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Circle of Michael Dahl (1659-1743),Portrait of George Kenyon half length wearing a red cloak and white cravat in a painted oval,Oil on canvas,Inscribed verso 'Geo Kenyon Esq of Peel died Dec 6th 1728 Aged 63',77cm x 65cm,Gilt framed Provenance: The Estate of Lord Kenyon, Gredington.

Circle of Godfrey Kneller (1646-1723),Portrait of Thomas Kenyon in a painted oval half length wearing a brown cloak and a white cravat inscribed 'Thos son of Roger Kenyon of Peel mari katherine dau of Luke Lloyd of Bryn in Flintshire',Oil on canvas,75cm x 63cm,Gilt framed Provenance: The Estate of Lord Kenyon, Gredington.

EVENING WEAR. Six various evening garments, including a black full length cloak & black evening skirt. Also, a black beaded & sequinned evening dress, a cocktail dress & other sequinned evening wear.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.  Proceeds from this lot will be donated to the RNLI  Penlee Crew Comfort Fund.

A selection of Continental figurines, to include: a candle snuffer in the form of a lady wearing a cloak, impressed anchor mark; a pair of parrots; a Capodimonte Prussian Officer; a Staffordshire lady wearing a crinoline dress; a late Meissen group of a lady playing the harp for a gentleman; and others (various damages).

A late Victorian light stained hallway hat cloak and coat stand having tiled back and mirror centre panel

An usual white metal cloak or shawl clasp, probably from north Afghanistan. 5cm. 40 grms

Louis Sosson (act. 1905 - 1930 Frankreich)Tänzerin mit Umhang, Bronze, vergoldet, Elfenbein, geschnitzt, Höhe 38,5 cm, monogrammiert, Sockel mit minimalem Bruch, Montierung locker, altersbedingte SpurenLouis Sosson (act. 1905 - 1930 France)Dancer with a cloak, gilt bronze, carved ivory, height 38.5 cm, monogrammed, a minor breakage to the plinth, mountings loose, age related wear

A box containing jet brooches, Victorian cloak clasp etc

Continental porcelain figure of a cupid sat on a goat holding grapes, h7.5cm, two others with goats, a cupid playing violin, h8.5cm, a figure in green cloak holding a torch, and various other small porcelain figurines (22)

Andalusian school, 16th century. Saint John Baptist. Polychrome and gilded wood carving with stone applications. It represents Saint John the Baptist according to his traditional iconography, that is, as a middle-aged man, long hair and beard, dressed in a red cloak, holding a book on which a lamb rests, not preserved, which he points out, as an allegory of his mission. prophetic of proclaiming the Messiah or Paschal Lamb. 72 x 22 x 16 cm.

Italian school,17th century.Virgin of the Milk. Oil on copper. The Virgin of the Milk is an invocation and an iconography of the Virgin Mary, in which she is represented in the act of breastfeeding the Child Jesus. The Virgin appears seated with the Child in her arms, she wears a red tunic and a blue cloak, the Child takes his Mother's breast in a landscaped setting. It is considered that this invocation may be a syncretism of the mother-goddesses, in particular of the goddess Isis nursing Horus, and probably the first images appeared in Coptic art. This iconographic model spread through Italy to the rest of Europe. 18.5 x 14 cm.

A late 19th century Staffordshire figure group of two toppers, height 21cm, with four glass fishing floats, a Bretby model of a cat, a Royal Doutlon flow blue loving cup, a silver mounted glass jug and a French glass vase (9).Additional InformationThe Staffordshire group is damaged; the arm of the figure in the red cloak, the hand where it joins the lantern and the lantern where is joins the knee of the figure have all been broken at these three points. General rubbing to the enamels throughout. The four glass floats with some light surface scratches but otherwise OK. The silver mounted jug is tarnished with many small knocks and scratches to the silver rim. The loving cup is finely crazed throughout and does not ring true. The Bretby cat has an old chip to one ear which has been coloured in, rubbing and some nibbles throughout. The glass vase with wear and scratches commensurate with age.

