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2nd-3rd century AD. A provincial silver-gilt rectangular votive relief depicting a standing goddess in the act of making an offering with a phiale in her right hand, the veil of her cloak (pallium) worn over the head (capite velato), dressed in a long Ionic chiton falling over the lower legs, a trace of gilding on the neck and face. See similar images of Cybele with patera in Nankov, 'toward the Thracian Religion in the Early Hellenistic Period: a terracotta figurine of Kybele from Seuthopolis reconsidered' in Archaeologia Bulgarica, 3, 2007, Sofia, pp.47-67, figs.11,13,18. 42 grams, 77mm (3"). Property of a gentleman from Vienna; from his private collection formed since 1970. This Roman provincial work could evoke the image of Cybele-Demeter or Artemis Posphoros. The two divinities are often identified by the similarity of holding the phiale in the right hand, as it is possible to see on some of the autonomous coins of Kabyle. For this specific lot, 5% import VAT is applicable on the hammer price [No Reserve] Fine condition, cracked.

A 19th century carved shell cameo brooch depicting a female bust, in wide pierced gilt metal foliate mount set four pink stones, 2” wide x 2.25” high (faults to shell & mount); a 19th century yellow metal brooch set large rectangular white stone; a hair locket brooch; a loose rectangular citrine seal matrix with armorial intaglio; two stick pins; a silver Celtic-style cloak pin; & various shirt studs, etc.

ENGLISH SCHOOL, late 18th/early 19th century. A pair of male & female portrait studies, she with blue ribbon in her curled hair, he wearing black cloak with white neckerchief; oil on canvas: 11½” x 9½” (oval), in gilt wooden frames. (13½” x 11½” over-all).

A 19th Century oil on canvas girl in red cloak with basket of eggs, signed indistinctly in gilt frame, en verso George Baxter

A Spanish Lladro porcelain figure, Woman with Gosling, decorated with polychrome enamels (32cm) and a figure with Cloak and Bouquet of Flowers (missing one petal) (31cm) (2)

A traditional Greek cloak

"Saint James". Wrought silver reliquary bust. Colonial. 18th - 19th century. Large figure of the apostle, completely covered with thick plates of embossed and wrought silver on a wooden base. The body’s upper part is covered by a short cloak continuing to the beginning of the saint’s cape. All of this is worked in silver that has been embossed and chased all over its surface with vegetation motifs, pilgrim’s shells, leaves and the letters C facing each other and joined by small crowns. In the centre of the front part is the space for the relic. The hat is separate. It is made from a separate piece, and under it, the saint’s head is completely worked. The apostle’s face is magnificently chased, it looks as if it is a portrait. 55 x 40 x 28 cm

China & Japan.- Ionides (Helen Euphrosyne "Lallie", MBE, daughter of Constantine Alexander Ionides, art patron and collector, 1833-1900, 1871-1967), Mildred Martineau, of Littleworth, Esher) & Elizabeth Chamberlain. Travel journals of a tour of China and Japan, 8 vol. (7 vol. travel journals and 1 vol. of copies of letters), duplicated typescripts, some photographs, of various places in China and Japan, slightly browned, original morocco (not all uniform), cloth and buckram, morocco covers detached and lacking spines, cloth creased and faded, 4to, 1908-10.⁂ A well written and interesting collection of travel journals by three cultured and observant Edwardian women. China, Beijing. "April 4 1910. Yesterday Capt. Fitz Hugh fetched us in a motor and took Lambert, Sis, and myself out to the Wan-Shou-ssu Temple, where the Imperial family rest on their way to the Summer Palace... . In 1900 the Germans looted this temple, and all the ornaments are quite new and it has been repainted, which makes it glaring, but it is very prettily designed and there is a lovely rock garden!"Tibet, Lhasa. "The Potala is a huge square building, topping a little conical hill, with a dozen or so of smaller ones on the slopes below, all flat topped and dotted with blind window arches like the one at the Ta Fo Sau. There is a fine mellow massiveness about the whole design of great square blocks set in the clustering darkness of fine trees. The bell sounded for prayers... and Lamas of all ages came pouring up, clad in all shades of yellow... many in most undignified haste robing as they ran. They filed into a small side temple and squatted in rows... while the head priest in a glorious red cloak, mellow with age marked time with a bell. Then the chief priest came and talked to us and allowed us to photograph him in his cloak, with a wonderful tasselled ornament hanging down his back, he was very friendly and much interested."Japan. Nihongami. "After we'd done bowing and smiling... I was escorted upstairs to unrobe, and when I came down in my cotton kimono, there was quite a crowd waiting... . It was a drastic process. I don't wonder Jap ladies sleep on a wooden pillow and only have it done once a week... . Then they applied oil and stuff that looked like cobbler's wax and I quailed but endured... the hairdresser-in-chief shooed away her assistants and set to work in real earnest. She scraped me and combed me and tied my unhappy hair with bits of gut, pulled taut with her teeth and she tied on a long tail of black hair and no end of pads.

