We found 7207 price guide item(s) matching your search

Regency mahogany cloak stand with a ring turned column to a triple splayed base, ball finial and four turned post pegs, 170cm tall

Herbert Thomas Dicksee RE (1862-1942). A figure of a lady wearing a red cloak, carrying a basket, beside her leaded window, watercolour, in rococo scroll gilt gesso frame, image size 17cm x 13cm.

Hallmarked Scottish Edinburgh silver faux pinnacle cloak pin brooch, Hunterston. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Ladies 1910/20's Black Velvet evening Cloak/Coat dress. This stunning cloak or coat was constructed of luxurious black velvet and is equipped with sleeves which have padded shoulders. A lovely piece

Durotriges Stater Circa, 50-20 BC. Billon, 3.43 g, 17.13 mm. Traces of wreath cloak and crescents. R. Disjointed horse left, body of crescents, pellets above. Ref: ABC 2169.   

Durotriges Cranborne Chase Stater Circa, 50-20 BC. Billon, 3.25 g, 18.27 mm. Wreath, cloak and crescents. R. Disjointed horse left, crescents for body, pellets above and single pellet below. Ref: ABC 2169.  

Staffordshire Pearlware figure, man wearing a cloak, height 19cm

Antoine Bofill (1875 - 1939), gilt bronze and ivory figure of a young child wrapped in a hooded cloak, signed Bofill, on rouge marble base, 21.5cm

Edwardian yellow gold shamrock cloak pin, centred with a round cut peridot and with an inscription dated 1903, 65mm, gross weight approx. 7.2g

Marvel 1980s/1990s Comics, Strange Tales 1987-1988 (16), The Star Brand (11) 1986-1988, Squadron Supreme 1985-1986 (10), Cloak and Dagger 1983 (4) 1988-1991 (8), DP7 1986-1988 (11), The Nth Man (14) 1988-1989, Nightmask (7) 1986-1987, Justice (9) 1986-1988, The Eternals (10) 1985-1986, The New Defenders (14) 1983-1985, Power Pack (11) 1984-1990 includes No 1 and Warlock Infinity Watch 1991-1994 (13), Chronicles 1993 (4), some bagged mainly G-VG some F with price stickers, (135+)

Royal and Ceremonial figures by various makers comprising HM the Queen on 'Winston' by Britains (lead and New Metal versions), and Timpo, Outrider and Footman (missing whip end), Picture Pack figures 1334B Farrier in Winter Cloak (2, but 1 damaged tail), 1325B, 1337B, 1338B, 1341B, 1342B, 1348B, with Horse Guard troopers (2) standard bearer and trumpeter, G-VG, (17),

An Edwardian hall way cloak cupboard

NINE ROYAL DOULTON FIGURES, comprising "Margery", HN 1413; "Old Mother Hubbard", HN 2314; "Gillian", HN 3042; "The Last Waltz", HN 2315; "Father Christmas", HN 3399; "Rachel", HN 2936; "Ninette", HN 2379; "Mary, Queen of Scots", HN 3142; and "Queen Elizabeth I", HN 3099. (9)CONDITION REPORTNo boxes or certificates. Ninette HN2379 has a minute flea bite to the ruffled edge of her dress. Mary Queen of Scots HN3142 has a tiny chip to the cuff of her dress. Rachel HN2936 has some small and minor scratches to her red cloak. Margery HN1413 has some minor crazing. The other figures in the lot are in good condition. 

Gentleman's clothing including tails, white tie, cloak, alpaca coat, velvet smoking jacket, academic gowns and hoods, Oxford and Cambridge

2 celtic silver penannular cloak pins

An Elliott oak mantle cloak retailed by Garrard and Co, London (with key)

PORTRAIT OF PRINCE HENRY BENEDICT STUART MID-18TH CENTURY oil on panel, a half portrait of Prince Henry Benedict Stuart(13.5cm x 11cm)Footnote: Note: This sensitive mid-18th century portrait of Prince Henry appears to be inspired by the 1737 pastel commissioned by King James from Jean-Etienne Liotard. This example differs from the copy in the Scottish National Portrait Gallery which has a more elaborate coat and lacks the red cloak. It however more closely matches a miniature with the simpler coat and has the sash similarly prominently ruffled over the breast also in the Scottish National Portrait Gallery collection (see King Over The Water, Portraits of the Stuart in Exile after 1689, Fig. 63). Although copies of portraits of Prince Henry are well recorded they appear much less common than those of Prince Charles, this example appears rarely encountered.