* Heath (William). A Sketch of the Row in Parliament Street, T. McLean, circa 1829, etched caricature with contemporary hand-colouring, slight dust soiling to margins, 255x 370 mm, together with Holland (W. publisher). The Departure, a scene in the Beggars Opera! W. Holland, 1803, etched caricature with contemporary hand-colouring, slight staining to margins, 259 x 350 mm, with Rowlandson (Thomas). The Scotch Ostrich seeking Cover [and] A Scotch Sarcophagus, 1805, two etched caricatures with contemporary hand-colouring, slight browning and toning, each stuck to the verso of later mount board, each approximately 230 x 330 mm, plus Cruikshank (Issac). Major Sturgeon, O such Marchings and Counter Marchings from St James to Tottenham Court! from Tottenham Court to St James's !!! [with an additional inset title) Military Portraits - or a Race of Heroes. Inscribed upper right, 'Sarjeant I desire you will back upon that Old Woman facing the front rank the glare of her red cloak will put the Gentlemen out'.S. W. Fores, 1798, etching with contemporary hand-colouring of a nervous mounted officer wearing the high plumed hat of a St. James's Volunteer, he sits astride an old ungainly horse of dubious lineage and despite being in dress-uniform, with a drawn sabre, his appearance is the antithesis of military, trimmed to neatline with margins extended and with slight loss to the letters below the image, 320 x 355 mm, mounted, and John Bull tipping all Nine, T. Williamson, 1803, etched caricature, some staining, trimmed to image, several closed tears and torn with slight loss to lower-left corner, 235 x 330 mm, with Rowlandson (Thomas). John Bull Listening to the Quarrels of State Affairs, R. Ackemann, 1803, etched caricature with contemporary hand-colouring showing Napolean dictating terms to Addington, slight staining, 245 x 315 mm, together with Cruikshank (Robert). Paul Pry at Widow C - 's, G. Humphrey, 1826, etched caricature with contemporary hand-colouring, slight abrasion to the printed image, one closed tear affecting image, repaired on verso, 255 x 355 mm, with another six caricatures, including examples by Caldwell, Cruickshank (George), Robert Sayer (publisher) and John Doyle, various sizes and conditionQty: (14)

Swedish School (19th Century) Portrait of a Bearded Man wearing Cloak and Blue Hat, watercolour, measurements 28 x 22 cm (i), frame 55 x 45 cm

A white-glazed Bow Commedia dell'Arte figure of Isabella c.1752-55, standing in a theatrical pose with her right hip extended and back arched, her right hand holding the edge of her cloak, raised on a low pad base, her left hand lacking, 15.7cm. While a number of Italian Comedy figures produced at Bow were copied from Meissen's Weissenfels series modelled by Kändler and Reinicke, this figure of Isabella appears to be unique to the Bow factory.

A large Derby figure of John Wilkes c.1765-70, standing and resting one hand on a square plinth, atop of which rests a scroll inscribed 'Bill of Rights', draped in a long pink cloak, a putto to his right, holding a Phrygian cap on the end of a stick and supporting a book titled 'Lock [sic] on Gov't', raised on a scrolled base, some good restoration, 31cm. Provenance: the collection of Aurea Carter. John Wilkes (1725-1797) was an English politician and radical journalist whose criticism of the King in his magazine The North Briton earned him a warrant for his arrest for libel in 1763. Citing parliamentary privilege, he was cleared of the charge and went on to become Lord Mayor of London in 1774.

After Pieter Bruegel (1564-1638) framed print 'The Blue Cloak'. (77cmx57cm)

Louisiana Purchase Exposition 1904, also known as The St Louis World Fair, silver award medal (in bronze) by Weinberg, obv; Louisiana cloaking Indian maiden, rev: Eagle with outspread wings on panel with award legend. (1)The 1904 Olympic Games in St. Louis were held in conjunction with the World's Fair at which this medal was issued.Condition report: Measures 6.7 x 6.7cm.Overall condition is good with some handling wear.Stars are clear to see on cloak and bees on maiden’s robe.

BENTWOOD STYLE CLOAK TREE, along with a stool (2)

Late 19th or early 20th Century carved soapstone figure of Shou Lao, the sage holding a peach for longevity and a dragon staff, 28cm high, on base carved with a stag and a bat (for blessings or good fortune), 42cm high overallCondition report: A few typical small losses and marks to the soapstione including forehead, eyebrow, and hem of cloak. Chip to top of base section. One side of base footrim beneath stag's foreleg appears to be depleted (unlkess this is effect in manufacture?)Old dried glue marks where figure has been adhered to base section., The figure sits on pegs to attach to base but this is a little precarious.Ceramics & Glass/OrientalWe endeavour to mention any post-production damage we can see, either with the naked eye or a magnifying glass. Where requested, we will place the item under UV light to check for professional restoration. We do not automatically mention such standard occurrences as fine glaze crazing or kiln dust which are by-products of manufacture as opposed to signs of damage.Due to ongoing Covid restrictions, bidders are able to view lots in this online-only sale on the specified viewing days, by prior appointment only. There is no viewing on the day of sale. Please therefore read the following:As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey.Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms

