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AMENDED DESCRIPTION: An Art Deco style satinwood hall/cloak cupboard, with carved decoration flanking a single mirrored door, full width drawer below, 93 by 47.5 by 196cm high.

PATRICK COFFEY St. Patrick, with the Gospels of Matthew, Mark, Luke and John on his skull cap, clutching a shamrock with the symbol of the Christ crucified, his cloak decorated with three-dot clusters to symbolise the Trinity and the transition from the Pagan to the Christian, 51.5in (131cm) high, 17in (44cm) wide, approx.

An early 19th century pearlware figure of Charity, 19 cm Condition Report Green paint loss to edge of cloak, chip and frits to the base

An early 19th century pearlware figure of Charity, 19 cm Condition Report Green paint loss to edge of cloak, chip and frits to the base

S A Peters, an elderly Eastern European lady wearing a red hooded cloak, accompanied by a child, watercolour, signed, together with a full length portrait of an elderly flower seller by the same hand, 34 x 25cm in ebonised glazed frames.

S A Peters, an elderly Eastern European lady wearing a red hooded cloak, accompanied by a child, watercolour, signed, together with a full length portrait of an elderly flower seller by the same hand, 34 x 25cm in ebonised glazed frames.

A figure of the Medicine Buddha China, Qing Dynasty, 17th Century A dark patina bronze cast depicting the deity seated on a lotus flower and draped in a cloak. h 17 cmPrezzo di partenza: ?1350

A 1997 haute couture 'Vivienne Westwood' Wedding Dress. This dress was specially made by Vivienne Westwood in 1997, to be worn in the snow. Zermatt, Switzerland was the location and the dress was worn with a ruby and diamond tiara once belonging to the Romanov family. The dress is made from a longhaired velvet, resembling fur. The velvet is made from silk rayon and has a shimmering sheen. Designed to mimic the 1930's, it has a corseted bodice, boned and structured to form a curvaceous silhouette. The corset is fastened at the back with a zip, hooks and eyes. The skirt is tightly fitted with a 19th century bustle at the side of the skirt, falling narrowly to almost a hobble and following through to a fishtail train. The deep red of the silk velvet cloak, with long trains flowing from the arms, in unison with the dress and fishtail, all contribute to the quirky non-conformist, rebelliousness that is so classically Vivienne Westwood. Size 8/10 (2) (Please get in touch for measurements).

An interesting Japanese carved wood parasol or walking stick handle finely carved as a hooded bird wearing tied cloak carrying a key, a fox's tail issuing beneath its cloak, 16.5 cm long, 19th Century (faults)

A Japanese carving of an old lady wearing a finely engraved cloak, holding a stick in her right hand and fruit in her left, sandal feet, 12.5 cm high, signed on red lacquer seal to base, Meiji period (faults)

Nicholas and Dorothy Wadham, founders of the Oxford College that has their name, hollow oval silver medal, 1618, made of two clichés joined at the rim, his half-length bust three-quarters right, with ruff collar over plain cloak, WHEN CHRIST WHO IS OVR LIFE SHAL APPEARE, rev., her half-length bust three-quarters left, wearing damask gown, high ruff collar and broad-brimmed hat, WE SHALL APPEARE WITH HIM IN GLORY, 60 x 46.5mm (MI 220/73; Eim. 98; H & P pl. 28, 10). A little crimped, very fine and rare. The medal is believed to have been issued on the death of Dorothy Wadham (b. 1534) in 1618. Nicholas Wadham (1532-1609) was a Somerset landowner who, in his will, left funds for the founding of what became Wadham College. It was Dorothy, whom he had married in 1555, who brought this about, even to the extent of a Royal Charter, and the first students were received in 1613 Provenance: Ex E. K. Barnsdale Collection, Spink, New York, 11 December, 2001 (lot 4); purchased Coins and Antiquities, London, December 1972.

Charles I, the Dominion of the Sea, cast silver medal, undated [1630], by Nicolas Briot, bust of the King right, wearing ruff, cloak ornamented with the royal ciphers CC and CH, Garter George suspended from ribbon, signed behind shoulder N BRIOT, CAROLVS I DG MAG BRITANIÆ FRAN ET HIB REX, rev., ship sailing right, NEC META MIHI QVI TERMINVS ORBE, 61mm (MI 256/40; BHM [Jones] 144-46; Eim. 118; vL II 227; MH 25; Farquhar I, 203; Platt, pp. 123-25), small contemporary suspension loop. A choice example of this wonderful portrait medal, extremely fine, toned and rare. Provenance: Baldwin Auction, 15 October, 2002 (lot 981).

