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Lot 395

Large two seat settee and armchair in blue patterned cover with beech feet

Lot 449

Large settee and matching armchair in beige floral pattern cover

Lot 1000

Two seat settee in blue cover

Lot 210

BORGE MOGENSEN DESIGN LEATHER-UPHOLSTERED THREE SEAT SETTEE with wooden legs, unmarked 193cm wide

Lot 227

DE SEDE, SWITZERLAND THREE SEAT SETTEE, DESIGNED CIRCA 1970 steel base with full grain leather upholstery each section 83cm across

Lot 301

A Victorian walnut button back settee, with brown upholstery on turned tapered legs and castors, 83cm high x 204cm wide

Lot 464

An Edwardian Inlaid Mahogany Two Seater Parlour Settee, with pierced central splat, upholstered seat and backs on tapering legs.

Lot 496

A 1920's Mahogany Framed Settee, on turned legs, re-upholstered in a floral fabric.

Lot 497

An Edwardian Mahogany Framed Settee, on turned legs, re-upholstered in a maroon floral damask.

Lot 520

An Edwardian Mahogany two-seater Parlour Settee, with satinwood stringing, scroll arms and cabriole legs, upholstered in a slate blue dralon.

Lot 576

A GEORGIAN DESIGN MAHOGANY FRAMED TWO SEATER WING SETTEE with carved paw feet.

Lot 367

An early 20th century two seater settee with show wood back and sprung seat on turned tapered legs

Lot 594A

An Edwardian mahogany framed and green floral button upholstered two person salon settee, having a pierced arm gallery rail, on block, reeded and ring turned tapering supports.

Lot 599

An Edwardian mahogany and strung three piece salon suite comprising a two person settee and two armchairs, each upholstered in floral Regency stripe fabric and on short cabriole forelegs.

Lot 618

An Edwardian mahogany florally inlaid and strung salon settee of kidney shaped form, having a foliate ribbon tied decorated top rail over padded back, reeded slats on square tapering and block forelegs.

Lot 483

An Edwardian mahogany saloon suite comprising 2 seater settee, pair of armchairs and 4 single chairs.