Indian bronze figure of Shiva Nataraja, 19th Centuyrm dancing on the head of a cobra, 17.5cm high, and a small Tibetan bronze of Padmadsambhava, the double figure wearing monk's robe a feather cloak, his lotus hat topped with a vulture's feather symbolising the realisation of the highest view, 12.5cm high, (2)Condition report: Both in good order.

Two oval framed antique miniatures. One of an elderley gentleman with white hair on ceramic and one framed and glazed miniature on ivory of a professor in black cloak.

Lynn Chadwick R.A. (British, 1914-2003)Maquette II Walking Woman signed and numbered 'CHADWICK/C6/5/9' (on the cloak)bronze with a black patina30 cm. (11 3/4 in.) highConceived in 1984Footnotes:ProvenancePrivate Collection, SwitzerlandExhibitedLondon, Marlborough Fine Art, Chadwick: Recent Sculpture, 31 October-7 December 1984, cat.no.10 (ill., another cast)LiteratureDennis Farr & Éva Chadwick, Lynn Chadwick, Sculptor, With a Complete Illustrated Catalogue 1947-1996, Lypiatt Studio, Stroud, 1997, p.336, cat.no.C6 (ill.b&w, another cast)Dennis Farr & Éva Chadwick, Lynn Chadwick, Sculptor, With a Complete Illustrated Catalogue 1947-2005, Lund Humphries, Aldershot, 2006, p.344, cat.no.C6 (ill.b&w, another cast)Dennis Farr & Éva Chadwick, Lynn Chadwick, Sculptor, With a Complete Illustrated Catalogue 1947-2003, Lund Humphries, Farnham, 2014, p.348, cat.no.C6 (ill.b&w, another cast)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Spanish school end of XVIII century."Immaculate Conception.Oil on glass.Measurements: 27 x 20 cm., 40 x 33 cm. (frame).Oil on canvas of vertical format and devotional character. The author collects in this work the figure of the Virgin according to the advocation of the Immaculate Conception. This theory is based on the presence of the crescent moon under the Virgin's feet and the appearance of the flowers that are arranged in the lower part of the canvas. It is true that in this case the author has not collected all the litanies linked to the presentation of the Immaculate Conception. However, he has opted for a sober composition, eliminating any detail that could distort the viewer's vision. On a neutral background is the monumental figure of the Virgin, immersed in a break of glory of golden light and quality. The Virgin places her hands on her chest and directs her gaze towards the sky in an attitude of prayer. Dressed in a red tunic and dark cloak, the artist removes the figure from the idea of universality and goodness associated with the white tunic and blue cloak and confronts us as spectators with a mother suffering for her son.

A cloak clasp and three shoe buckles, the clasp of two circular simulated horn panels applied with white metal angels within borders of scrolls, each 7cms dia., a 19th Century cut steel shoe buckle, 6cms, and a pair of French early 20th Century shoe buckles, 5.5cms. (4)

19th Century School, a study of a seated gentleman wearing a hooded cloak, oil on card, 12" x 8.75".