Charles I, the Dominion of the Sea, cast silver medal, undated [1639], by Nicolas Briot, bust right, wearing plain collar over armour with lion`s head shoulder plate, Garter George suspended from ribbon, signed behind shoulder BRIOT, CAROLVS I DG MAG BRITANN FRAN ET HIB REX, rev., ship sailing right, NEC META MIHI QVÆ TERMINVS ORBE, 60mm (MI 285/97; BHM [Jones] 174; Eim. 136; MH 29; Farquhar I, 203; Platt, pp. 147-48). A choice example of a wonderful portrait medal, extremely fine, toned and rare. Whilst the reverse is identical to the second of the two earlier `Dominion of the Sea` medals (lot 217), the obverse shows an older king, in armour rather than a cloak. The medal emphasizes Charles`s position following the destruction of the Spanish fleet off Dover (lot 248), when the English were in negotiations with Admiral Antonio de Oquendo. Provenance: Ex Papillon Collection, Bonhams Auction, 25 March, 1998 (lot 22); Spink Auction, 27 February, 1980 (lot 371).

Charles I, silver Royalist badge, by Thomas Rawlins, bust of Charles I left, incuse legend, CAROLVS DG MAG BRI FR ET HI RX, rev., in incuse, crowned shield of arms within Garter, 31.5 x 23.5mm (MI 361/234; Platt I, p. 179), integral suspension loop (with much frayed black material attached) . Very fine and toned. The 1978 Spink ticket (in the present cataloguer`s own hand) states, though without any support, "ribband believed to be from the King`s cloak". Provenance: Ex Spink, 1978.

Sir Richard Martin (1534-1617), Warden, then Master of the Mint and Lord Mayor of London (1589 & 1594) and his wife, Dorcas, cast copper double-portrait medal, 1562, by Steven van Herwijck [Stephen of Holland] (c.1530-1565/7), his bust right wearing soft cap, cloak and small ruff collar, RICHARD MARTIN ÆT 28 AO 1562, rev., her bust left, in pointed bonnet, cloak and small ruff collar, DORCAS EGLESTONE VX RICHARD MARTIN ÆT 25, 58.5mm (MI 107/33; Eim. 45; Scher [1994] 169; H & P pl. 23, 6). A contemporary cast, some light tooling, good very fine with rich brown patina, excessively rare. The silver example of this medal in the British Museum is catalogued in MI as "unique?". Martin was a goldsmith by profession, who in his work at the Mint, carried out reforms in relation to both the English and Irish coinage. . He married Dorcas (1537-1590), daughter of Sir John Ecclestone (or Eglestone) of Lancashire, in or before 1562. Both are buried in Tottenham Church. Provenance: Ex. Papillon Collection, Bonhams, 25 March, 1998 (lot 8); Previously bt. Spink c. 1976.

Christ`s Hospital, Nautical School, silver-plated cloak badge, 1673, by John Roettier, the three figures of Arithmetic, Astronomy and Mathematics stand around a Bluecoat boy in traditional uniform, AVSPICIO CAROL SECVNDI REGIS 1673, 82mm (MI 557/218; Eim 252; Grimshaw 1), wide border with 10 piercings for attachment. Very fine, somewhat stained. Provenance: Bt eBay, October 2009

Sir Richard Martin (1534-1617), Warden, then Master of the Mint and Lord Mayor of London (1589 & 1594) and his wife, Dorcas, cast copper double-portrait medal, 1562, by Steven van Herwijck [Stephen of Holland] (c.1530-1565/7), his bust right wearing soft cap, cloak and small ruff collar, RICHARD MARTIN ÆT 28 AO 1562, rev., her bust left, in pointed bonnet, cloak and small ruff collar, DORCAS EGLESTONE VX RICHARD MARTIN ÆT 25, 58.5mm (MI 107/33; Eim. 45; Scher [1994] 169; H & P pl. 23, 6). A contemporary cast, some light tooling, good very fine with rich brown patina, excessively rare. The silver example of this medal in the British Museum is catalogued in MI as "unique?". Martin was a goldsmith by profession, who in his work at the Mint, carried out reforms in relation to both the English and Irish coinage. . He married Dorcas (1537-1590), daughter of Sir John Ecclestone (or Eglestone) of Lancashire, in or before 1562. Both are buried in Tottenham Church. Provenance: Ex. Papillon Collection, Bonhams, 25 March, 1998 (lot 8); Previously bt. Spink c. 1976.

