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A modern brown leather electric reclining three seater settee and matching two seater E/T

Edwardian mahogany settee with a shaped back, scrolled arms and cabriole legs, with upholstered back and seats.

Edwardian stained beechwood three-piece salon suite, comprising settee, a pair of armchairs, each with a hooped back, modern upholstery and turned legs.

Adams Style Edwardian Mahogany Shaped Back Settee, raised on square tapering reeded legs

SETTEE FRAME, 20th century gilt carved wood, Gondola shaped, 61cm D x 148cm H x 228cm W. (as found, seat missing, damage to back)

A Continental Gilt Metal and Enamelled Miniature Lounge Suite having multicoloured figure and landscape decoration, comprising trinket box in form of a table having hinged lid on cabriole legs, matching 2 seater settee, pair arm chairs, pair single chairs, footstool (7)

An Edwardian Mahogany 2-Seater Settee having inlaid stringing, pierced slat backs, floral overstuffed seat on square tapering legs having spade feet, 1m 13cm wide

A Louis XV Style Giltwood 3-Piece Lounge Suite having carved floral and leaf motifs, pale blue velvet upholstery, on round turned fluted legs, comprising 2-seater settee, pair of wing back armchairs

A KNOLE SETTEE upholstered in pink floral brocade, with cushions, cords and tassels, 116cm h; 90 x 180cm, early/mid 20th c ++In good condition with some light soiling on the arms, built up on later block feet and shepherd castors

A REGENCY EBONISED AND GILT TRIPLE CHAIR-BACK SETTEE with floral tablet splats, ball finials and ribbon tied fruiting oak leaf pendants, having caned seat on turned legs with double stretchers, 90cm h; 49 x 128cm ++Decoration generally rather worn, the caning of the seat aged and slightly damaged

A MAHOGANY SETTEE the channelled frame with scrolling arms, on sabre legs with carved paw feet, 127cm w, 19th c ++Old repaired break at the top of one of the arms, old repolishing/staining with various old scratches and marks, frame stable

A LATE 17TH CENTURY OAK TRIPLE CHAIR BACK HALL SETTEE the field panel backs of arched profile with ring turned uprights, full seat, slab arms, on turned and square framing with moulded arched front stretchers and on a braganza foot, circa 1690, with later squab cushion. See illustration

An Edwardian mahogany two-seater settee, inlaid with ivory and satinwood, close-nailed upholstered seat, 107cm wide

Edwardian mahogany two seater settee upholstered in cream floral burgundy lined silk upholstery, supported upon square tapering legs and castors, 54" wide

Late 19th century French beech three piece salon suite comprising a settee and a pair of armchairs, each with pierced splayed splats and painted with harebell garlands and with stuffover seats upon slender square tapering legs terminating with spade feet, settee 59" wide

A LATE VICTORIAN MAHOGANY SMALL SETTEE on turned tapering legs and castors upholstered in brown material.

A 1920s/30s brown leather suite comprising of two seater settee and two matching enclosed arm chairs each with fluted front seat rail between swag mouldings on short C scroll moulded turned front feet (leather covering at fault with tears and additional patches)

A 19th century French beech frame settee with button back, loose cushion and down swept arms, on carved cabriole legs.

A Victorian rosewood Settee, the shaped cresting rail carved with flowers and leaves with button upholstered seat and back on carved cabriole supports.

A carved mahogany bergere suite, in George III style, circa 1900, comprising settee and two arms, caned back, arms, padded seat, foliate carved frieze on shell carved cabriole legs, settee 152cm wide

A mahogany framed and upholstered two seater settee, in George III style, late 19th century, upholstered rectangular back and sides, seat with loose cushions, fronted by cabriole legs headed by carved acanthus and stylised flowerheads on claw and ball feet, rear outswept square section legs and castors, 120cm high, 155cm wide, 73cm deep

An Art Nouveau mahogany and satinwood marquetry settee, circa 1900, central section with floral marquetry panel, shaped over stuffed back and seat, tapering legs and spade feet, 134cm wide

Late Victorian Chesterfield settee upholstered in buttoned gold dralon on turned mahogany legs

A VICTORIAN MAHOGANY SHAPED BACK SETTEE with carved crest and scrolling arms and cabriole legs 66" wide

A VICTORIAN DOUBLE SCROLL END SETTEE having a mahogany frame, Persian pattern geometric upholstery, turned legs and castors, 84" long

VICTORIAN DRAWING ROOM SETTEE framed in mahogany and with floral fabric upholstery, 179cm wide

A circa 1900 mahogany framed two seater open arm settee in the Georgian taste raised on square supports united by stretchers

A button floral velour upholstered three person chesterfield settee.

