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A group of vintage items to include a Chinese wooden brush pot / tobacco pot in the form of a cloak elder , Art Deco bakelite cigarette holder , Persian brass bag , hip flask  . silver white metal snuff box etc. Also a faux ivory bottle opener with scrimshaw red fox. Highest measures 19 cm.

After Emile Guillemin (1841-1907), a bronze of figure of Napoleon standing with his arms crossed by a plinth bearing a scroll and his cloak, the front of the square sectioned plinth cast with a gilt eagle between leaf bands, 36cm (14 .25 in) high

Britains set 1, Life Guards with Officer in original 1930s illustrated box, Life Guard Picture Packs 1333B (two) Trumpeters in cloaks one trumpet mouthpiece missing) and 1334B Farrier in cloak, from set 400, Life Guards in cloaks, one early painting (tail loose) and one later, and set 2, Royal Horse Guards in ROAN box (Condition Excellent, one Good, box Fair-Poor) (15)

Pair of Halstatt Bronze Age Fan Shaped Cloak Pins, C. 1200 - 800 B.C. Halstatt Culture. Fine condition with ancient green patina. 155 & 160 mm. Weight 80/78g

19TH CENTURY CAPO DI MONTE FIGURE OF JOSEPHINEmodelled contrapposto, draped in an ermine fringed cloak, on a stepped base, printed mark to base, 59cm high

19th Century Chinese carved hardwood figure of Guanyin, 48cm high Condition: Natural splits to reverse of cloak and a crack through rear of base - **General condition consistent with age

Chinese carved soapstone figure of a standing Luohan, probably 18th Century, having engraved decoration and standing on a naturalistic base, 34cm high Condition: Left hand is missing, chips around same sleeve and also to right sleeve, hem of cloak, folds etc, plus losses to naturalist base - **General condition consistent with age

After Fra Angelico (1395-1455) - 19th Century giltwood and gesso portrait of an angel trumpeter, wearing red cloak in lancet arch backdrop, within crocketed architectural frame with barley twist columns, 51cm high Condition: Side finials are loose and missing tips, crack to top and side of frame (see image), bottom decorative frieze is missing/broken off, some surface wear to images, some signs of re-touching - **General condition consistent with age

ITALIAN SCHOOL (18TH CENTURY). A religious interior scene with a Priest gazing upwards with cherubs above, oil on canvas, unframed, 136 x 98 cm S/DCondition Report:Relined canvas. Repair to the blue cloak of the man gazing upwards. Other minor losses. See images.

A mixed collection of mainly foreign and other flatwarefive various sugar sifters, pair Dutch apostle type silver gilt spoons, four various small Dutch spoons, eight condiment spoons, five coffee spoons, two groups of five coffee spoons, one a/f, four plated salts in form of troughs, a cloak pin (qty)Weighable silver: 21oz

A Copeland parian figure of Sabrina, circa 1860,modelled after the original by William Calder Marshall, seated near naked on a cloak and reeds, impressed verso Marshall and Copeland, the interior originally printed with lines from John Milton's poem Comus, though now rubbed, 29.5cm high

A group of three Staffordshire figures, early 19th century, 13cm high, a female figure feeding a lamb, 13.5cm high, a male figure wearing brown cloak and black heat, modelled with hands clasped to chest, 19cm high and a female archer, 17cm high (3) (damages and repairs)

A Royal Doulton flambé figure, the carpet seller, HN 3227, together with another carpet seller HN 2776 (2)Overall in very good condition. Both dusty with rubbing to the bases consistent with age. Slight pitting to the glaze. One very small chip to the edge of a cloak but no apparent cracks or restoration.