Costume jewellery, including purple glass cloak clasp; a purple glass pendant and brooch, second purple glass pendant,  together with a silver and paste triple crescent brooch approx 45 x 40 mm Art Deco style brooch which has a central mounted glass screw-top canister mm K*R (patent pending), a pair of collar clips, three pairs of clip-on earrings, one pendant and three brooches and finally a blue and white stone bar brooch. This lot continues with a silver floral brooch, sterling silver purple and white enamel brooch mm Rims & Bacs, yellow metal mourning locket, malachite brooch in the form of a ivy leaf, red glass pendant, Rotary stainless steel wrist watch, Stratton compact, a silver cigarette case Birmingham hallmark 1926, silver bangle Chester hallmark dated 1923 (both lightly dented) 103 gms, silver plated filigree belt, a stainless steel and enamel 1/F Wing RCAF Moville France lighter; vintage Ronson chrome plated lighter and two vintage pocket compass, all housed in a miniature Gladstone bag. 

A large Simon & Halbig for Kämmer & Reinhardt child doll, with brown lashed sleeping eyes, pierced ears, blonde mohair wig, jointed composition body, white Broderie Anglaise dress, white work ribbed cloak, lace bonnet, underclothes and cloth shoes --29½in. (75cm.) high

Two Pedlar dolls under glass domes, a pegged wooden doll in red cloak seated with basket of wares; and another with brown cloth face on wired frame with wicker tray of wares, probably assembled mid 20th century --12½in. (32cm.) larger (with damaged dome, the smaller with ill fitting dome)

A late 19th century continental white porcelain group, of a female panpipe player surrounded by cherubs on a rococo base, 22cm wide x 27cm highCondition report: One cherub without wings and the other two lacking one wing each, loss to back of female figure's cloak, one cherub's head repaired, small losses to fingers and toes of cherubs.

Ca. 664- 332 B.C. Late Dynastic Period, Saite Period. Egyptian. An ancient Egyptian bronze figure of Osiris standing mummiform with his hands emerging from his cloak, holding the crook and flail, and wearing a broad beaded collar with tassels and the atef-crown with uraeus, the missing plumes formerly inserted. His face with full outlined lips and eyes and eyebrows.Osiris was one of the most popular ancient Egyptian gods and was connected with male fertility. He was said to be the first Pharaoh of Egypt and was murdered by his brother Seth for his crown. Osiris was revived by Isis, his wife and sister, to conceive Horus, the son who would avenge his death. After death, Osiris became ruler of the underworld and God of the dead, which is why he is shown with the crook and flail, the symbols of authority for Egyptian rulers.Objects for Eternity, fig. 3.10, for a parallel.Metropolitian Museum of Art, New York, https://www.metmuseum.org/art/collection/search/551302Ca. Late Dynastic Period, Saite Period, c. 664- 332 B.C. Egypt. Provenance: From the collection of a London gentleman; formerly acquired in early 2000s; previously in 1970s UK collection. Size: L:145mm / W:35mm ; 155g

A group of Staffordshire flatback figures including: theree 1920s chimney dogs, a piper with cloak, a clocktower group, man with dog and Stanfield Hall 37cm and smaller (7)

A NOVELTY HUNTING CLOAK CLASP, modelled as a boar's head chain-linked to a crop with dog's head terminal, with garnet inset eyes. Length 9cmCONDITION REPORTBase metal with heavy rubbing to the silver plating.

After Peter Lely - Portrait Barbara Villiers, as Mary Magdalene - A large oil on canvas full length portrait painting depicting Barbara Villiers, Countess of Castlemaine and Duchess of Cleveland (1640-1709) Seated the Duchess faces the viewer, with her head resting on her right hand. She wears a satin décolleté dress, with a blue cloak which she holds on her lap with her left hand. Painted on a Windsor canvas. Set to an ornate rococo swept frame. Measures approx; 147cm x 86cm. (canvas only) Frame 180x118cm.

AN ERALY/MID 20TH CENTURY NAVAL OFFICERS BOAT CLOAK. A dark blue cloak with twin lion mask clasp to the neck and four buttons to the front and two internal pockets.