A Staffordshire figure of Mrs Siddons and  Kemble as Hamlet and Lady MacbethDate  circa 1860Size  21cm high Condition;  restoration to both necks, Kemble’s left wrist, crack to clock face, factory flaw to back of Kemble’s cloak 

Six Return of The Jedi 1st Wave Vintage Star Wars Loose Figures, including: Admiral Ackbar with baton© L.F.L. 1982 Taiwan, Lando Calrissian (Skiff Guard Disguise) with helmet and vibro Ax © L.F.L. 82 No coo, Nien Nunb with black pilot blaster©L.F.L.1983 Hong Kong, Bib Fortuna, with belt, cloak and battle staff ©L.F.L. 1983 Taiwan, Biker Scout with blaster pistol ©L.F.L. 1983 Hong Kong and Chief Chirpa with staff, ©L.F.L. 1983 H K, all in very good to near mint original condition.(6 items)

Six Return of The Jedi 1st Wave Vintage Star Wars Loose Figures, including: Emperors Royal Guard, cloth robe and pike©L.F.L.1983 Taiwan, Gamorrean Guard, with Ax ©L.F.L.1983 Macau, General Madine, greenish grey beard, with rebel battle staff ©L.F.L.1983 Taiwan, Klaatu, skirt and Vibro Ax ©L.F.L.83 No Coo, Logray, headdress, pouch and staff ©L.F.L.1983 Macau and Luke Skywalker (Jedi Knight Outfit) complete with standard Jedi cloak, grey Palace blaster, blue light saber ©L.F.L.1983 Hong Kong, all in very good to near mint original condition.(6 items)

Two Star Wars Last 17 Power of The Force 3 ¾ Loose Vintage Figures, Lando Calrissian (General pilot) complete with cloak, grey Palace blaster ©L.F.L. 1985 No Coo and Luke Skywalker (In Battle Poncho) with poncho, black plastic belt and black Palace blaster ©L.F.L. 1985 No Coo, both in excellent to near mint original condition. (2 items)

A small quantity of weapons/accessories including, 5 x Imperial blasters,IG 88 rifle, AT AT Driver laser rifle, Rebel rifle, Zuckuss rifle, 3 x vibro axes, 2 x black pilot pistols, Skiff guard helmet, 2 x vibro active pikes,logrey pouch, green lightsaber, Rees Yees blaster staff, grey Bespin blaster, Skiff guard pike, Gaffi stick, Teebo ax, Yoda belt, Jedi cloak, Bib Fortuna belt, all in good to excellent original condition plus 4 x vinyl capes in fair condition.

Thirteen Loose Vintage Star Wars Figures, including: Chewbacca ©G.M.F.G.I 1977 Hong Kong, Darth Vader, standard lightsabre, with cape ©G.M.F.G.I 1977 Hong Kong, C-3PO ©G.M.F.G.I 1977 Hong Kong, Yoda with brown snake (missing Gimer stick) ©1980 L.F.L. Hong Kong, Sand People, complete with cape, missing Gaffi stick ©G.M.F.G.I 1977 Hong Kong, Imperial Commander with blue Imperial blaster © L.F.L. 1980 Hong Kong, R2-D2 (missing blue sensorscope) paper label ©G.M.F.G.I 1977 Hong Kong, Cloud Car Pilot missing blaster and commlink ©1981 L.F.L. Hong Kong, 4-Lom ©1981 L.F.L. Hong Kong, Imperial Tie Fighter Pilot ©L.F.L. 1982 Hong Kong, Bib Fortuna, with belt, cloak and battle staff ©L.F.L. 1983 No Coo, Gamorrean Guard ©L.F.L.1983 No Coo, Klaatu (Skiff Guard outfit) with battle staff ©L.F.L.83 No Coo plus five extra weapons and Luke Skywalker AT-AT grappling hook belt with cable and hook, all in good to excellent original condition.

