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A GOOD QUALITY 19TH/20TH CENTURY CHINESE CARVED WOOD FIGURE OF SHOU LAO, closely wrapped in a cloak, 14.4in high.

A mixed lot to include an Yves St Laurent scarf, clip on earrings, Trifari costume brooches and others together with cloak clips, etc (a lot)

Vintage bronze bust of Maori man figure with tattooed face, wearing ceremonial feather cloak, (kahu huruhuru), on grained wood base, (height 11cm approx, total).

Collection of Marvel Comics including The Avengers #203, #295 thru 301, Iron Man #225 thru 230, 231 thru 236, 237 thru 242, Daredevil #243 thru 249, 250 thru 256, 258 thru 263, The Incredible Hulk #353 thru 359, 346 thru 352, 336 thru 345, Fantastic Four #316 thru 322, 323 thru 329, 286, 310 thru 315, Mephisto vs the Fantastic Four #1 thru 4, X-Factor #1 (Feb 1986) thru 55, 57 thru 62, 64, 66 and X-Factor Special (Prisoner of Love) annuals 1 thru 5. The Mighty Thor 380 thru 382, 390 thru 393, 395 thru 398, 399, #400 thru 402, 404, 411, 413 thru 415, Cloak and Dagger #1, 2 thru 7, 8 thru 13, 14 thru 19, plus X-men #56, The Defenders #73, Marvel Two in One #66, Captain America #342, The West Coast Avengers #42 thru 47, 49, 50, X-Factor Special #64, 66, Thor Vikings #5, New X-Men #46. Various conditions.

A QUANTITY OF JEWELLERY including a large Scottish silver cloak brooch, a Scottish agate and silver circular brooch, a crystal and pink stone foliate necklace mounted with small diamonds, a single row cultured pearl necklace, an agate bracelet, and various other items.

World Coins, Austria, Salzburg, Markus Sittikus von Hohenems, 4 ducats, 1616, tonsured and bearded bust r. in cloak, rev. two facing saints seated among religious relics, date in Roman numerals at end of surrounding legend (Fr.705), certified and graded by NGC as Mint State 62+, a lovely example, highly lustrous and boldly struck on a superb round flan, minor abrasions from four centuries of collector handling, one of the finest to be found, very rare

An 18th century embroidered and painted silk panel, depicting a classical goddess wearing a red cloak and silvered head dress, seated beneath a tree, with young boy and angel standing near, a/f poor condition, 35.5 by 44.5cm, in gilt moulded frame, 48 by 56.5cm.

A carved alabaster model, of a man, wearing a cloak, with laurel wreath on his head, on square base, height 15ins, on an ebonised stand

Ferdinand Preiss, German (1882-1943) Bronze Sculpture "Girl In Cloak". Gold patinated bronze. Onyx base. Signed. F. Preiss. Measures 5-1/2" H overall. Condition: Good condition with no chips or repairs. Please note: We Will Not Ship This Item Out of State of Florida. Anyone Having This Item Shipped Must Have a Florida Address or the Item will not be Shipped. We will Not Knowingly Sell Endangered Species outside of Legal Channels. Domestic Shipping: $54.00 Min Est. $2000.00 Max Est. $3000.00

