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Cloak clasp : A gilt metal cloak clasp formed as 2 stick pins united by a chain, the stick pins surmounted by winged insects set with opals and seed pearls CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Ancient Roman Imperial Coins - Nero - Emperor Riding Sestertius58-63 AD, Perinthus (Balkan) mint . Obv: NERO CLAVDIVS CAESAR AVG GERM PM TR P IMP PP legend with laureate head right. Rev: DECVRSIO in exergue, Nero, bare-headed, cuirassed and with cloak floating free, prancing right on horseback, holding spear in right hand; foot-soldier in front, advancing right, looking back, holding up vexillum; a second foot-soldier, helmeted, running right behind horse. RIC 107 variant (bust type); MacDowall WCN 74 variant (bust type), both Rome, but the dimple on both sides are suggested to denote the Balkan mint; Sear 1956 variant (obverse legend, bust type). 30.89 grams. Ex Lanz auctions, Munich, June 2014. Near extremely fine. Extremely rare.
An early 19th century Walton style pearlware figure of a man playing a horn with a dog at his feet, 16.6 cm. to/w two further small pearlware figures - one draped in a cloak and holding a bird, 12.5 cm and a Derby style seasons figure 'Spring', 17 cm (4) Condition Report Walton figure a/f - tree broken and losses Smallest pearlware figure - body re-glued and losses Derby style figure - flower and petal losses
Circle of Sir Peter Lely (British, 1618-1680) Portrait of a lady as a shepherdess, in a grey dress and pink cloak, with a red rose in her hair, and holding a huette oil on canvas 125 x 100cm (49 x 39in) Provenance: From a Cambridgeshire country house. Oil on a twill weave canvas, unlined. A few small, scattered paint losses, but otherwise in good condition. Two small holes along the bottom edge of the canvas with associated paint loss. Numerous scratches to surface, which could just be in the varnish rather than the paint layer. Varnish is yellowed and uneven with surface dirt.
A Meissen figure group of Winter late 18th/early 19th century, personified as a boy seated on a sled and wearing a fur-trimmed hat and cloak, an axe on one knee and a bundle of faggots by his side, his companion warming her hands over a brazier, blue crossed swords and star mark, later decorated, some restoration, 14cm.
Thomas Phillips (1770 - 1845), oil on canvas - portrait of Henry Case Bagge (1814 - 1841), three-quarter length, wearing a black cloak, in good quality gilt frame, 25cm x 100cm. Henry Case Bagge was the son of Thomas Philip Bagge and Grace Salisbury of Islington Hall, Norfolk. He married Margaret Bowen in 1836 and was in the Bengal Civil Service
A Meissen figure group of Winter late 18th/early 19th century, personified as a boy seated on a sled and wearing a fur-trimmed hat and cloak, an axe on one knee and a bundle of faggots by his side, his companion warming her hands over a brazier, blue crossed swords and star mark, later decorated, some restoration, 14cm.
William Conor OBE RHA RUA ROI (1881-1968) YOUTH AND AGE, c. 1920-21 oil on board signed lower left; titled on reverse 25 by 21in. (63½ by 53.34cm) Victor Waddington c.1950;Private collection Loan Exhibition of Paintings, probably Belfast Museum, 1921, number 137 as Youth and Old Age, lent by the artist;Possibly Waddington Gallery, Dublin, from 15 April 1948 As a young man William Conor was apprenticed to David Allen & Sons, Ltd., Belfast, as a lithographer. The work and method of working made such an impression on him that later when he turned to painting the lithographic manner stayed with him. Thus, in this painting the broken textures, evident in the figure with the reddish shawl and the treatment of the sky and landscape beyond, betray his early training at Allen`s. Much of Conor`s work illustrates local life in the Belfast of his time. Working-class families then often lived in close proximity with one another and helped with the upbringing of older, and younger, family members which was more a part of life than it is now. Thus the imagery in Youth and Age, and the pathos expressed in both faces, is entirely appropriate. Conor`s method of working was from sketches. He carried a sketchbook in his pocket in which he noted `any little happening which strikes me as interesting and significant`. These sketches he later worked up into paintings. Reviewing his exhibition at the Waddington Galleries in April 1948 - in which this picture may have been included - the Irish Times (16 April 1948) commented that he had `a very rich technique, not only is his drawing massive and solid, his colour rich and varied but he has that mysterious quality called touch"".` While these attributes are quite true, it is the colour in Youth and Age that most engages us. Many of the artist`s works tend towards the monochromatic in colour, but here the rich red of the younger girl`s cloak contrasts with the black of the older woman`s shawl-colloquially such people were known as `shawlies`. The setting, which cannot be identified, may be the Mourne Mountains. Dr S. B. Kennedy November 2014
