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Canton enamel and gilt metal box Chinese/European influenced, Qianlong period of rounded circular form with hinged cover, decorated with European figural scenes with the cover showing a lady in a white and brown dress reclining upon a chaise lounge against a background of a table with covered two handled vessel candlestick and two boxes both partly framed by a hanging drape, sides with figural and animal scenes within elaborate cartouches on cracked ice ground, base with leafless tree and grasses, cover interior decorated with naked angel peeping under a naked ladies cloak set against a background of shrubs, all within an elaborate cord cartouche on foliate ground 7cm x 3.5cm

Four-case roiro (black) lacquer inro Japanese, 19th Century decorated in takazogan with Toba seated upon a mule in a forward facing four square pose, Toba sits wearing a straw hat and a diamond diaper patterned long cloak, reverse with a bamboo in gold hiramakiye lacquer with red seal, signed Jo 4.7cm x 7.6cm Provenance: The Tomkinson collection

Gustave Pickery (1862 - 1921), a dark patinated bronze, Brugghe, portrait bust of a young beauty wearing a cloak, stepped square socle, signed in the maquette, Luppens foundry mark, 34.5cm high

A LARGE, FINELY CARVED AND WELL-PRESENTED EARLY 19TH CENTURY NAPOLEONIC FRENCH PRISONER-OF-WAR BONE SHIP MODEL FOR A FIRST RATE SHIP OF THE LINE TRADITIONALLY IDENTIFIED AS H.M.S. CALEDONIA the 22in. planked and pinned hull with carved main wale with gilt foil, three deck broadsides of protruding guns on spring recoil action, carved Roman warrior form figurehead, depicted with sword, plume and billowing cloak, finely carved quarter galleries and stern with balconies, the planked and pined deck with details including metal anchors with bound bone stocks, deck rings, belaying rails, capstan, belfries with brass bells, wale deck with deck lights, compass house, companionways, deck lights, bound masts with yards, stunsail booms, standing and running rigging with blocks and tackle, and other details, mounted on bone cradle rest secured to fine marquetry inlaid wooden display base with carved bone curtain trim with foil backing, contained within later ebonised glazed case with plate inscribed H.M.S. Caledonia First Rate of 120 guns, circa 1810 -- 27½ x 37½ x 14¼in. (70 x 95.5 x 36cm.) Provenance : With Trevor Phillips & Sons, London circa 1998 ~~*~~ A magnificent and highly successful ship throughout her long life, H.M.S. Caledonia was laid down in Plymouth Dockyard in January 1805 and launched on 25th June 1808. Built under the direction of Mr. Joseph Tucker to a design by Sir William Rule, one of the Surveyors of the Navy, she was originally intended to carry 100 guns but was modified whilst on the stocks to mount 120 guns and, as such, was only the second vessel of the fleet to be so impressively armed. An enormous ship of 2,616 tons burthen, her gun deck measured 205 feet in length with a 53½ foot beam, and she was the largest warship ever constructed for the navy at the time of her completion. First commissioned as flagship to Admiral Lord Gambia, she was soon in action when, on 12th April 1809, she played a pivotal rôle in the destruction of the French fleet lying in the Basque Roads, off St. Nazaire. The Royal Navy's long blockade of the French ports was a tedious business and Caledonia was still stationed off the Basque Roads on 24th February 1811 when she was struck by lightning and had to return to Portsmouth for a new foremast. On 1 s t June 1811, she became flagship to Admiral Sir Edward Pellew (later Lord Exmouth) after which she spent three years in the Mediterranean for the duration of his tenure there as Commander-in-Chief. During this period she was present at the surrender of the fortress at Genoa in April 1814 prior to returning home that August, and was thereafter laid up due to the final ending of hostilities with France. Not commissioned again until 1830, she was found to be in such excellent condition that there followed several more periods wearing the flags of various Commanders-in-Chief, including two further terms in the Mediterranean, until she was finally withdrawn from sea service in the early 1850s. In 1856 she was fitted out to replace the old Dreadnought as the Seamen's Hospital Ship at Greenwich and, having taken the name of Dreadnought in 1857, occupied that position until the hospital facilities were moved ashore in 1873. No longer worth refitting or even hulking, Caledonia was towed to Chatham where she was broken up in the spring of 1875.

