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G. Campanella - Murano - Madonna - A 1960's retro vintage studio art cased glass figure of Madonna / Mary / Mother Of Jesus in cloak with halo and hands together in prayer. The figure having an orange centre cased in amber and then clear. Measures; 26cm. 

Large Scottish silver cloak brooch set with central stone Edinburgh hallmarks 22.5g inc

A good late Victorian wax composite body doll, having blue glass eyes and real hair, in original dress including brocade cloak, silk bonnet and blue leather shoes.Approx 54cm long

Tempera on wood, dimensions 31x26 cm, 19th Century. Saint Elias, also known as Elijah, is commemorated in the Byzantine Church on July 20th. Elias is an Old Testament prophet who lived in the 9th Century before the Coming of Jesus Christ. The troparion of his feast calls him "a pillar of prophets, and the second forerunner of the coming of Christ". The icon depicts him in a chariot drawn by fiery horses heading heavenward and his cloak falling earthward into the outstretched arms of Elisha, his companion and disciple, crossing the River Jordan. The main scene presents the saint hiding from persecutors in Cherith and miraculously fed by a raven. On the left side of the icon he is depicted with his disciple and with an angel illustrating scenes from his life. The end of the earthly life of Elias came mysteriously. As he was conversing with Eliseus on the hills of Moah, "a fiery chariot, and fiery horses parted them both asunder, and Elias went up by a whirlwind into heaven" (Kings. 2:11) Jews, Christians and Moslems pay high honor to Elias, Carmelite monks cherish the belief that their order was in some sense founded by him. Together with Moses, he appeared at Christ`s transfi guration.

A collection of fourteen early 1980's Lucasfilm Star Wars figurines, to include Han Solo (Bespin), 2-1B Medical Droid Lando Calrissian, FX7, Imperial Stormtrooper, Dengar, ATAT Driver, Bespin Security Guard, Admiral Ackbar, Luke Skywalker Jedi Knight (with cloak), Chief Chirpa, Emperor, Han Solo (with trenchcoat) and Prune Face (14).

F W Topham: Young woman in a red cloak holding a hand of cards, watercolour, signed, 54 x 35 cm, framed and glazed

TRANSFORMATION PICTURE : William Spooner [publisher], 'Prince Albert's Stock; or, the Royal Fashion for 1843, which is to continue for the succeeding ten years : a rare hand coloured moveable transformation print, depicting the three Royal children hidden beneath Albert's trademark black cloak, the two flaps of cloak when lifted reveal the children, approx. size : 22 x 16cm, c1842. With a transformation original watercolour of the same period of the sarcophagus of George 11, and Queen Caroline.(2)

Various silver jewellery, including an Ernst-Assens Viking Revival torque bangle, Swedish thistle cloak pin and an ear clip, internal diameter 63mm, 46.7g total, (3)All in good original condition, no damage or restoration, all pieces lightly surface scratched, marks clear, ear clip unmarked.

Various silver and gilt-metal jewellery, including Norwegian pearl bracelet, thistle cloak clips, etc, bracelet length 20cm, 103.9g total, (5)All in very good original condition, no damage or repair, no broken links, all just lightly surface scratched through general use.

HARDSTONE PIN. A Victorian Scottish hardstone cloak pin of polished pink & grey natural hardstones, within a typical gilt metal frame. 3 x 8.5cm.

Attributed to Edwin Longsden Long, oil on canvas, portrait of Florence Amy Marler, wearing a red cloak and holding a bouquet of flowers before a landscape, 30ins x 25ins, oval mounted, gilt framed

Vibrant cloak and mask. Decorated with feathers and shells. Issued: 1950 c. Dimensions: 12""H Provenance: David Farin Collection

Tribal festival wooden doll with Guro mask and Cloak. Issued: 1950 c. Dimensions: 18""H Provenance: David Farin Collection

Tribal festival wooden doll with Guro mask and Cloak. Issued: 1950 c. Dimensions: 12""H Provenance: David Farin Collection

John Piper C.H. (1903-1992), Mixed media: pen, ink and watercolour, Nude figure in a cloak (possibly a costume design), Signed lower left, 39cm x 29cm, Framed and glazed For condition information please view this lot on our website HERE

Pair of early 20th Century Japanese carved ivory okimono of monks, late Meiji/Taisho, each figure with bald head, wearing a cloak, hands clasped in prayer with rosary beads, 8cm high (2) Condition: **General condition consistent with age

A 19th century Deville Pailliette & Co Arts and Craft style metal and wooden hallstand, with cloak arms and stick well Condition Report: Degree of varnish and paint covering the wood so cannot really tell re splits or cracks.  Appears to be in satisfactory order with no obvious loss.

