cloak, feigned oval, gilt gesso frames, rectangular 9.5cm, 3in; and an oil miniature of a nobleman wearing a breast plate and red coat, German School, circa 1710, gilt-metal mount, oval 7.7cm, 3in
Etienne Masse (d.1760), by Jean Baptiste Masse, circa 1720, with powdered wig, wearing grey-lined black cloak, a gold-embroidered waistcoat and a lace cravat, the reverse inscribed: Portrait de mon respectable/ bien fai... bon ami et bon frere Etienne/ Masse.../ que l'amour... de ma faible Eloge gilt-metal frame, oval 7.3cm, 2 7/8in
A lady, said to be the Duchesse de Polignac, by Giraud, signed and dated 1822, with curled brown hair, wearing a fur-lined black cloak over a white dress with a red belt, mounted in the lid of a plum-coloured poudre d'ecaille snuff box with pique decoration, the base with concealed compartment containing a later miniature of Queen Marie Antoinette, after E. Vigee Le Brun, and engraved inscription giving purported provenance diameter 5.8cm, 2in
A rare enamel Jacobite snuff box, probably Liverpool, circa 1760, circular, the lid transfer-printed in black with a portrait of Prince Charles Edward Stuart (Bonnie Prince Charlie) wearing armour with an ermine-lined cloak and Garter sash, a shooting star to his right, the sides and base painted in black monochrome with clusters of flowers, reeded hinged metal mounts diameter 6cm, 2 3/8in
An Hirado Model of a Sennin, circa 1840-1850, and a Dish, circa 1870, the Sennin smiles and waves as he rides astride a tiger, his cloak of mugwort leaves is decorated in underglaze-blue; the dish is folded to either side and applied with kiku heads and leaves, the bowl is painted in underglaze-blue with sprays of the flower floating on water, 18.5 and 21.4cm.; 7.25 and 8 3/8in.
A Collection of Jewellery, including An Enamel and Gold Brooch, circa 1860, composed of three graduating pale blue enamel leaves with gold veins; Two Locket Brooches, circa 1850, with enamel painted birds; A Facetted Heart Shaped Crystal Pendant; A Pair of Paste Set Cloak Pins; An Enamel Necklace, composed of five scroll panels each set with red and white enamel suspending a red enamel drop and A Pair of Similar Ear Pendants and A mid Victorian Pendant of blue enamel with putti, in gold mount (8)
A theatrical figure of John Kemble in the role of Hamlet, modelled standing wearing an ermine-lined cloak and holding a skull, partially coloured and gilt, on a shaped gilt-line base, 20cm high, mid 19th century (some hairline cracks, restored neck); and a model of a recumbent poodle (cracked and glued)

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7199 item(s)/page