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A Regency style settee, 20th century, well upholstered in a square grid pattern material, on square tapering legs terminating in brass castors, 163cm wide, 82cm high, 84cm deep, together with a modern upholstered footstool, on turned legs with brass castors, 76cm wide, 36cm high, 57cm deepGood clean upholstery, frames firm, no problems to report.
A Victorian walnut framed double chair backed settee with carved and moulded outline with crimson stuff over velvet upholstery, supported upon squat cabriole fore legs,182 cm long x 80 cm deep x 87 cm overall height, together with a set of four Louis XV style walnut effect fauteuils with similar buttoned stuff over upholstery, each upon shaped cabriole fore supports.Qty: 5
A GEORGE III MAHOGANY CHAIR BACK SETTEECIRCA 1765Upholstered in calico101cm high, 178cm wide, 66cm deepPlease note, it is possible that this settee is of 19th century manufacture, and not as stated in the printed catalogue.Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use.Some old repairsSome old chips, splits and lossesSome evidence of old worm.The calico upholstery with some marks, dirt and minor wearVarious old tack holes from previous upholsterySome filler use in places to disguise old repairs, some glue residue visibleOne split along the length of one side - nails and tacks used to secure, though split still present (see images)Of solid structure overallThe timber frame overall with a dark wash or coat applied - this is flaking in places and reveals the underlying mahogany below.The dark wash could be removed through the skills of a qualified, sympathetic restorer.Please see additional images for a visual reference to condition. Condition Report Disclaimer
AN IMPORTANT AND RARE GEORGE III DRAWING ROOM SUITE ATTRIBUTED TO WILLIAM & JOHN LINNELL, CIRCA 1780Comprising twelve open armchairs and two sofaseach sofa, 102cm high, 163cm wide, 68cm deepeach armchair 97cm high, 63cm wide, 54cm deep Provenance: Believed to have been acquired by Thomas Austen Treffry (1782-1850) and in-situ at Place, Fowey, Cornwall by 1832. Purchased: Bonham's, The Provenance Sale, Fine English Furniture, Works of Art and Sculpture, London New Bond Street, 3 November 2010, lot 12 for £70,000 hammerTwo sketches by John Linnell, dating to 1770-1775, for an oval-back armchair and a settee, that share close similarities to the present lot can be seen in the collection at the V&A, accession numbers E.123-1929 & E.82-1929. Condition Report: Wear, marks, scratches and abrasions commensurate with age and use. Old splits and chips. Some old losses including several patera details to the tops of legs. Various old repairs. One leg of one sofa with cracks through the uppermost terminal. Some old cracks to elements of other parts of the suite but all main elements are intact. Various wear and loss to paint and gesso surfaces throughout. Areas of the gesso and paint are fragile and lifting/ coming away. Signs of old worm, the immediate visible signs are mainly sporadic and visible commonly to the seat rails, upper parts of the rear legs and uprights at the base of the backs (see additional images available via email). There is also old worm damage in other areas and in some areas fragmentary loss as a result. All chairs and sofas have later screwed in supporting blocks to the corners of the seat rails. The front seat rail of each armchair has also had an element drilled out in two positions and a later screw put in to join the front seat rail with the top of each adjacent front leg and strengthen. Most chairs and sofas are of solid structure overall. Some joints are loose to a degree so are likely to require 'tightening'. The central underlying rail of one sofa appears original or may be an old replacement, the rail to the other sofa is not shaped and appears to be a later replacement. The casters to the sofas are likely later associated. The 'gadrooned' cast metal detail to the tops of the cappings of the front legs is not present from the cappings to the rear legs. Later re-upholstered. Various losses, repairs, discoloration to the upholstery. We cannot guarantee the originality or condition of timber or materials concealed beneath upholstery. Old worm damage, repairs or replacements may be hidden by the paint. In some positions, the construction of the underlying frame is visible where paint has been lost. The surface paint visible to the exterior now is very likely all or largely re-painted since the original. One anthemion detail to the top of one chair cracked through and detached main element present with the chair The links to the Linnell drawings that are referred to in the catalogue, are present and operational from the listing of this lot on Dreweatts website. Please contact Dreweatts if you would like the links to be emailed to you directly. Please refer to all additional images available by email for visual reference to condition. Neither the report or the additional images are exhaustive in regard to condition. Condition Report Disclaimer
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