Large black velvet cloak with red lining

Vespasian. Gold Aureus (7.36 g), AD 69-79. Judaea Capta Issue. Antioch, AD 72/3. IMP VESPAS AVG P M TRI P P P COS IIII, laureate head of Vespasian left. Rev. PAX AVG-VSTI, Vespasian nude except for cloak floating behind, standing facing, head left, holding spear and raising draped woman (Jewess?) r. wearing a 3-tipped crown, who clasps his right hand with hers. Hendin -; RIC 2, pl. 82, 1550; RPC 1924; BMC 504; Calicó 664 (this coin illus.). A great rarity! This is the plate coin in Calicó and is listed as R2. It is in fact much rarer. Toned. Choice Very Fine. From the S. Moussaieff Collection, This lot has been officially exported from Israel through the Israel Antiquities Authority. The eight years between AD 66 and 73 had been long and exhausting for Rome indeed. In AD 66, a revolt against Roman rule broke out in Judaea that had the potential to destabilize the Roman East. When Cestius Gallus, the legate of Syria, failed to crush the rebels and suffered the defeat of an entire legion, command of the war was transferred to the general Vespasian. Despite Vespasian's early successes against the rebels in Galilee, the conflict dragged on. It was a tiring, dirty affair, often involving massacre and atrocity on both sides. At the same time, the Jewish and Greek populations that had long lived side by side in the cities of Syria and Judaea fell upon one another. In the spring of AD 68, Vespasian pressed his advance into Judaea proper, systematically capturing rebel strongholds and crushing resistance on his inexorable march towards Jerusalem. Then, the unthinkable happened. On June 9, AD 68, the increasingly unpopular emperor Nero killed himself in order to escape a potentially worse fate at the hands of his senatorial enemies and Servius Salpicius Galba, the rebel governor of Hispania Tarraconensis. This event sparked the infamous Year of the Four Emperors (AD 69), in which Galba and his rivals, M. Salvius Otho and Aulus Vitellius embroiled the Roman world in bloody civil war as they struggled to claim the imperial purple. Vespasian joined the fray as the fourth imperial claimant and was ultimately successful, his forces crushing the legions of Vitellius at Bedriacum and taking possession of Rome in the late autumn of AD 69.While all of this chaos was taking place in the West, Vespasian had left his son, Titus, in command in Judaea. Titus continued to prosecute the war against the Jewish rebels and besieged a Jerusalem crowded with refugees in AD 70. After a grueling seven months, bringing the defenders to their knees through starvation, disease and factional conflict, Titus at last stormed the city, plundering the Temple and slaughtering or enslaving many of the survivors. Victory was in Roman hands and in AD 71 Titus embarked for Rome to share in a great triumph with his father. Nevertheless, pockets of Jewish rebels still remained in the countryside to harass the Roman victors. Only in AD 73, after the capture of the Dead Sea fortress of Masada and the mass suicide of its Jewish defenders, was the First Jewish Revolt fully repressed. Rebuilding after years of destruction in both the East and West could begin in earnest.The present gold aureus struck in AD 72-73 celebrates the much longed-for return of "Augustan Peace" to the Roman Empire. The reverse features Vespasian represented as a spear-wielding hero (this heroic quality is indicated by the emperor's nudity) raising up a female figure wearing a turreted headdress. She is normally described as Tyche (Roman Fortuna), the Greek personification of a city's fortune, but it is somewhat unclear how she should be understood here. On the one hand, she could represent the oikoumene — the entirety of the Greco-Roman world — freed from war by the victories of Vespasian (and Titus). On the other hand, since this coin was struck at Antioch, Tyche here may represent the fortune of that city in its capacity as the capital of the Roman province of Syria. As Judaea was under the jurisdiction of the Syrian legates and the province at large had suffered great upheavals over the course of the First Jewish Revolt, it would have been fitting to advertise the restoration of Syria’s fortune at the conclusion of the war. A further comment by David Hendin, American Numismatic Society and author of a Guide of Biblical Coins:Among all of the known coins of Vespasian, the only subjugated men or women depicted are Jews or personifications of Jews in relation to the Roman victory in the Jewish War (66 - 73 AD). Thus this rare coin is almost certainly a local-Antiochean-variation on the Judaea Capta theme, but instead suggesting that this victory was pointing to "The Emperor's Peace."Mattingly suggests that the kneeling woman is wearing a "crown of towers." If this was true it would suggest that the Jewess was also representing the city goddess of Jerusalem, in her defeat. However, this specimen is better centered and better struck than the RIC specimen and the crown appears to have three pointed tips rather than three rectangular towers as usually seen related to a city goddess figure.

Haggard, Sir Henry Rider A collection of novels and other works by, or relating to, Haggard. Including: Eighteen English first editions including Allan Quartermain, 1887; Maiwa's Revenge, 1888 (in variant green boards as per Scott 10); Joan Haste, 1894; and A Farmer's Year, 1899 and with The Poor and the Land, 1905, red wrappers, Scott 44A. Also with Scott's Bibliography, 1947; McKay's Bibliography, 1930, no. 144 of 475; Lilias Rider Haggard, The Cloak That I Left, 1951; Cohen, Rider Haggard, 1960; Higgins (ed.), Private Diaries, 1980; and Pocock, Rider Haggard and the Lost Empire, 1993. Along with a number of other Haggard works in varying editions and two books on Egypt (Budge, The Nile and Egypt Through the Stereoscope, with maps in rear pocket) and Round the World, an album of pictures in parts. A large collection of what Harris of the Fortnightly Review called the ''coarse and violent intoxicants'' which ''coarsely and violently intoxicate''.