Attributed to Michael Pacher (German, circa 1435-1498): A carved wood and polychrome and parcel gilt decorated figure of a male saint, possibly St JohnSouth German or Tyrolean, late 15th centurythe figure with rope tied wavy shoulder length fair hair looking slightly to sinister, clad in a draped and folded cloak held about his body, his left hand clutching the upheld hem, raised on a later stained wood rectangular base, the figure, 78cm high, the later base 5cm high Footnotes:ProvenanceWith Reinhold Hofstätter, ViennaThe sculptor, architect and painter Michael Pacher was active during the later part of the 15th century. Cited as perhaps one of the earliest artists to introduce the Renaissance style to a German clientele, he was famous for producing elaborate painted and sculpted works in both wood and stone showing a uniquely personal side incorporating elements of the Italian Renaissance and the Northern Gothic.Producing works including painted structures for altarpieces on an unparalleled scale in North European, his finest work is perhaps the St Wolfgang Altarpiece (1471-1481) in Salzkammergut which is considered to be one of the most outstanding examples of a carved and painted altar shrine illustrating scenes from the life of Christ and the Virgin Mary. Pacher's other great work, the Altarpiece of the Church Fathers was created in 1483 for Neustift Monastery and this also combined painting and sculpture to produce a unique composition. Influenced primarily by North Italian art, Pacher's work however shares characteristics with the work of the Italian artist Andrea Mantegna whilst also reflecting the heritage and tradition of a number of South German carvers.The plump facial features of the present lot with his upturned nose, distinctive waving to the hair and crinkled folds of the drapery compare closely to figures in Pacher's St Wolfgang Altarpiece, see T. Müller, Gotik in Tirol, Bozen, 1976, figs. 122-124 and pl. XXVII.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A large modern 9ct gold cloak pin/clip, hallmarks Birmingham 2007, length 9cm, 4.8gNo damage or repairs, settings lightly abraded, fitting working, hallmarks clear, stamped 375

Antique early 20th century folding plate camera in ebonised box by Emil Busch Rathenow to include bellows, lens, photography cloak and two plate holders.

An 18th century Derby porcelain figure group of Abelard and Heloise, c. 1770modelled as a seated monk holding a book by a rock, a nun kneeling next to himheight 12.5 cm., length 14.5 cmCondition: A couple of very small chips to tip of monks habit and nose, cloak edge far right. Chip to nun cuff edge and some wear /rubbing to enamel decoration dress

A rare set of four Chelsea Red Anchor figures of the Rustic Seasons c.1756each modelled standing on a circular bases applied with flowers and leaves, each bearing red anchor mark, Spring carrying a flower basket, Summer a wheatsheaf, Autumn as vintner carrying a fruiting grapevine and winter wearing a cloak and carrying a brazier, (4)height 14 cm.Condition: Spring has restoration to back of hat and right hand, little finger broken. Chips and losses to flowers in basket. Summer Heavily restored to head, both arms, waist and wheatsheaf and through base. chips and losses to flowers.Autumn Restoration to both hands and right shoulder, two areas on edge of the base. Winter without any evident restoration, some small losses to leaves and flowers on base. Restoration is of good quality however it has discoloured and become cream in colour.A full set of the Rustic Seasons is illustrated by F. Stoner Chelsea, Bow and Derby Porcelain Figures, 1955, pl. 10

A collection of vintage clothes originally used by an amateur dramatics society comprising a blue full length coat, an emerald green cutwork dress, a floral full length dress and jacket, two mourning capes, a cream lace dress with orange belt, a black velvet cloak, a black evening dress and jacket, three beaded black jackets, two black coats, a navy blue coat, two further jackets, a black beaded dress, a long cream floral dress, an orange brocade dress, an American pink crossover dress, a green blouse and a further printed floral dress.Additional InformationThere are a large number of items and all are in fair/good vintage condition.

MEISSEN; an 18th century figure group of a young couple with two cupid by their side, apparently unmarked, height 19cm.Additional InformationRestorations to the leaves and tree at the back of the figure, also sections of the base, the tip of the blue cloak around the cherub and also the torch he is holding. Small areas of restoration to her hat and sleeve, also to the upper cherubs left arm and some other small areas.

MEISSEN; an 18th century figure writing on a scroll, with pink gilt heightend robe, height 17cm, apparently unmarked.Additional InformationRestoration to the scroll, also the little finger of her right hand and the feather tip, the head has also been clean broken off which is a neat regule with small area of restoration to back of the head, tip of her cloak is restored.

MEISSEN; an 18th century figure of a woman holding a fan in her left hand, painted marks to back of base, impressed number 6698 and also 10 to base, height 14cm.Additional InformationRestoration to both hands and arms, also to the cloak around her right arm, also the fan and ribbon ties and lower portions of the tip of her cloak.

