We found 7207 price guide item(s) matching your search

FRANZ XAVIER BERGMANN (Austrian, 1861-1936) cold painted bronze - Arab Warrior with Flintlock, cast as an Arab standing wearing a red cap and white headdress, brown cloak over striped blue robe, striped sash securing his sword, priming his rifle, powder flask and musket ball sack slung at his right hip, foundry mark and numbered 678(4?), 18.5cms highProvenance: private collection North WalesComments: sash bent, paint wear, musket slightly bent.

A circular hardstone cameo ring, depicting Hercules wearing a lion pelt cloak, rub set to a plain shallow collet, split shoulders with scalloped detail to a plain shank. Tested as approximately 18ct gold. 3.54g. Finger size L-M approximatelyBuying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportA flat underside to the head so the ring is not circular, hence approximate finger size. Light surface marks commensurate with its age.

Anonymous, girl with cloak and pewter jug with glass, canvas ca. 1900, 61x46 cm in a classic frame, outer size is 86x70 cm

19th century English schoolAn oval miniature portrait of a lady, wearing a lace cap, collar, and flowery cloak, watercolour on ivory, 7.8 x 6.3cm in gilt frameIvory Submission Reference: 4DRACKBA

A Sterling silver Iona Celtic style cloak pin / brooch, approx. 6gms

This Swarovski crystal Mickey looks like a magician. Mickey€™s head and ears are in Black Diamond crystal and his Jet crystal nose add the gleam of a wizard. A Topaz crystal bow glows at the waist. The seam of the cloak has 2009 printed on it. Swarovski etched backstamp. Issued: 2009Dimensions: 1.75"L x 1.5"W x 2.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

Alabaster carved bust on a stone plinth in the form of a figure with a head covering and cloak.Height: 20 1/2 in x width: 12 in x depth: 8 in. />Condition: Light wear throughout. No major breaks, losses, or restorations. There is a brown wash over the whole sculpture. Streaks of this brown wash visible along the back. There is a hairline crack along the back of the work. Light wear to the base.

NGC - Charles I (1625-49), Halfcrown, Tower mint, (S. 2775) type 3a2, King wears cloak on horseback, rev. oval garnished shield, mm. triangle in circle, encapsulated and graded by NGC as XF Details Cleaned, certification number 6944387-001, total graded by NGC in XF Details is 1 - Harborne Collection

Iron Age gold Stater of East Anglian Region/Iceni c50-20 BC, ‘Norfolk Wolf’ type. Obv wreath, cloak & crescents, Rev Wolf facing left with bird on back and pellets above & below. Approximately 19mm, 4.64g.

Edwin T. Smith "Harriet - Baroness de (a Zouche, died 1870)" head and shoulder portrait of young girl with lace bonnet and coral necklace, Signed, approx. 18cms x 12cms (7" x 5"), gilt frame; together with a miniature of a Young Man in black hat and cloak, in ebonised frame. (2)

AN ITALIAN BRONZE FIGURE OF JUPITER WITH THUNDERBOLTS 18TH CENTURY Depicted standing, in contrapposto stance, thunderbolt to his right raised hand, now set on a variegated green marble base figure 18cm high, 20cm high overall, base 12cm wide Condition Report: The patina fairly worn with darker colour to recessed areas, some verdigris to folds of cloak Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on requestCondition Report Disclaimer

MANNER OF PETER PAUL RUBENS DOUBLE HEAD STUDY Oil on canvas 44 x 58cm (17¼ x 22¾ in.) Condition Report: The canvas has been lined. Surface cracking and stretcher marks. There is a layer of surface dirt and uneven varnish. Inspection under UV reveals broad areas of retouching to the left figure's cloak, together with a thick green varnish.Condition Report Disclaimer

A GERMAN ALABASTER ALLEGORICAL FIGURE OF WINTER AS AN OLD MAN 17TH CENTURY Depicted standing- partially wrapped in cloak, small child by his side 39cm high, 11.5cm wide Condition Report: UV shows restorations across his midriff, under his chin, top of child's head, across the base through feet,- natural veins and flaws some with old remedial infill, later stabilising section under plinth and some replacement corner sections to plinth. Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Condition Report Disclaimer