A VICTORIAN PARIAN CHINA MODEL OF A YOUNG WOMAN, in repose seated on a grassy bank, wearing a cloak. 34 x 21 x 31cm high

A natural pearl necklace, pearl pendant, pearl brooch, cloak pins etc

Victorian school - Portrait of a young lady by repute Sarah, Countess of Ripon (1783-1867), wearing a leaf garland on her head and a purple cloak fastened by an agate brooch, oil on canvas, 55 cm x 43 cm, in period frame Prov. Nocton Hall, LincolnshireRelined, cleaned etc

Pedro de Vargas (Montilla, Córdoba 1553 - activo hasta 1596)"Immaculate Conception, Mary crowned by angels" Oil on canvas 152 x 123 cm.  Picture painted at the time that he was living in Cuzco, Peru. A painter from Cordoba, who, like many other painters from the South of Spain, although most of these came from Seville, went to live in Peru, where he gave training in painting to indigenous artists.  The painting comes with a certificate by Professor Alba Choque Porras, dated in Lima on 5th April 2021. The extensive study notes, among other points, that: “This painting depicts the theme of the Coronation of the Virgin Mary, but under the title of the Immaculate Conception.  Pedro de Vargas was undoubtedly inspired by a 1574 print by Cornelis Cort which depicts the Coronation of the Virgin Mary, following a painting by Federico Zuccari… But additionally,, in this painting the Virgin Mary wears the characteristic garments associated with the Immaculate Conception, a white tunic and a blue cloak.  The cloak in the painting maintains the parameters of the engraving meticulously by including the embroidery at the edges of the fabric, which the artist has gilded. This iconographic theme is what is most remarkable.  The style of the painting is mannerist, with the lengthening of the figures, the twisting and positions of the hands, necks and mannerist gestures and postures.  Mannerism was still active even after the first decades of the 17th century in Latin America.”  Professor Alba Choque Porras continues in her description of the painting presented here: “In this study we attribute the painting to the artist from Cordoba, Pedro de Vargas, due to its technique, characteristics, and the treatment of the figures of the characters, comparing them with other paintings which have been proven to be by the artist. Pedro de Vargas was considered to be a master artist for the Jesuit order, and Bernardo Bitti’s most important collaborator in Peru. He arrived in Lima in 1575 where he joined the Society of Jesus at the age of 21, when he was already a professional painter.  He worked with Bitti in Lima and Cusco, and with him he moved to Juli (Puno) on Lake Titicaca.  He also spent time in Potosi and Quito. He had a restless and dissatisfied spirit, which is why he returned to Spain in 1596 and left the Society.  His artistic contribution fits within the mannerist style, his figures are slim and very beautiful. His paintings are often cited in the “Historia de la Pintura Cusqueña” (History of Cusco painting) by José de Mesa and Teresa Gisbert (1982), where he is mentioned in the 1576 Catalogue of the Jesuit Order as: “a novice of the age of 22, Diocese of Cordoba, he is a painter and gilder.” From 1577 for a period of eight years, he worked alongside Bitti, not only on paintings but also making the altarpieces, reliefs and sculptures for the churches of the order.  Gisbert also notes: “It is possible that [Pedro de] Vargas left some paintings in the Cuzco area that have not yet been identified.”  From that period, a painting of Saint Barbara kept in the church of Martín de Tours de Huarocondo, in Anta, Cusco is attributed to Pedro de Vargas. in 1587, after finishing the mannerist altarpiece for the Society of Jesus (now located in the collection of the Cusco Regional Museum) he returned to Lima and then, under the orders of the Superior General Atienza, he left for Quito, forming part of the second expedition of the Jesuits to this city, which at that time belonged to the Viceroyalty of Peru.  There is information about what he was doing circa 1591 due to the art he left in the city.  There is later evidence of Vargas’ activity in Potosi (Bolivia) circa 1592.  After his time in Potosi, he must have gone to La Paz, where he left an important triptych reredos of the “Madonna and Child surrounded by venerable Jesuit saints” which we include in the analysis to reveal the similarities with the painting in this lot.  Vargas returned to Lima and in 1593 he turned forty, having spent nineteen years as a Jesuit.  In 1596 he left the Society of Jesus and went to work in Trujillo (Peru) and in Quito, before returning to Spain.Finally, the study compares this painting to others by Vargas: “We mention the “Madonna and Child surrounded by venerable Jesuits” from his time in the city of La Paz, Bolivia (which at that time also belonged to the Viceroyalty of Peru).  The central detail of the reredos depicts Mary with very similar features to those in the Pedro de Vargas painting we are analysing, both in the hair and the poses as well as the viewpoint from below.  Moreover, the gesture of the hands which can also be appreciated in the accompanying saints’ and the child’s hands in the Potosi reredos, are characteristic of Vargas. Also, Vargas’ style is also recognisable by relating it to the Saint Barbara (dated approximately between 1577 and 1587) which he produced while he was in Cusco, in which the gestures of the hands and the saint’s facial features are clear to see." 