A large Staffordshire pearlware figure of Sir Anthony van Dyck, c.1810, after Michael Rysbrack, standing with one hand on his hip, the other outstretched and holding a scroll, draped in a long cloak and standing beside a large plinth, raised on a rectangular faux marble base, some restoration, 55.5cm. The Rysbrack statues of van Dyck and Rubens were also produced at the Bow porcelain factory around 1760.

A Chelsea figure of a huntsman, c.1758-60, standing and holding the barrel of his gun in his left hand, a game bird in his right, wearing a fur-lined cloak over elaborately patterned waistcoat and breeches, the scrolled base applied with flowers, gold anchor mark, impressed R to the base, some restoration to the gun, 22.2cm.

Union Cases, 2-98R, Scarce, G, but crack to back, Samuel Peck & Co, Birds & the Fountain, before 1857, 76mm x 65mm, Ambrotype, ninth-plate, J Bottomley, Bradford, portrait of young lady with hood & cloak; 2-101 Scarce, G, one hinge loose, S Peck & Co, Two Birds in a Fancy Scroll, circa 1859, 64mm x 76mm, Tintype, ninth-plate, head & shoulders of bearded man; 2-132, Common, VG, Scovill Manufacturing, Grape Vine, circa 1860, 65mm x 75mm, ninth-plate; 2-104 Common, VG, Samuel Peck & Co, Spray of Fruit, before 1857, 65mm x 76mm, ninth-plate; 2-114, Common, VG Littlefield, Parsons & Co, Flowers in Oval, circa 1860, 53mm x 46mm, Ambrotype, sixteenth-plate, mother & daughter; 2-119, Common, VG, Samuel Peck & Co, Vase of Flowers, before 1857, 52mm x 47mm, Ambrotype, sixteenth-plate, head & shoulders portrait of a lady; 2-106, Common, G, Littlefield, Parsons & Co, Fruits on the Vine, circa 1858, 55mm x 65mm, Porcelain, ninth-plate, porcelain portrait of young man, gold toned; 2-118, Common, G-VG, Patent American Union Case, Three Plums, circa 1860, 38mm x 53mm

Signed underneath limited edition of 75, made in England. Modeled by R. Tabenor, D. Smith.Regal tan face handsome bejeweled maharajah appearing bearded man peering out towards horizon looking proudly. He has yellowish/tan turban atop his head with a large gold jeweled and feathered head ornament, often referred to as aigrette. He styles a three row large pearl choker with gilt medallion and gold dangle earrings. His multi colored voluminous wrapped sleeved cloak cover his torso and hangs low to his feet. A wide burnt orange sash encircles him from his right shoulder with a gold jeweled badge hanging breast height. His lowered right arm balances the tip of curved sheathed saber on ground. In his clutched left hand is a golden hilt knife like implement with blade hidden in his ample robes. He wears a light blue trouser and curved pointed toe foot wear. He stands atop a faux marbleized oval base. Artist: Robert TabenorDimensions: 10"HEdition Size: 75Manufacturer: Creative ArtsCountry of Origin: United Kingdom Condition: Very good

"I do hope your Spanish do was as successful as Tessa's and my cruise. We only threw up once...", Daphne du Maurier: (1907 - 1989) British Author, T.L.S. Menabilly Par Cornwall, 25th April 1966, 'Bing', three pages, to Maureen Baker-Munton, ('Dearest Maureen'), an amusing and lengthy update on her recent holiday 'I do hope your Spanish do was as successful as Tessa's and my cruise. We only threw up once, the second day in the Adriatic, when it was very rough.' 'And we both got madly menaced, like schoolgirls, by the Host of the cruise, the chief lecturer, Sir John Wolfenden (Consenting Adults!) and vied for his favours! We think he would have T.N.ND us if we had not been who we were, as it was he and his wife (Queen of Tell Hims, but nice) were very kind to us, and Sir John (whom we nicknamed privately "the consenter" obviously got a thing about Tessa's youth and beauty - like Moper would have done with anyone young! So that Lady Consenter would not get on a hard chair, I had to engage her in conversation while Tessa danced in the bar with Sir John, and then I would push her into coping with the wife, while I got my innings!' Although she confides 'he's bald with glasses, what can we see in him?! I think it was the very clever way he put over the lectures, like my Daddy on the stage'. Daphne summarises 'ship-board friendships! No one was honky onboard, but they were none of them people I really want madly to see again, but then you know what I am'. Adding 'I bought a shepherd's cloak in Crete which I wore all the time, a white thing with a hood! (The mad authoress)'.Sir John Wolfenden (1906 - 1985) was a British educationalist who chaired the Wolfenden Committee whose report, recommending the decriminalisation of homosexuality, was published in 1957.(All rights are reserved by The Chichester Partnership and no written materials may be reproduced in part or in full without the express prior written permission of The Chichester Partnership c/o Curtis Brown Group Ltd)