A Victorian diamond set 'trident' brooch, probably converted from a cloak or jabot pin, set to the terminal with graduated old cut diamonds, in white and yellow metal, unmarked, gross weight 6.8gms, 10.2cm long

A Collection of Approximately One Hundred British Army Collar Badges, in brass and white metal, including officer's bronze, gilt metal and enamelled examples; also, various other cap and arm badges, a cloak hook and chain etc

A Chinese porcelain figure of a man with long beard, gilt decorated cloak and hat reading a scripture, indistinct marks to base (damaged), height 21cm.

AN S.F.B.J. PARIS BISQUE HEADED DOLL, No. 301, wearing a velvet cloak. 26ins long.

A SCHOENAU & HOFFMEISTER "PB STAR", No. 1909, Size 7.5, BISQUE HEADED DOLL, wearing a velvet cloak. 25ins long.

A pair of Royal Ivory porcelain Worcester style figures, modelled in the form of a Neo Classical lady holding a dead pigeon and a lady with a cloak or shawl, printed in black to underside, 35cm H.

A carved pine figure of a saint, probably North European, 18th century. The figure in a cloak standing on a canted square plinth, hollowed out back. 112cm high

Three Limited Edition Hermann-Spielwaren bears from the European Edition to include:Queen Guinevere Bear in pink dress nd crown. Growls when rolled, complete with paper label , Hermann Bear stud to back of head, right foot embroidered Queen Guinevere European Edition 229/500E. King Arthur bear with his Sword Excalibur, red cloak, white cape, crown with gold trim, sword embroidered Excalibur, growls when rolled, paper label, Hermann bear stud to back of head, right foot pad embroidered King Arthur European Edition 233/500E. Sir Lancelot Bear with blue cape, gilt decorated shirt with shield and letter 'L', cloth helmet and a lance with two pennants, paper label . Herman stud to back of head. Right foot pad embroidered Sir Lancelot European Edition 155/500E. .

An antique mother of pearl and turquoise cloak clasp.

An undated archaistic carved stone idol with hatched feather cloak, separate feline head. 4.2 kg, 17cm (6 3/4"). Property of a London gentleman; acquired before 2000. [No Reserve] Fine condition.

19th century AD. A bronze Roman-style statuette of Mercury (Greek Hermes) standing on a plinth; nude with cloak slung over the left shoulder, standing with weight resting on left foot and right foot drawn back, left arm hangs down and right arm extending forth money bag; youthful head with winged cap and short wavy hair. 1.75 kg, 26cm (10 1/4"). Property of a Cheshire gentleman; by inheritance. [No Reserve] Fine condition.

An undated archaistic bronze figure of a standing male, modelled in the round, holding a staff in left hand, right hand raised, wearing a cloak and a necklace; mounted on a custom-made stand. 115 grams, 11cm including stand (4 1/4"). Property of an American gentleman; acquired 1970s-1990s. [No Reserve] Fine condition.

Art Deco cloak clasp, in coromandel with chain link

Bird form cloak fastener decorated with two dove figures approx 12cm length. 4 grams weight With gilt metal and 18ct gold parts

Postcards, Glamour, Philip Boileau, Glamour Girls, a collection of 20 cards, mostly by Reinthal & Newman, inc. watercolour, (4), Russian (1), National Cloak & Suit Company Advert card, Osborne Art Calendar etc (gd/vg)

Photography - Tribal Art - Maori New Zealand - a collection of stereoscope cards, by Underwood & Underwood, At eventide on Lake Rotorua - a Maori belle in kiwi feather cloak; Rubbing noses, the customary salute among the Maoris, Whakarewarewa, New Zealand; others from the same series (5)

Circle of John Riley (1646-1691)PORTRAIT OF A GENTLEMAN, HALF LENGTH, IN A BROWN CLOAKOil on canvas, oval75 x 62cm, in a 17th century-style carved silvered frame

1920's velvet opera cloak, vintage dinner suit with red braces, dress shirts, vintage belts, vintage bag. etc. (2 boxes)Re: Enquiry - Toys, Dolls, Models, Antiques & Interiors (4th and 5th December)please find images as requested . There are too many items to individually photograph, hence in a box.

