A PAPIER MACHE SNUFF BOX LID, PAINTED WITH THE HEAD OF A BEARDED MAN IN A RED CLOAK, 10.5CM DIAM, C1840, A BRONZED METAL SCULPTURE OF A SEATED WOMAN, AN ALBUM OF CIGARETTE CARDS, A GILTMETAL AND PASTE BROOCH, THREE CLOISONNE ENAMEL NAPKIN RINGS, A JAPANESE MINIATURE SHIBAYAMA BOX AND COVER AND MISCELLANEOUS OTHER MINIATURE WORKS OF ART AND COSTUME JEWELLERY, ETC. Condition report Papier mache box lid chipped and worn. Most of the other items in good condition
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VARIOUS RELIGIOUS AND THEATRICAL CLOTHING, VARIOUS SHOES, BOOTS ETC, to include 'The Dark Angel' velvet cloak (s/m), a half circle black cloak having Maltese buttons, a black cassock clergy robe, various chasuble costumes and stoles, (purple, green, red etc) a sheepskin jacket etc, together with various boots, shoes, religious stoles etc
Silver and pearl fruit knife 1824, two others, a thimble by Charles Horner, Chester 1914, three others various, a silver cloak pin, a Staffordshire enamel box lid c1800 and other items. Silver fruit knives- age related wear one having a bent point and dents to the blade. Propelling pencil- plating worn on twist cap and dents to clip. Oris watch- crystal scratched and cracked at 12 position. Leather strap worn and cracked.
The Last Emperor: A Eunuch costume used during the production,Columbia Pictures, 1987,the Oriental style black satin and linen costume consisting of full-length tunic top with blue lining, matching wide leg trousers, and long black cloak, as worn by one of the Emperor's servants during the production, (3)Footnotes:The Last Emperor is an epic biographical drama film, directed by Bernardo Bertolucci, about the life of 'Puyi', the last Emperor of China. Independently produced by Jeremy Thomas, the film won nine Academy Awards®, including 'Best Picture' and 'Best Director', at the 60th ceremony.Provenance:Kindly donated by Jeremy Thomas CBE to BAFTA for this sale, proceeds of which will go towards the Illuminating BAFTA campaign, expanding BAFTA's learning and new talent programme.For further information on this lot please visit Bonhams.com
EVENING CLOAK ETC. A black velvet full length evening cloak with frog fastening. Length approx. 135cm. Also, a black velvet full length evening skirt. Length of skirt approx. 104cm. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect.
* Liberty. A ladies' embroidered dress, 1930s, sleeveless long black dress of fine wool, lavishly embroidered all over with polychrome silks in tambour work to form floral decoration, notched collar, matching fabric belt tie (held on loops), and buttons (12 down front opening) all similarly embellished, printed Liberty label at nape, occasional unexceptionable tiny holes and neat repairs, lacking a closure (hook?) at waist, bust 99cm (39ins), waist 73.5cm (29ins), length 137cm (54ins), together with a circa 1880 gown apron front of black net embroidered all over with small black bugle bead stars, with waist decoration and ties of jet, lined with fine muslin, occasional small holes, mostly to lining, length 110.5cm (43.5ins), waist 32cm (12.5ins), plus 5 other garments, early 20th century, comprising: a 1920s hand-made long pale blue muslin tea dress with dropped waist and embroidered lattice inserts to bodice, short sleeves, and skirt; a royal blue satin opera cloak by Strohbach, size 38; 2 1920s red wool embroidered dressing gowns, both incorporating metallic thread embroidery, one with occasional loose threads, and a few small holes in seams, the other with much of threadwork loose, and one sleeve marked and with 2 holes; and a green silk knee-length coat by Lord & Taylor, some edge-wear and small holes Qty: (7)
1000 – 600 BC, Bronze Age. Large bronze cloak pin with double pomegranate-esque head atop a slim neck with three raised horizontal bands at the shoulders and a tapering pin shaft. Cloak pins were an important part of bronze age culture and were worn by both men and women in much the same fashion as a brooch. These items were multifunction with their most basic purpose being clothing fasteners while their more ostentatious role was to serve as a display of wealth. Cloak pins such as this one were status symbols and could serve as tradablegoods in lieu of currency. Good condition. Wearable. Size: L:265mm / W:25mm ; 50g; Provenance: Property of a North London professional; previously acquire on the UK/European art market before 2000.