Coloured print on canvas, after Renato Casaro, nude with a cloak, from the film ' The Sheltering Sky '

Mirrored carved cloak rack

A XIX Century Silhouette of a Lady, wearing a large bonnet and black cloak, in a rectangular ebonised and black frame, 8 x 7cm; Another, similar, and two portrait miniatures of gentlemen in XVIII Century costume. (4)

Celtic style silver cloak pin also a silver pendant

A vintage full length cloak, together with a Nelson style military hat by Ede & Ravenscroft Carnaby Lane London

A JAPANESE MEIJI PERIOD CARVED IVORY NETSUKE, in the form of a crouching figure beneath a shi-shi headed cloak (damaged), TWO OTHER OKIMONO AND FOUR OTHER SMALL IVORY OBJECTS (7)

JOHN P. ROONEY (B.1947). 'Woman with a Cloak and Thatched Cottage in the West of Ireland.' Acrylic on board. 9" (23cm) high x 12.5" (32cm) wide. (1)

A Lomonosov Soviet porcelain theatrical figure. Formed as Feodor Chaliapin playing Tsar Boris Godunov, designed by Jakov A. Troupiansky. Printed blue mark, 28.75cm. Condition Report. To be used as a guide only. Some very minor enamel wear to his boots and two folds of his cloak at the rear.

Gilbert and Sullivan interest - A king of Barataria cloak along with four other costumes from the operas

The Sheep Shearing?: A Mid-18th Century Ivory Italian Fan, the guards and gorge pierced and carved, the gorge with two ornate ovals each containing two carved doves, a very central rectangle having the initials ''EG''. The double paper leaf is drawn in ink with a very unusual farming scene, an inhospitable landscape, with workers carrying produce and leading laden oxen, an elderly woman to the left, seated, holding a distaff, used for flax or wool, a man beside her shielding his face with a cloak from the dust, his head covered with a wide brimmed hat. The verso is drawn with simple buildings, beneath which in minute hand is a name, Palmieri and 1769. Guard length 27.5cm. Together with a green leather fan case with cream silk lining. A note in the case says ''Palmieri, invento e fere fece?''Leaf foxed, some nicks to the folds, the ivory slightly discoloured. At least two of the sticks have been reinforced down by the rivet

Vexation: An Early 18th Century Fan, with plain ivory monture save for the guards, which are carved from tip to shoulder with a man with a walking stick above a half-man half-scaled creature. The vellum leaf, mounted à l'anglaise, is painted in dark colour along the top and bottom edges, with light touches of gold. The detailed scene shows two men and two ladies, all well dressed in 18th century fashion. The man standing to the left, playing a flute, wears breeches with a large rosette to the knee, matching rosettes on his shoes, the colour of his cloak complementing these accessories. Another man lounges on a formal wooden table or bench, proffering flowers to a lady seated at his side, another lady wearing a low fronted and front- laced corseted bodice observing. The lady to the fore, with voluminous pink skirts seemingly extended to the sides with paniers, her bodice of blue with a peplum to the waist, a pink rose pinned to her bodice, looks vexed by the attention and activity. The verso is plain, save for gold paint to the ribs. Guard length 27.5cmThe leaf is fresh and bright despite some minor marking recto/verso, and some rubbing to the folds.

Y A large Ivory Okimono in Chinese style, depicting the figure of mulan wearing armour beneath a fur lined cloak, the figure stands on an integral hexagonal base upon which kneels a supplicant, the base carved beneath with a spurious Qianlong four character mark, height 36.5cms, Late 19th Century

A CHINESE SILVER INLAID 'SHI SOU' BRONZE FIGURE OF A LUOHAN 17TH CENTURY Standing, wrapped in a long cloak decorated with clouds and edged with a band of bats and clouds inlaid with silver wire, holding a scroll in his hand, with one foot bare, a two character mark to the back, mounted on a modern stand, 22.5cm, 2.5kg. Provenance: from the collection of Professor Peter H Plesch and Mrs Traudi Plesch OBE and thence by descent, collection no.Bs23, purchased from David Newman in May 1973 for £150.