Box of Victorian items - including Broderie Anglais collar, edging, flounces, etc, long dress train of finely decorated net lace over pink net with bead edge, pair of white cotton sleeves with lace cuffs, cream silk damask cloak, silk tail lining, some ermine fur pieces with tippet tails, black lace flounce pieces, plus a steel pin blue velvet pouch (qty)

Three vintage ladies items including a 1950s black velvet 'selincourt' dress having crepe sleeves and collar details, A black 1960s dress having tasselled tiers to skirt, and a blue Clark Battye couture cloak, approx 1960s. All in good condition, small to medium.Very slight crushing/bruising in places

ENGLISH SCHOOL (Mid XX Century) Portrait of a Lady, wearing a white blouse, black cloak and maroon shawl, oil, signed indistinctly verso and dated 1848, 31 x 27cm.

C. Antius C. f. Restio AR Denarius. Rome, 47 BC. Bare head of the tribune Antius Restio right; RESTIO behind / Hercules Triumphalis nude, walking right, head left, holding club and trophy, with cloak over left arm; C•ANTIVS•C•F• downwards before. Crawford 455/1a; RSC Antia 1. 3.81g, 18mm, 3h. Very Fine, scattered marks under light toning. Scarce. From a private UK collection. In 'Roman Historical Portraits' (1978), J.M.C. Toynbee writes that "the coin portrait of Caius Antius Restio, tribune of the plebs in c. 72 BC which appears on the obverses of the denarii struck by the moneyer C. Antius Restio in 47 BC, represents the acme of the Roman veristic portrait style. The head facing right is round, the hair lank, the long narrow face is almost grotesque, with its prominent cheekbones, two deeply cut vertical folds of flesh on the cheeks, long pointed thin nose thickening at the tip, thick lips, protruding chin and a scraggy neck with 'Adam's Apple'. The origin of this portrait must have been a portrait made during Restio's lifetime".

Germanicus (father of Caligula) Æ Dupondius. Rome, AD 37-41. [G]ERMANICVS CAESAR, Germanicus, bare-headed and draped, standing right in chariot, holding eagle-tipped sceptre and reins, driving triumphal quadriga right; chariot decorated with figure of Victory advancing right / [SI]GNIS RECEPT [DE]VICTIS GERM, Germanicus, bare-headed, wearing cuirass and short tunic, standing left, cloak over arm in which he cradles aquila, and extending hand in gesture of command; S-C across fields. RIC 57 (Gaius); BMCRE 93-100 (Caligula); BN 140-51 (Caligula). 12.83g, 28mm, 6h. Near Very Fine. From a private European Collection.

A late 18th or early 19th century Continental carved wood polychrome figure of a Saint, wearing a green coloured robe under a red cloak trimmed with yellow and orange, standing upon a stepped faux marble painted base 59.50cm (23in)

Studio of Sir Godfrey Kneller (British, 1646-1723) Portrait of Martha Lovelace (1667-1745) later Baroness Wentworth, head and shoulders, in a blue dress and pink cloak oil on canvas, oval 74 x 60cm (29 x 23in)Other Notes: The sitter has been identified as Martha Lovelace, 8th Baroness Wentworth (1667–1745) daughter and heiress of MP and bon viveur John Lovelace, 3rd Baron Lovelace, and the second wife of Henry Johnson, MP. She lived at The Gate House, Blackwall, Middlesex, became 8th Baroness Wentworth and died in 1745. Martha Lovelace was heiress to some of her father’s property in Berkshire. She inherited Water Eaton in Oxfordshire and Toddington in Bedfordshire through her grandmother, Anne Lovelace (7th Baroness Wentworth; 1623–1697), and the Bradenham estate in Buckinghamshire through her maternal grandfather, Sir Edmund Pye, 1st Baronet.An alternative attribution to Antonio Verrio (Italian, 1639-1707) has been suggested. The sitter's father was a patron of Verrio and the artist would have certainly met Martha Lovelace while he painted the walls at her family estate, Ladye Place, Hurley.The dress in the present painting is reminiscent of the one in the portrait of Princess Anne by Kneller, executed at the same time. However, the face may be Verrio’s work, which may have been finished by one of Kneller’s assistants.Condition:Some surface scratches, old gilt frame needs attention. Losses to the frame. A long scuff above the head of the sitter. Some paint losses and scuffing to the left of the sitter along the edge of the frame. Old label to the reverse "Mrs Henry Johnson".  