Lot 1114

An exceedingly well-documented and poignant Great War group of three awarded to 2nd Lieutenant W. H. Blades, The Rifle Brigade, late Honourable Artillery Company (Infantry), who was killed in action in May 1917 1914-15 Star (4130 Pte., H.A.C.); British War and Victory Medals (2 Lieut.), in their card forwarding boxes and registered envelope, virtually as issued (3) £2000-3000 William Henry ‘Harry’ Blades was born in September 1897 and was employed as a clerk at a bank in Kensington on the outbreak of hostilities in August 1914. Having then considered the merits of whether to apply for a commission, and indeed which regiment to join, he attested in the Honourable Artillery Company (H.A.C.) in August 1915, and was embarked for France as a Private in ‘C’ Company, 3rd H.A.C. Infantry Battalion, at the end of the year. For the first few months his unit was employed on garrison duty at St. Omer, but by the summer of 1916, his letters home reveal service of a more active nature on the Somme: ‘We are getting r ady to spend the next few days in a manner not at all comfortable and free from care. I never knew I was so fond of life until recently, when there seemed a chance of losing it ... It seems absolutely absurd to think so many men should be formed up along the line trying to kill each other; and the sun shining overhead, birds singing and green woods in the distance ... The trench mortars are one of the most worrying inventions. They are fired from the trenches, and go high up into the air, dropping somewhere near the trench. You can see them dropping and have to run up and down dodging them, which might be quite interesting if the things didn’t explode with such force.’ Shortly after these operations, Blades applied for a commission and was despatched to a Cadet School, but fell ill with jaundice. It was not, therefore, until February 1917 that he was finally appointed a 2nd Lieutenant in the 8th Battalion of his favoured regiment - the Rifle Brigade. And towards the end of the following month, his unit moved up to the front line: ‘Things are not so pleasant now; and in a few hours we shall be in the trenches, some of the many Fritz has presented us with. If they are the same as the villages he has left, he can keep them. I have just seen one of them, and it is as desolate a sight as one can imagine - not a vestige of a building - just a gate or railings here and there ... It is awfully noisy here ... This morning we had a unique and rather touching sight of an aeroplane catching fire. The pilot lived to reach the ground, but gradually the flames gained until the plane shrivelled up and dropped. We could see the pilot throw himself out ... My respect for the Church of England has gone; and with the influence of the War, I have become materialistic - everything is chance. If you and a shell arrive at the same place together, that is chance.’ At long last, for he had not been home to Gateshead since he had been embarked for France at the end of 1915, Blades was given 10 days leave at Easter 1917 - ‘I am glad I had eave,’ he wrote on returning to his unit, ‘It won’t be quite so bad now I have seen everybody I wanted to.’ Just a few days later, on 3 May, he led his men over the top in a dawn attack near Cheresy. On the 7th, his Company Commander, Captain W. A. Crebbin, wrote to his father: ‘It is with great regret that I have to inform you that your son is wounded and missing. Much as I should like to, I’m afraid I can’t give you any hope for his safety. The Battalion went into action on May 3rd and shortly after we advanced your son was wounded: one of my stretcher bearers bound up his wounds but the stretcher bearer informed me that Blades had been grievously wounded and that there was very little chance of his living. the enemy counter attacked us heavily after our advance and we had to return to our original line and we were unable to get further information concerning your son. To be quite candid, though I hate being so, I’m afraid it is hoping against hope to think otherwise than that he has been killed in action. It is the best death that we are allowed out here, to fall at the head of one’s men; but it is those at home who have the biggest part of the war to bear, and their’s is the aftermath to suffer. i was your son’s Company Officer and though I have only taken over the Company recently, I know his loss will be greatly felt. His men looked up to him, loved him and would have done anything for him. His will be a great loss to the company. if I hear anything further concerning Blades I will contact you immediately, but in any case if there is any way in which I can help you, please don’t hesitate to write. I will do my best.’ Harry Blades has no known grave and is commemorated on the Arras Memorial. He was 21 years old. in addition to the archive described below, his awards are also sold with a wonderful biography of some 30,000 words, written by his sister, in which she draws upon some of his correspondence, in addition to many other family sources. Perhaps most moving of all is her account of the occasion that her brother - on his last leave home - confessed that he would never return: ‘He sought her out in the drawing room, where she was sitting alone in the twilight in front of a glowing fire. He walked round the back of the settee and put his hand on her shoulder. As she clasped it in her own, he said slowly and distinctly, ‘I know that I won’t come back. I want you to remember me and tell your children about me.’ The girl felt a lump rise in her throat and the hot tears well up in her eyes. She knew if she tried to speak she would burst into tears, and she must not do that at all costs. She clung to his hand and inclined her head in reply. Her brother waited for a few seconds, and then abruptly strode out of the room ... She felt she had somehow failed him in his hour of need, and that she ought to have been able to give him some words of comfort; but he had spoken with such grave conviction that no words of hers could have dispelled his gloom.’ It was not until September 1984 that she finally made the pilgrimage o see his name on the Arras Memorial. the Archive: (a) An impressive run of postcards, nearly 60, the whole to his family in Gateshead in the period 1913-15, written prior to his volunteering, and detailing his activities in London, not least many visits to the opera, art exhibitions and museums; together with three letters from the same period, with W. Kensington stamp marks, these dated 2 December 1914, 18 July and 21 July 1915. (b) His enlistment form on joining the H.A.C. (Infantry) on 4 August 1915; his Soldiers’ Pay Book (Active Service), with entries ‘In the Field’ covering the period August 1915 to February 1917; his related discharge form on obtaining a commission and official notification for his appointment to the rank of 2nd Lieutenant, dated 18 February 1918; together with some miscellaneous souvenirs from his time in France, among them a cinema programme from Rouen Camp, December 1915, a Christmas dinner menu 1916, signed by four Rifle Brigade officers, and detailed annotated maps of trenches and positions, both dating from January 1917, when he was attending a Cadet School for his commission. (c) A quantity of letters home from the H.A.C. Training Camp at Richmond (9), dated between August 1915 and November 1915, and other examples sent from Kensington and Bisley in the same period. (d) A superb run of letters home from France, approximately 60, covering the period December 1915 right through until his death in action in 1917, most of them in ‘On Active Service’ green envelopes and similarly bearing ‘Passed by Field Censor’ stamps, together with a silk embroidered H.A.C. postcard and the occasional field postcard, and, most poignantly, the telegram he sent home reporting his E.T.A. at Gateshead on his last leave, dated 2 April 1917, his last lett

Lot 349

An early 19th century blue painted parcel gilt and upholstered settee of serpentine outline, covered in cream and blue striped anthemion patterned fabric, the moulded frame decorated with trailing foliage, husks and flowerheads, the top rail centred by a flowerhead garland, the anthemion and scroll headed short legs ending in claw feet 224cm long

Lot 461

a two seater drop end settee upholstered in figured pink brocade, with loose cover, 4ft 10 inches wide, and an Edwardian high back tub shape upholstered chair on rectangular feet, in loose cover 30 - 40

Lot 580

a 19th Century French square back settee with Victorian scroll work decoration with upholstered back, seat and arm pads on tapered fluted legs, 72 inches 200 - 300

Lot 585

a 19th Century French painted showwood frame settee with floral carved superstructure with upholstered back and seat on cabriole legs with two armchairs and two standard chairs to match 100 - 150

Lot 586

a 19th Century French gilt wood settee with floral and ribbon carved decoration with upholstered back and seat on tapered and fluted legs, 50 inches 80 - 120

Lot 486

Edwardian inlaid mahogany parlour suite, comprising settee, 74cm high and 107cm wide, his and hers chairs plus four side chairs, 98cm high, all with pierced splat backs and upholstered seats

Lot 442

A Victorian walnut framed settee, the whole re-upholstered (and requiring further re-upholstery) in a buttonback salmon pink dralon, having a centre raised shield shaped back with scroll fretwork sides, flanked by buttonback low ends, having a triple concave apron, scroll carved arms and on French scroll cabriole forelegs with castors, width 186cm (Illus.)