2nd-3rd century AD. A bronze crossbow fibula with three facetted onion-shaped knops, deep bow with engraved HERCVLI AVGVSTE and DEIS.NON.QVIT, and rectangular footplate. See gold brooch in the Metropolitan Museum of Art (95.15.11) for similar inscription to Hercules Augustus 33 grams, 78mm (3"). Property of a London, UK collector; acquired on the London market in the 1990s. This type of crossbow fibula was used by Roman soldiers to fasten a cloak and during the third century AD became part of the standard military uniform. The inscription HERCULI AUGUSTE refers to a western emperor, most likely augustus Maximian, who was well known as Herculius. After the death of Gaius Julius Caesar Octavianus (Augustus), the name Augustus took on an increasingly titular function and was used by Roman emperors to indicate their imperial power. This would date the brooch within one of Maximian's two reigns, between 286-305 AD and 306/7-308/9 AD. Very fine condition. Rare.

1st-2nd century AD. A bronze bust of a maenad, hair arranged into a bow at the top, falling to shoulders at sides; eyes inlaid with silver; fawn skin cloak over both shoulders. 99 grams, 80mm (3 1/4"). Property of a private collector; acquired before 1975. Extremely fine condition.

1st-2nd century AD. A bronze statuette of Alexander the Great, head turned to the right, hair arranged in distinctive anastole style; wearing a robe belted at the chest, cloak to the back; both hands extended. 123 grams, 80mm (3 1/4"). From a private collection; formed 1965-1975. Very fine condition.

19th-20th century AD.  A carved bone figural plaque of a bearded male bust in profile, possibly Vartan Mamigonian, with flounced cloak, open-face helmet with mail ventail, tiered plume; attachment holes to the reverse. Vartan Mamigonian was a famous Armenian military leader and saint. 21 grams, 77mm (3"). [No Reserve] Fine condition.

13th-14th century AD. A bronze oval pendant with the image of a mounted warrior saint, possibly St George, Demetrios or Menas, holding a spear, cloak billowing out to the back; suspension ring to the top. 2.16 grams, 25mm (1"). Property of a North West London gallery; formerly in a 1980s collection. [No Reserve] Fine condition.

19th century AD. A substantial pair of gilt bronze angels, long hair falling to shoulders, cloak to back held at chest by diamond-shaped brooch; long robes falling to feet; right hand extended forward, left hand raised; large silver coloured wings to the back. 8.3 kg total, 48cm (19"). Property of an American gentleman; acquired 1970s-1990s. [2] Very fine condition.

65-30 BC. Obv: wreath cloak and crescents. Rev: disjointed horse left multiple pellets above, pellet-in-oval ('eye') above tail, large pellet and ground line below. S. 21; BMC 24-32; ABC 482. 5.93 grams. ("). Found Dorset, UK, 2009. Very fine; ragged flan flaw at edge.

13th-15th century AD. A carved limestone statue depicting a standing torso in full-length robe partly covered by a cloak pinned at the right shoulder by a disc brooch; the right hand clutching the hem of the cloak and the left hand resting on the globular pommel of a sword in its scabbard suspended from the belt by a second strap; the reverse of the statue flat with angled sides to fit into a niche, with socket and later iron attachment ring; mounted on a rectangular stone block. 300 kg+, 170cm including base (67 (Available to view at our Harwich head office only)"). Property of a Surrey lady; acquired by her father Christopher Terry in the late 1970s-early 1980s. The representation of the figure and the folds of clothing is quite naturalistic. The format of the sword is rather generic, although the broad guard and pommel are most commonly shown in the period 1050-1300AD (Oakeshott, E. Records of the Medieval Sword, Woodbridge, 1991, p.12"). Fine condition; lower portion of robe and cloak sympathetically restored probably in the 18th century.

15th century AD. An exceptional gold finger ring comprising a D-section hoop and facetted plaque; the hoop with diagonal pelletted bands with interstitial fronds to the shoulders, the plaque with two rectangular panels featuring reserved figures of (left) a nimbate male with beard and crown, cloak to the shoulders, armoured arms holding a sceptre (right) a nimbate female in loose robe gathered at the waist; to the inner face between addorsed fronds and in blackletter script, 'en bon an' which translates to 'a good year', or 'Happy New Year' (see footnote"). Cf. Chadour, A.B. Rings: The Alice and Louis Koch Collection, volume I, Leeds, 1994, item 587 for type. 16 grams, 24mm overall, 18.89mm internal diameter (approximate size British R, USA 8 3/4, Europe 19.0, Japan 18) (1"). Property of a lady; formerly from an important family collection formed in Munster, Germany during the 1950s; thence by descent. Accompanied by X-Ray Fluorescence metal analysis certificate 00899-2017MR. Malcolm Jones, Sheffield University, Dept. English Language & Linguistics, Senior Lecturer 1994-2009 and advisor to the British Museum and Portable Antiquities Scheme, says: 'en bon an -- first word is not the indefinite article but a preposition, so translation is a little misleading. Such rings were given as New Year presents and so there is an implicit wish that the recipient will have a good year – the inscription is fairly common and I'd be tempted to render it Happy New Year – cf. in the BM, the iconographic ring AF.919 and remarks there.' Extremely fine condition. A large wearable size. Rare.