Nicholas and Dorothy Wadham, founders of the Oxford College that has their name, hollow oval silver medal, 1618, made of two clichés joined at the rim, his half-length bust three-quarters right, with ruff collar over plain cloak, WHEN CHRIST WHO IS OVR LIFE SHAL APPEARE, rev., her half-length bust three-quarters left, wearing damask gown, high ruff collar and broad-brimmed hat, WE SHALL APPEARE WITH HIM IN GLORY, 60 x 46.5mm (MI 220/73; Eim. 98; H & P pl. 28, 10). A little crimped, very fine and rare. The medal is believed to have been issued on the death of Dorothy Wadham (b. 1534) in 1618. Nicholas Wadham (1532-1609) was a Somerset landowner who, in his will, left funds for the founding of what became Wadham College. It was Dorothy, whom he had married in 1555, who brought this about, even to the extent of a Royal Charter, and the first students were received in 1613 Provenance: Ex E. K. Barnsdale Collection, Spink, New York, 11 December, 2001 (lot 4); purchased Coins and Antiquities, London, December 1972.

Charles I, the Dominion of the Sea, cast silver medal, undated [1630], by Nicolas Briot, bust of the King right, wearing ruff, cloak ornamented with the royal ciphers CC and CH, Garter George suspended from ribbon, signed behind shoulder N BRIOT, CAROLVS I DG MAG BRITANIÆ FRAN ET HIB REX, rev., ship sailing right, NEC META MIHI QVI TERMINVS ORBE, 61mm (MI 256/40; BHM [Jones] 144-46; Eim. 118; vL II 227; MH 25; Farquhar I, 203; Platt, pp. 123-25), small contemporary suspension loop. A choice example of this wonderful portrait medal, extremely fine, toned and rare. Provenance: Baldwin Auction, 15 October, 2002 (lot 981).

Charles I, the Dominion of the Sea, cast silver medal, undated [1639], by Nicolas Briot, bust right, wearing plain collar over armour with lion`s head shoulder plate, Garter George suspended from ribbon, signed behind shoulder BRIOT, CAROLVS I DG MAG BRITANN FRAN ET HIB REX, rev., ship sailing right, NEC META MIHI QVÆ TERMINVS ORBE, 60mm (MI 285/97; BHM [Jones] 174; Eim. 136; MH 29; Farquhar I, 203; Platt, pp. 147-48). A choice example of a wonderful portrait medal, extremely fine, toned and rare. Whilst the reverse is identical to the second of the two earlier `Dominion of the Sea` medals (lot 217), the obverse shows an older king, in armour rather than a cloak. The medal emphasizes Charles`s position following the destruction of the Spanish fleet off Dover (lot 248), when the English were in negotiations with Admiral Antonio de Oquendo. Provenance: Ex Papillon Collection, Bonhams Auction, 25 March, 1998 (lot 22); Spink Auction, 27 February, 1980 (lot 371).

Charles I, silver Royalist badge, by Thomas Rawlins, bust of Charles I left, incuse legend, CAROLVS DG MAG BRI FR ET HI RX, rev., in incuse, crowned shield of arms within Garter, 31.5 x 23.5mm (MI 361/234; Platt I, p. 179), integral suspension loop (with much frayed black material attached) . Very fine and toned. The 1978 Spink ticket (in the present cataloguer`s own hand) states, though without any support, "ribband believed to be from the King`s cloak". Provenance: Ex Spink, 1978.

Christ`s Hospital, Nautical School, silver-plated cloak badge, 1673, by John Roettier, the three figures of Arithmetic, Astronomy and Mathematics stand around a Bluecoat boy in traditional uniform, AVSPICIO CAROL SECVNDI REGIS 1673, 82mm (MI 557/218; Eim 252; Grimshaw 1), wide border with 10 piercings for attachment. Very fine, somewhat stained. Provenance: Bt eBay, October 2009

A Royal Dux group, donkey and foal, decorated in muted greens, browns and gilt, red triangle mark, No 2180, length 12"" (small chip to cloak on donkey`s saddle)

A pair of Austrian painted terracotta figures, of musicians, he stands, with fur hat, cloak and violin, she wrapped in a blue cloak, her instrument at her side, 34cm high, impressed 1346 14 and 1347. 20, c.1900

An unusual 19th century automaton setting of a seated piano playing monkey, dressed in a velvet cloak with bright red velvet slippers, with moving arms, leg, mouth and eyelids, the interior setting decorated with a potted plant, chamber stick and sheepskin rugs, etc, 46 cm tall x 42 cm in length approx