Large Haddonstone Bacchus Bust, modelled wearing an animal skin cloak, short plinth stand, 92cm.

An unusual antique bone box, together with a pair of carved mother-of-pearl cloak clasps CONDITION REPORT.

Dutch School (17th Century, Circa 1650) Portrait of a young woman half length wearing a red dress, black cloak and a pearl necklace, oil on canvas 69.5 x 58cm

A Pre Columbian Peruvian fragment, approx 500 AD, originally part of a cloak, together with other early textile fragments.

English School Late 17th Century Portrait of a gentleman, bust-length, wearing a wig and red cloak; Portrait of a lady, wearing a pink dress and red shawl A pair, both pastel Each 26.3 x 19cm; 10¼ x 7½in (2) Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: Neil Jeffares, "English, Irish and Scottish Schools", Dictionary of pastellists before 1800, online edition, nos. J.85.230232 & J.85.2302323 These works are comparable to a pair traditionally attributed to Edward Gibson at Syon House, possibly depicting the Duke and Duchess of Somerset (op. cit. nos. J.347.108 and J.347.109).

George Vertue (1684-1756) Portrait of Jeremiah Clarke (c.1674-1707), bust-length, wearing a wig and cloak Inscribed Jeremy Clark Musick Master (lower centre) Pencil 14.2 x 10.2cm; 5½ x 4in Provenance: From the collection of Edward Croft-Murray (1907-1980) Literature: Thomas F. Taylor, Thematic Catalog of the works of Jeremiah Clarke (Detroit, Studies in Music Bibliography, 1977) (illustrated) Jeremiah Clarke was an English baroque composer and organist of the generation after Henry Purcell (1659-1695). He is best known for the 'Prince of Denmark's March' . He was the organist at St Paul's Cathedral in the churchyard of which he shot himself due to ''a violent and hopeless passion for a lady of a rank superior to his own''. Very few portraits of him are known and according to the National Portrait Gallery in 1982 this was then the only known portrait .

LOCKET ETC. An early 20th century large, engraved silver locket, length incl. bale 7.2cm. Also, a 19th century paste set cloak pin.  Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING.  The absence of a condition report does not imply the lot is perfect.WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.

Maori Costume Clothing : A Maori Flax Harakeke Piupiu Dance Skirt with natural plaited belt together with a Korowai type of cloak having linen body with wool ( red ,black and white colours) plus dark green feathers ( of a greenish iridescent colour) attached as well as knotted red wool.The piupiu approximately 17 3/4 in.(45.1 cm) Long and the cloak approximately 38 in.(96.5 cm) Long

An Edwardian hall way cloak or coat stand with original hooks and mirror back

SPECTACULAR SPIDER-MAN #75, 77, 78, 81, 83, 84, 86, 89, 92, 95, 96, 97, 99,189 - (14 in Lot) - (1982/92 - MARVEL) - Includes Black Cat, Doctor Octopus, Gladiator, Cloak & Dagger, Punisher, Kingpin, Silvermane, Hermit, Spot, Green Goblin appearances - Flat/Unfolded

MARVEL TEAM-UP #129, 130, 134, 135, 137, 138, 149, 150 + ANNUALS 2, 3, 6, 7 - (12 in Lot) - (1983/85 - MARVEL - UK Price Variant) - Includes last issue of title (#150) + Vision, Scarlet Witch, Jack of Hearts, Kitty Pryde, Franklin Richards, Galactus, Sandman, Cannonball, X-Men, Hulk, Power Man, Iron FistNew Mutants, Cloak & Dagger, Alpha Flight appearances - Flat/Unfolded

A good example of a Victorian pedlar doll on a circular ebonised base under a glass dome. Doll with a bisque head and brown glass eyes wearing a red cloak over black dress. The basket displaying numerous items. Size approx. 37cms and dome approx. 50cms h on base.Doll with faded colour to cape and hat and velvet of hat shredded in places. Head in good condition. Dome damaged at base.

