We found 7207 price guide item(s) matching your search
There are 7207 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
7207 item(s)/page
A 'Ralph Wood' pearlware bust of Handel, the composer wears a long grey wig and looks over his right, his turquoise lined purple cloak worn over a blue jacket, impressed within the socle 'Ra Wood Burslem 80', 23cm (9 in) high Provenance: From the collection of the late Christopher Hogwood CBE Good
Attributed to Sir John Baptist de Medina (Spanish, 1659-1710) Portrait of Mrs Mary Hayes (nee Johnson), b.1600, half length, in a white dress and red cloak, holding flowers oil on canvas 75 x 62cm (29 x 24in) Provenance: From an Irish country house. Quite dusty and dirty with craquelure and old stretcher bar marks can be seen from the front. Corners of the frame are splitting apart.
Follower of Sir Godfrey Kneller (British, 1646-1723) Portrait of a man in a grey curled wig, white cravat and red cloak, head and shoulders, in a painted oval oil on copper, in a black frame with gilt edging 36 x 28cm (14 x 11in) Provenance: From an Irish country house. A few superficial scratches to the paint surface.
20th century AD. A pair of composition figurines depicting a woman in floor-length dress holding her dress and a hat, and a man in a swept-back cloak; maker's mark 'L.Toni' to the rear of each. 1.2 kg total, 22cm (8 3/4"). Property of a Gloucestershire gentleman; inherited from his grandfather.[2, No Reserve] Fine condition.
A well modelled bronze figure of Napoleon, resting against a tree stump, wearing bicorne hat, cloak and boots, armed folded on his chest, legs crossed, with fragment of a wheel at his feet, signed “Sinedon” on base with small maker’s stamp of “Pinedo Paris”, integral base with cut off corners, height 28”, base 9½” x 9½”. Very Good Condition Plate 14
A nicely carved ivory standing figure of Wellington, wearing a knee length cloak, integral round base 6”; and a small figure of Napoleon, well detailed, in cocked hat, tailcoat with epaulettes, with sword, on integral pedestal and darkwood base (detached), 4¼” overall. Good Condition, Plate 22 for Wellington figure only
A white marble head and shoulders bust of Napoloen, wearing bicorne hat, with high collar to cloak, on integral plinth, an eagle with wings spread in the front, on a facetted black marble base, the bust with sculptor name on the back “E. Frémiet 1821”, height 13½”. Very Good Condition. Plate 33
50-5 BC. Horse left type, NE5-6. Obv: wreath, cloak and crescents. Rev: horse left with pellet below, 'eye' above head and pellets before and above with zig-zag and pellets exergue line. S. 29; BMC 193-199; ABC 1722; see CCI 12.0829 (same reverse die, sold Bonhams, 12 October 2011, lot 66). See Celtic Coin Index, Oxford, reference CCI 15.0092 (this coin). 6.21 grams. Found Near Bawtry, Nottinghamshire, UK, 2015. Good very fine. Rare; only one other specimen recorded from the dies.
1st-2nd century AD. A bronze figurine of Venus with her cloak knotted about her waist, hair carefully dressed with two tresses on the shoulders; one leg raised; mounted on a custom-made stand. See the similar Venus figurine with knotted garment at the waist in the St. Albans Museum, UK. 430 grams, 15.5cm including stand (6 1/4"). From the collection of a medical professional; acquired 1970s. Fine condition.
Irish Female Writers: O'Brien (Kate) Without My Cloak, L. 1931. First, orig. pict. d.w.; also Farewell Spain, L. 1937, First, and Pray for the Wanderer, L. 1938, First; Bowen (Eliz.) Bowen's Court, N.Y. 1942, First American Edn. orig. d.w.; Mulkerns (Val.) A Time Outworn, N.Y. 1957. First; Purcell (Mary) The Pilgrim Came Late, D. 1947. First, d.w. With 2pp A.L.s. & T.L.s. from author to Frank Mc Evoy loosely inserted; also 13 others sim, some by same author. As a lot, w.a.f. (19)
A pair of early 20th century coloured mezzotint type engravings of country landscapes after Constable, both signed in pencil bottom left John Cothie Webb, published 1916 and with Frost & Reed labels verso, 40 x 53 cm in gilt frames together with a watercolour of a winter landscape with hayricks, signed bottom right Leonard T Saunders, with label verso Cloak of Winter, 23 x 32 cm, a coloured print after Cecil Aldin - The Bluemarket Races, The Arrival On The Course, 28 x 41 cm, a signed coloured limited edition etching by Annette Johnson - Night Sail, edition 13/150, etc (all framed)
A pair of Bloor Derby figures of musicians, circa 1825, he playing a drum, she with a triangle, on pierced rococo bases, enriched in gilt, incised 'N311', 21cm high Condition Report: Female: lacking most of instrument. Male: losses to instruments, chip to corner of cloak, chipping to edge of two scrolls on base. Both with chipping to flowers and feathers in headdresses.
BRITISH COINS, George III, Uniface Lead Trial Striking of the reverse of a Sovereign, undated (c.1816-1817), engraved by Benedetto Pistrucci, St George, helmeted with thick streamer and cloak, slaying dragon right with broken lance, left forearm visible gripping rein as early gold trial piece, broken lance on groundline with BP below, 24.5-25mm flan of ovoid shape, 1.67g (cf Bentley 935). As struck but with patchy spots and tone, good extremely fine and of the highest rarity. The gold version of this design in the Bentley Collection sold for £11,040 including buyer’s premium
COMMEMORATIVE MEDALS, World Medals, Turkey, Abdul Mejid I (1823-1839-1861), The Ottoman Alliance with France and England against Russia, 1854, Copper Medal, by L J Hart, bust of the Sultan almost full-face, wearing order over cloak and with plumed hat, around him a border of shields naming the military hierarchy of the Crimean War, rev Victory inscribes a memorial pyramid, a mosque behind, LA FRANCE ET L’ANGLETERRE UNIES POUR LA DEFENSE DU DROIT, DIEU LE VEUT, 72mm (Dogan 6539; Eimer -; Pere -). Very fine, the reverse lightly polished.
Veronica Whall (British, 1887-1967 or 1970), four designs for stained glass windows, including a design for All Saints Church, Valescupe, St Raphael, France and another for Chelsfield Church, Surrey, pencil, pen and watercolour on paper (4) Veronica Whall (1887 - 1967 or 1970) was an illustrator, painter and successful stained glass artist. She started working with her father Christopher Whall, a leader in the Arts and Crafts Movement in stained glass and took over the running of the studio, Whall & Whall, on his death in 1924. The studio closed in 1953 on her retirement. Whall & Whall made stained glass works for Churches and Cathedrals in England, Europe, Australia and New Zealand. Her father's best regarded work is at Gloucester Cathedral. During 1918-1919 Veronica worked as an assistant for her father on a commission for the stained glass at All Saints in Valescure, south coast of France. An Anglican chapel was established in 1900 in Valescure for English visitors who came to the region for the winter season. In 1925, she worked on the designs of a window in the South Chancel for St Martin of Tours Church, Chelsfield, Kent. The left hand light shows St Martin on his horse, handing half his cloak to a beggar. The other light shows Martin kneeling before the Lord who is seen holding a piece of cloak. An example of Veronica Whall's work is shown in the Victoria and Albert Museum.

-
7207 item(s)/page