After the Antique: brown patinated bronze, Adam and a serpent, the figure having fallen with draping cloak, fig leaf and quiver to back beside a stump holding a serpent, unsigned, on green marble base, 20cms high.

An unusual Northern European cold painted terracotta figure of a woman, probably British, possibly intended as a display for a pork butcher's shop, late 19th c, in a red dress, green apron and black cloak, holding and carrying in her hands four piglets, the head of a fifth poking out of her hood, square base, 82cm h Head broken off at shoulders and neatly re-stuck with small losses and old re-decoration; much encrusted with dust and grime. Base partly filled with concrete (?) to lend stability, at later date.

Lot of three netsuke, 1) ivory, woman in obi at well with child. Signed Kogyoku. H. 3.5 cm. 2) ivory, seated woman and squatting girl by reclining elephant. Signed Kogyoku. H. 2.5 cm. 3) ivory, Ono no Tôfu in a beautiful cloak with a parasol and a frog at his foot. Signed Meigyokusai. H. 6.5 cm. Japan, Meiji.Provenance: all, Morano, New York, 1979. Condition Report: http://www.zeeuwsveilinghuis.nl/notices

λA pair of Berber cloak fibulas tizerzai Morocco silver coloured metal with remains of enamel and with beads, chains and coral links, 58cm long.

An English Parianware Standing Figure of the Duke of Wellington, 19th Century, the Duke resting his left hand on a pedestal, his right adjusting his cloak, 11ins high, and a novelty Continental porcelain inkwell modelled as a bust of Napoleon Bonaparte, enamelled in colours, 3.5ins high

LEGO - A black plastic Lego display case in black containing 16 Lego 'Harry Potter' minifigures. Minifigures include Professor Dumbledore; Professor Trelawny; Lord Voldermort; Harry Potter with Invisibility Cloak; and similar. Figures and case appear to be in Mint condition.

A collection of 24 Henry Williamson novels etc, including: 'The Beautiful Years, A Tale of Childhood', London, Collins, 1921, 1st edition, one of 750 copies printed, authors first book, [4]pp adverts at end, original cloth (generally VGC), publishers review copy; a complete set of 13 1st editions of 'A Chronicle of Ancient Sunlight' series titles, all published London, Macdonald, all original cloth, all in dust wrappers, comprising: 'The Dark Lantern', 1951, (dust wrapper unclipped), 'Donkey Boy', 1952, (d/w unclipped), 'Young Phillip Maddison', 1953, (d/w price clipped), 'How Dear is Life', 1954, (d/w unclipped), 'A Fox Under My Cloak', 1955, (d/w unclipped), 'The Golden Virgin', 1957, (d/w unclipped), 'Love and the Loveless', 1958, (d/w unclipped), 'A Test to Destruction', 1960, (d/w unclipped), 'The Innocent Moon', 1961, (d/w unclipped), 'It Was the Nightingale', 1962, (d/w clipped), 'The Power of the Dead', 1963, (d/w clipped), 'The Phoenix Generation', 1965, (d/w unclipped), 'A Solitary War', 1966, (d/w unclipped), 'Lucifer Before Sunrise', 1967, (d/w unclipped), 'The Gale of the World', 1969, (d/w unclipped), all generally VGC/VGC+ in VGC/VGC+ wrappers; 'Stumberleap', Putnam, [1926], 1st edition, original pictorial wraps; 'The Linhay on the Downs', Cape, 1934, 1st edition, original cloth, d/w, 'Goodbye West Country', 1937, 1st edition, original cloth, d/w (priced 5s), 'The Children of Shallowford', 1939, 1st edition, original cloth, d/w; plus 6 others (24)

Continental School Christian Saint Icon in a blue robe, right hand held up and facing outwards, left hand holds a sword balancing on the shoulder, oil on panel, measurements 46 x 13.5 cm (some losses). Together with an oil pastel rubbing of a religious grave market depicting a gentleman in robes, cloak and skullcap on his knees praying, measurements 61 x 35 cm (2). Provenance: consigned from a private indivudual whose great-aunt was a teacher of divinity and purchased the items whilst travelling for study.