A continental figure of a Mandarin wearing a cloak, decorated with flowers, cross swords marks and impress mark to the base, height 4.75insCondition Report: Inspected and no obvious damage detected

Star Wars: A Darth Vader Star Wars prop, replica helmet, cloak, plus accessories, dressed as full size figure, includes battery operated voice control

Portrait of a Lady, head and shoulders, her dark hair in ringlets, wearing a gold dress, lace fichu with pearls and a green cloak; together with Portrait of a Gentleman, head and shoulders, in long dark wig, dark coat and white stock oil on canvas, a pair, in painted feigned stone oval cartouches, in period gilt wood frames (2) 74 x 62cmFootnote: Provenance: From a Yorkshire country houseCondition report: Both RELINED. He has a small paint loss to his hair and he is dirty. She also has a small paint loss to her hair and is dirty. Old Frost and Reed labels from storage.

A mid 20th century gem-set moor broochDepicting the bust of a Moor with seed-pearl earrings, the hat accented by cushion-shaped, old brilliant-cut diamonds and seed pearls, the cloak with a chased acanthus leaf design set with cushion-shaped diamonds and vari-cut emeralds, rubies and a sapphires, some in closed-back settings, length 4.0cmFor further information on this lot please visit Bonhams.com

A late 18th Century brass circular cloak badge: depicting a heraldic dolphin, the emblem for Colston School, Bristol, pierced with four pairs of holes for attachment to a pupils uniform, 7.5cm. diameter.

A pair of early 19th Century pedlar dolls: she in bonnet and red cloak, her wares include a lantern, bellows, fire tools, books from 'Maxims' to 'Tatler'; he in tricorn hat and blue coat, offering battledores, lip-salve and 'Packwoods Patent Razor Strop', tablet to the plinth reads 'From the Milton Emporium', contained under glass domes, overall height 27cm.*Biography Charlotte and Harriet White were spinsters of 56 and 54 in the 1841 Census for Milton, Portsmouth. A label on his back '10 Shillings' was probably the price for the pair, early 19th Century

19th century Montenegro Ottoman wedding cloak elaborate metallic thread embroidery with gold brocade, sequins and scalloped edging. Printed cotton lining.

TWO LONG WOOL CARDIGANS, one knitted and one crocheted,a long jacket by Lloyd, England, a sequin jacket and a cloak (5)

A selection of Masonic regalia including cloak, sashes, hat and jewels, rule book including Knights of Malta etc

* Chasuble. A brocade chasuble, Continental, late 18th/early 19th century, hand-stitched brocade vestment with woven vertical flower and ribbon pattern, in yellow, pink, and white, on a green ground, front a little faded in one or two places, with gold metalled braid edging, padded with hessian, and lined with pale turquoise silk, lining worn, and sometime partly replaced with a thicker brown fabric, length 104 cm (41 in), together with eight other items, including: a 19th century Chinese embroidered bedspread, hand-worked on crimson satin, with all-over large floral sprays, using silk threads in shades of purple, green, cream, and brown, utilising satin stitch, French knots, and stem stitch, one longitudinal join, fringed edging, hems machine-stitched, some marks, 228.5 x 155 cm (90 x 61 in); a large piece of early damask, with a hexagon pattern of flowers in an urn, composed of a large and smaller piece, sometime stitched together by machine to form a cloak, length 142 cm (56 in), width of hem 770 cm (303 in); two matching strips of early hand-embroidery depicting flowers and butterflies, probably 18th century, edged with braid and backed with pink satin (hems machine-stitched), some loss of silk threads,104 x 11 cm (41 x 4.5 in) and slightly longer; a large woven brightly-coloured Indian bedspread, some wear, 272 x 222 cm (107 x 87.5 in); and several pieces of beetle wing embroidery, comprising five matching strips on muslin, incorporating gold coloured and metalled threads, 123 x 11.5 cm (48.5 x 4.5 in) and smaller, and a muslin panel with two strips of beetle wings incorporating silver metalled threads, 45 x 38 cm (17.75 x 15 in), latter stitch-mounted on black tissue-covered thick paper, occasional damage to wings/embroidery (Qty: 9)