An Edwardian two person salon settee, having button upholstered back, serpentine fronted overstuffed seat on turned tapering ebonised forelegs.

A Victorian walnut framed parlour settee, having serpentine rail, button back, scrolled ends and overstuffed seat on baluster turned tapering forelegs.

A late Victorian two person button upholstered parlour settee.

A VICTORIAN SERPENTINE SETTEE ON TURNED LEGS

A William IV Rosewood Framed Scroll End Settee, 2nd quarter 19th century, upholstered in blue silk damask, the serpentine back support and padded sides above a squab cushion and two bolster cushions, the moulded seat rail with leaf carved supports, raised on turned tapering legs with brass toes and castors, 218cm by 80cm by 90cm

A George III Mahogany Framed Settee, early 19th century, upholstered in worn yellow silk damask, the arched back support with C scroll sides and serpentine shaped overstuffed seat, raised on chamfered legs (formerly raised on castors) and united by an understretcher, 200cm by 90cm by 97cm

A George III Mahogany Framed Settee, early 19th century, upholstered in pink silk damask with arched back support and scrolling outswept arms, above two squab cushions and upholstered seat rail, raised on square chamfered fore legs joined by a plain stretcher, 206cm by 69cm by 86cm

A Regency Mahogany Scroll End Settee, 2nd quarter 19th century, the C scroll reeded back support with brass stringing between S shaped end supports upholstered in green velvet, the squab cushion above a reeded seat rail, raised on turned legs with brass toes and castors, 220cm by 70cm by 88cm

A Walnut Framed Three-Seater Settee, early 20th century, upholstered in pale blue floral silk dralon, with six squab cushions above rounded arm supports, the seat rail centred by a shell and C scroll carving, raised on ball and claw feet with shell carved knees, 200cm by 90cm by 67cm; and Two Armchairs, en suite, 95cm by 80cm by 77cm

Sackville, the 5th Earl of Yarborough The property of Sackville George Pelham, the 5th Earl of Yarborough, d.1948. Sackville George Pelham, 5th Earl of Yarborough, MC (17 December 1888-7 February 1948) was a British peer and soldier, known as Lord Worsley from 1914-1926 and Lord Conyers from 1926 until his accession to the earldom in 1936. Pelham was the second son of Charles Pelham, 4th Earl of Yarborough and his wife, Marcia. In 1910, he became a Second Lieutenant in the 11th Hussars and initially fought as a lieutenant in France during World War I before being promoted to the rank of captain in 1916. During the war his elder brother, Charles, was killed in action and Sackville assumed the former’s courtesy title of Lord Worsley. After the war, he was awarded the Military Cross and retired from the Army in 1919 when he married Nancy Brocklehurst (a niece of Lord Ranksborough). On the death of his father in 1936, Sackville inherited the earldom; in the same year he commanded the Nottinghamshire Yeomanry as a Lieutenant Colonel, being posted to Palestine at the outbreak of World War II. On returning to Britain in October 1940, the ship carrying the Earl and Countess of Yarborough came under enemy fire and was sunk. Although most of the passengers and crew survived, the Earl contracted respiratory problems which contributed to his early death in 1948 at the age of 59. A Rare Chinese Imperial qiangjin and tianqi Red Lacquer Altar Table. Qing dynasty, 17th/18th century, 156.5cm wide, 63cm deep, 88.5cm high. Decorated in red, brown, black and gold. The rectangular top finely incised to depict a large central panel of two confronting phoenix amidst scrolling peony flowers, leaves and tendrils. The panel is bordered by forty-one flying bats, the whole enclosed by a design of further flowers and foliage with a cockerel-headed mythical beast to each corner, all within a key fret edge. The frieze is decorated with a band of panels containing bats and swastikas above a pattern of bats, cloud scrolls and shou characters; the reverse, sides and legs with similar designs. A modern plate glass top. Provenance: Sackville, 5th Earl of Yarborough. The Earl used this table to display the fine green jade water buffalo and gilt stand from the Earl’s collection, which was sold in these rooms in May 2009. The Earl’s will contains the following excerpt: To my dear elder daughter, Diana Mary, the Red Lacquer long table and the settee to match, which stand in the front hall at Brocklesby, and the antique Chinese green jade buffalo in the same room... Paper collection label to the underside. Catalogue note: Qiangjin is a decorative technique in which the incised outlines of the design are etched, and filled in gold, and tianqi (filled in) where the different colours of the lacquer are used for decorative effect against the coloured ground. For details of the history and development of this technique, cf. The Luxury of Chinese Lacquer, Littleton and Hennessy, March 2010 Introduction. The decorative design used is particularly auspicious. Terese Tse Bartholomew in her Hidden Meanings in Chinese Art states that, ‘The phoenix is the emperor of all birds, and like the qilin, it appears only in times of peace and prosperity. It is believed that the phoenix’s appearance in China augurs the emergence of an able ruler or the arrival of a great man, for it appeared when Confucius was born. The phoenix is the motif for the empress of China, ornamenting her crown as well as her clothing….. Phoenix (feng) and peony (fuguihua) = may there be wealth, rank and good fortune (fugui jixiang). The phoenix dallying with the peony is an auspicious design (fengxi mudan, fengchuan mudan). When the king of birds is paired with the king of flowers, together they augur great blessings.’ Cf. Imperial Furniture of the Ming and Qing Dynasties, Classics of the Forbidden City, pp.152 & 155, nos.172, 175 and 176 for related examples; see also Soame Jenyns, & William Watson, Chinese Art II, p.238, no.176, The Collection of Lord and Lady Fairhaven; and a related pair of open armchairs in the Victoria and Albert Museum. See also, Chinese Furniture, Selected articles from Orientation 1984-2003, p.343. and The Minor Arts of China IV, Spink & Son Ltd, p.15, no.5 for a pair of kang tables decorated in this technique.