A collection of seven 19th century portrait miniatures. A double portrait possibly George III and Queen Charlotte, both wearing powdered wigs, the king wearing a red jacket with blue sash, brooch and white stock, the queen in a pale blue dress and ermine cloak over her right shoulder, watercolour on enamel in an inlaid setting, each image measures 3 x 2.5 cm, the setting measuring 8 x 9 cm, together with a small miniature copy of Beatrice Cenci after Guido Reni measuring 4 x 3 cm in a standing frame, an oval miniature of a gentlewoman in 17th century style dress measuring 6 x 4.5 cm, a miniature brooch of a gentlewoman wearing a purple dress of 18th century style measuring 4.8 x 4 cm, a watercolour on card miniature of a gentlewoman in a red dress with Regency style hairstyle in a standing frame, measurements 4.5 x 4 cm (i), a watercolour miniature of a classical scene showing a woman holding flowers standing next to a Doric style marble column with two doves, measurements 6.5 x 4.5 cm and a further miniature of a gentlewoman wearing a pale blue dress, measurements 7 x 6 cm (7)

Roman, a bronze Chariot or Cart Fitting, 2nd-3rd cent. AD, 13.5cm x 8.5cm, modelled as a bust of a young man dressed in a paludamentum (a cloak fastened with a circular clasp at the right shoulder), the head moulded in the round with long hair brushed forward, looking straight ahead with large lentoid eyes, silver inlaid pupils and closed mouth, the bust set on a decorated plinth with flaming torches at each side and open at the back with semi-circular attachments, the base showing the remains of an iron nail for attachment. Excellent condition, smooth light green green patina £2,000-£2,400 --- Provenance: Gorny & Mosch Auktion 218 (Munich), 18 December 2013, lot 304. The symbolism of the upright torch indicates the regenerative power of the flame, life and truth

A collection of three early 20th century and 1920s items including a black evening cloak with decorative trim to hem, a velvet dress with lace bodice and satin sleeves together with a satin jacket

Chinese boxwood figure of Shao Lao together with a pair of Japanese bamboo brush pots (3). Figure with staff seperated from the head. Section of cloak re glued to the bottom right. Small chip to the cloak on the opposite side, crack in the back of the cloak. Some very minor splits in the bamboo pots.

Late 19th/early 20th century oil on canvas, study of a monk praying, unsigned, 27" x 20", framedSome paint flaking on the black cloak, no canvas damage or repairs and would benefit from a clean

Mary Beale (British 1632-1697)Portrait of a lady in a blue cloak and orange dressOil on canvas, in a feigned cartouche75.5 x 61cm (29½ x 24 in.)Condition Report: Relined. Light surface dirt throughout. Craquelure throughout with infilling and retouching visible in natural light. Some areas of loss, with associated retouching. The upper edge added later possibly part of the reline and framing process. Inspection under UV reveals scattered infilling and retouching throughout. Condition Report Disclaimer

Manner Of Giuseppe RiberaHead of an old man drinking Oil on canvas68 x 56cm (26¾ x 22 in.)Condition Report: The canvas has been relined. Surface cracking visible across the images and there are several small spots of paint loss. Scattered areas of retouching to the darker pigments. There are some small areas of retouching on the face and neck, and on the cloak. Thick layer of old varnish and surface dirt.Condition Report Disclaimer

AN OFFICERS CLOAK AND SIMILAR SMOCK. A heavy dark blue and red lined cloak, with crowns to the epaulettes, all other insignia removed and a similar smock type garment with decorated cuffs and collar with red backing for epaulettes. (2)

Ⓦ  A COPTIC BONE CARVING, CIRCA 2ND - 4TH CENTURY AD the front facing naked youth wearing a cloak, carrying a hooked staff in his right hand, his left hand holding an object, possibly a fish across his shoulder 9cm x 5cm Provenance: Gustave Mustaki. The Mustaki Collection was exported under licence from Egypt to London in the late 1940s. With Finch & Co, London, 2005. All proceeds to benefit The Wallace Collection

A PORTRAIT MINIATURE OF A GENTLEMAN, ENGLISH SCHOOL, CIRCA 1665 with brown hair, wearing a blue cloak and lace cravat tied with an orange bow, on vellum, turned ebonised wood frame 7.5cm oval

Scots Guards Officers Cloak Chains, gilt metal examples in the form of Regimental star with linked chain and four lug fittings to the reverse of each badge. Accompanied by a crudely made Scots Guards kilt pin and a pair of cloak chains with white metal thistles to the centre of each. (3 items) *This item has been imported from outside the EU, VAT on Imported items at a preferential rate of 5% on Hammer Price.