C. 700-1100 AD. Viking Age. Large bronze cloak pin with branching head, raised decorative ribs near the top and an attachment loop on the reverse. Good condition; beautiful patina.Size: L:230mm / W:75mm ; 57g; Provenance: Private London collection, formed in the 1970s on the UK and European art market.
A large Bow figure of Flora, circa 1760The goddess standing beside a flowering stump, wearing a floral robe held up with her right hand to reveal her bare feet, a pink and yellow cloak hanging from her left shoulder, holding a wreath of flowers in her left hand, raised on a square base painted to simulate marble, 44cm highFootnotes:This figure is based on the Roman marble original in the Farnese Palace. A similar figure is illustrated by Anton Gabszewicz and Geoffrey Freeman, Bow Porcelain (1982), p.138, no.226. A version left in the white is in the Colonial Williamsburg Collection (accession no. 1960-348).For further information on this lot please visit Bonhams.com
A Chelsea figure of Flora, circa 1765Modelled standing wearing a yellow headdress, purple and yellow cloak, and floral robes, her right hand raised to her nose, her left hand resting on covered urn on a plinth beside her, the plinth and angular base painted to simulate marble and applied with flowering vine, 24.5cm high, gold anchor markFootnotes:This is after the original Meissen figure of Smell from the Five Senses modelled by J F Eberlein in 1748. A similar figure was exhibited by Albert Amor in 2018 and is illustrated in the catalogue, Chelsea Porcelain, no.5. A Bow version is illustrated by Peter Bradshaw, Bow Porcelain Figures (1992), p.119, pl.81 and discussed at p.103.For further information on this lot please visit Bonhams.com
A small Franchini millefiori plaque, dated 1846Rectangular with bevelled edges, the central silhouette cane of a gondola surrounded by six assorted canes on a scrambled ground, the underside with the date cane '1846' above the signature cane 'FC', 4.7cm wideFootnotes:ProvenanceSotheby's sale, 2 July 1979, lot 181Illustrated in the Bulletin of the Paperweight Collectors' Association (June 1956), and by Evelyn Campbell Cloak, Glass Paperweights (1969), pl.38, no.399. A very similar plaque with an 'FC' cane is illustrated by Gerd Mattes in Pressglas-Korrespondenz 2018-1 (December 2018), figs.63-09 and 63-10. Compare to the plaque mounted as a paperweight in the Bergstrom-Mahler Museum of Glass with a 'GBF' cane (accession no. PW 1958.381.379) illustrated by Campbell Cloak (1966), pp.110-2, pl.38, no.399 and by Geraldine Casper, Glass Paperweights of the Bergstrom-Mahler Museum (1989), p.26, no.379.For further information on this lot please visit Bonhams.com
Rijn (Rembrandt van, 1606-1669) Old Man with Beard, Fur Cap, and Velvet Cloak, etching with drypoint, a slightly worn impression of New Hollstein's second state (of three), but before later rework, on cream laid paper without watermark, platemark 145 x 130 mm (5 3/4 x 5 1/8 in), sheet 150 x 134 mm (5 7/8 x 5 1/4 in), minor browning to sheet with some faint damp-stain in the upper centre and upper right quadrant, faint handling creases, unframed, [circa 1631]Literature:Hind 92; New Hollstein 92
A small Meissen group of putti emblematic of the Four Seasons, 19th centuryWinter seated on rockwork, wearing a cloak and holding a small brazier, Autumn seated on a barrel holding a wine glass and jug, Summer holding a wheat sheaf and embracing Spring wearing a wreath of flowers, the base moulded with gilt-edged scrollwork, a leafy tree between the figures, 14.5cm high, crossed swords mark in underglaze-blue, incised model number 1068, painter's numeral (minor chips)For further information on this lot please visit Bonhams.com
A large pearlware figure of the Madonna and Child and a figure of Charitycirca 1800-15Madonna modelled seated on a rocky outcrop, wearing patterned crimson robes and a red shawl, the infant Christ kneeling on her lap and reaching towards her face, 33cm high, Charity typically modelled as a mother wearing a sprigged dress and yellow cloak, holding a baby and with two children beside her, 18.5cm high (2)For further information on this lot please visit Bonhams.com
Follower of Jusepe de RiberaSaint Anthony at prayer, wearing a cloak, and holding his walking stickoil on canvas71 x 56cm, in an Italian carved giltwood frameProvenance: From a Sussex country house.Condition report: Oil on canvas which has been lined at an early stage in its history. The cut edges of the original canvas are visible around the edges and there is cracked fill along the lower edge. There are undulations across the canvas. The paint layer is stable. There is extensive retouching around the sitter's ear and a few other scattered areas. The varnish is thick, yellowed and becoming brittle. There are a few losses to the moulding and gilded surface of the frame. Old inventory No. to the reverse 7080 and red wax collector's seal.
