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Lot 513
A SCULPTED ALABASTER FIGURAL GROUP OF TWO MAIDENS AFTER THE MANNER OF ANTONIO CANOVA The women stood shoulder to shoulder one with arm draped over the other and holding her cloak, stood atop a circular base, above a tapering column with swag motif 71cm high Condition Report: Splits and cracks, glued repair to one hand (holding the cup), splits across feet, natural flaws in the stone, including natural variation and colour variation, veins etc. Comprising the figure and integral stand, the pedestal and a separate circular base, all loose elements and not affixed with glue or adhesives Condition Report Disclaimer
Lot 331
Two wind-swept children, unaware of the protective six-inch angel above, watch over them with graceful arms open and a beautiful red cloak providing warmth and safety. Goebel TMK4. Issued: 1964-1972Dimensions: 3.75"L x 3"W x 6.5"HManufacturer: Goebel HummelCountry of Origin: GermanyCondition: Age related wear.
Lot 73
WILLIAM A. BREAKSPEARE (BRITISH 1855-1914) THE CAPTAIN OF THE GUARD Oil on canvas Signed (lower left) 42 x 24cm (16½ x 9¼ in.)Please note measurements do not include the frame unless otherwise stated. Condition Report: UV light reveals a few retouches on the blue cloak on the left which consist of one small circular retouches, and a thin vertical retouch of about 4 cm in length. A smaller retouch of about 1.5 cm is also present on left of the ear. Please note Dreweatts are not liable for damage to frames or mounts.Condition Report Disclaimer
Lot 417
Kenner - Star Wars - A Collection of seven Vintage Star Wars Figures comprising of Darth Vader with damaged light saber, a sand people figure with missing cloak, Han Solo with accessory and Chewbacca- all from 1977). Lot also contains two figure from 1981- Zuckuss and Cloud Car Pilot and three figure from 1980- Han Solo in Hoth outfit, Lobot and Hoth Rebel. These items are unboxed and range from Playworn to very good condition. (This does not constitute a guarantee) RG
Lot 154
Bunny in blue and yellow jacket, yellow waistcoat, cream shirt and pantaloons, red cloak, black hat and boots, blue, red and yellow drum leaning on a black and brown cannon. Royal Doulton backstamp. Artist: Caroline DaddIssued: 2005Dimensions: 4.5"L x 3.25"W x 5"HEdition Number: 249 of 2000 Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
Lot 34
James Arthur O’Connor (1792-1841) Mountain River Landscape with Figures: (‘Near Waterford’) Oil on panel, 23 x 39cm (9 x 15¼")Painted in 1823, a key year in O’Connor’s artistic development, this pleasingly composed landscape combines the man-made environment – an ancient stone bridge, humble cabin and church spire – with the natural world, a gloriously complex verdure redolent of high summer, with very effective combination of still and moving water. The rocks and torrent in the foreground are treated with noticeably lively freedom, with an almost pointillist use of rich impasto – all the elements which have made O’Connor such a perennially loved artist are present in abundance.The painting relates to a larger work in which, John Hutchinson notes in the catalogue for the National Gallery of Ireland exhibition in 1985, ‘O’Connor had more or less made a complete transition from topography to the picturesque’ (John Hutchinson, James Arthur O’Connor (Dublin, 1985), no. 40 p 131. This version was illustrated on the front cover of Nicola Figgis (ed.), Art and Architecture of Ireland, Volume 2, Painting 1600-1900). Our smaller version includes numerous changes and, though it is likely to have preceded the more finished work, is in some instances noticeably more successful as a composition. Hutchinson notes the ‘uncomfortable addition’ of a figure of a young girl in the larger version which, he suggests, ‘may have been inserted as an afterthought’. Here in the absence of that figure the flow from fore- to middle-ground coalesces much more successfully. At the same time in our work O’Connor introduces a flick of red on the cloak of an abbreviated female figure walking across the bridge – consisting with masterly economy of just two dots of paint – to catch the eye in what is famously his hallmark motif.As Hutchinson had noted, the early to mid-1820s was a period of both consolidation and on-going experimentation in O’Connor’s landscape art. He had arrived back in London by early 1822 and soon met with success with his pictures exhibited at the Royal Academy and the British Institution. O’Connor was an artist in constant need of inspiration from the physical world. He expressed this eloquently in relation to the Irish landscape that he loved so well: ‘I am about [to go] to the wild and beautiful scenery of my native country to refresh my memory, and get some studies to help me in future exertion of my profession – I know I will be benefited by a sight of the grand....scenery that I will meet with in Ireland and hope to show it on canvas’.