* Dutch School. Portrait of a gentleman, 18th century, oil on canvas, half-length portrait half-profile to right, of a young gentleman wearing a scarlet cloak with fur collar, a white necktie, and a brimmed flat black hat trimmed with a pink ribbon and bow, chipped at edges, 15.3 x 12.2 cm (6 x 4.75 in), framed (Qty: 1)

A SMALL COLLECTION OF JEWELLERY INCLUDING AN EARLY 20TH CENTURY GOLD FOX MASK STOCK-PIN approx. 38mm long overall (1 ¾ in); a gold tooth 'crown'; a gold-plated open-elliptical link necklace on an early 20th century gold swivel clasp; and a round gold-plated fancy link chain and cloak clasp

A Gurflix green and red lowland cloak with leather trim; together with a navy wool hooded cape; and a size 42 sheepskin jacket (3)

J. Palmer (Dutch act. 1670-1723) Portrait of a gentleman in a blue coat and ochre cloak, standing with a dog, a garden beyond; Portrait of a lady in a white dress with a pink cloak, a garden with a obelisk beyond A pair, each inscribed REELAND and with a family crest Each oil on canvas 58.6 x 46.7cm; 23 x 18½in (2)

A 19th/20thC Chinese embroidered cloak with fringe and integral scarf tie, 170 x 110cm 

Edwardian and vintage clothing including a yellow velvet opera cloak, floral fringed silk shawl, 150 x 150cm, royal blue silk cape with black lace trim, Welsh national costume etc 

Victorian silver and banded agate cloak clasp, the single 10cm pin with polished agate top, the chain made up of eight hexagonal agate sections, each approximately 3cm in length.

A collection of ceramics, late 19th/20th century comprising a Staffordshire figure of Falstaff on titled base, 24cm high (head repaired); Staffordshire figure of 'Red Riding Hood', 20cm high; Paris porcelain figure of standing gentleman in red cloak and colourful clothing, holding a scroll inscribed 'Marasquin', further inscription to the circular base, 28.5cm high; a pair of hard-paste porcelain figures of male and female holding black masqeurade masks, on slightly raised green bases (a.f, repaired), 18.5cm high; a French pedestal bon-bon dish with hinged cover (a.f, repaired), a Derby lobed dessert dish, 30cm wide and a John Matlock of Derby twin-handled studio pottery vase, 34cm high (8)

A Chinese mandarin's cloak

1st Life Guards Field Officer’s Full Dress Tunic and Captain’s Cloak.Tunic is a fine pre-amalgamation example by J. Daniels, Woolwich & Bury St., St. James’s. Scarlet cloth with blue velvet collar and cuffs and blue cloth edging to fronts and skirts. The collar edged with gold oak leaf embroidery, and bearing panels of oak and bay leaves; embroidery of similar nature to cuffs and skirts. Gilt buttons struck with KC and “1” above the reversed ‘LG’ monogram. Good quilted silk lining bearing tailor’s label named to Lt. Col. E.B. Cook, 1 L.Gds. Black crepe arm-band. Minor moth damage mainly to inside of skirts, otherwise near VGC ... together with a long and heavy red cloak with dark blue collar. Distinctive large collar ornaments each consisting of a figure in wide gold oak leaf lace, pointed at each end and revealing red cloth along its centre, with a small button. Blue shoulder straps each bearing three Garter stars in wire embroidery. Six buttons down front and more at back and cuffs, all bearing KC over “1” above the reversed LG monogram. Cloak fastens at neck with small gilt chain with gilt Grenade ornament at each end. Fine vivid red lining throughout. Very minor moth damage. (2 items) Lieut.-Col. Edwin Berkeley Cook, MVO, son of an 11th Hussars Balaklava veteran, was educated at Eton and entered the 1st Life Guards in 1890, rising to command of the regt. in Nov. 1910. He subsequently commanded the Composite Regt. of Household Cavalry which joined the B.E.F.. On 21st October 1914 he was wounded in action at Messines and died of his wounds on 4th November. There are several small differences in the tunics of the 1st and 2nd Life Guards, including a blue skirt-lining for 1LG and scarlet for 2LG. Although Dress Regs. describe the officers’ cloaks as scarlet, they were in fact of a more restrained, deeper red colour.