Thomas Hill (1661-1734)Portrait of a small girl in a gold dress and red cloak, holding a basket of cherries and with cherries in her handoil on canvas, oval74 x 60cm, in a contemporary carved giltwood Lely frameThe present painting is circa 1700.Condition report: Oil on canvas which has been lined. The canvas tension is poor and there are general undulations across the painting. The painting has suffered from flaking in the past and there are numerous old losses across the surface. Some of the losses have been retouched but not filled. There are areas of raised paint which appear vulnerable to further loss. Numerous retouchings across the surface; particularly in the darker area at the left hand side. Old stretcher bar marks can be seen from the front. The varnish is clear but dull with a layer of dust across the surface. The frame is in a good condition overall.
Selection of Various Cap Badges including plastic economy Hampshire (blades absent) ... Bullion embroidery and silvered, QC Royal Reg of Fusiliers ... Silvered, QC The Rifles ... Bullion embroidery, QC Dorset Yeomanry ... Bullion embroidery, QC Yorkshire Brigade ... Bullion embroidery strung bugle ... Gilt and enamel UN ... 3 x plated Gloucestershire back badge ... Gilt lion mask cloak mount ... Small selection of damaged anodised badges. 21 items.
GLUCK (Hannah Gluckstein) (1895-1978)'Study for Flora'Oil on canvas25.5 x 20.5cmSigned and dated 1921Illustrated p.55: Gluck 1895-1978: Her biography, Diana SouhamiProvenance: Purchased by the vendor in February 1977 from the Shepherds Hill, Buxted, house contents sale of Sir Edward Maufe, no 707 in the Clifford Dann catalogue. Note: This is a study for 'Flora's Cloak' first exhibited at Gluck's solo exhibition in 1924 at the Dorien Leigh Galleries in South Kensington and now in the Tate collection. The architect Sir Edward Maufe and his wife Prudence, the Heals designer, were close personal friends of the artist and Prudence wrote to Gluck after viewing the exhibition:“I think your portraits are the best. I think the landscapes a little exaggerated and the group of the jockey quite wonderful. I was a little disappointed in ‘Flora’ - her hair seemed to me to dominate too much. The rest was exquisite and we were horribly tempted to buy.”We have mooted the possibility that Prudence Maufe was the model for this study, for as well as owning the painting we feel there is a strong resemblance, although Maufe's granddaughter the writer Juliet Dunmur, does not believe this to be the case.The last image is Gluck with this painting, photographed in her studio in 1973 by Jorge Lewinski prior to her final Fine Arts Society exhibition.(With thanks to the FAS)
ROMAN BUST OF A YOUNG MAN EUROPE, C. 3RD CENTURY A.D. carved marble, shown with youthful features and curled hair, the mouth subtly parted, the gaze looking away from the viewer to the right, wearing a thick cloak fastened by a brooch at the shoulders(26.5cm tall)Footnote: Provenance: Mr. K. and Mrs. S. Broukal, United Kingdom, acquired prior to 1956, thence by descent
VINTAGE CLOTHING including a late 19thc/early 20thc black silk cloak with white metal buckle fastening, a green felt waistcoat with gold embroidered decoration, a silk velvet scarf decorated with chain stitch embroidered flowers, a 1920's black chiffon cocktail dress with paste detail, a cream silk Kimono, a 1960's pink pleated chiffon dress, a 1970's 'Cherie' magazine clutch bag, and a qty of textiles.

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7199 item(s)/page