Lot 204
AFTER THE ANTIQUE, A MARBLE AND HARDSTONE CLASSICAL BUST 19TH CENTURY AND LATER With later inset head of a philosopher, possibly Homer, within mixed hardstone toga dress, polished socle base on plinth 45.5cm high, base 14cm wideProvenance: Property from Clipsham House, Rutland Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The head generally fine- some rubbing to nose and all over engrained surface dirty- shoulders and cloak with extensive repairs and restorations, infill and mortaring to reverse, base corners chipped. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 291
Circle of Jacopo Amigoni (c. 1685-1752) Portrait of a lady, half length, in white silk dress with blue bows and a pink cloakoil on canvas73 x 60.5cmThe painting is executed in oil on a canvas support which has been lined. The canvas tension is good and the picture is in plane. The paint layers are stable overall apart from a few localised areas of raised and flaking paint with a few small, scattered losses. Areas of overpaint are mainly located to the edges of the picture. The varnish has yellowed with age and is slightly dull but even. There are a few scuffs to the surface.Framed 93 x 81cm
Lot 276
Circle of Jonathan Richardson (1667-1745) Portrait of a gentleman, half length, in a blue cloak and white cravat, in a feigned ovaloil on canvas75 x 62cmThe painting is executed in oil on a canvas support which has been lined. The canvas tension is good and the picture is in plane. The paint layers are in a very good condition overall. There are small touches of overpaint in the sitter’s face. Around the lower edges of the picture are larger, brushy areas of overpaint which are well matched to the original. The varnish is clear, even and glossy.Framed 90 x 68cm
Lot 126
After Bartolomeo Montagna 'St John the Baptist and St Benedict' and 'St Nazarus with St Celsus'chromolithograph published by the Arundel Society, 1874framed together, 46 x 17cm; together withAfter Albrecht DürerThe Four Apostlesa pair of chromolithographs published by the Arundel Society, 1870each 50 x 18.5cm (3)After Montagna - good condition overall. Minor losses and wear to the slip. Wear to one of the Durer prints primarily along the left hand edge by the figure's red cloak (see image). Foxing to the white cloak of the other Durer print. Minor abrasions around the heads. Light wear to the frames.
Lot 438
A silver purse, shell purse, cloak brooch and spoon, a silver purse, Henry Matthews, Birmingham 1904, repousse chased design, 9x5cm, folding green fabric interior, chain handle and finger ring; a shell purse with metal mounts; a white metal arrow design cloak pin, 10cm; and a silver apostle top spoon, Birmingham 1897.Qty: 4
Lot 251
A pair of silver and ivory-mounted figures, late 19th/early 20th century, German, by Neresheimer of Hanau, in the form of a king and queen, the former wearing a brocade tunic and armour, his shield emblazoned with a coat of arms, the queen wearing a floral brocade cloak monogrammed 'MB',each 7cm wide20.5cm high, 28.56ozt (2)Provenance: The property of a collector, 45 Eaton Terrace, London SW1W 8TR.IMPORTANT NOTE This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018.
Lot 567
TWO MID VICTORIAN PORTRAITS, the first depicts a seated half-length portrait of an older gentleman, his hand is resting on the arm of a chair, no visible signature, oil on canvas, approximate size 74cm x 62cm, the second depicts a female figure depicted half-length, she appears to be against an outdoor backdrop and is wearing a cloak and head scarf, no visible signature, approximate size 75cm x 62cm, Condition Report: both have light surface mould, both are relined, the gentleman shows signs of some restoration and over painting across the whole surface, the Lady has several obvious repairs to the chest area and along the top edge with over painting across the whole surface, small hole to the middle of the lower half (2)
Lot 389
FOUR BOXED GENTLE GIANT STUDIOS RESIN LIMITED EDITION 'HARRY POTTER' COLLECTABLE FIGURES, comprising 'Harry Potter' 430/2000, 'Sirius Black' 298/1500, 'Dumbledore' 1012/1500 (small chip to front of cloak) and 'Professor Snape' 901/1500 (4 + 4 boxes + 4 certs.) (Condition Report: Harry Potter has broken spectacles and wand holding right hand, other obvious damage is mentioned in description, boxes have a few scuffs)
Lot 1009
19th century Copeland Parian Ware figure, after R Monti, modelled as Lady Godiva, upon a circular titled plinth, signed and dated verso R Monti 1870, impressed to base Copyright Reserved Copeland, overall H22cmCondition Report: General wear commensurate with age, including surface scratches and nicks.Several small losses to drapery and to belt, and cracks running up base of cloak at back of figure.