Christ’s Hospital, Nautical School, 1673, a uniface silver cloak badge by J. Roettiers, standing figures of Arithmetic, Geometry and Astronomy encouraging a Bluecoat boy, fleet behind, 80mm, 43.60g (MI I, 557/218; E 252). About very fine; the wide border with twelve piercings for attachment £100-£120

Charles II (1660-1685), Crown, 1662, first bust, rose below, edge undated, striped cloak, 6h (ESC 345 var.; S 3350B). Some minor marks, otherwise good very fine and toned, rare £1,500-£1,800

Celtic Britain, Iceni gold stater (c.45-40 BC), Norfolk Wolf type, obv: wreath, cloak and crescents, stylised head of Apollo, rev: Wolf standing left with open jaws, bird on rump, pellets and crescent above, pellet triad and large pellet below. (1)

An 18th/19th Century English Pottery Spongeware Flat Back Depicting Lovers in Briar, 12.5cm high Together with an Glazed Porcelain Study of Nude in Red Cloak, 12.5cm high. Varying Condition Issues

A 1940's/50's Arabic Bisht cloak, black with gold collar and edging and buttons/toggles - approx 160cm x 145cm - good overall condition with a white shoal

A silver, wood and amethyst cloak pin in the form of a Scottish dirk, hallmarks for London 1970. 9 cm long.

A collection of Iona silver jewellery and other silver jewellery of a Celtic design, comprised of a large cloak brooch, with Shipton and Co. hallmark, Edinburgh 1981,  6.5cm diameter, and two smaller brooches, six pendants, two rings, and two pairs of earrings. Ex-stock of Shipton and Co., a family run firm based in Hastings White Rock area, who were forced to cease trading in 2014 after a section of the rock face above collapsed onto their shop, making the building unsafe.  Originally founded in 1870 in Birmingham, Shipton and Co. were one of the mainland jewellers who made items for Alexander and Euphemia Richie, for their famous 'Iona Celtic Art', Arts and Crafts inspired Iona based business.  CONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports.  Please contact us to if you require further information or images. *  Please consider shipping costs before bidding as this may affect your decision to bid *  Please familiarise yourself with our payment methods.  Our preferred method of payment is by bank transfer.  We do not take cash or card payments.

Great Western Railway station platform sign PARCEL OFFICE & CLOAK ROOM, double sided wood with cast iron letters and original wrought iron bracket. In as removed condition measures overall 45in x 38in.

GLADIATOR (2000) - Praetorian Guard CostumeA Praetorian Guard costume from Ridley Scott's Academy Award®-winning historical epic Gladiator. Commodus (Joaquin Phoenix) gained the Praetorian Guard, an elite unit of the Imperial Roman Army, as his personal bodyguards when he became Emperor.This costume consists of a foam-padded fibreglass helmet with leather chin straps and bird details on the top and sides; a purple woollen hooded cloak with matching tunic and pants; a metal-backed resin lion emblem cloak clasp painted silver; plated plastic body armour painted to appear metallic and affixed with metal buckles; a brown leather singulum with gray plated details; a brown leather belt with resin accents; a rubber and leather sheath with an eagle-headed dagger permanently embedded inside; and a pair of brown leather boots.Estimate: £3,000 - 6,000 †Δ View all lots from GLADIATOR (2000)Bidding for this lot will end on Saturday, November 11th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 9th, Friday, November 10th or Sunday, November 12th.

PRINCE OF PERSIA: THE SANDS OF TIME (2010) - Tamina's (Gemma Arterton) CostumePrincess Tamina's (Gemma Arterton) costume from Mike Newell's videogame adaptation Prince of Persia: The Sands of Time. Tamina wore her shalwar-style costume during her escape from Avrat with Dastan (Jake Gyllenhaal).The costume consists of an embroidered long-sleeved cream dress; a pair of loose-fitting yellow-cream dress trousers with a drawstring waist closure and press-button ankle closures; an embroidered sleeveless bolero; a tasselled red-striped scarf that Tamina wore as a belt; a cream hessian cloak featuring shoulder strings with gold-coloured metal discs attached; and a pair of beige suede boots. The lot also includes a separate gold-coloured belt, with ornate silver-coloured embellishments attached.The dress, bolero and belt display a floral motif, and Arterton's name is handwritten inside the boots and bolero. Some costume items exhibit signs of wear, including minor staining.Estimate: £2,000 - 4,000 M View all lots from PRINCE OF PERSIA: THE SANDS OF TIME (2010)Bidding for this lot will end on Sunday, November 12th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 9th, Friday, November 10th or Saturday, November 11th.