1st-3rd century AD. A bronze statuette of one of the Dioscuri, Castor or Pollux; hair arranged in curls to the front with cap of hair to the top; naked except for a cloak over both shoulders with brooch to the right hand side; right hand held up holding tubular object. 160 grams, 80mm (3 1/4"). Property of a private collector; acquired before 1975. Very fine condition.

British Army 1950/60s green rubberised Patrol rain cloak.

A collection Star Wars action figures, a 1977 Darth Vader made in Hing Kong with vinyl cloak but missing light sabre, a 1977 Chewbacca with no country of origin stamp, a 1977 C3-PO from Hong Kong, a 1979 Boba Fett made in Taiwan, a 1977 Storm Trooper stam

*Raleigh. A rare bicycle mascot in the guise of Sir Walter Raleigh standing with his sword and cloak around his shoulders. Highly detailed, nickel-plated on brass and unused. It comes with its delivery box and a printed advertising broadsheet discussing the mascot at 6s 6d. (2)

ROYAL SCOTS BADGES etc. A pair of Royal Scots cape or cloak badges, handed examples with chain present. With four loop mounts on the rear of each badge. Military and other gilt buttons including three with a 'Pete Vallum' motto, six smaller ones with a rampant lion, etc Two cast lions with black rope material and chains attaching, one with a tassel.

A JAPANESE MEIJI PERIOD STAGHORN NETSUKE OF DARUMA, squatting with his cloak closely drawn, 1.4in high.

Early 19th Century school, oval portrait study of a bewigged gentleman in blue velvet cloak and waistcoat, unsigned oil on canvas, oval, 34cm x 30cm in extremes

A Meissen porcelain figural candlestick, 19th century, emblematic of Winter, modelled with an old man wearing a fur lined cloak with attendant putto flanking a small fire on a circular moulded base (a.f.), blue crossed swords mark, 29.5cm high.

A 19th century Meissen porcelain figure, possibly Medea, blue crossed swords mark to base, some losses, 14.5cm high CONDITION REPORT: Handle to pot lacking. Handle to jug lacking. Repair to base of brazier. Top of back floral encrusted pillar broken with damage to some of the flowers. Chip to knee (where jug handle would have been). Gilding worn in places. Some wear to burgundy enamel of cloak. Needs a good clean.

Victor Edelstein 1980's hot pink silk faille evening cloak , ruched collar and outer hem. Condition Report: Overall good, no signs signs of repair, minor signs of age, wear and tear only.

A Derby figure, of Edmund Kean as Richard III, modelled standing wearing gilt scale doublet and a red ermine lined cloak with a plumed black hat at his feet, 28cm high, crown, crossed batons and D mark, incised 28

19th Century Staffordshire pottery figure depicting the young Queen Victoria wearing an ermine cloak and a floral sprigged dress Condition:

British school, 17th century, portrait of Lord Wharton, head and shoulders wearing a white lace collar and red cloak, oil on canvas, 38 x 30cm

A Royal Doulton figure Classics Witch, HN 4444, 24 cm highOverall in good-very good condition. Rubbing to the base and small areas of the black glaze on the hat and cloak. Several light scratches. Would benefit from a clean. No chips, cracks or restoration.