Lot 1160
British School (18th Century)Portrait of John Goodricke Bart (by repute, presumed to be 5th Baronet), head and shoulders, wearing a short powdered wig, standing before an architectural pillar and a classical roundel relief Oil on canvas, 72.5cm by 62cmThe painting is lined, all keys present, slightly slack tension. There is a quantity of debris behind the bottom stretcher. Original tacking margins removed, as can be seen at the face where they are exposed inside the frame sight. There are old associated retouched losses, and overpaint extends the natural edge of the paint in places. There a finescale and a largescale network of brittle age and impact craquelure throughout, with large passages of lifting and active flaking, particularly to the right through the arm and cloak and to the left side of the head and ajacent background. These area have had a history of flaking and loss, and older losses are filled and retouched. Newer losses are unretouched. The retouching is matte in places. In the rest of the painting, the cracks are lifting slightly and there are scattered further smaller losses, some retouched. There are thick old varnish layers, yellowed and fairly opaque so difficult to see if there is further overpaint in the background. There are patches of a thick gritty material to the left lapel, to the left lower edge, and in the top right corner. Scattered scuffs and surface abrasions, and a patchy, uneven surface gloss. There is a thick layer of surface dirt and dark scattered accretions.
Lot 1140
Italian School (17th Century) Santa Dorothea Inscribed verso, "Re Lined by H W Holder, Portland Place, Hull", oil on canvas, 98cm by 92.5cmExhibited: National Exhibition, Leeds, 1868, according to label reverse Provenance: Private Collection, East Riding of Yorkshire The painting has an old lining, which is painted red at the reverse with black drips/staining. On an old stretcher with keys missing, and the stretcher bar inscribed 'Sir Godfery Kneller 1760'. Fair tension, but loss of impasto associated with the lining.The canvas is distorted and slightly lumpy in the top corners (see images).There is a fine brittle age craquelure throughout, slightly elevated and cupped in places but mostly secure at present.It is difficult to see quite what is going on in the darker passages of the painting due to the opaque old varnish and cracking. However, there is likely several old campaigns of restoration across the painting with some reddish retouching and thick opaque brown restoration visible in strong torchlight. There are scattered old filled losses at the corners, centre top edge, in the top of the palm where the fillings are slightly lumpy and lifting. There has been some history of flaking, now overpainted, leaving the surface with an uneven appearance. Notably this can be seen in the dark cloak over the Saint's shoulder (see images in raking and reflected light). There are small scattered newer losses including in the top left quadrant. There are larger filled and retouched damages including an L-shaped filling and retouching possibly to an old tear through the white drapery of the Saint's left sleeve. There is a long line of old losses and associated restoration running ten centimeters in from the right edge, extending through the hair and shoulder of the boy to the bottom edge with discoloured overpaint. Not all the losses have been filled. Further larger losses/patches of overpaint include those to the upper lip of the boy, the hand of the Saint holding the palm.There have been successive campaigns of restoration, some partially removed, for example the opaque green leaves that extend over the lower hand of the Saint.Much of the paint surface of the flesh tones and red drapery has a pockmarked/pitted appearance with paint from paint flaking. This is usually associated with heat or chemical burning. Some of the larger losses have been overpainted (see images). There are futher passages of overpaint throughout, including to the hair, the black necklace, and the hand.There is a thick old yellowed varnish, partially removed in the face. Old ingrained dirt. Splashes and wipe marks across the surface and white powdery residue, thick surface dirt.Examined in frame.