Scottish hard stone silver cloak brooch 8.1g

23 S/M/L 19th century assorted metal head buttons.This lot contains 3 matching large pierced cloak closures with single shanks (6 pieces in all) making up 6 buttons, 2 more matching examples, and several other metal heads. Good lot. Issued: DIVISION 1=PRE 1918 AND DIVISION 3 IS AFTER 1918Dimensions: SM=Less than 3/4", Medium=3/4" to 1 1/4". Large=1 1/4" and above, extra large=1 3/4" and aboveCondition: Unless otherwise noted we find no significant condition concerns except for normal age related wear for the age of these items.

John Emms (British, 1843-1912)The New Forest Buckhounds signed and dated 'JNO EMMS/1896' (lower left)oil on canvas76 x 109cm (30 x 43in).Footnotes:ProvenanceAnon. sale, Sotheby's, New York, 11 April 1997, lot 126.Private collection, UK.The two younger men in the painting were local Hampshire residents from the Gulliver family – one was a whipper-in and the other was a kennel-man for the New Forest Buckhounds in 1895. Their descendants are said to still live in Hampshire.Emms particularly specialized in paintings of hounds at kennels and hunts in Hampshire, and the New Forest Hounds, perhaps the area's most well-known pack, were a frequent subject for the artist. A keen huntsman with a consummate interest in the sporting field, John Emms had the rare ability to give real life to his subjects. He was at his very best when painting dogs; with confident use of fluid brushstrokes, he gives weight and solidity to their different physical characteristics as well as their individual temperaments. He used to walk to the kennels every day and return to his studio with one hound after another as he undertook preliminary sketches in working up to the overall composition. Born in Blofield, Norfolk, the son of artist Henry William Emms, as a young man John Emms travelled to London where he worked as a studio assistant to Frederic, Lord Leighton. In the early 1860s, while Leighton was working on the fresco of The Wise and Foolish Virgins for St. Michael and All Angels Church in Lyndhurst, Emms – who is believed to have contributed the owl below the outstretched arms of the angel to right of centre – travelled with the great Pre-Raphaelite painter. This first visit to Hampshire would set the artist on the course that would ultimately define the rest of his career. By 1872 he returned to Lyndhurst part-time while maintaining a studio in London and settled there permanently around 1881. Apart from the great natural beauty of this area of the New Forest, Lyndhurst also offered all manner of different types of hunting - pursuits very close to the artist's heart. A good horseman, avid huntsman and convivial guest, Emms soon found himself in high demand for the horse, hound, and dog portraits he painted for members of the peerage and landed gentry throughout the British Isles. Emms cut a flamboyant figure, always dressed in a long black cloak and matching wide brimmed hat. He and his family led a somewhat bohemian life; when times were good, after selling a painting, he would take his wife Fanny, their three daughters and son up to London to stay in the best hotels and live life to the full. Highly respected during his lifetime, Emms left a great body of work.For further information on this lot please visit Bonhams.com

A BRONZE FIGURE OF A KARMAPA LAMA, TIBET, 19TH CENTURY OR EARLIER seated in padmasana, his hands in bhumisparsa and dhyana mudra, holding a bowl in his left hand, wearing voluminous robes and cloak, his head with flared cap, traces of red and black pigment, his flesh cold gilded, 20cm high

A collection of various 1980s limited run Marvel comic book series, to include: - Magik, issues: 1-3 - Cloak and Dagger, issues: 1-4 - Vision and the Scarlet Witch, issues: 1-3 - The Falcon, issues 1-4 - Thr Jack of Hearts, issues 1-4 - Wolverine, issues: 1-4

ROYAL DOULTON; HN370, 'Henry VIII', an extremely rare example, first version, model 271, issued 1920-38, height 20cm.This is a particularly rare figurine as this model was introduced in 1920 but in such limited numbers that fewer than five are known to exist. This example has an impressed date for 1919, making it a year before production, impressed model number 271, and is a colourway version of the 1920 HN370. The Royal Doulton book indicates that only one of these figurines is known. Provenance: Private collection. Condition Report: To request estimate, please submit a Condition Report request. Small shallow chip to the bottom of the cloak, small glaze fault to the reverse of the figure, light crazing to the glaze, otherwise good. 