Two wood NetsukeJapan, Edo period (1603-1868) 19th centuryOne carved standing wearing a long cloak, the other of a bather grooming his face with a pair tweezers.Height 5.2 cm. and smaller CONDITION REPORT In overall good condition, with only minor wear

A bronze figure of a Shishimai dancerJapan, Meiji period (1868-1912) Late 19th centuryCast standing on top of bale of rice straw, wearing a large Shishi mask and cloak and holding a suzu and fan in his hand, the mouth of the mask open revealing a man’s face inside, the bale of straw opens to be used as a container.Height 37 cm.Property of a Gentleman. Catalogue note: The shishiodori or Lion dance, is a dance in which the performer wears a decorative lion head (the shishigashira). Shishimai was introduced from the Asian mainland in ancient times as part of the arts of gigaku, bugaku, and sangaku. Originally, it took the form of a dancer performing while wearing a lion costume resembling a stuffed animal. During the Kamakura and Muromachi periods it came to be performed along with sarugaku and dengaku and took on the form that can be seen today. Shishimai can be broadly divided into two-man and one-man varieties. In the former, one performer takes up the position of the head and the other the tail, thus forming a four-footed lion. There are also variations in which several performers form the body of the lion. In the latter one-man variety, a single performer plays the lion's part. This is the variety that can be seen most often in eastern Japan. Lion dances can be considered to have various ritual or symbolic functions, including the display of force to ward off evil, prayers for the protection of agriculture or for rain, harvest celebrations, and memorial services for wild animals.Provenance:Bought by the current owner at the Pan Amsterdam art fair. CONDITION REPORT In overall good condition, with minor crack to the fan.

A Meissen Porcelain Figure of a Turk, circa 1750, standing wearing a crowned turban and ermine cloak holding a struggling child, on a scroll moulded base, crossed swords mark in underglaze blue, 16.5cm; and A Pair of Meissen Porcelain Figures of a Boy and Girl, late 19th century, on scroll moulded bases, 15cm high (3)

Style of Rembrandt van Rijn (1606-1669) Dutch Portrait of a gentleman, half length, standing wearing a black cloak and hat with white undershirt Inscribed 'Gentilomo Veneti', oil on metal, together with a companion portrait inscribed 'Capitano Veneti', 12cm by 8.5cm (2)

Maurice Greiffenhagen RA (1862-1931) ''Grey Cloak, Part 12, chap (ter) 13, it was a pretty exhibition'' Inscribed on accompanying sheet, watercolour and gouache, en grisaille, together with a further signed and dated 1904 illustration from ''Grey Cloak, Part 13 chap(ter) 15, here is a phrase which causes no misunderstandings'', 38cm by 32cm and 43cm by 36cm respectively (2)

A Wax Portrait Bust of a Gentleman, circa 1770, wearing blue jacket and red cloak, in a glazed oval frame, 21cm by 19cm, the reverse with indistinct label dated 1770

19TH CENTURY CAPO DI MONTE FIGURE OF JOSEPHINEmodelled contrapposto, draped in an ermine fringed cloak, on a stepped base, printed mark to base, 59cm high

A Derby figure, of Edmund Kean as Richard III, modelled standing wearing gilt scale doublet and a red ermine lined cloak with a plumed black hat at his feet, 28cm high, crown, crossed batons and D mark, incised 28

A Derby Patch Mark figure, of a Ranelagh Dancer, standing wearing a black hat, pink and yellow cloak, scroll base, 25.5cm high, c. 1759-65see Bradshaw, Derby Figures, page 98 no. E17

Box containing 3 silver bookmarks, cloak buckle, vesta, jewellery, etc.

Foot Guards Officers' Cloak Chains and Rank Badges Gilt collar-chains for the Coldstream, Scots and Irish Guards (2), with Garter, Thistle and St Patrick's Star finials respectively; a single grenade chain-finial for a Grenadier Guards officer; and regimental rank-badges in gilt, bronze and embroidery. Together with a Grenadier officer's cap-badge and two Mess Dress collar-badges, all in gold embroidery, and a large gilt copper metal badge with incised Garter, similar to KK 894 but with KC and GviR cypher replaced by a QEC and EiiR cypher (lacking enamelled backing plate and fixings). (25 items)