MEISSEN; a late 19th century figure standing beside a column, wearing a blue cloak, height 12cm, together with four further Continental figures including a maiden holding a lyre, etc (5).Additional InformationThe Meissen figure is lacking his arm and has restoration to the hat, losses to the glaze and fingers on the smaller figurine. The figure holding the grapes with a break to the foot, which has been crudely glued back. The figure with the basket has a chip to the basket. The girl with the lyre has restoration to the lyre.

MEISSEN; a late 19th century figure group modelled as a seated female beside a gentleman playing pipes with a child holding a hobby horse, painted marks to base, height 17cm.Additional InformationSome of the fruits restored, two fingers of her left hand, the child entire right hand and part of his clock, also the upper section of the hobby horse, tiny areas to the hat and also a small area of damage to his cloak which is a chip which has been overpainted, otherwise ok.

A PURPLE SILK VELVET COSTUME IN MEDIEVAL STYLE, TAILOR MADEComprising a fitted jacket, a pair of breeches with button fly closer, a belt with sword fitting, troubadour cloak and feather mounted hat, the whole profusely mounted with silver metal braid and piping, the jacket and breeches mounted with decorative metal thread domed buttons, the jacket closing with hidden hooks and eyes, the cloak mounted with silver metal cord and tassel ties, later mounted lace ruffs to jacket and breeches and a paste set dagger, together with a pair of similar purple silk velvet shoes mounted with steel buckles to the three strap closersBreeches 76cm long, the jacket 47cm wide underarmCondition Report: The stitching seams is coming apart in places, mainly to the top of the jacketWear to the silk lining around the neckThe breeches are approx. 78cm waistSlight discolouration to the interior of jacketSlight rubbing to velvet pile on waistband seem splitting to fly Other small repairs to seamsTassels slightly deficient on cloakPossibly two later button holes under the collar of the cloak, slight discolouration to silk lining and silver braid, overall condition goodRubbing to pile on the belt and slight discolouration to the braidHat - one feather broken off, another one bent, overall reasonableCondition Report Disclaimer

A WOOL FLANNEL BIB/BODICE FRONT19TH CENTURYWith finely detailed arabesque scrolling in gold couch work, with faux closure front mounted woven 'buttons' with turquoise glass bead highlight, with side hook and eye closure, together with a pair of matching cuffs with black velvet bows over hook and eye closers and a matching stand up collar; together with a brown Melton wool bolero with integral cloak, embroidered with gold couching, frogging and tassel ties to front, with button back closing, together with a pair of gaiters similarly embroidered with metal button closures and couching to frontCondition Report: Slight moth damage to one edge of bodice and pile rubbed/lost to small areas to edges, silk lining to backs of cuffs disintegrating; bolero fabric good with little, if any, wear, the couching partially detached to the front of the gaiters and the bolero, one tassel lacking, see pics for details. Condition Report Disclaimer

DAME EDITH INTERESTA CELADON GREEN SILK AND GILT METAL BROCADE FULL LENGTH EVENING CAPEFIRST HALF 20TH CENTURY Custom made with furnishing fabricWith stand up collar to shaped and piped and shaped yoke padded welt to shoulder line, pleated detail to back, with interior retaining shoulder straps, with neck and waist hook and eye closing147cm longProvenance: Dame Edith Sitwell DBE (1887-1964)Exhibited:National Portrait Gallery Exhibition, The Sitwells: 14/10/1994 - 22/01/1995. Literature:V. Glendinning, Edith Sitwell A Unicorn Among Lions, published 1981, page 296'My Clothes and I', Observer, 10/05/1959, page 19Catalogue Note: The present lot was worn by Dame Edith during her photo shoot with George Platt Lynes in 1950. Edith was photographed in various outfits during her session. As with many of Edith's other clothes, the cloak was make out of furnishing fabric and aptly illustrates Stella Bowen's description of Edith being like 'a high altar on the move'. 'I couldn't possibly wear tweeds'. Edith told the Observer. 'It would be like dressing a lion in rabbit's clothes. People would follow me on bicycles if i did, I'd look so extraordinary. Tchelitchew designed 'Plantagenet' dresses for Edith in Paris in the early 1930s, but in later years she either designed her own or went to Madam Astier in the Kings Road, Chelsea. The brocade cloak went with her to America in 1950. Condition Report: Faded overallFaint bleeding of green from interior silk on yoke onto top area of cloakStain to back pleated area 8cm acrossBleeding through to the frontOdd small marks to frontSome darker shading to the yoke and collar and odd patches to bodyPlease refer to the additional images for visual reference to the condition Condition Report Disclaimer