FERDINAND BARBEDIENNE (1810-1892), A BRONZE FIGURE, 'APOLLO BELVEDERE', AFTER THE ANTIQUE standing in a cloak with a quiver upon his back, his arm outstretched grasping a baton, beside a tree stump with an entwined serpent, on a circular base, signed F. BARBEDIENNE. FONDEUR. and with the Collas Reduction seal. 44cm high

Joop Houthuyzen (Haarlem 1943), Torso with cloak, partly polished bronze.H.: 31 cm.

A THAI STANDING BUDDHA STATUE Gilt and lacquered wood, standing upright, eyes closed and elongated earlobes, hands up and palms facing outward, cloak hanging with decorative border, on round base and square pedestal stand 128cm height Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A collection of antique and later silver jewellery featuring a late 19th century paste tortoise brooch, marked 900 with an amphora a mark associated with the Parisian Diamond Company, an Edwardian paste set heart locket in sterling silver, marked for J W, an Arts and Crafts style malachite pendant, two base metal pocket watches, an Aesthetic movement cloak button and dress studs in a fitted case for HM Emanuel and Sons, plus a gilded Lily of the Valley locket

GROUP OF ASSORTED SILVER & OTHER COLLECTABLES, including Dunlop golf ball hole-in-one souvenir trophy cup, mother-of-pearl handled pickle fork, silver cigarette case, Chinese silver panel bracelet, French silver plate chatelaine (missing scent bottle), antler handled boot hook, cast metal statuette of a boy scout, North African cloak pin, and a silver and enamel medallion (9)Provenance: private collection CardiffComments: general usual wear.

AN OSAKA SCHOOL IVORY NETSUKE OF GAMA SENNINUnsignedJapan, Osaka, early 19th century, Edo period (1615-1868)Gama Sennin is depicted straining under the weight of a huge toad on his shoulder, the sage grinning as he supports the amphibian on his arched back while holding onto his curved staff. Dressed in a flowing robe detailed with the typical sennin leaf cloak, the tattered sleeves exposing his hairy arms inked for texture. The toad with an expressively carved warty skin and large inlaid eyes of reddish horn. The back with an attractive honey patina and thoroughly excavated himotoshi.HEIGHT 5.6 cmCondition: Good condition with minor wear and traces of use. Few age-related cracks, tiny scratches and rubbing.Provenance: From a German private collection.Auction comparison:Compare a closely related ivory netsuke of Gama Sennin attributed to Masakazu at Zacke, Fine Japanese Art, 16th June 2023, Vienna, lot 358 (sold for EUR 3,120).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number AT 23-B-0348).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.