Cased Victorian petra dura jewellery to include cloak button, brooch and earrings, the black panels inlaid with forget-me-not flowers, all in gilt metal mounts (a/f)

16th century AD and earlier. A torso of Venus carved from veined marble, the goddess depicted standing nude with flat reverse, the voluptuous body with naturalistic detailing and slightly bent forwards with the weight carried on the left leg; the torso believed to have been reworked from a Roman original; mounted on a custom-made display stand.See Pryce, F.N., Smith, A.H., Catalogue of Greek Sculpture in the British Museum, London, 1892-1928; cf. Jules Formigé, ‘Note sur la Vénus d'Arles’, in Comptes rendus des séances de l'Académie des inscriptions et belles-lettres, 55,8, 1911, pp.658-664; La Rocca, E., Le tranquille dimore degli dei, (catalogo mostra), Roma, 1986, pp.79-82, on the Esquiline Venus; Favaretto, I., Menegazzi A., Un museo di antichita’ nella Padova del Cinquecento. La raccolta Marco Mantova Benavides all’Universita’ di Padova, Roma, 2016.61.3 kg total, 67cm including stand (26 1/2"). Property of a Kensington gentleman; acquired from Cornette de Saint CYR, Paris, 12 December 2012, lot 128 (€7,500); formerly in a French collection; accompanied by an archaeological expertise by Dr Raffaele D’Amato; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10661-174373.This torso is similar to the famous Venus of Arles, a Roman sculpture of 1st century AD,discovered in the remains of the ancient Roman theatre of Arelates. It can be hypothesised that, like the sculptures from Arles, it originally represented a youthful female figure, maybe the goddess Venus, with naked legs (or legs wrapped in a cloak) and a naked torso. In her raised right hand she was probably holding fruit, while in her left she probably held a mirror. The position of the left arm excludes the possibility that the model was the Venus Esquiline. The fact that the statue offered here was not reworked in the round, but only on the front, (the reverse is unworked), suggests that she was possibly intended as a decorative element for a fountain, or simply as a workshop exercise. A video of this lot is available to view at TimeLine Auctions website. Fine condition.

1520-1530 AD. A circular glass panel with lead surround and suspension rings; painted image of St. James the Great standing in a landscape with travelling cloak and staff, band of scallops to his shoulders and a scallop badge to his hat; from a Netherlands workshop.347 grams, 22.5cm (9"). Ex central London gallery; previously with Sotheby's, London, UK, 14 June 1996, lot 181; formerly in the Bruce J. Axt collection, Altadena, California; before that with James W. Newton, San Antonio, Texas, USA. [No Reserve] Fine condition, repaired.