dropleaf table with barley twist legs hall table cloak room stand nest of tables etc

A Chinese carved bamboo figure of Shou Lao. Wearing a hooded flowing cloak and holding a gnarled staff, c.1900, 21cm. Good condition. No splits.

Jacques Marin (Belgian 1877-1950) bronze and marble shoulder length bust of a maiden. Wearing a turban and cloak. Raised on a canted marble plinth. Signed, 18.5cm. Good condition. No chips to the marble. The bronze is polished with some wear to the signature.

19th C. Russian Icon depicting The Assembly of the Seven Archangels. Oil on wood. Size: 22.5 x 13.75 inches. The archangels are regarded as messengers sent to announce or accomplish the will of God. Michael, the chief captain of the host, stands at the center and is depicted as a warrior with a red cloak, shield and spear. Michael leads the struggle against the forces of demons with the help of six angels, who include Gabriel, Raphael, Uriel, Selaphiel, Yegudiel, and Barachiel. God the Father is shown floating above in a cloud. Because of the shape of this icon, it was probably part of an iconostasis (icon screen) in a church.

A WHITE METAL HUNTING CLOAK CLASP, modelled as a boar's head with red glass inset eyes linked by a chain to a whip with dog's head terminal. Length c. 6cm

Cloak Without Dagger (1956) - Original hand painted poster artwork, directed by Joseph Stirling, this for the British Quad, on board, 38 x 54 cm. Provenance: From the W. E. Berry collection.

A 19c portrait miniature on ivory with ermine cloak, framed, 2.75in x 2in.

A 19th century Staffordshire figure of Prince Albert in blue cloak

A heavily carved panel depicting man on horseback 62 x 39cm and another smaller of soldier in cloak 62 x 20cm

18thC/19thC School. Portrait of a gentleman in hat and cloak, oil on panel, 17.5cm x 12.5cm.

CIRCLE OF SIR PETER PAUL RUBENS (1577-1640) Portrait of a young lady, her hair with jewelled and pearl set clasps, and with brocade trimmed cloak, oil on canvas, 43.5 x 36cm

MICHAEL THATCHER - Two Head and Shoulder Portraits of females – 1 wearing a red dress, 1 wearing a white cloak (2)

19th C Oil on Canvas, portrait of a female saint wearing a gold rimmed white shawl and green cloak, signed MONAK HUGERNE, 1886, 75cm x 59cm, in a later gold frame

Late 3rd-early 2nd millennium BC. A carved chlorite two-part figurine comprising: a carefully modelled limestone head with fine features, youthful and rounded; a seated or kneeling body with arms on the lap, clad in a kaunakes thick cloak of woollen tufts represented by long triangular panels. See Daems, A. The Iconography of Pre-Islamic Women in Iran, in Iranica Antiqua, vol. XCXXVI (2001); and cf. Caubet, A. & Bernus-Taylor, M. The Louvre - Near Eastern Antiquities, London, 1991, p.50. 620 grams total, 10.1cm (4"). From the family collection of a Hampstead gentleman; formerly acquired in the 1980s. Fine condition.

1st century AD. A bronze statuette of Priapus standing naked, wearing only a short cloak arranged like an exomis on his left shoulder, holding the robe from the corners, exposing his exaggerated genitalia under an offering of flowers, an egg in his right hand, finely-detailed head with the hairstyle and beard of a Greek philosopher; in lifting his cloak, he reveals his enormous phallus, creating a vivid connection between fertility and abundance. See Rolland, H., Bronzes Antiques de Haute Provence, Paris, 1965, item 136; Dunleavy C.A., The Image of Priapus: Ambiguity and Masculinity in Roman Visual Culture, Bristol, 2018. 120 grams, 80mm (3"). Property of a South London collector; previously acquired on the European art market 1970-1980. Fine condition.