Cloak And Dagger Mini-Series No's 1-4; Cloak And Dagger No's 1, 2, 3, and other Cloak And Dagger related issues; Comet Man No's 1, 2, 3, 4, 5, and 6; The New Warriors No's 1, 2, 3, 4, 5, and later issues; and The New Warriors No's 1-5, 7, and later issues; and Wonder Man No's 1-29 inclusive.

A Japanese lacquer photograph album, early 20th century, the cover with mother of pearl and carved bone inlay depicting figures, birds and mythical octopus, opening to reveal fitted interior with hand painted decoration of landscapes and flowers on silk boards, 14½in. (36.8cm.) long closed. * Small amount of loss to bone inlay - one octopus tentacle, right foot and back of cloak on right figure, the lacquer with surface marks and small dent, spine wear to bottom front corner, silk boards with stains, inscription to front page, overall fair/good.

Academy Costumes of London cape or cloak with embroidered borders, applied tassels and fringing, in grey silk with piece ikat lining; also a black cotton djellaba with embroidered decoration in gilt metallic thread and a yellow and blue headband or agal.  (2)

A pair of Staffordshire Crimean war figures of a soldier’s wife leaning on a gravestone, and a sailor leaning on a gravestone.Circa: 1855Size of Wife: 18cm HSize of Sailor: 19cm H, 9cm WCondition of Wife: Restoration to hat, cloak & neck.Condition of Sailor: Restoration to collar cloak red bottle and back of figure.Provenance: The late Dennis Silk CBE collection

A continental yellow metal and cultured pearl set cloak? pin, gross 6.3 grams.

After Sir Anthony van Dyck (1599-1641)Portrait George Digby, 2nd Earl of Bristol, half length standingOil on canvas, 101cm by 84cm (unframed)Condition report: In fairly tired and country house condition, old reline, cleaned and revarnished. Pronounced varying sized cracquelure which is exaggerated by deteriorated varnish. There are also areas where cracquelure is flaking and paint is coming away most notably effectively in line with left-hand side upright stretcher and evident rudimentary infilling to areas of flaked paint, general losses along the lower edge, and rubbing abrasions. Less significant losses to other edges. Stretcher shadow, numerous surface scuffs, scratches and abrasions. Mostly contained to the upper third. Various consistent strengthening, overpainting throughout background and folds and definition of the gentleman's cloak, outline of the face, and parts of the hair. The face and flesh remains in better seemingly more original order with possibly only minimal restoration, surface generally somewhat flattened from restoration process etc.

A pair of late 19th Century French carved ivory figures of a pair of semi naked classical dancing figures, each holding a cloak, on turned Doric circular bases, height 21cm. (2)

Three Kenner Star Wars 3 3/4 inch action figures, all complete with accessories and original Return of the Jedi 77 back cards and bubbles, comprising Luke Skywalker Jedi Knight Outfit with cloak, green lightsaber and palace blaster, Han Solo Bespin Outfit with blue Bespin blaster, and Chewbacca with bowcaster.

Six Star Wars Return of the Jedi 3 3/4 inch action figures, all complete with accessories and original bubbles, comprising Biker Scout with scout blaster and Palitoy 65 back card, Rebel Commander with Hoth rifle and Palitoy 45 back card, AT-ST Driver with Endor blaster and tri logo 70 back card, Emperor's Royal Guard with inner cloak, outer cloak, force pike and Palitoy 65 back card, Bib Fortuna with battle staff, cloak, belt and Palitoy 65 back card, and Imperial Stormtrooper (Hoth Battle Gear) with Stormtrooper rifle. (6)