Lot 58
* Callot (Jacques, 1592-1635). Gentleman with Sword, & Noblman with Folded Cloak, from the series La Noblesse, circa 1623, two etchings on laid paper, one with a partial shield watermark, some light surface marks, trimmed to plate margins, sheet size 146 x 95 mm (5 3/4 x 3 3/4 ins) and similar, 20th-century wood frames, glazed, with old pencil description pasted to verso of eachQTY: (2)NOTE:Lieure 554 and 558; Pawlak 1147 and 1151.
Lot 490
RAF WW2 Chaplain's Attributed Accoutrements. A scare group of items attributed to Squadron Leader D.H. Pottie RAF Chaplain Department.Comprising: RAF Stole with King's crown embroidered device.Black Clerical Cloak with name REV D H Pottie MA.RAF Officer's cap, fitted with regulation regular RAF Officer Cap Badge. Named D H PottieLeather RAF Wallet with photographs etc including one of Sqd Ldr Pottie wearing the RAF stole and clerical cloak.Overall GC. (4 Parts) Squadron Leader D.H. Pottie RAF Chaplain Department was a Presbyterian Chaplain appointed in 1941. In November 1946 he was serving with BAOR Hamburg District. INVOICE PAYABLE ON PRESENTATION BY BANK TRANSFER ONLY
Lot 861
STAR TREK: DEEP SPACE NINE (1993-1999) - Ferengi Phaser - A Ferengi phaser from Star Trek: Deep Space Nine. Originally designed as a "Vulcan energy pistol" for a scene that was ultimately deleted, the design was repurposed as a unique Ferengi phaser variant used by Quark (Armin Shimerman) in "The Magnificent Ferengi" and "The Siege of AR-558," as well as the mirror counterparts of Brunt (Jeffrey Combs) and Julian Bashir (Alexander Siddig) in "The Emperor's New Cloak."This resin phaser is painted gray, green, and gold-color. It exhibits scuffing to the paint and signs of repair, including a glued crack at the top of the grip. Dimensions: 9.5" x 5" x 2.5" (24.25 cm x 12.75 cm x 6.5 cm)Estimate: $1,000 - 2,000Bidding for this lot will end on Wednesday, March 13th. The auction will begin at 9:00AM PDT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Tuesday, March 12th or Thursday, March 14th.
Lot 8092
A collection of forty-five loose and playworn vintage LFL / GMFGI Star Wars action figures to include Zuckuss, IG-88 (X2), Luke Skywalker Jedi Knight, Prune Face, AT-AT Driver (x2), Han Solo in Trench Coat, Emperor Palpatine, Emperor's Royal Guard, Weequay with Vibroaxe, 8D8, Bib Fortuna (x2, one with cloak), Nikto, Darth Vader (x3, one with cape), Dengar, Biker Scout, Ben Kenobi with cape, Princess Leia Organa, Klaatu, R2-D2 (x2), Imperial Tie Fighter Fighter Pilot (x2), Yoda with cloak and belt, 2-1B (x2), AT-AT Commander, Stormtrooper (x2), Lando Calrissian, Han Solo Bespin Outfit, Luke Skywalker X-Wing Fighter Pilot, Jawa with cloth cape, R5-D4, Lobot, Admiral Ackbar, Luke Skywalker Hoth Battle Gear and Death Star Droid (45), together with 1995 Kenner figures of C-3P0 and Darth Vader
Lot 8089A
A collection of loose vintage Kenner / Palitoy Star Wars action figures, some with accessories, to include Jawa with cloth cape, Teebo with headgear, axe and battle horn, Logray Ewok Medicine Man with headgear and pouch, Wicket W. Warrick with hood, Yoda with snake, belt and cloak, R5-D4 (Arfive-Defour), R2-D2 (Artoo-Detoo), Chief Chirpa with hood and Chewbacca with Bowcaster (9)
Lot 8089
A collection of forty-eight loose and playworn vintage LFL / GMFGI Star Wars action figures to include Princess Leia Boushh Disguise (x2), Klaatu (x2), Teebo, Luke Skywalker X-Wing Fighter Pilot (x2), Imperial Tie Fighter Pilot, Rebel Commando, 4-Lom, Stormtrooper, AT-AT Driver (x2), Nikto, Nien Nunb, Lando Calrissian Skiff Guard Disguise, Boba Fett, Dengar, Han Solo Hoth Gear, Han Solo (lacking trench coat), Admiral Ackbar, Weequay (x2), Zuckuss (x2), Imperial Royal Guard (x2, one with trimmed cloak), Imperial Stormtrooper Hoth Battle Gear, Biker Scout (x2), Squid Head, Han Solo Bespin Outfit, Emperor Palpatine, Chewbacca, Gamorrean Guard, Tusken Raider, AT-ST Driver, C-3P0 (missing one leg), Darth Vader (x2), Bib Fortuna (x3), Klaatu Skiff Guard Outfit, R2-D2 (x2) and Princess Leia Organa (x2) (48). Together with a small number of weapons and accessories, MTV-7 Mini-Rig, Speeder Bike body and a Star Wars Pop Up Book