Lot 987

A three-piece Edwardian mahogany salon suite comprising open armchairs and a two-seater settee, with inlaid ivory and boxwood decorative detail to the frames and back splats.

Lot 302

Three piece lounge suite in blue leather - three seat settee and pair of armchairs

Lot 304

Wooden framed two seat settee and armchair in cream leather

Lot 305

Two seat metal action bed settee in burgundy loose covers

Lot 319

Two settee and matching armchair in cream patterned chenille

Lot 326

Tan leather three seat Chesterfield settee

Lot 362

An imitation bamboo conservatory settee - a/f

Lot 411

An Imported Chester Silver Miniature 2-Seater Settee having pierced back, on tapering legs, a similar imported silver single chair and an imported London silver miniature candlestick (3)

Lot 147

A three seater knole settee, upholstered green fringed velvet, with urn shape finials, the drop ends supported by turned columns, on castors, 76in (193cm) w.

Lot 158

A three seater knole settee, upholstered plush fabric, the back with applied tapestry flowers, on turned ebonised fun feet to castors, 75.25in (191cm) w.

Lot 2154

A Regency three seater settee, early 19th century, the overstuffed back and armrests above long cushion upholstered in golden material with floral scroll motif upon painted bamboo supports, 79 x 200 x 73 cm.

Lot 2186

A Victorian mahogany two seater settee, 19th century, the shaped carved back with scroll ends above overstuffed serpentine seat, upon scroll capped cabriole front supports, 82 x 134 x 64 cm.

Lot 2235

A mahogany salon suite, early 19th century, comprising of a pink upholstered settee with padded spar back and scroll arms, upon tapered square section supports, together with a conforming side chair and armchair, (3).

Lot 1409

A French beech three-seat settee with curved back decorated with carved acanthus leaves and foliate motifs, upholstered in cream coloured material, raised on carved slender tapering legs, 74in. wide.

Lot 1410

A Victorian mahogany double chair back settee, the low centre with scrolling and leaf carved decoration, covered in buttoned fawn dralon, raised on carved scrolling legs, 72in. wide.

Lot 1439

A mahogany framed occasional settee. with upholstered back and arms covered in striped tapestry, the arm terminals carved with acanthus leaf motifs and fluted uprights, raised on fluted and turned tapering legs, 55in. wide.

Lot 1458

A Victorian walnut chair-back settee with buttoned salmon pink upholstery and curved seat, decorated with scrolling arm terminals, raised on scrolling feet and castors, 70in. wide. See illustration

Lot 493

A VICTORIAN WALNUT SETTEE the oval button upholstered back with carved flower and trailing leaf cresting above carved “C” scroll brackets, serpentine fronted stuff over seat on leaf and foliate carved cabriole legs with knurled feet and on brass castors, 101cms high x 186cms long. See illustration

Lot 595

A George III style mahogany framed settee, having arched back and scrolled arms, upholstered in floral stamped brocade and raised on three front cabriole supports and three turned and block back supports united by wavy cross-stretchers

Lot 636

A Victorian carved rosewood framed two seater salon settee, having curved upholstered back above serpentine seat raised on leaf decorated cabriole supports terminating in castors, 142cm

Lot 622

A Victorian chesterfield style settee, button upholstered in a burnt orange brocade, on turned supports

Lot 667

A Regency design mahogany and inlaid salon suite, comprising two elbow chairs, two standard chairs and a showframe three-seat settee, on square taper supports

Lot 670

A conversation settee of mid 19th Century design, shaped back upholstered in a printed linen, on turned and castored supports

Lot 733

A Knoll style drop arm two-seat settee, upholstered in a cream patterned fabric

Lot 753

A Victorian shape front settee, upholstered in cotton ticking, on turned and castored supports

Lot 794

An George III style settee 84cm high 232cm wide 75cmdeep

Lot 466

A Fine Early 18th Century Settee, Circa 1720, upholstered in needlework tapestry. The rectangular back depicting a central landscape with two female figures resting beside a fountain, one with a gentleman bathing her feet. The long seat and outswept C-scrolling arms covered with woven undulating foliate forms. Standing on three front cabriole legs enriched with ornamental scrolls & foliage descending to scroll knop feet. 63 ins x 30 ins (160 cms x 76 cms), 38 ins (96½ cms).

Lot 294

A French Louis XVI style gilt green settee, with rose crest and gold upholstery, the curved arms carved with acanthus on fluted tapering legs, 109cm high x 145cm wide

Lot 11

Ercol: a three piece cottage suite comprising three seater settee and two chairs, qty records, rugs, side cabinet newspaper rack, corner whatnot etc

Lot 732

G plan - a three piece suite comprising electric armchair, wing chair and two seater settee each upholstered in floral cream and textured material

Lot 761

An Edwardian eleven piece rosewood and inlaid salon suite comprising shaped settee, two arm chairs, two nursing chairs and four salon chairs

Lot 276

Edwardian two seat settee

Lot 299

Four piece bed settee lounge suite in green cover

Lot 300

Two seat double drop end settee in tapestry cover

Lot 337

Chesterfield two seat settee in button back green leather

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