This lot will be auctioned on Tuesday, November 9th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 10th or November 11th.Harry Potter's (Daniel Radcliffe) pyjamas from Chris Columbus' fantasy-adventure film Harry Potter and the Philosopher's Stone. Harry wore his nightclothes in several scenes, including the moment he received an invisibility cloak on Christmas morning, and the scene in the hospital wing, where Dumbledore (Richard Harris) informed him the Philosopher's Stone had been destroyed.Warner Bros. originally donated this lot as part of a Harry Potter prize to the Children with Leukaemia Charity Ball, held at Grosvenor House Hotel in London in 2010. This pair of white cotton pyjamas with blue stripes was custom-made for the production by Derek Rose, but ultimately unused. They comprise a long-sleeved button-up shirt and a pair of trousers. The lot is accompanied by three printed stills from the film and a photocopy of the original list of items included in the Charity Ball prize. Estimate: £3,000 - 5,000 M

This lot will be auctioned on Tuesday, November 9th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 10th or November 11th.A Hogwarts student Gryffindor House robe from David Yates' fantasy adventure Harry Potter and the Deathly Hallows: Part 2. Hogwarts students were wearing robes as part of their uniform when Severus Snape (Alan Rickman) called for an assembly in the Great Hall, where he ordered anyone who knew the whereabouts of Harry Potter (Daniel Radcliffe) to come forward. The black cotton robe features a large pointed hood and short wide sleeves, with an embroidered Gryffindor crest adorning the left breast. It is lined with black synthetic fabric, with burgundy cotton lining the hood and front facings. Pockets are incorporated into the side seams and there is a button fastening on the front. The cloak displays signs of production use, including minor marks, with small holes at the back of the exterior neckline and on the lining neckline, which has caused some fraying.A percentage of the proceeds from the sale of this lot will be donated to the Starlight Children's Foundation. Estimate: £10,000 - 15,000 MThis lot was initially gifted directly from the Harry Potter production to a young boy named George Major, who was diagnosed with Leukemia at the age of four and underwent treatment for three and a half years. During this difficult time, he raised over £50,000 for charity and received a Pride of Britain award for his achievements. Towards the end of his successful treatment, George was granted a wish: to visit the Harry Potter film set at Leavesden during filming. He experienced a private tour of the sets and various production departments, and had the chance to meet Daniel Radcliffe, who was filming some final green-screen sequences.A percentage of the proceeds from the sale of this lot will be donated to the Starlight Children's Foundation.

This lot will be auctioned on Wednesday, November 10th. The auction will begin at 3:00pm BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on November 9th or November 11th.A collection of items from the production of Ridley Scott's historical epic Gladiator. From the collection of focus puller Simon Hume, this lot contains four behind-the-scenes photographs of actor Oliver Reed; a Praetorian guard cloak pin; a Roman General cloak pin; a metal arrowhead; five VIP screening tickets; and assorted production ephemera. The ephemera includes a second-rewrite script; revised script pages; gladiator costume designs; and storyboards. All show signs of production use, with script page tears, and finish wear on the cloak pins. Dimensions (photos): 15 cm x 10 cm (6" x 4"); (largest cloak pin): 8 cm x 8 cm x 2 cm (3¼" x 3¼" x¾"); (script): 30 cm x 21 cm x 1.5 cm (11¾" x 8¼" x½")Sold without copyright; see copyright notice in the Buyer's Guide. Estimate: £500 - 700 M

CENTRAL EUROPEAN SCHOOL 18TH CENTURY Portrait of a gentleman, half-length, wearing armour and a fur-lined cloak; Portrait of a lady, half-length, wearing a blue silk dress and fur-lined cape A pair, each oil on canvas, oval (2) 71 x 53cm Provenance Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.

A LLANELLY POTTERY PLATE WITH PORTRAIT OF A PURITAN with amusing grammar mistake, painted in blue and yellow detail, head and shoulders with collared cloak and wide-brimmed hat, inscribed to border 'It is never to late to be taught', 22cms diam Provenance: collection of Gwyneth and the late Ieuan Evans Comments: excellent order, light crazing

Late 18th Century pearlware figure, of a lady with a foliate dress and draped yellow cloak, 19cm high, together with a blue and white 19th Century transfer decorated pearlware frill vase, 20cm high, (2)

A Lenci Madonna glazed china figurine, Italian 1930s, the half figure with arms crossed and wearing a hooded cloak decorated in stylised flowers with figures and chickens to rear, 11 ¼” (28.5cm) tall, condition: small area of paint loss to her left hand and nose.