"Complete chaos, as she had her lovely white frock, but no coat", Daphne du Maurier: (1907 - 1989) British Author, A.N.S. 'Bing', 21st September 1954, to Mrs Maureen Baker-Munton, nee Luschwitz, ('Dearest Maureen') short note detailing Daphne's lack of culinary expertise. 'The loons and I had to get our own sups (Joyce was out) which was tricky as none of us knew how to open a tin, and wrenched at it with knives!' Of her daughter Tess attending the county ball, 'complete chaos, as she had her lovely white frock, but no coat, and it was pouring with rain, so finally she went off in the old blue boat cloak, and a sun hat to keep her hair dry!'. (All rights are reserved by The Chichester Partnership and no written materials may be reproduced in part or in full without the express prior written permission of The Chichester Partnership c/o Curtis Brown Group Ltd)

Heinrich Lossow, (1843-1897), head and shoulders portrait of a young lady wearing a hat and cloak, oil on board, 27 x 22cm, oval

A Papier Mâché Snuff Box and Cover, 19th century, of circular form, painted with two ladies and a boy, 10.5cm diameter; A Similar Snuff Box and Cover, painted with a bearded man counting money, 10.5cm diameter; and A Similar Snuff Box and Cover, painted with a bearded man wearing a red cloak, 8.5cm diameter (3)

A Goldscheider Style Part Glazed Terracotta Bust of a Art Nouveau Maiden, circa 1910, wearing a loose cap and cloak picked out in colours and gilt, on a rocky pedestal, bears signature Morin and impressed numbers, 55cm high

A PAIR OF JAPANESE MEIJI PERIOD BRONZE OKIMONO OF A SCHOLAR OR SAGE, stood upon a rocky outcrop simulated base, wearing traditional robes, holding a double gourd sake bottle, bearing a signature to both on the side of the cloak , 38.5cm high x 19cm wide.

James Abbott Mc Neill Whistler, 'La Mere Gerard, one of the Twelve etchings from Nature' Portrait of a Woman wearing bonnet and short cloak, 14 x 18cm

A collection of effects of PAYMASTER COMMANDER HORACE GELDARD OSWIN of the Royal Navy consisting of Gieves of London Naval cocked hat together with gilt wound epaulettes within a scumbled tin case, gold braided mess dress jacket, two pairs of trousers, service dress jacket, long jacket and later boat cloak. Also, 1920's and later photographs including portrait, two of wedding, and group portrait with King George VI and other high-ranking servicemen. Awarded the OBE in the 1947 New Year Honours

A SET OF IRISH ARMY OFFICERS SILVER BUTTONS AND CLOAK CHAIN WITH FASTENER, Dublin 1923, presented in a frame, inscribed and set against a blue background, the frame 18 x 18cm

Circle of Sir Godfrey Kneller [1646-1723]-Portrait of a gentleman, bust-length, with blue eyes and a full-length fair wig, wearing a blue satin cloak and white cravat:-oil on canvas, 74 x 61cm,

Two terracotta busts of a young woman and man: the man wearing a lion skin cloak, the lady with a garland of flowers in her hair, each 46cm. high.

An Art Deco cloak pin; a quantity of various decorative brooches, vintage buckles, dress clips etc.

A Scottish silver and quartz set cloak pin, designed as a circular panel engraved with thistles, with beaded central detail, 7cm diameter

An Edwardian silk macrame and French Jet Cloak with velvet and satin trim Provenance : Collection from Hinwick House home to the Orlebar family, please see lot 1501 for details .

AN OVAL CARVED SHELL CAMEO BROOCH depicting a Bacchic youth known as Antinous, wearing a wreath and a cloak, in a gold chain link frame, the cameo 5 x 4cm., together with a smaller shell cameo brooch, depicting a Bacchante, in a gold rope mount, 3.5 x 3cm.