E. PIZZELLA: A framed and glazed pastel portrait of lady in red cloak, framed and glazed. 29cm x 50cm.

Royal Crown Derby Porcelain Figurine of a Cat, white with decorative blue and gilt cloak and headdress. Marks to base. Measures 6" in height.

Svaja Studio glass handkerchief centerpiece bowl in the 'Cloak of Neringa' pattern, signed to base, 40cm diameter, 20cm tall.

Svaja Studio glass waisted vase in the 'Cloak of Neringa' pattern, signed to base, 47cm tall.

An Edwardian hallway cloak or coat stand having mirror back

Madonna mit KindFrankreich, ca. 1380Eine auf Natursockel stehende, lothringische Muttergottes mit charakteristisch breitemGesicht und weit auseinanderstehenden Augen, sie ist in ein faltenreiches Gewand und einenrot-blauen Mantel gekleidet, trägt einen weißen Schleier über ihrem gewellten, langen Haarund ein Diadem, im linken Arm hält sie den Jesusknaben, in der rechten Hand einen Apfel,nach dem der Knabe mit beiden Händen greift. Kalkstein, vollplastisch gearbeitet,polychrom gefasst. H. 88 cm. - Fassungsverluste, jedoch umfassende Spuren derOriginalfassung vorhanden. Vergleichsobjekte in der Pfarrkirche Le Grand Thon, Vogesen,Süd-Lothringen, sowie zwei Gruppen im Stadtmuseum Metz.Heiligenfigur, Holzschnitzerei, Sakralplastik Madonna with ChildFrance, ca. 1380A Lorraine Madonna standing on a natural base with a characteristically broad face andwide-set eyes, she is dressed in a creased robe and a red-blue cloak, wears a white veilover her wavy, long hair and a diadem, in her left arm she holds the Child Jesus, in herright hand an apple, which the boy reaches for with both hands. Limestone, fully sculpted,polychrome setting. H. 88 cm. - Losses to the setting, but extensive traces of theoriginal setting present. Comparable objects in the parish church of Le Grand Thon,Vosges, South Lorraine, as well as two groups in the Metz City Museum.

Continental School (20th century) - portrait miniature of a lady, head and shoulders wearing a cream dress and blue cloak over her left shoulder, indistinctly signed, watercolour, possibly on ivorine, 1.75" diameter, circular

Designer handbags to include Harrie Hendricks, Angelo Carbotti, Audley & Roberta Gandolfi, together with branded dust-bags as shown together with an engraving, Molly Campbell - The Cloak Room, signed lower right hand margin, mounted in a gold coloured frame together with an Alfred Vickers watercolour, 'Landscape with tree and cottage' inscribed A. Vickers on reverse, mounted in a wooden frameLocation: RAM

A quantity of silver jewellery, to include a sterling silver mother-of-pearl set brooch by Charles Horner, Chester 1909, a sterling silver moss agate brooch by Shipton & Co., Birmingham 1963, a silver modernist hawk's eye brooch, marked sterling WWF, a silver synthetic colour change corundum and split pearl brooch, in the style of Zoltan White, a pair of American silver earrings with screw fittings by Danecraft, a silver assorted gemstone spray brooch, set with zircon, peridot, hessonite garnet, spinel, etc., a silver garnet set cloak clasp, a silver leaf brooch, marked sterling handmade, a silver modernist assorted gemstone ring, etc., together with a base metal bangle with later soft soldered silver tongue piece (qty.)