An unusual 19th century automaton setting of a seated piano playing monkey, dressed in a velvet cloak with bright red velvet slippers, with moving arms, leg, mouth and eyelids, the interior setting decorated with a potted plant, chamber stick and sheepskin rugs, etc, 46 cm tall x 42 cm in length approx

λ An 18th century French ivory caricature relief portrait bust, of a man wearing a hood and a fleur de lis on his cloak, 9.8 x 7cm, mounted in an 18th century carved giltwood frame. This bust is very similar to a set of seventeen sold by Sotheby`s, London, Wednesday 16th December 1998, Lot 99, where they were attributed to Huguenots carvers in reply to their persecution after the revocation of the edict of Nantes in 1685. The portrait reliefs are of the leading figures working in France for the extermination of the Huguenots. Provenance: The part contents of a Wiltshire Rectory.

A Royal Stuart Tartan mid 19th Century Cloak with gilt lions claw clasp

Chinese bronze figure of a warrior holding a fan, his cloak tugged by a demon, on rocky base - six character mark to base, 22cm CONDITION REPORT No damage

Dolls & Equipment. A peddler doll comprising china head doll with stuffed body and limbs dressed in velvet cloak and bonnet, on stand carrying fully stocked basket, 8" high, an Armand Marseille bisque head black baby doll with brown glass sleeping eyes, closed mouth, composition body and swivel limbs, 9" high, marked "399 - 13/0", and another similar doll with open mouth, 8" high, marked "418 - 14/0" (3)

Dolls & Equipment. A bisque shoulder head doll with fixed brown glass eyes, open mouth and teeth, blonde mohair wig, kid body and limbs, in maids uniform and cloak, 14" high, a German bisque head male doll with brown glass eyes, brown mohair wig and moustache, jointed composition limbs and body, in huntsman`s uniform, 14" high, marked "890 PR 3/0X", and a composition officer doll in full uniform, 14" high (3)

STAR WARS: a selection of vintage star wars action figure toys including an IMPERIAL DIGNITARY , an A-WING PILOT , a DARTH VADER VINIL CLOAK with lightsaber , TWO JAWAs WITH VARYING CLOTH CAPE , an IMPERIAL STORMTROOPER , a LANDO CALRISSIAN WITH WHITE TEETH AND EYES , A TUSKEN RAIDER / SAND PEOPLE , a LUKE SKYWALKER X-WING PILOT and a LEIA WITH BATTLE PONCHO

Charles I (1625-49), Tower under the King, Halfcrowns (3), 15.22g, group III, type 3a2, m.m.star over triangle/star, cloak flying from shoulder (Brooker -; N.2211; S.2775), previously cleaned, edge split at 8 o'clock, good fine, 14.32g, group III, type 3a2, m.m. star over triangle/star, cloak flying from shoulder, rough ground line below (cf Brooker 353; N.2212; S.2776), previously cleaned, irregular edge, about very fine, 14.98g, group IV, type 4, m.m. star/star over triangle, foreshortened horse (Brooker 364; N.2214; S.2779), previously cleaned, edge damaged from 5 to 6 o'clock, parts flat, good fine (3) Subject to 20% VAT on Buyer’s Premium. For more information please view Terms and Conditions for Buyers.

Kenner Star Wars action figures, all last 17: Warok with hood, bow and quiver; Romba with hood and spear; 2 x Luke Skywalker in Battle Poncho, both with black Palace Blasters, missing belts, one poncho and one incomplete poncho; Lando Calrissian General Pilot with Palace Blaster, missing cloak; EV-9D9, left arm detached; Barada with Skiff Guard Battle Staff; Amanaman, missing Headhunter Staff; Anakin Skywalker; Luke Skywalker in Imperial Stormtrooper Outfit with black Imperial Blaster, missing helmet; Imperial Gunner with Endor Blaster; Imperial Dignitary; Han Solo in Carbonite Chamber; A-Wing Pilot, missing Endor Blaster; 2 x R2-D2 with Pop-Up Lightsaber; 2 x Paploo with hoods, one incorrect spear, one missing staff; 3 x Lumat with hoods, one quiver, one correct bow, one incorrect bow. Conditions vary, F-G, require cleaning. (21)

A JAPANESE CARVED WOOD NETSUKE OF DARUMA, circa 1900, his cloak carved in low relief with flowers and leafage, his face inlaid in ivory, 1.4in high.