A VICTORIAN SCOTTISH AGATE AND SILVER CLOAK BROOCH formed with assorted sections of agate, with a swing pin, 9cm. long, and an Irish Celtric Revival silver belt buckle, with embossed decoration depicting animal and ladies' heads and Celtic knots, signed Waterhouse and hallmarked for Dublin 1899, 7cm. wide.

BRASS LION HEAD CLOAK FASTNER MILITARY ENAMEL BADGES & GOLD PLATED BAR BROOCH EST[£25-£45]

1930's / 40's Oak Hall Stick / Cloak Stand with Mirrored Back and Demi-Lune Stick Compartment with Barleytwist Supports and Metal Drip Tray, 183cms high x 49cms wide

CAPODIMONTE, NAPOLEONIC INTEREST; three figures of Napoleon in various poses including one on horseback and a figure of Josephine (4). Additional InformationHorseback figure with chip and loss to Napoleon's right hand, hairline to moulded base, firing imperfection to cloak. General wear including scuffs and marks, rubbing to painted and gilt decoration throughout.

An old country pine wall hanging cloak/linen rack of simple construction, the back board with canted corners accommodating six applied turned pegs, 186cm long, together with two large mahogany curtain rails with brass rings (3)

A carved oak figure, 20th century , of a clergyman holding one arm aloft whilst clutching his cloak, mounted on a rectangular plinth, 70cm high Provenance: The Collection of Mr and Mrs J Murphy, Holland House, Huntingfield

Large quantity of remnant materials, knitting wool and a brown wool cloak with black frogging 

Circle of John Riley (1646-1691) - portrait of a young boy, in a period costume, also a companion, portrait of a young girl wearing a cream dress with red attached cloak, oil on canvas, each within a painted cartouche, 30" x 24.75" **contained within 18th century carved giltwood frames, decorated with foliate scrolls and acorns

Large 19th century Worcester figure of a classical maiden in a blue dress on circular blue stand holding a purple cloak (crack to one leg), 48cms high

Late 19th Century English School/Portrait of Sir Matthew Hale/three-quarter length, wearing a red ermine lined cloak/oil on canvas, 126cm x 98cm

18th century school (probably Irish) - Half length miniature portrait of oval form showing a lady in green dress with red cloak, seated in a classical stye setting with column and distant castle, 9.5cm max oval approx, in moulded gilt frame with Daniel Egan of Dublin framers label verso

An early 19th century salt glaze flask in the form of an old lady in a hooded cloak, impressed 'Cream of the Valley' 20.5 cm highFiring blemishes and old chip to front of cloak

A late 19th/20th C mahogany tripod cloak stand, fitted with numerous brass hangers, the circular top part revolving

A small lot of ladies vintage clothing, includes a navy blue 20s/30s gown or cloak, possibly clerical(some wear) a 60s wedding dress, 70s maxi dress, an under slip and dress shield, a 40s/50s bed jacket and a crotchet dress.

Bunny dressed as little red riding hood. From Fairy Tale Series. Hand painted red cloak, blue dress, white apron, and brown basket. Artist: Martyn Alcock Issued: 2001 Dimensions: 4.5"H Edition Size: 2,000 Manufacturer: Royal Doulton Country of Origin: England Condition: Good

Bunny dressed as Merlin. From Arthurian Legends Collection. Hand painted dark green robe, purple cloak, and yellow staff. Artist: Caroline Dadd Issued: 2003-Present Dimensions: 4.75"H Manufacturer: Royal Doulton Country of Origin: England Condition: Good

Britannia bunny with helmet, trident and shield with Union Jack. Hand painted white dress, yellow helmet and blue cloak. Artist: Kimberley Curtis and Amanda Hughes-Lubeck Issued: 2000 Dimensions: 4.25"H Edition Size: 2500 Edition Number: 148 Manufacturer: Royal Doulton Country of Origin: England Condition: Good

Tempera on wood, dimensions 31x26 cm, 19th Century. Saint Elias, also known as Elijah, is commemorated in the Byzantine Church on July 20th. Elias is an Old Testament prophet who lived in the 9th Century before the Coming of Jesus Christ. The troparion of his feast calls him "a pillar of prophets, and the second forerunner of the coming of Christ". The icon depicts him in a chariot drawn by fiery horses heading heavenward and his cloak falling earthward into the outstretched arms of Elisha, his companion and disciple, crossing the River Jordan. The main scene presents the saint hiding from persecutors in Cherith and miraculously fed by a raven. On the left side of the icon he is depicted with his disciple and with an angel illustrating scenes from his life. The end of the earthly life of Elias came mysteriously. As he was conversing with Eliseus on the hills of Moah, "a fiery chariot, and fiery horses parted them both asunder, and Elias went up by a whirlwind into heaven" (Kings. 2:11) Jews, Christians and Moslems pay high honor to Elias, Carmelite monks cherish the belief that their order was in some sense founded by him. Together with Moses, he appeared at Christ`s transfi guration.