A VERY RARE DOCUMENTARY BLUE AND WHITE 'TANG EMPEROR VISITS THE MOON PALACE' SLEEVE VASEChongzhen, cyclically dated to the Wuyin year corresponding to 1638 and of the periodThe tall cylindrical vessel with slightly tapering sides decorated around the waisted neck with a band of pendent plantain leaves, above a continuous scene in vibrant tones of cobalt-blue of the Tang Emperor Minghuang standing beneath a peacock-feather fan visiting the Guanghan Palace of Chang E on the moon, accompanied by a Daoist priest wearing a patterned cloak and holding an official's tablet, Chang E accompanied by attendants, one carrying the hare, the inscription and signature reading Zhu Shiju, all between incised borders at the shoulder and foot rim. 45cm (17 3/4in) high. Footnotes:明崇禎1638年 青花「唐明皇夜遊月宮圖」象腿瓶 Provenance: Berwald Oriental Art Ltd., London, 9 June 1998Published and Illustrated: R.Kilburn, Transitional Wares and Their Forerunners, Hong Kong, 1981, p.34, fig.17來源：倫敦古董商Berwald Oriental Art Ltd.，1998年6月9日著錄： R.Kilburn, 《Transitional Wares and Their Forerunners》，香港，1981年，第34頁，插圖17The scene on the present vase is from the popular drama 'The Tang Emperor Visits the Moon Palace' based on the Tang poem by Bai Juyi (772-846), 'Song of Eternal regret'. The Tang Emperor Minghuang (685-762) was infatuated by his plump concubine Yang Guifei (719-756), so much so that affairs of state were being neglected leading to the An Lushan rebellion of 755. The Emperor and his concubine were forced to flee the capital, but on the road, the Emperor's own bodyguard, blaming her for the rebellion, forced the Emperor to order her suicide:君王掩面救不得，回看血淚相和流。His Majesty covered his face, for he could not save her. Looking back, he saw a stream of blood and tears mixing togetherThe Emperor grieved for a long time afterwards until a Daoist priest felt pity for the Emperor and decided to use his powers to search for the spirit of Yang Guifei. In the 17th century drama, the Emperor and concubine are reunited in Chang E's moon palace, underscored in the present lot by the presence of the hare, which pounds the elixir of Immortality on the moon. See a wucai vase, circa 1650-1660, with similar decoration, illustrated by M.Butler et al, Shunzhi Porcelain: Treasures from an Unknown Reign, Alexandria, 2002, p.207. The story is also recounted by J.B.Curtis, Chinese Porcelains of the Seventeenth Century: Landscapes, Scholars' Motifs and Narratives, New York, 1995, p.112. Compare with a related sleeve vase, decorated with water buffalo, circa 1640, illustrated in Seventeenth Century Chinese Porcelain from the Butler Family Collection, Virginia, 1990, pl.99. See also a similar blue and white sleeve vase, dated 1637, illustrated by R.Kilburn, Transitional Wares and Their Forerunners, Hong Kong, 1981, pl.60.Compare with a related blue and white 'Saagata' sleeve vase, Chongzhen, but with a different narrative, which was sold at Bonhams London, 3 November 2022, lot 17.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Vinyl - 6 albums by Witchfynde, to include: Cloak & Dagger (UK 1983 Limited Picture Disc, Expulsion Records, P EXIT 5) EX, Cloak & Dagger (UK 1983 , Expulsion Records, EXIT 5) VG+ / EX, Stagefright (UK 1980, Rondelet Music & Records ABOUT 2) Textured sleeve has a sticker removal tear / Vinyl VG+, Lord Of Sin (UK / EU 1984, Album + 12”, Mausoleum Records, LORD 835354), Give 'Em Hell (UK 1980, Rondelet Music & Records ABOUT 1), The Lost Tapes (UK 2014 Double Album, Bad Omen Records, OMEN 006), sealed

PAIR OF BENTWOOD CAFE CHAIRS, ALONG WITH A CLOAK TREE the chairs with moulded decoration to seatQty: 3

After Domenico Maggiotto (1712-1794) Italian oval painting depicting an old man and a boy, possibly St Christopher, in a red cloak holding the end of a walking staff, oil on canvas, unsigned, 24.5 cm high, within a pierced giltwood frame

Two Indonesian (Sumba) textiles. Hinggi (man’s cloak). Hand spun cotton using Ikat technique with multiple animal and tree images (late 19th/early 20th Century). Bought Sotheby’s Amsterdam in the 1980s by the Vendor.

A pair of 19th century Staffordshire figural inkwells/candlesticks, one modelled as a gentleman wearing a cloak, the other as a lady, each with gilt highlighting, height of largest 17cm (2).Condition Report: - The gentleman has a slight chip to one finger, is crazed and has a firing crack to the base. The lady has grazes to the foot rim and the gilt is rubbed.

Steiff Teddy Bear with Little Donkey, white tag 670886, LE 3000, comprising mohair teddy bear wearing blue velvet cloak and white hat and grey mohair donkey, certificate, Excellent to Near Mint, within Good Plus box, trade carton, bear 8.75"/21cm and donkey 8"/20cm.