19th Century Central European School - Oil on canvas - Primitive full length study of a mother and child, standing and wearing a red floral cloak, headscarf and wide brimmed feathered hat, unframed and lacking stretchers, 40cm x 28cm The canvas has been unframed and without stretchers for some time so is obviously suffered due to this, the extreme right edge has been cut from top to bottom so it will be impossible to re-stretch the image as is and will probably need re-lining, the oil is currently in a modern clip frame - ** General condition consistent with age
19th Century Central European School - Oil on canvas - Primitive full length study of a mother and child, standing and wearing a red floral cloak, headscarf and wide brimmed feathered hat, unframed and lacking stretchers, 40cm x 28cm The canvas has been unframed and without stretchers for some time so is obviously suffered due to this, the extreme right edge has been cut from top to bottom so it will be impossible to re-stretch the image as is and will probably need re-lining, the oil is currently in a modern clip frame - ** General condition consistent with age
Circle of Caspar Netscher (1639-1684) Three quarter length portrait of a lady seated before a landscape with a sheep Oil on canvas, 35.5cm by 25.5cm Contained in period carved giltwood frame In restored condition. Cleaned and re-lined. Delicate re-touching to right hand side of the lady`s face and a small area on the left hand side of her chest and slightly into the drapery. 3/4 of her right hand side sleeve is over painted with more delicate re-touches to her right hand side arm and hand. A large part of the sheep is over painted and amended. Smaller more minor areas throughout the drapery and background . The paint of her blue cloak is very thin and pale canvas is showing through in places. Generally flat surface. Fine Ccacquelure across surface. Some surface dirt.
Circle of Caspar Netscher (1639-1684) Three quarter length portrait of a lady seated before a landscape with a sheep Oil on canvas, 35.5cm by 25.5cm Contained in period carved giltwood frame In restored condition. Cleaned and re-lined. Delicate re-touching to right hand side of the lady`s face and a small area on the left hand side of her chest and slightly into the drapery. 3/4 of her right hand side sleeve is over painted with more delicate re-touches to her right hand side arm and hand. A large part of the sheep is over painted and amended. Smaller more minor areas throughout the drapery and background . The paint of her blue cloak is very thin and pale canvas is showing through in places. Generally flat surface. Fine Ccacquelure across surface. Some surface dirt.
QUANTITY OF COSTUME JEWELLERY, to include FIVE SILVER AND METAL RINGS, including a WEDGWOOD example, A CAGED AGATE BEAD NECKLACE, AN AMETHYST CHIP NECKLACE AND BRACELET, FOUR PEARL AND HARDSTONE BRACELETS, A GILT METAL CHARM BRACELET, with charms, AND ARTICULATED FISH PENDANT and other pendants, A METAL CLOAK PIN, TWO STANDS OF CASED CULTURED PEARLS, VARIOUS NECKLACES, BROOCHES AND EARRINGS
QUANTITY OF COSTUME JEWELLERY, to include FIVE SILVER AND METAL RINGS, including a WEDGWOOD example, A CAGED AGATE BEAD NECKLACE, AN AMETHYST CHIP NECKLACE AND BRACELET, FOUR PEARL AND HARDSTONE BRACELETS, A GILT METAL CHARM BRACELET, with charms, AND ARTICULATED FISH PENDANT and other pendants, A METAL CLOAK PIN, TWO STANDS OF CASED CULTURED PEARLS, VARIOUS NECKLACES, BROOCHES AND EARRINGS
An early carved and painted wooden figure of Christ (possibly 15th/16th century), approx 122 cm high. CONDITION REPORTS Is in extremely poor condition (see photos), is missing nearly half the head (see photos), cracks throughout, flaking to paintwork, old woodworm, one arm is half missing, sheet is half missing, a lot of the exterior paintwork and outer sections of the cloak are missing due to being eaten away by old woodworm (which has clearly now been treated), general deterioration, would suggest viewing in person.
A pair of late 19th century Sitzendorf figures modelled as a gentleman wearing elaborate cloak standing beside a pillar holding a flower in his right hand, the second modelled as a young lady wearing a floral adorned dress holding a flower in her right hand, both with blue painted marks to base, height approx 22cm. CONDITION REPORT: She has the tip of her right index finger missing otherwise appears good with no further obvious signs of faults, damage or restoration.

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7207 item(s)/page