A circular Chinese embroidered panel, depicting vases of flowers in amongst a foliate border, 23.5cm dia.; and another possibly from a Mandarins cloak depicting flowers on a black ground with continuous foliate border, 47cm x 32cm (2)

Circle of Jacob Huysmans (1630-1696), Portrait of Captain Edward Kenyon as a child, Full length in classical costume, wearing a red cloak with a small dog and an urn by his side, Oil on canvas, Inscribed lower right 'Capt Edward Kenyon', 110cm x 84cm, Gilt framed Provenance: The Estate of Lord Kenyon, Gredington CONDITION REPORT:The paint surface shows some water marks at the top centre running on to the face, and a small circular scratch to the top left corner. There is a small loss to the paint halfway down the right hand edge, and further small losses to the left leg above the ankle. UV inspection shows a small area of restoration to the centre of the left hand side, with further evidence of minor retouches across the bottom of the picture. There are various small spots of white residue across the paint surface, and it would benefit from cleaning. The frame is dirty, but appears to be sturdy with no visible losses to the moulding. There are two small holes to the lower edge which would have been used to secure a plaque of some form.

Follower of Johann Baptist Closterman (1660-1711), Portrait of James Tyrell, Three quarter length wearing a light brown coat and blue cloak, Oil on canvas, 130cm x 104cm, Framed Provenance: The Estate of Lord Kenyon, Gredington CONDITION REPORT:The paint surface shows an area of loss to the lower part of the coat, with a further area of loss to the left sleeve and in the lower left corner. UV inspection shows the odd small retouch but no evidence of extensive restoration. The paint surface is dirty, including areas of white residue, and would benefit from cleaning. The frame shows losses to the gesso moulding in several areas, notably the bottom edge and the corners.Overall frame dimensions: 143cm x 120cm

Two Pratt Ware figurines, early 19th century, one modelled as a woman collecting harvest into a basket (representing summer), 18.5cm high (at fault), the other modelled as a man pulling his cloak around him (representing winter), 18cm high, each decorated in stripes of typical blues, ochres, browns and greens (2)

19th Century French School  A bronze model of a semi-nude Gentleman, with rugged cloak, on a shaped white marble base mounted on a wooden plinth, 28" (74cms) overall. (1)

Ca. 1000-600 BC. Bronze Age. A large bronze cloak pin with integral loop, a tripartite head, each section comprising two side protruding semicircular attachments, atop a slim neck with dotted decoration and a tapering pin shaft. Good condition, attractive patina. Cloak pins were an important part of Bronze Age cultures and were worn by both men and women in much the same fashion as a brooch. These items were multifunctional: their main purpose was to fasten clothing but wearing elaborate pins such as this one also served as a display of wealth and as tradable goods in lieu of currency. Size: L:175mm / W:33mm ; 87g. Provenance: From the collection of a gentleman based in London; formerly in an old British collection; acquired in the 1980s.

A GROUP OF MIDDLE EASTERN, ORIENTAL AND OTHER JEWELLERY, including; VARIOUS HARDSTONE SET BANGLES; FOUR MALACHITE BANGLES; TWO PAIRS OF SIAM EARRINGS; A JADE AND FILIGREE NECKLACE; A CHINESE GREEN GLASS HAIR ORNAMENT; A HARDSTONE BANGLE AND A JEWISH GRAPE VINE MOTIF CLOAK CLIP (QTY)

A COLLECTION OF FOURTEEN ROYAL DOULTON POTTERY DICKENSIAN CHARACTERS to include; Pickwick, Little Nell, Tiny Tim, Bill Sykes, Uriah Heep, together with one of Charles Dickens (standing within an open book) HN 3448, 10cm high, 15 altogetherCondition report: no chips, cracks or restoration.  A few manufacturing blemishes, some pink loss to ‘Little Nell’ dress, some matt & gloss areas on Bill Sykes arm, manufacturing limps/specks on back of Sairy Gamp green cloak

Great Western Railway station platform sign PARCEL OFFICE & CLOAK ROOM, double sided wood with cast iron letters and original wrought iron bracket. In as removed condition measures overall 45in x 38in.