Circle of Sir John Medina (British, 1720-1796) Portrait of a lady, seated, in silver dress and gold cloak, three-quarter length oil on canvas, in a period silvered carved wood frame 124 x 100cm (48 x 39in) Oil on canvas which is unlined. There are numerous holes and tears in the canvas and several patches on the reverse. The paintings also has reverse stretcher bar marks, noticeably across the middle of the canvas. There is associated paint loss around the tears but remarkably the paint layer is in a stable condition overall with little evidence of retouching. The varnish is aged and dull. The silvered frame is in a good condition.

Two German bisque-headed dolls, A doll marked 53, possibly Recknagel with blue sleeping eyes, brown mohair wig, jointed composition body, pink striped dress, underclothes, brown boots and pink hooded cloak —18½in. (47cm.) high; and an AM 390 with blonde mohair wig and pink hooded cloak

After Benevenuto Cellini, a carved alabaster figure of Perseus with the head of Medusa, 19th century, height 79 cm (see illustration). CONDITION REPORT: The right arm has been broken off at the elbow and reattached. The blade of the sword is a none marble replacement. The left hand holding Medusa's head has been broken off and reattached. There are small chips to his cloak. There are some small bruise marks about the size of a small finger nail to the top part of his left leg. There is a very fine line on the interior of the body running around the waist. The wings on the left hand side of his helmet have been replaced. A small section of the base has been reattached. There are small insignificant surface marks throughout. The wing in Madusa's head on the right has been broken off and reattached. His ring finger on his right hand has had a joint repaired. There is a thigh to knee striation mark within the stone running through his left leg. Regardless of the faults mentioned this still remains a rather impressive decorative looking object.

Victorian snake bangle set with green paste, articulated form in gilt metal, other items set with green and clear paste, two necklaces, ring, bracelet, pin and cloak fastener, mainly 1930's . CONDITION, generally good condition, snake all pastes present, some wear to gilding, Bracelet, one paste stone missing, pin a couple of stones missing

ENGLISH SCHOOL (Early 18th Century), Portrait of a Gentleman, a white Necktie and red Cloak, half length, unsigned, 30" x 24 1/2", gilt frame (Est. plus 21% premium inc. VAT)

A miniature watercolour portrait of a lady wearing an ermine cloak, and 3 other printed miniature portraits (4)

A bronzed art Deco style figurine in the form of a nude lady draped in a cloak

Retro Atomic Black and Red Cloak and Stick Stand

A moonstone and sapphire cloak pin, the top inset with a round moonstone, to a tapering pin and a swivel clasp inset with a sapphire, length 6cm, 2.8g

2nd-3rd century AD. A bronze statuette of Jupiter (Greek Zeus) standing nude with left leg slightly bent atop a pedestal, right arm lowered holding a thunderbolt to the thigh, left arm bent at the elbow and raised with hand clutched to receive an object, most likely a spear, now lost; cloak draped over the left shoulder and wrapped around the arm; bearded face with wreath to the head; the wreath, eyes, nipples, navel, fingernails and toe-nails accentuated in delicate silver inlay; rectangular pedestal stepped to top and bottom, supported on four feet. 289 grams, 144mm (5 3/4"). Property of a London collector; acquired on the London market, 1990s-2000s. [A video of this item is available to view on TimeLine Auctions website.] [A video of this item is available to view on TimeLine Auctions website.] Very fine condition. A high quality statue from a central workshop.