1st century BC-2nd century AD. A discoid bronze seal with facing portrait of a figure with tall headdress, cloak tied to the chest, both arms raised holding objects, enclosed within a plain border; strap handle to the reverse, accompanied by typed and signed note by the late W.G. Lambert, Professor of Assyriology at the University of Birmingham, 1970-1993, which states: 'Bronze Disc with Loop on Back, 56 x 56.5 x 12mm. The face of this disc has a figure depicted on it in low relief within an outer band. It shows a figure from the waist up with headdress marked by a spike at the front. In one hand he holds an arrow or other such item, and the other hand is gripping a different item. The body is marked by curving side strokes and a circle and short cross strokes within the side strokes. This comes from west central Asia and dates to c. 100 B.C-200 A.D. It is a rare item and in fair condition.' 47 grams, 56mm (2 1/4"). The Signo collection, the property of a West London businessman, formed in the late 1980s-early 1990s; collection number U-680, academically researched and catalogued by the late Professor Lambert in the early 1990s. Fine condition.

2nd-3rd century AD. A bronze figure of Venus (Greek Aphrodite), her hair elaborately dressed with ringlets to the shoulders, with bun and long braids falling over them, naked from hips up, her left covering the breast and the right hand the pubis holding a loosely draped cloak (chlamys) around her hips exposing buttocks and pudendum, standing upon a circular pedestal, decorated with concentric circles. See for similar typology Rolland, H. Bronzes Antiques de Haute Provence, Paris, 1965, item 76. 310 grams, 14cm (5 1/2"). Property of a South London collector; previously acquired on the European art market 1970-1980. Venus was one of the most popular deities to be represented in small scale sculpture for centuries across the Mediterranean world, and one of the most common to be found in household shrines. The goddess was not only associated with love, but also with fertility in both humans and nature, and was regarded as a protector of the crops under her Etruscan name of Turan. At the beginning she was even associated with the war and very often represented with a spear in hand. She was also considered to be a mother goddess who protected her devotees under the name of Venus Genetrix. According the Greco-Roman mythology she was the mother of Aeneas, the Trojan hero from whom Julius Caesar claimed descent, and was thus the progenitor of the whole Julio-Claudian dynasty. Very fine condition.

AFTER THE ANTIQUE, A 19TH CENTURY BRONZE FIGURE OF A SEATED ROMAN SOLDIER, in traditional pose, wearing a mask helmet and a cloak, an elbow resting on the head of a lion, raised on square platform base, dark brown patination. 32.5cm high x 14.5 x 14.5cm

ROYAL DOULTON; an HN1423 'Babette' figure in rare colourway, height 12.5cm (af).Additional InformationThe umbrella is cracked right through, there is a crack around her neck running right round, there is also a crack running down the back of the cloak. A crack running from the base through to the base and a further small crack from the hole in the base. General surface wear.

A Maori feather cloak New Zealand the rectangular fibre ground with thirteen strips in red, green, black and white feathers, 83cm x 119cm, mounted framed and glazed, with hinged door. The back with an indistinct handwritten provenance note.

A pair of Berber cloak fibulas Morocco silver coloured metal and enamel, of triangular form with stepped edges and pierced, having engraved and stipple decoration with applied bosses and conforming pin and clasp, 24 cm long. (2) Provenance Professor D Abouseif Collection, London.

Three Bolivia double headed cloak pins tupu silver coloured metal and bronze, including two heads wearing four point hats, 18.5cm long, two condors and two other bird heads, 10.4cm and 6.7cm long and two South American silver cloak pins, tupu, with spoon bowl finials, 24.5cm and 27.2cm long. (5)

A Moche stirrup vessel Peru, circa 100 - 600 AD pottery with a skull top and with painted cloak outline, arms and hands, 19cm high.