A Knole settee

A Howard & Sons two seater button backed scroll armed settee, pattern mark to rear legs, casters marked, 70" wide, 29" high, 31" deep

An Edwardian Sheraton style settee and armchair with satinwood crossbanding and pierced fretwork back and sides (settee a.f.)

A contemporary 2 seat settee with 4 loose cushions and 2 scatter cushions upholstered in a spotted coral pink fabric with matching footstool

A modern 3 seater settee in green hide with 1 reclining seat

A modern 2 seater settee in green hide

1950`s three-piece beech and upholstered suite by HK with two-seater settee and pair open armchairs, all with black and white spotted upholstery, on splayed legs

1950`s three-piece beech and upholstered suite by "HK" with two-seater settee and pair open armchairs, all with black and white spotted upholstery, on splayed legs

Victorian rosewood settee, with double hoop-back, turned and ringed supports and legs, shaped seat and a similarly upholstered stool.

Victorian style small settee, with needlework upholstery, cabriole legs.

A modern settee and armchair in green floral dralon upholstery

SETTEE, Victorian rosewood and marquetry, circa 1895 with inlaid splat, padded curved ends and seat in brown patterned fabric on turned legs and castors, 157cm W.

A Regency painted upholstered settee 104" long

A Carolean style wingback settee 1.6m wide (stretcher loose)

A Beige upholstered draylon button back three piece Suite comprising two seat settee and two armchairs

A large fawn and fleur de lys upholstered Armchair with three seat settee

A blue ground, colourfully upholstered two seat Chesterfield Settee

GEORGE WALTON OAK FRAMED SETTEE, CIRCA 1900 with tapered and upholstered back and arms, raised on upholstered seat, two loose cushions and with eight square tapering legs terminating in brass caps and castors 176cm wide, 121cm high, 67cm deep Literature: Moon, Karen, `George Walton, Designer and Architect`, pub. Oxford 1993, pages 107 and 111, plates 142 and 146 where similar examples are illustrated

SIR ROBERT LORIMER OAK FRAMED SETTEE, EARLY 20TH CENTURY made by Whytock & Reid, Edinburgh, the upholstered back and arms enclosing loose squab cushion raised on square rounded legs 187cm wide Provenance: Sir James Morton, Teuthur, Carlisle and by family descent Literature: Morton, J., `Three Generations in a Family Textile Firm`, London: Routledge & Kegan Paul, 1971, page 312-3

WILLIAM BIRCH, HIGH WYCOMBE ASH SETTEE, CIRCA 1910 the back with curved and pierced splats, and square supports with canted finials, above open arms and two drop-in upholstered pad seats, the whole raised on ring turned legs linked by cross stretchers 129cm wide

A cast gilt metal framed and upholstered doll`s house settee, in the Continental 19th century style, 10cm high, 13cm wide; and two closely associated side chairs, each 10cm high, (3).

A late Victorian Chesterfield settee by Bertram & Son, on turned walnut legs, one back legs stamped `02434`, the brass castors stamped `BERTRAM & SON, 100 DEAN ST. W.`, 29in (74in) h, 89in (226cm) w, 37in (94cm) d. Provenance: The estate of Niel Rimington of Fonthill Old Abbey.