Lot 106
ASSORTED JEWELLERY AND A BOX, to include a silver curb link bracelet, each link stamped with a sterling mark, fitted with a spring clasp, and attached with various coins and a silver AF locket, hallmarked Chester, a large white metal moss agate brooch, fitted with a brooch pin and C clasp, unmarked, approximate dimensions length 73.1mm x width 61.3mm, a white metal oval banded agate brooch, unmarked, fitted with a brooch pin and C clasp, approximate dimensions length 45.9mm x width 32.2mm, a white metal continental cloak clip, unmarked, a white metal bar brooch set with a colourless paste, a rolled gold bracelet, a pair of rolled gold cufflinks, beaded necklace, napkin ring, a boxed ladies 'Guy Laroche' wristwatch, brooches etc
Lot 264
Two wind-swept children, unaware of the protective six-inch angel above, watch over them with graceful arms open and a beautiful red cloak providing warmth and safety. Goebel TMK5. Issued: 1972-1979Dimensions: 3.75"L x 3"W x 6.5"HManufacturer: Goebel HummelCountry of Origin: GermanyCondition: Age related wear.
Lot 101
Dammann, Paul-Marcel (French, 1885-1939); b. Montgeron FRANCE, 25e Anniversaire de la Compagnie Parisienne de Distribution d’Éléctricité, 1932, an Art Déco bronze medal by P.-M. Dammann, facing female head with flame-like hair, rays behind, rev. female figure in cloak and long dress, rays from her outstretched hands pouring over the city of Paris, 64mm, 111.65g (Maier 319; BM Acq. 1978-82, pl. 54, 62; cf. DNW 187, 792). About extremely fine; one of the classic Art Déco medallic images £80-£100 --- The city of Paris merged the diverse privately-run electricity companies under the banner of the Compagnie Parisienne de Distribution d’Éléctricité in 1907.
Lot 191
Follower of John ClostermanPortrait of a lady, traditionally identified as Lucy, Countess of Carlisle (1599-1660), three-quarter length, wearing a brown dress and green cloak, seated in a landscapeInscribed by a later hand LUCY COUNTESS OF CARLISLE (upper left)Oil on canvas125.9 x 102.5cm; 49½ x 40¼in
Lot 224
UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 1/4 sovereign, 2017. Royal Mint. Proof. Commemorating the 200 year anniversary of the modern sovereign 1817-2017, featuring the original design of St. George and the Dragon as made by Pistrucci.Fifth crowned head of Elizabeth II facing right; JC below; ELIZABETH II · DEI · GRA · REG · FID · DEF · 2017 ·. Design by Jody Clark. / The reverse depicts an illustration of the legend of St George as the slayer of the dragon, in its original 1817 interpretation. St George is on horseback, advancing to right, wearing a helmet and chlamys (cape, or cloak) fastened in front by a fibula, and holding a broken lance. His left hand clutches the rein of the horse's bridle, and he does not wear armour, other than on his lower legs and feet, with his toes bare. The saint's horse appears to be half attacking, half shrinking from the dragon, which lies wounded by George's spear and in the throes of death. The point of the lance is broken off in the dragon's side. In relief in the left part of the ground line, the artist's initials B.P. (for Benedetto Pistrucci). Surrounding the image, a Garter circlet inscribed with the Order of the Garter's motto, HONI · SOIT · QUI · MAL · Y · PENSE · (from old French: Shame on he who thinks evil). Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC PF 69 ULTRA CAMEO, certification number 6381183-005. NGC Census in this grade: 55.NGC Census in higher grade: 480Total NGC Census: 543Reference: S-SA5Mintage: 4,188.Diameter: 13.5 mm.Weight: 2 g. (AGW=0.0590 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.
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