2nd-3rd century AD. A substantial bronze figurine, finely modelled as the god Mars, bearded and clothed in a military tunic and muscled cuirass; the right arm raised and the left draped with a military cloak, held down at the side; the now lost right hand may have once held a spear and the left hand was originally placed upon a circular shield; wearing a tipped-back Corinthian helmet with a large crest; detailed facial features, the eyes forming pointed ovals with distinct pupils, the nose flat and the lips full; the cloak wrapped around the body with deeply moulded folds; the muscled cuirass decorated with opposed gryphons, fitted with shoulder clasps and worn over a padded under-armour garment (subarmalis) from which finely moulded detailed lappets (pteryges) hang, at the waist a double row of hanging cymation; below the cuirass a short, vertically segmented kilt over the skirt (????) of the tunic; the legs dressed in greaves with moulded lacing to the back; the underside of the feet with remains of pins which may have held the figurine to a base.See Robinson, R., The Armour of the imperial Rome, New York, 1975; D'Amato, R. and Sumner, G., Arms and Armour of the Imperial Roman Soldier: From Marius to Commodus, 112 BC-AD 192, London, 2009, fig.312, p.223; Durham, E., Depicting the Gods: Metal Figurines in Roman Britain, Internet Archaeology, 2012.Searcher and Treasure Hunting magazines, the articles appearing in early 2020.230 grams, 12.6cm (5"). Found by Geoffrey Harfleet with the use of a metal detector on Thursday 26th December 2019, near Oxshott, Elmbridge, Surrey, UK; this is a find of note and has been designated of national importance by the Portable Antiquities Scheme; accompanied by a copy of PAS report number SUR-1C1A4E and a copy of an academic report by military specialist Dr Raffaele D'Amato.According to Durham (2012), this mature, bearded style is a less common depiction of this deity, paralleled by examples from Bury St Edmunds (in Ipswich museum, ISPMG 1936-244.10) and Wycomb in Gloucestershire. The Lares were guardian deities in ancient Roman religion; they protected worshippers and affected the outcome of events in their own location. The true altar of the Lares was the domestic fireplace, centre of the Roman domus, and their temple the Atrium. Among the statuettes of gods Mars Gradivus was one of the most appreciated, especially in the families of military commanders in provinces such as Britannia. The statuette had its prototype in the famous statue of Mars from the Forum of Nerva, of late 1st century AD, today at the Capitoline Museum in Rome, based on a Greek original from the 4th century BC. A video of this lot is available to view at TimeLine Auctions website. Fine condition, light abrasion from the burial conditions but otherwise the figurine is well preserved.

Mainly 2nd-3rd century AD. A mixed group of carnelian and nicolo ellipsoid and rectangular gemstones with intaglio motifs of Olympian gods, including Mars as a warrior with spear and sword; Mercury with caduceus and marsupium; Demeter; stag with tree and others; three with a museum-quality impression.See Entwistle, C., Adams, N., Gems of Heaven, recent research on engraved Gemstones in Late Antiquity, c. AD 200-600, London, 2011, pls.2,3,5,19.2.98 grams total, 9-13mm (1/4 - 1/2"). From an important North West London collection; acquired in the late 1980s-early 1990s.This interesting set of gemstones represents the Olympian gods with their main characteristics. Of extraordinary beauty is the image of Asklepios-Aesculapius, god of medicine, with his bearded face, the snake staff (often improperly named caduceus like the staff of Hermes-Mercury) and himation (cloak) on his left shoulder. Aside from Mercury and Ares-Mars, the other two images represent the goddess Demeter-Ceres holding an ear of corn and a dove, and a female-deer under a tree, an image evoking the goddess Diana-Artemis. [5] Fine condition.

THREE ROYAL DOULTON FIGURES, A CARLTON CHINA FIGURE, AND A COALPORT FIGURE, comprising 'Reflections - Tango' HN3075, a second and glued repair at man's neck, 'Childhood Days - And One for You' HN2970, restored, 'Winter' HN2088, restored to edge of cloak by the lower arm, Carlton Ware 'Nan', model No. 4264, heavily crazed, stained and glued repair above the waist and Coalport Ladies of Fashion - The Bride', losses to the bouquet, sounds dull when tapped (5) (Condition Report:- as per description)

A set of four Continental porcelain Derby-style Comedia del Arte figures, largest 18.5cmCONDITION: - figure with blue shirt - lacks a sword to one hand, looks to have had something mounted to the back of his hat, there is now just a metal pin in place, chipping to the leaves and flowers, gilt anchor mark, height 19cm- figure with brown waistcoat - sword missing from extended arm, something was once pinned to the top of his head, there is now a hole there, some rubbing around the pink of the cloak, some chipping to flowers and leaves, height 16cm- figure with yellow jacket - sword blade missing, front of hat missing, something from the back of the hat now missing, chips to leaves and flowers, red faux Derby mark to the underside of the base, height 16cm- figure with guitar - tip of hat missing, hole at the back of the hat where something was once mounted, chips to lower edge of blue shirt and to leaves and flowers, gilt anchor mark, height 17cm

A Berber fibula cloak clasp.

A vintage black cocktail dress with pink bow and embroidered blossom with matching black velvet cloak.

Folio Society - twenty-three volumes including The Arabian Nights; The Forsyte Saga, three volumes; No Cloak, No Dagger; Michelangelo; Nelson & Emma; The Scarlet Pimpernel; A Nervous Splendour etc; all inmslip cases

Cigarette card - William Clark & Son 1898. "Tobacco Leaf Girls". Single card - Girl with cloak, standing, with hands behind her back.