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Lot 115
ANGELO BROTTO (Venice, 1914-2002) for ESPERIA.Wall lamp, 1960s.Bronze structure and Murano glass diffusers. Spiral decorations in lattimo glass.Measurements: 52 x 35 cm.Angelo Brotto was a famous Italian artist and designer known worldwide for his work in glass. He graduated from the Academy of Fine Arts in Venice in 1941. Immediately afterwards, he was commissioned by the Italian Ministry of Foreign Affairs to paint frescoes in Montenegro. Throughout his career as a designer he won numerous prizes, including those of Bergamo, Cremona, Suzzara and Verona. In the 1960s and 1970s, Brotto worked with the publishing house Esperia, breaking the rules stipulated until then in the field of lighting and creating new, completely transgressive models.
Lot 385
A Chinese porcelain Rouge de Fer lamp base on stand, of baluster form, decorated with floral panels against a red ground with gilt highlighting, upon a carved wooden base, electrical fittings, 50cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 428
A Moorcroft 'Anemone' pattern lamp base, of tapering ovoid form against a cobalt ground, impressed marks and maker's mark to base, 44.5cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 441
A Moorcroft lamp decorated in the "Anna Lily" pattern designed by Nicola Slaney, of inverted baluster form set to a turned wooden base, with original shade, the lamp 38cm high to top of fitting, 58cm high overall CONDITION REPORT:The vase appears to be in good overall condition, showing no obvious chips, cracks or restoration. The piece does not appear to be marked as a second. Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 503
A 19th century Vienna style porcelain vase converted to a lamp base, of urn form raised on square base, decorated with a classical maiden surrounded by cherubs, cobalt collar and foot with gilt highlights, 32.3cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 597
A late 19th/early 20th century brass and copper Art Nouveau telescopic standard lamp, the central adjustable column extending to a copper dome embossed with stylised foliage upon a circular plinth, enclosed by three uprights each with a leafy terminal extending to the lobed and tapering out swept feet and scrolled toes, height from 122cm Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 600
A gilt composite column table lamp, 20th century, the reeded and tapering column extending to a foliate cast cup and collar, upon an integrated cylindrical plinth, cast in relief with classical cherubs, 75cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 603
A pair of late 19th century bronzed spelter figural floor standing lamps, each modelled as a conquistador holding a lamp standard with an opaque glass shade moulded as a flame, raised upon an integrated circular plinth base, 116cm high (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 604
A pair of brass Corinthian column table lamps, each cast with a plain column upon a wreath collar and integrated stepped plinth base, 62cm high, along with a West German pottery lamp, of knopped and ribbed form, upon a circular plinth base, 40cm high (3) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 606
A pair of French gilt metal three branch wall light fittings, early 20th century, the shaped back plates with two tiers of hanging glass pendants over the three branches, terminating in scalloped glass dish sconces, hanging glass pendants and lustres, 39cm long (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition reportOne droplet is detached and lacks an eye hook to re attach, light tarnishing to the back plates and branches, possible minor nibbles and chips to the droplets and pendant tips.
Lot 607
A pair of French glass two branch wall light fittings, early 20th century, each formed as two 'S' shaped branches terminating in two tiered sconces with glass droplet pendants, 15cm high (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Lot 645
A LARGE MODERN WOODEN DOLLS HOUSE, modelled as a three storey Georgian style house with basement, front opening to reveal six rooms over three storeys with hallway/landing, two rooms in basement with separate front opening doors, front garden area and entrance steps, possibly kit built, generally well-constructed, decorated throughout with a good selection of period style furniture and accessories, electric lighting (requires rewiring), eight dolls, height from baseboard to apex of roof approximately 98.5cm x width approximate 61.5cm x depth approximately 31cm (Condition report: generally good, sd) (1)
Lot 125
HALOGENLAMPE VON ZONCA Italien, Zonca Lighting Srl, Anfang 21. Jh. Chrom, satiniert. Mit italienischem Stecker, mit Adapter. Art.-Nr. 30970. H. 130 cm, B. bis zu 55 cm, T. 38 cm. Unter dem Stand mit Herstellermarke. Mit Gebrauchsspuren, part. mit Kratzspuren, part. verschm., Elektrifizierung ungeprüft. ACHTUNG Vor-Ort-Auktion in Bremen 30% Aufgeld (nur gültig für Versace-Sale in Bremen) Abholung innerhalb von 7 Tagen in Bremen Terminvereinbarung zur Besichtigung in Bremen ausschließlich nach vorheriger Kontaktaufnahme bis zum 09. März 2022 mit Frau Laura Weber an lw@kunstauktionen-duesseldorf.de ATTENTION: On-Site Auction in Bremen 30% buyer's premium (only for Versace sale in Bremen) Collection within 7 days in Bremen Viewing in Bremen exclusively by appointment, please contact Laura Weber at lw@kunstauktionen-duesseldorf.de at the latest by 9th, March 2022.