THREE SILVER FIBULAE (CLOAK CLASPS) DRAA VALLEY, CENTRAL MOROCCO, 19TH CENTURY (one dated 1299 AH or 1882 AD).

ANTONIO DE LAS PENAS Y LEON (FL 19TH CENTURY) MATADOR DE TOROS; A YOUNG WOMAN a pair, both signed, the former dated 1874, the latter inscribed Sevilla ++Both in substantially good condition. The matador standing before a pillar over which is cloak is thrown. On the back the lower corner of the cloak is slightly chipped but this is not normally noticeable, no other chips, cracks or restoration

A carved stone polychrome decorated figure group of the Pieta, possibly lower Austria, mid 15th century82cm high, 80cm wide, 32cm deepProvenanceGraham Cornall Antiques, MelbourneThis polychrome limestone sculpture represents the Pieta, in which the Virgin Mary cradles the dead body of her son. While the most famous example of this image type is the sculpture by Michelangelo in St Peter’s Basilica, the subject is derived from northern examples and was adopted quite late in Renaissance Italy. The Pieta, also referred to as Vesperbild, first appeared in German sculpture in around 1300 where early images often show the body positioned vertically, similar to depictions of the Deposition from the Cross, and also draw attention to the wounded, emaciated body. As the subject became more widespread, varied iconographies emerged. The type we see in this work, where Christ’s body lies horizontally across his mother’s lap, probably developed first in France. This image, which became especially popular, draws a symbolic connection between the lap of the Virgin and the Church altar on which, according to Catholic doctrine, the Eucharistic body of her son lies. The image therefore emphasized the salvific nature of Christ’s sacrifice and the redemptive power of the sacrament. Indeed, here the body is tilted up towards the viewer to accentuate the devotional focus on his humanity.The subject of the Pieta probably derived from mystical and popular devotional writings where events in between those described in the Gospels are imagined, suggesting an insight into the human, emotional responses of holy figures. Here the notion of Mary’s response to the death of her son and her cradling of his body before he is entombed is articulated with great sensitivity. Mary supports her son’s head with her right hand, while her left holds the edge of her cloak at her chest, suggesting that she is about to wipe her tears (as she is shown doing in numerous other Pieta sculptures). The faces of the figures are especially beautiful; Christ’s is gentle and relaxed while the Virgin’s subtly but very effectively suggests her sorrow. She looks not at her son, as is the norm for Pieta imagery, but to the distance; a detail that invests the image with a more meditative and poignant tone.As the sculpture is relatively well finished at the back and has a carved out section at the lower rear where it was anchored, it seems possible that it was originally positioned on a tomb. The subject probably, therefore, was intended to comfort the grieving. The composition of the figures demonstrates the extraordinary skill of the artist. It appears entirely natural, even ‘though in reality such a grouping would likely be awkward and unfeasible.Dr. Bronwyn Stocks

An Egyptian gold braided cloak CONDITION REPORT: Holes to silk lining to neck edge area - see additional images (on request). Some loose threads. Darkening to gold braid in places. Approximately 105cm from hem to top of collar. Approximately 44cm across the shoulders.

A LARGE GERBING & STEPHAN BRONZED EARTHENWARE FIGURE OF A VIKING, 19th century, wearing a winged helmet and long cloak over a skin tunic, two knives slung at his waist, his right hand resting on his shield, standing on a naturalistically moulded waisted circular base, impressed mark, 36"" high (Illustrated)

In the manner of Michael Pacher (c.1435-1498), A Tyrolean carved polychrome figure of St Florian, 16th century, wearing a loosely draped cloak over his armour, a burning building at his feet, mounted on a velvet covered hexagonal plinth, 120cm high EW Attributed to the circle of Michael Pacher, (active 1460s-1510) Tyrol c.1500. The young saint is in late Gothic armour of the kind used in southern Germany and Austria between 1480 and 1510, and stands with a pronounced shaped pose with one foot in front of the other like a dancer. Literature: E Hampel Michael Pacher CONDITION REPORT: FROM THE EVA WEININGER COLLECTION.