Adolph Maubach, (Franco-German, fl. late 19th century), a patinated bronze model of a boy violinist, late 19th century, portrayed wearing a broad brimmed hat and long cloak; signed A Maubach to the maquette 66cm high

Ladies black velvet cloak with pink lining and hood

A large Enoch Wood pearlware figure of Shakespeare, circa 1825, after the monument in Westminster Abbey, incised PV for Peter Vannini from whose plaster cast this model is based, 45cm high/see illustration Condition Report: restoration to the bottom left corner of the draped paper (discoloured); firing crack in base with extends as a hairline crack up the back of the column; firing crack around his elbow at the join with the column; flat glaze chips to the front face on the column, and one to the cloak. Two flat chips to the reverse of the base and one underglaze.Overall good appearance.

A French jet silver gilt double brooch or cloak fastener.

TV & Movie Board Game Group, E.T the Extra-Terrestrial, PB157, for 2 4 Players inc Rare E.T fiugre with cloak @1982, N. Mint, Box wear, Battlestar Galactica, PB 58, For 2 to 4 Players @1978, Mint Boxed, Charlies Angels, PB4721, For 2 to 4 Players @1978, Mint Boxed Knight Rider, 1765, For 3 to 5 Players @1985, Mint Boxed - 4 Games.

† Eyes Wide Shut (1999) A cloak used in Stanley Kubrick's Eyes Wide Shut. As seen worn by the attendees at the Masked. The long cloak features an integral cape, collar and hood with original costumier tag to inner neck. Please note that VAT is payable on top of the hammer price at 20% in addition to standard buyers premium inc. VAT for this lot.

† Star Wars (1977) An Imperial Cloak. The Cloak is indicative of the style, and made from the same material, as the Grand Moff costumes and as such was likely intended for their use but ultimately not used. Accompanied by a certificate of authenticity detailing that the Cape was sent out on the set of Star Wars from the Costumier.Please note that VAT is payable on top of the hammer price at 20% in addition to standard buyers premium inc. VAT for this lot.

Two antique ethnic textiles, a thick hand woven woollen textile, an apron or overskirt, orange, black and accents of green together with an unusual textile of red felt, patchwork, applique and embroidery, apparently a form of shamanic cloak, the hood most elaborately worked with applique of velvet, black silk and red felt in a geometric pattern all embroidered in wing like motifs in red black yellow silks, tassels of squares joined at the corners of old Russian printed cotton and silk ikat, felt and silk velvet hang from the sides, locks of apparently human hair are attached to the hood (2)

A Japanese carved ivory okimono of Shoki the demon hunter, Meiji period (1868-1912), depicting Shoki beneath a gnarled tree, two onis to the top of the tree and below hiding in a cave, signed to red plaque on base, 7 3/8in. (18.2cm.) high.* Condition: Some fading to the colour of the ivory from sunlight and rubbing/wear to black stained areas to Shoki's beard and hair, cloak borders etc.  No chips or other damage to ivory. Good overall.

Simon Jacques Rochard (French, 1788-1872), Portrait miniature of a gentleman, possibly M. C. Williams, quarter length, wearing a black cloak with lace trimmed collar , watercolour on ivory, signed and dated 'Rochard 1818', in original pierced giltwood frame , the miniature 4½ x 3½in. (11.4 x 8.8cm.)* Condition: Miniature good, with minor contact marks with glass to lower and upper right corners and three tiny nicks to surface of paint to upper right corner. Frame good overall and very original - two gesso losses to top right corner and some wear to gilt.

ϒ Homei : A Japanese Ivory Netsuke, depicting a man standing with one foot raised on a drum, he holds a fan in one hand and drapes a shishimai mask and cloak over his left shoulder, details etched in brown, signed on a red lacquer tablet beneath Homei (), Late 19th Century ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.

LARGE CARVED IVORY FIGURE, LATE 19TH / EARLY 20TH CENTURY, modelled as a shepherd wearing a long cloak and holding a staff with three sheep at his feet, wood stand, 30cm high

Royal Doulton prototype earthenware figure The Jester, painted in shades of green, blue and yellow with marbled pedestal, impressed date 3rd September 1940, impressed model number and unmarked (five bobbles missing to rear of cloak)