Lot 139
Attractive Gen 2 car with 345bhp and the desirable 6-speed manual gearbox.2nd Generation 997 with revised lighting and the new 91DFI power unitC16, UK-supplied car finished in Carrara (Marble) White and first registered on 28/04/2010Well optioned from new (£7,407) including 19" Turbo Wheels, Extended navigation, Sports exhaust, Bose sound system, Bluetooth, ParkAssist, Sports seats and PCMTwo former registered keepers and 95,554 miles. Original stamped service bookLast serviced in Jan 2019 at 94,889 miles. Fresh MOT until February 2023 issued with no advisoriesAdded to our vendor's private collection and has covered less than 1,000 miles in the last 4 yearsSpecificationMake: PORSCHEModel: 997 3.6 CARRERA 2 MANUALYear: 2010Chassis Number: WP0ZZZ99ZAS701176Registration Number: WR10 LPFTransmission: ManualEngine Number: A03142Drive Side: Right-hand DriveOdometer Reading: 95554 MilesMake: RHD
Lot 108
Original Classics - A boxed limited edition 1:24 Bedford OB Duple Coach in Crossville livery with working lighting. The model appears in Good condition overall but there are some crazing marks in the green paint on top and the runner over the sliding side door is loose at the front. The mirrors are still unfitted in a bag inside the polystyrene packaging. It comes with a certificate to show it is number 332 of only 500 made. This version comes in a plain white box. (This does not constitute a guarantee)
Lot 141
A part drinking glasses set with monogram for Queen Maria PiaBlown and molded crystal Geometric and foliage motifs decoration Grooved base of concentric circles Cup with monogram MP surmounted by engraved and gilt diagonal royal crown 2 decanters, 1 water jug, 1 beer cup, 8 sorbet cups, 18 water glasses, 16 red wine glasses, 13 Reno wine glasses, 17 Port glasses, 17 Madeira wine glasses, 17 anise liqueur glasses, 17 champagne glasses, 16 champagne flutes, and 18 punch cups 157 pieces in total France, circa 1901-1902 (minor losses, chips to the bottles bases)Provenance: Colecção Dr. Ricardo Espírito Santo Silva, palácio do Sobralinho, Alverca. Adquiridos pela Rainha Dona Maria Pia em Paris em 1902 nos armazéns Grand DépôtHeight: 33 cm (largest decanter) About The National Palace of Ajuda Glass CollectionThe heterogeneous character of the glass collection at the Palace of Ajuda coincides with the period during which, King Luís I (1838-1889) and Queen Maria Pia of Savoy (1847-1911), made the Palace their official Lisbon residence. Perhaps due to her Italian origins, Queen Maria Pia of Savoy had a true passion for glass. Throughout her 48 years in Portugal, between 1862 and 1910, the Queen was an avid collector of a variety of decorative and utilitarian objects, lighting equipment, mirrors, drinking glass and dressing table sets from all the main and most renowned European glass makers. An assiduous traveller in the context of her time, Queen Maria Pia undertook numerous European trips, having visited, often more than once, such cities as Madrid, Paris, Nice, Vienna, London, Carlsbad, Turin – her birthplace, Rome, Venice and Murano. Researching her diaries, note books and personal records, as well as those from her accompanying ladies-in-waiting, extant purchase receipts and specialised catalogues, it is possible to find many references to the most fashionable and prestigious European department stores and glassmaker’s showrooms such as A La Paix, Grand Dépot, Au Bon Marché, Baccarat, Moser, J&L Lobmeyr, Compagnia di Venezia e Murano and Salviati & Co., which she visited in her travels and from which she acquired numerous glass objects. In addition to personal visits, the Queen had specialised illustrated catalogues sent to her in Lisbon, from which she could order her chosen pieces.The personal interest for interior decoration and a sophisticated taste for the applied arts, which include the arts of the table, were undoubtedly related to the Queen’s character. It is evident that her taste evolved, and that her refined, precise and contemporary awareness weighed on her preferences for the best and most fashionable pieces in the market. From vast table sets, emblematic of luxury living in private or state occasions, to dressing table sets, drinking verres d’eau or liqueur, refreshment or bedroom sets, the Queen’s purchases were enriched by specific ownership or heraldic motifs, such as individual monograms - “MP”, “LI”, “LM” or “LMP”, often interlinked and surmounted by the Royal Crown, the Portuguese Royal Shield or the combined armorial shield for the Braganza-Savoy alliance. In this instance, the important drinking glass set that we are bringing to sale, features the Queen’s interlaced monogram “MP” surmounted by an elegant Royal Crown. The purchase invoice for this service is kept at Ajuda National palace archive, where it’s described as “Service Cristal torses et rinceaux riches”. This invoice issued by the Grand Dépôt on March 19, 1902 allows us to consider that this service may have been acquired during the Queen's stay in Paris in the year of 1901. In the collection of the Ajuda National palace there are 16 pieces of this service. VERITAS Art auctioneers would like to thank Dr. Maria João Burnay, curator of the Glass Collection at Ajuda National palace, for her availability to help us studying this service.Tiago Franco RodriguesLiterature: AA.VV. – “A royal lunch. A visita a Sintra da Rainha Alexandra do Reino Unido. 24 de Março de 1905” Parques de Sintra Monte da Lua, 2019 Maria João Burnay – “Dos revilalismos ao movimento secessionista vienense: Vidros da Boémia da Rainha D. Maria Pia” in AA.VV.- Colecções de arte em Portugal e Brasil nos séculos XIX e XX. Colecções Reais e colecções oficiais, Caleidoscópio, Lisboa, 2020, pp. 115 a 131.