A Greek terracotta figure 4th-3rd century BC,of a lady, probably an Amazon, with her right breast bared, wearing a short chiton and cloak flowing out behind, hairstyle gathered behind and fronted with a slight floral diadem, she rides a horse bareback to the left, 19cm CONDITION REPORT: Lower right arm missing, likewise left hand and left foot with only the remains of her high boot remaining. Head re-attached, susbstantial amount of light blue paint remaining on the flowing cloak

The glamorous ‘Gentleman Highwayman’ James Hind ‘17th c Robin Hood’ – English Civil War – Pamphlet The Declaration of Captain James Hind (close Prisoner in Newgate)^ 6pp small 4to plus title page with an engraved vignette portrait of Hind to front cover^ slight dusting and very slight foxing. Hind^ a Royalist^ grew up as a butcher’s assistant in Chipping Norton^ Oxfordshire^ but ran away to London where he teamed up with Thomas Allen a prominent Highwayman of the time. Together they actually attempted to rob Oliver Cromwell himself in company with his bodyguards^ but they were overpowered. Allen was taken and executed but Hind managed to escape^ and continued a legendary career. Among his many other glamorous exploits^ he famously robbed Hugh Peters^ one of the ‘Regicides’ who had signed the death warrant of Charles I^ stealing 30 large pieces of gold and symbolically taking his cloak as a mark of humiliation. Many folk stories grew up about Hind and particularly his alleged kindness to the poor^ so that he became to the people of the mid-17th c a ‘Robin Hood’ figure. He was eventually captured in December 1651 and executed the following year^ his head and his four quarters being displayed on gibbets on the town gates at Reading.

1970s vintage blue herringbone trench coat by Norbert Nel, Paris, 1960s blue cotton anorak with floral embroidered hood and pockets, long Kimono-style dressing gown with blue and white chrysanthemum printed cotton, a black suede maxi coat by Joseph and brown heavy velvet hooded full length cloak, with reversible black lining (5)

Goldscheider figure of a standing girl, red hat and cloak, putting on gloves, black base, impressed, painted and printed marks, 22cm high CONDITION REPORT Good condition

Three Goebel studies, Mourning cloak, Peacock and similar Butterfly

Scottish silver hardstone bracelet and cloak brooch, two metal thistle sword brooches, silver purse and a mixed lot of silver and metal costume jewellery. Condition report: see terms and conditions.

An interesting collection to include a well cased set of twelve 19th century plated knives and forks with chased decoration to blades, embossed caps and collars with mother-of-pearl handles, a large plated bowl on pedestal foot, a cast figure of a standing rabbit in cloak, various small plated dishes, elaborate tongs in the form of outstretched hands with further detail, a decorative picture frame with set stone detail etc

A small carved oak figure of St Agatha in a long cloak with traces of early paintwork

A pair of Muller & Co Meissen style figures, early 20th Century, each modelled as a shepherd wearing a purple cloak accompanied by his dog, and shepherdess wearing an apron filled with flowers accompanied by a recumbent lamb, on gilt decorated rococo scroll moulded bases, underglaze blue factory mark to bases, height approx 27cm (restoration).

A 9ct white gold gentleman's dress set, set with black onyx and seed pearls, comprising; a cloak link, pair of cuff links, a pair of collar studs and four shirt buttons. (9)

A Vintage House of Van Heems, London SW1 Clerical Cloak, a heavy wool with a lion mask clasp and chain together with a Men`s Harris Tweed Overcoat.

An ornate black ribbed silk cloak with inset lace panels and ruffled edges. Late 19th century

Collection of 1980-1990s Marvel Comics: Featuring Spiderman, The Punisher, Cloak Dagger, Elf Quest all in clean condition (70)

An icon of Christ, 19th century, depicted holding a reliquary, in a red and gilded cloak, 37.5 x 28cm

(lot of 38) Associated group of miniatures including a broken Pre-Columbian clay flute, ancient Pervuvian tweezers and cloak pins, obsidian arrowheads, bone artifacts and a group of copper military buttons from Wishram, Washington

A parcel lot of textiles to include early 20th Century black cloak with cream embroidery, three hats, two of straw the other of black silk with ostrich feathers, Alsacian costumed doll, kid gloves, rayon shawl, two cravats, one velvet, ostrich feather stole, girl`s Norwegian National costume to include skirt, two blouses, waistcoat and beaded belt etc,

A late Victorian carved marble bust of a woman, her eyes downcast, her hair loose, her cloak draped over her head, a star to her chest, on a veined marble socle, unsigned, approx. 45cm high.

A 19th century continental carved and painted pine model of Christ the Shepherd, parcel gilt, wearing a red cloak with a lamb in his right hand and an associated staff in his left, 115.3cm high, 51.5cm wide, 25.8cm deep.

A 1950s Austrian painted spelter table lighter modelled as a highwayman on horseback with pistol drawn, wearing a red cloak mounted on a beech base, width 25cm