Teddy-Hermann teddy bear group x four including: (1) Hannes, Teddy-Hermann 12th club bear, LE, brown tipped cream mohair, apricot backing, swing label certificate and plastic medallion, within Good box (ink notation to top of box), 10"/26cm; (2) Musical teddy bear, LE 600, brown tipped golden mohair, open mouth design, music box plays "Let me be your teddy bear", swing label certificate and plastic medallion, within Good box, 11"/28cm; (3) Queen Elizabeth II, LE 300, grey mohair, felt crown, blue velvet cloak, swing label certificate and plastic medallion, 12"/30cm; (4) Hermann Spielwaren My Sunshine teddy bear 2019, LE 25/50 brown tipped blonde mohair, felt flower and butterfly decoration, musical, MISSING swing label certificate, 15"/38cm; (4).

An 18th/19th century Italian polychrome wood carving of a lady in a cloak holding a candle, H60cmThere are visible natural splits and flaws through the wood, all over aged woodworm, surface chips and splits with a hole going up the centre of the statue, rubbing to the high points, some age-related repairs, traces of original paint

*Colin Moss (1914-2005) mixed media, a disturbing scene of a nude woman with her hands behind her back, being studied by a seated old man holding a scythe, and an old woman wearing a long black cloak, signed and dated 2000, 33.5cm x 32.5cm excluding top margin

Ransford of Dublin A Pair of Irish 30-Bore Flintlock Overcoat/Cloak Pistols by Ransford, Dublin, c1750. Queen Anne style, with 2-stage turn-off cannon 4.6” barrels of 0.53" bore. Sides of frame border engraved, scrolls within, banner inscribed 'DUBLIN' to rhs of frame, Ransford to lhs of frame, decorated top plate. Sunken frizzen spring, t/guard safety, bows engraved with foliage. Proof marks under breech. Walnut grips with silver grotesque butt-caps by Freeth.. 'CF' 1781 and silver oval escutcheons with crest and initials RA. 11” Overall. Both GWO, but one action needs oiled. Irish made Queen Annes have guard safety similar to English made. Later side locks discarded it. What changed. Post ‘step’ frame (1760 on). Ring neck cock (1760 on).

UNITED KINGDOM. Elizabeth II, 1952-2022. Gold 1/4 sovereign, 2017. Royal Mint. Proof. Commemorating the 200 year anniversary of the modern sovereign 1817-2017, featuring the original design of St. George and the Dragon as made by Pistrucci.Fifth crowned head of Elizabeth II facing right; JC below; ELIZABETH II · DEI · GRA · REG · FID · DEF · 2017 ·. Design by Jody Clark. / The reverse depicts an illustration of the legend of St George as the slayer of the dragon, in its original 1817 interpretation. St George is on horseback, advancing to right, wearing a helmet and chlamys (cape, or cloak) fastened in front by a fibula, and holding a broken lance. His left hand clutches the rein of the horse's bridle, and he does not wear armour, other than on his lower legs and feet, with his toes bare. The saint's horse appears to be half attacking, half shrinking from the dragon, which lies wounded by George's spear and in the throes of death. The point of the lance is broken off in the dragon's side. In relief in the left part of the ground line, the artist's initials B.P. (for Benedetto Pistrucci). Surrounding the image, a Garter circlet inscribed with the Order of the Garter's motto, HONI · SOIT · QUI · MAL · Y · PENSE · (from old French: Shame on he who thinks evil). Design by Benedetto Pistrucci. Edge milled.In secure plastic holder, graded NGC PF 70 ULTRA CAMEO, certification number 6031519-021. NGC Census in this grade: 475, equal-finest graded.Total NGC Census: 536Reference: S-SA5Mintage: 4,188.Diameter: 13.5 mm.Weight: 2 g. (AGW=0.0590 oz.)Composition: 917.0/1000 Gold.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.This lot is exempt from VAT. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.