* Meteyard (Sidney Harold, 1868-1947). The Dance of Death, an illustration to The Golden Legend, by H. W. Longfellow, circa 1910, watercolour on O.W. Paper & Arts Co. Ordinary Pasteboard, faced with fine 72lb Jmp O.W. paper, signed with monogram lower right, sheet size 475 x 285 mm (18.75 x 11.25 ins), ruled wash border to mount, gilt frame, glazed, with handwritten label (probably by the artist) to verso 'The Golden Legend. "Forth from the chapel door he went, Into disgrace and banishment, Clothed in a cloak of Hodden gray, and bearing a wallet and a well.", Sidney H. Meteyard.', and with additional label for the exhibition Masterly Art (Birmingham School of Art 1884-1920), City Museum & Art Gallery, Birmingham, 15 November 1986-25 January 1987Qty: (1)NOTESProvenance: Collection of Graham Horton. The present work is the original watercolour for the 18th illustration facing page 102 of the published edition, with the quotation to tissue-guard: 'Here he has stolen a jester's cap and bells, And dances with the Queen.' One of 25 illustrations by Sidney Meteyard for H.W. Longfellow's Golden Legend, published by Hodder & Stoughton in 1910. The manuscript title attached to the back of the frame appears to have been attached in error to this work, as the quoted text relates to the 4th illustration in the published book, entitled Prince Henry's Penance. A leading member of the Birmingham Group of Artists, Meteyard studied under Edward Taylor at the Birmingham School of Art, and contributed illustrations to A Book of Pictured Carols (1893) and The Quest (1894-96). Generally influenced by the Pre-Raphaelites, and especially Edward Burne-Jones, although the latter's influence on Meteyard perhaps resides more in the choice of subject than in its execution. Burne-Jones became president of the Royal Birmingham School of Art in 1885, and was also a native of Birmingham. Literature: The Last Romantics, Barbican Art Gallery, 1989. Masterly Art (Birmingham School of Art 1884-1920), City Museum & Art Gallery, Birmingham, 15 November 1986 - 25 January 1987.

* Miniature garment. A 17th century-style coat, probably mid-late 19th century, hand-made black silk satin coat, with long sleeves embellished with wide black silk ribbon to give slashed effect, sleeves later (with machine-stitching), narrow black velvet ribbon stitched in lattice design to front edge and hem, hand-made lace collar and cuffs (possibly earlier), hook and eye and later press stud fastenings to front, and an eye stitched slightly asymmetrically to back of each shoulder (possibly for attaching a cloak), worn, with some losses, patches, and darns, length 23cmQty: (1)NOTESA curious miniature garment, the purpose of which we have been unable to fathom. Suggestions have been that it was made to clothe a doll, puppet or automaton, as attire for a figure in a large diorama, for someone with proportionate dwarfism, and even that it was originally a monkey costume. Indeed, this intriguing little coat may have had more than one function during the course of its history.

Rembrandt van Rijn (1606-1669) and others.A Collection of Etchings... [201 works included]Bound album with 5 etchings by Rembrandt, re-worked and printed circa 1810-1820, 14 after Rembrandt, and others by or after Martin Schongauer, Claude Lorrain, Cornelis Bega, Hollar, Runciman, Castiglione, Della Bella and others, various sizes, most trimmed to or just within the platemark, presented in contemporary straight-grain morocco, spine gilt and lettered 'Original Etchings', some losses to spine, rubbed and very worn, folio, published by J. Kay, [circa 1820] ⁂ Etchings by Rembrandt include later impressions from the original plates of the following: 'Portrait of Jan Antonides van der Linden'; 'Old man with beard, fur cap and velvet cloak'; 'Christ Crucified Between Two Thieves: An Oval Plate'; 'The Agony in the Garden'; 'Joseph's Coat Brought to Jacob'.

ATTRIBUTED TO EDMUND LILLY (d.1716) PORTRAIT OF QUEEN ANNE Standing, three quarter length, wearing a pale blue dress and a blue cloak with ermine, the Order of the Garter on a chain around her shoulders, holding a sceptre, oil on canvas 135 x 119cm. Provenance: Earl of Guildford sale, 1980; probably London, Christies, July 12th 1990, lot 48 Literature: Inventory of Waldershare Park, Dover, Kent, no.108 (home of the Earls of Guildford), described as signed and dated 1703 (on base of column on left) * A version of Lilly's popular depiction of the Queen (a 1702 version, full length, is at Stowe; and a 1703 version is in the Collection of the Duke of Marlborough at Blenheim) ++ Lined; replaced stretchers; retouching over old damages and repairs; possibly extended in height by 11cm across the top edge

A Japanese lacquered copper figure of a man in a cloak, 5.5cm wideCondition report: Rubbed and worn.