TWO CINNABAR LACQUER CARVED SNUFF BOTTLES AND AN IVORY CARVED SNUFF BOTTLEThe first lacquer bottle, 18th/19th century, with flattened oval body crisply carved around the exterior with a continuous scene of a Buddhist monk holding a staff, arm and leg raised, amongst a gathering of ladies and gentlemen, amidst trees and mountains in the distance, with carved lion mask and suspended chain handles, stopper, boxwood stand, 7.9cm (3 1/8in) high; the second lacquer bottle, 19th century, of flattened ovoid form, carved with gentlemen scholars and boy attendants in a mountainous, tree-strewn landscape, beneath a ruyi collar and floral band at the neck, coral stopper, 6.2cm (2 3/8in) high; the ivory bottle, 19th/early 20th century, carved in relief with three figures on board a sampan, a gentleman at the fore wearing a tiger skin cloak, all amongst turbulent waves and cloud scrolls, the reverse with a procession of figures riding a variety of beasts, 8.7cm (3 3/8in) high. (7).Footnotes:十八至十九世紀 剔紅鼻煙壺兩件 及十九世紀/二十世紀早期 牙雕煙壺 一組三件Provenance:Parry Collection, London, and thence by descent來源：倫敦Parry家族收藏，並由後人保存迄今See a cinnabar lacquer carved snuff bottle, 1750-1800, with similar decoration to the present lot, which was sold at Christie's New York, 12 September 2018, lot 702. Compare also a deeply-carved ivory bottle, Qianlong, which was sold at Christie's London, 7 November 2017, lot 52. 參考一例1750-1800年制剔紅人物故事圖鼻煙壺，紋飾主題可與本例中剔紅鼻煙壺較大者相比對，售於紐約佳士得，2018年9月12日，拍品編號702；以及一例清乾隆象牙人物故事圖鼻煙壺，售於倫敦佳士得，2017年11月7日，拍品編號52。This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com

Vintage Laura Ashley blue cotton dress with lace collar and lace cuffs to three-quarter sleeves, four button front fastening and side zip (size 10), a Laura Ashley black cotton V-necked dress with collar and belt, pink rose print, three-quarter length sleeves, a vintage blue and white sailor-style dress, a white broderie anglaise romper suit, a 1970's tunic trouser suit, a psychedelic dress, a cotton dress marked 'Collectif', a Quad velvet opera cloak with white quilted lining, a vintage Damart jumper with collar and pearl detail, a Miss Selfridge blouse, a high-necked pintucked white cotton blouse and other late 60's/70's dresses (19)

Vintage Selfridges black velvet opera cloak lined with red satin, a Laurel 1980's tartan and black velvet jacket, a black coat, a grey wool coat, a black beaded and chiffon evening jacket, a Frank Usher beaded evening jacket and three other pieces (9) 

A  child's vintage blue velvet party cloak, lined with turquoise velvet, ruched collar and ribbon tie at the neck. a child's apricot coloured party dress , net and satin over a stiff petticoat with puff sleeves and another child's party dress ( smaller size) (3)

Ladies vintage coats and suits to include purple and pink tweed labelled 'London Made', a red tweed jacket with peplum hem and velvet collar, a Burberry-style cloak, a vintage maroon coloured double-breasted coat with velvet collar, three jumpers, a corduroy double-breasted coat, a plaid cloak with fringed hem labelled 'The Edinburgh Woollen Mill' and a 1950's black tweed coat with deep velvet collar and pleated skirt (10)

A bag of vintage clothing to include a cloak, embroidered waistcoat, bodice etc..

Bronze fire-giltTibet , 16th centuryDimensions: 19,5 x 14 x 10 cmWeight: 1450 gramsSeated in vajrasana on a lotus-base with his right hand in bhumisparshamudra while the left is resting on his lap, wearing monastic cloak, its border with a raised line, his face displaying a serene expression with downcast eyes below arched eyebrows running into his nose-bridge, his curled hair continuing into the ushnisha topped with a lotus bud secured with a tiara set with turquoise beads and decorated with floating ribbons.Former American private collection, assembled prior 2007 (by repute)Minor wear, slightly chipped, resealed