A Derby patch mark figure, of John Milton, he stands scroll in hand, wearing a puce cloak, beside a column laden with books, canted fluted base, picked out in gilt, 29cm high, c.1765

Glossy Art Deco figure of an exposed woman in a mint green hooded cloak, resting on a black floral rectangle pedestal.Glazed nude figure in gray stockings and yellow arm-length gloves. Artist original colorway 1/1 for Peggy Davies by Victoria Bourne. Artist: Victoria BourneIssued: 20th c.Dimensions: 5.75"L x 5.5"W x 8.5"HEdition Number: 1-Jan Manufacturer: Peggy Davies CeramicsCountry of Origin: EnglandCondition: Age related wear.

Glazed nude figure in an open cloak. Purple, yellow, black, and white coloration. Artist original colorway 1/1 for Peggy Davies by Victoria Bourne. Artist: Victoria BourneIssued: 20th c.Dimensions: 10.75"L x 4.5"W x 6.5"HEdition Number: 1 of 1 Manufacturer: Peggy Davies CeramicsCountry of Origin: EnglandCondition: Age related wear.

Set of three Classical design cast stone wall plaque or mask, in the form of the Greek Titan of time Cronus (Kronos) holding an hourglass with a cloak and beardDimensions: Height: 30cm  Length/Width: 30cm 

A large Victorian Black Watch bullion-embroidered cloak or similar badge, bearing a paper label verso of Herbert Boys & Co, Gold Lace Embroiderers, 26 Bedford St, Covent Garden, London, 1.5 cm x 12.5 cm

Williamson (H): Salar the Salmon and 7 other Novels All First Editions incuding; A Fox Under my Cloak, Macdonald & Co London,1955, Tales of Moorland & Estuary with drawings by Broom Lynne, Macdonald 1953, Goodbye West Country, Putnam London 1937, It Was the Nightingale macdonald 1962, The Village Book, Cape London 1930, The Dark Lantern, Macdonald 1951 and Donkey Boy Macdonald 1952 all original boards with d/w in good condition with soem slight fading and wear (8)good condition

830 silver double brooch / cloak buckle by Marius Hammer - 18cm long & 38g

A 17th-century carved-wood figure group, depicting Saint Martin of Tours on horseback dividing his cloak to clothe a beggar, 82 x 49cm.Provenance: The contents of The Birches, Kingston-upon-ThamesThe quarter cut oak panel has a spliced strip at the right hand edge and a thinner strip on the left edge, the surface is open and looks as if a coarse brush perhaps a brass brush has been used to remove the old varnish or paint.the reverse of the panel shows some historic rot that has been stabalised and some insect infestation, mostly confined to a 10 cm band running along the bottom edge.The panel is constructed by rub jointed boards and they are now slightly split and is moving a tiny bit.Please see the extra images supplied.

A contemporary carved painted and gilt gesso ecclesiastical devotional figure of "Madonna of Mercy (Schutzmantel Madonna) with collected souls in prayer beneath her protective cloak, 25 cm wide x 61 cm high, together with a wood polychromic painted, gilt plaster and wood frieze tableau of the last supper flanked by Solomonic columns. 36 cm x 66 cm.

Copenhagen parian figure, St Peter, holding the Keys of Heaven, blue three line mark and stamped Eneret, 33cm.Condition report:Some very tiny chips to the folds of the cloak, keys and hand restored, extensive restoration to the plinth.

4 1st Edition Marvel Comics, Spider-Woman Vol 1 #1 (1978), Cloak & Dagger Vol 2 #1 (1985), The Falcon Vol 1 #1 (1983), Balder the Brave Vol 1 #1 (1985), (VFN/FN) Bagged and boarded

A CAMBODIAN STANDING BUDDHA FIGURE Khmer, Takeo Pre-Angkor type, large head, closed eyes, stretched earlobes, conical rosetted chignon, pleated cloak falling to the ankle, rectangular pedestal, orange gray terracotta with black core, Purchased Phnom Penh 1999, according to the collector's inventory 37cm height Provenance: Property from the Southeast Asian ceramics collection of a former diplomat Condition: Condition Report Arms missing, restoration at neck. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A BURMESE LACQUERED STANDING MONK Carved and red lacquered timber, eyes closed and smiling, kasaya cloak over shoulders hanging to ankles, standing on lotus base, holding offering bowl, inset green and red mirrored disc border 83cm high Condition: Condition Report Crack to monk's right hand, minor chips to lacquer. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.