A pair of gilt metal vine leaf dress clips, 45mm; a pair of ivy leaf gilt metal dress clips, 35mm; other gilt metal leaf design dress clips; plus a apir of gilt metal cloak clips and chains, with leaf finials, 14.5cm.

Arts & Crafts brass double wall sconce of rectangular form in the manner of Glasgow School of Art, with repousse panel of a girl in cloak and bonnet amongst trees, with inset blue and green mottled glass panel beneath and hammered border, the galleried tray with curved front and two plain cylindrical sconces, unmarked, 36.5cm x 27.5cm. Condition report: Series of small dents across body. Surface worn from polishing. green panel loose and held in with tape.Condition report:Series of small dents across body. Surface worn from polishing. green panel loose and held in with tape.

A gold-lacquer four-case inroBy Shuhosai, 19th centuryThe tall vertical rectangular body with a kinji ground lacquered with a feather robe hanging in a pine tree, the reverse with the peak of Mount Fuji seen through a large hole in the tree trunk, in gold and slight-coloured takamaki-e with details of gold foil and the interior of rich nashiji; signed Shuhosai; with a plain wood manju netsuke. 8.5cm (3 3/8in) high.Footnotes:リザーブ設定無し三保松原に孔雀衣図蒔絵印籠　銘「秀芳齋」　19世紀Provenance: purchased from Trudel Klefisch, Cologne, 1991.Wrangham collection, no.2039.Published: E. A. Wrangham, The Index of Inro Artists, p.261, Shuhosai.The feather cloak (hagoromo) is the subject of a Noh play telling the story of an angel who came to the forest of Miho and climbed a tree to view Mount Fuji and the sea of Suruga. She left her cloak on the tree and danced on the beach, where a fisherman found her, when she became frightened and departed to heaven, leaving the cloak behind.The Edward Wrangham Collection of Japanese Art: Part III, lot 333.www.bonhams.com/auctions/20189/lot/333/Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

A cape or short cloak, richly embroidered with gold coloured thread decorated with oriental scrolls, and small turquoise stones, on a cream ground

British School (18th/19th century) Portrait of William, Duke of Cumberland, half length standing wearing a red and ermine trimmed cloak, armoured breastplate and royal blue sash Oil on canvas, 35.5cm by 30cm . relined cleaned and revarnished now covered in a thick layer of dirt and discoloured varnish. surface of the canvas is slightly flattened from the restoratation process. evidence of retouching and overpainitng to all four edges with less consistant retouching to elements of the Dukes hair. shadow and definition along gold edge of curtain on left hand side has been strenghtened with further retouches within the background, between said curtain and his right arm and shoulder. further retouching within the darker shades and shadows of his right hand sleeve and parts of the lower right hand corner. some of this retouching has deteriorated and is evident by eye. varying sized craquelure throughout surface, some of the finer craqueleure is lifting and resulting in some tiny losses within the red of his robe on the right hand side and odd places otherwise minor rubbing and old damages / restoration in evidence to edges.

Follower of Jean-Baptiste Greuze (1725-1805) French Portrait of a lady, head and shoulders wearing a black hooded cloak Oil on canvas, 44cm by 34cm Provenance: Mr G.H Lunge of The Cedars, Ashby-de-la-Zouche (according to old catalogue entry affixed to reverse) See illustration

S. CALISTERI (Italian, late 19th century); watercolour, portrait miniature, quarter length of a bearded gentleman wearing a black cloak, 6 x 4.5cm, in later gilt metal frame.Additional InformationVery minor nicks/knocks to the frame, light wear and scratches.

A Robinson and Leadbeater parian figure of Night: holding her cloak of stars over her head, a cherub below, impressed '200', circa 1880/90, 54cm [minor glaze flaw to base].* Cf. Richard Dennis 'The Parian Phenomenon' page 227, fig 726 for the companion figure 'Morning'.