A PAINTED CARVED WOOD FIGURE OF JESUS, HIS HANDS RAISED IN BLESSING, A SACRED HEART ON THE CHEST OF HIS GREY STRIPED CREAM ROBE UNDER A RED CLOAK.   H.162cms.

A hanging embroidered banner, inscribed 'Sancta Joanna ora pro nobis', with some silk and gold metal thread, 103 x 53cm. Condition report: No major damage. Some staining particularly to the back. Slight fraying to the red on the cloak. Probably late 19th/early 20th century.

A large Goldscheider Pottery bust of woman designed by Josef Lorenzl, model no.5927, modelled standing in exotic costume, headdress and purple cape, on domed octagonal base, Impressed factory marks, printed marks and impressed facsimile signature, small glaze chip to cloak rim, 44.5cm. high Literature Ora Pinhas Goldscheider Pottery, Richard Dennis Publications, page 129 for a comparable example illustrated.

A Goldscheider Pottery model The Egyptian Dancer designed by Josef Lorenzl, model no.5281, modelled standing in pantaloons and a purple cloak, on stepped oval base, and eight photographic postcards depicting the dancer Miss Maud Adams in exotic Egyptianesque costume, impressed marks and printed Goldscheider mark and impressed Lorenzl facsimile signature, 28.5cm. high Literature Ora Pinhas Goldscheider Pottery, Richard Dennis Publications, page 108-109 for six examples of this figure illustrated in different colours.

Follower of Nicholas de Largilliere (1656-1746), Portrait of a lady, half length wearing a yellow dress and a red cloak, oil on canvas, 75 x 88cm

E Geflowski, painted plaster sculpture of Queen Victoria, incised signature dated 1887, height 57cm on painted plinth, damage to orb and sceptre and to the edge of the cloak

A CARVED CARRARA MARBLE BAROQUE BUST OF A NOBLEMAN, possibly French, 19th century, wearing a cravat and heavily draped cloak, unsigned, 36" high (Est. plus 21% premium inc. VAT) (Illustrated)

CONTINENTAL SCHOOL (19th Century), Portrait of an Elderly Gentleman with White Beard and and wearing a Red Cap and Cloak, head and shoulders, indistinctly signed Romby?, oil on canvas laid on board, 19 1/2" x 15 1/2", gilt frame (Est. plus 21% premium inc. VAT)

An important Viking Scadinavian enamelled sceumorphic amulet depciting Goddess Freya; loop attached to the back ; In Norse mythology, Freyja is a goddess associated with love, sex, beauty, fertility, gold, seiðr, war, and death. Freyja is the owner of the necklace Brísingamen, rides a chariot pulled by two cats, is accompanied by the boar Hildisvíni, and possesses a cloak of falcon feathers. By her husband Óðr, she is the mother of two daughters, Hnoss and Gersemi. Along with her brother Freyr, her father Njörðr, and her mother, she is a member of the Vanir. Stemming from Old Norse Freyja, modern forms of the name include Freya, Freyia, and Freja. - 35mm, 5 grams - ca.700-800AD - Property of a Manchester collector; acquired in the 1980s. - All items come with Free International postage, accompanied by a signed Certificate of Authenticity .

Commercial Investigator's Journal [?Hughes, Augustus]Journal of an investigation into the abuses of the Porto Wine Trade, manuscript, 1829. 8vo, half leather over marbled boards; pp. 67 pages MSS.The unknown author was sent by 'Mr Lancaster' to investigate fraud committed against him by the Porto wine trade. The author appears to be writing to M'rs Horton and Peter Garton with his information. This journal is principally a record of the agent's findings, with digressions for sight-seeing and a letter home to his family. After this letter is the name Augustus Hughes, which may be the signature of the author. By this time the British monopoly, symbolised by the British Factory building, had been broken by the Portugese regulatory powers granted to the Douro Wine Company. The long and detailed breakdown of the operations of the farmers, Douro Wine Company and the English Factory covers the erratic approval process, the dubious storage mechanisms and the mixing of bad wine with good (the 1818 and 1825 vintages being especially poor) which led to the buyer not being sure about the vintage they were buying. The agent describes the splitting of the production into three: home consumption, lucrative export to Brazil, and the remaining third for the British market - all at different prices. There are several pages of probing questions and the answers he received and more on wine-growing districts and the controllers of the Company. The whole has an air of cloak and dagger - he writes about sending letters via a local agent who can get them unintercepted by the packet agent and about being advised not to go into the farming country because of the danger - but still has time to record the sights and experiences of travel. The author appears to have preferred the clean Porto to Lisbon's beggars, though he seems to have enjoyed the trip between them. By the end, he is clearly seeking an exit, writing about his fatigue, before recounting a harrowing triple hanging he saw from his window. A fascinating record of the corruption of the wine trade in Portugal of the 19th century.. Binding worn, some foxing, marking etc to pages, very good.

A South African long cloak by Swakara (possibly antelope skin) Condition reports provided on request by email for this auction otherwise items purchased `as seen`

A nurses cloak, 1976

Manner of Quentin Matsys PORTRAIT OF AN ARTIST, HALF LENGTH, IN A FUR-TRIMMED CLOAK AND HOLDING A PALETTE AND BRUSHESOil on panel44 x 33cmProvenance: The Collection of Mr and Mrs J Murphy, Holland House, Huntingfield.

Follower of Willem KeyPORTRAIT OF A GENTLEMAN, HALF LENGTH, IN A BLACK DOUBLET AND CLOAK, HOLDING A PAIR OF GLOVESOil on panel57 x 38cmProvenance: The Collection of Mr and Mrs J Murphy, Holland House, Huntingfield.

Twelve Loose Vintage Star Wars Figures, Admiral Ackbar, with baton,C-3PO with removable limbs and vinyl backpack, still sealed in original Kenner baggie, Boba Fett,Nien Numb, with pilot blaster, Biba Fortuna with cloak, belt & battle staff, Biker scout with blaster pistol, Chief chirpa with hood & staff, Emperors royal guard, with robes & pike, Gamorrean guard with vibro ax, General Madine, with battle staff, Klaatu with vibro axe and Logray, with headdress, pouch & staff, all in very good to excellent condition.(12 items)

A matched pair of Derby figures of St. Philip and probably St James the Great, c.1758-60, each wearing a cloak, St. Philip holding a crucifix, St. Thomas with an orb and sword at his feet, on a circular scroll moulded base, patch marks, h. 24.5cm and 25cm, restoration to St. Philip, firing faultsProvenance: The Dennis G. Rice Collection of fine early Derby Porcelain (1750-1770)As well as being an avid collector of early Derby porcelain, Dr. Dennis G. Rice was an academic and wrote one of the key reference works on the subject - 'Derby Porcelain, The Golden Years 1750-1770' published in 1983. A number of the pieces illustrated in the book will be offered for sale.Literature: cf. D.G. Rice, Derby Porcelain, pl. 67 which illustrates the figure of St. Philip.The pastel colouring indicates these figures pre-date 1760. The original models are attributed to Agostino Carlini from the dry-edge period c.1752-1755 and the figure of St James the Great has previously been identified as St. Thomas or King Lear.

Royal Doulton figure The Bather HN687 (good restoration to cloak)

SCHOOL OF SIR GODFREY KNELLER (1646-1723) "Gentleman with curled wig with lace collar and red cloak, a black rod in his left hand", a portrait study, half length, approx 96 cm x 93 cm CONDITION REPORTS Light surface scratches, accretions, crazing to the paint throughout. There are numerous small areas of loss to the paint, mainly to the left-hand side of the robe, an area of loss to the lower right corner underneath the sitter's hand and also an area of loss to the staff that he is holding and some scratches and small areas of loss to his wrist. There is a scratch roughly an inch long next to his eye. The painting could possibly do with a clean. Under UV light there are a couple of areas of touching-up. There are two small areas in the top right corner. The sitter's pupil on one of the eyes has been touched up and there is an area of over-painting just above the sitter's hand and the scarf. Also, a small area to the left-hand side of the painting. General wear and tear commensurate with age and use. See photos for more details.

English School, full length portrait of a lady wearing a red cloak, oil on canvas, 59.5 x 45cm oval, unframed.