Lot 429
Hannah Tilson Glimmer Homemade Paint on Watercolour Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Tilson is interested in the human form, pattern and colour. She makes intimate self-portraits composed of bright colours and vivid patterns, elevating ordinary objects and placing herself in a vibrating space filled with patterns. Tilson recently started making her own paint and camouflages herself in buzzing, fragmented spaces, viewing her body and the fabrics she is encompassed in as a landscape/pattern-scape. Education Hannah Tilson graduated with a Bachelors in Painting from the Slade School of Fine Art in 2018, studied on exchange at the New York Studio School and recently finished a scholarship programme at the Royal Drawing School in London. Select Exhibitions/Awards Tilson was recently long-listed for the Ruth Borchard self portrait prize, 2021 and has previously exhibited at the Royal Academy, Guts Gallery, Bonhams, Christies, the Saatchi Gallery, The London Art Fair. She has recently had press coverage in Elephant Magazine. Statement about AOAP Submitted Artwork During the first lockdown I found myself away from my world that I was used to drawing/ making work in and had to seek inspiration from elsewhere. I ended up staging theatrical sets in my room, hanging patterned fabrics and lighting them. I would then dress myself up head to toe in patterned clothing and film myself moving around in the space. The clothing matches the background, allowing myself to camouflage as much into the surrounding patterned area. I then draw and work from these film stills. I am interested in how the figure camouflages into the scintillating surfaces of the patterned backgrounds. Allowing the shapes to vibrate together. By working from a film it allows me to capture the figure in motion as well as helping me find new compositions. These pattern portraits were made with my homemade watercolours.
Lot 430
Hannah Tilson Glide Homemade Paint on Watercolour Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Tilson is interested in the human form, pattern and colour. She makes intimate self-portraits composed of bright colours and vivid patterns, elevating ordinary objects and placing herself in a vibrating space filled with patterns. Tilson recently started making her own paint and camouflages herself in buzzing, fragmented spaces, viewing her body and the fabrics she is encompassed in as a landscape/pattern-scape. Education Hannah Tilson graduated with a Bachelors in Painting from the Slade School of Fine Art in 2018, studied on exchange at the New York Studio School and recently finished a scholarship programme at the Royal Drawing School in London. Select Exhibitions/Awards Tilson was recently long-listed for the Ruth Borchard self portrait prize, 2021 and has previously exhibited at the Royal Academy, Guts Gallery, Bonhams, Christies, the Saatchi Gallery, The London Art Fair. She has recently had press coverage in Elephant Magazine. Statement about AOAP Submitted Artwork During the first lockdown I found myself away from my world that I was used to drawing/ making work in and had to seek inspiration from elsewhere. I ended up staging theatrical sets in my room, hanging patterned fabrics and lighting them. I would then dress myself up head to toe in patterned clothing and film myself moving around in the space. The clothing matches the background, allowing myself to camouflage as much into the surrounding patterned area. I then draw and work from these film stills. I am interested in how the figure camouflages into the scintillating surfaces of the patterned backgrounds. Allowing the shapes to vibrate together. By working from a film it allows me to capture the figure in motion as well as helping me find new compositions. These pattern portraits were made with my homemade watercolours.
Lot 431
Hannah Tilson Peep Homemade Paint on Watercolour Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Tilson is interested in the human form, pattern and colour. She makes intimate self-portraits composed of bright colours and vivid patterns, elevating ordinary objects and placing herself in a vibrating space filled with patterns. Tilson recently started making her own paint and camouflages herself in buzzing, fragmented spaces, viewing her body and the fabrics she is encompassed in as a landscape/pattern-scape. Education Hannah Tilson graduated with a Bachelors in Painting from the Slade School of Fine Art in 2018, studied on exchange at the New York Studio School and recently finished a scholarship programme at the Royal Drawing School in London. Select Exhibitions/Awards Tilson was recently long-listed for the Ruth Borchard self portrait prize, 2021 and has previously exhibited at the Royal Academy, Guts Gallery, Bonhams, Christies, the Saatchi Gallery, The London Art Fair. She has recently had press coverage in Elephant Magazine. Statement about AOAP Submitted Artwork During the first lockdown I found myself away from my world that I was used to drawing/ making work in and had to seek inspiration from elsewhere. I ended up staging theatrical sets in my room, hanging patterned fabrics and lighting them. I would then dress myself up head to toe in patterned clothing and film myself moving around in the space. The clothing matches the background, allowing myself to camouflage as much into the surrounding patterned area. I then draw and work from these film stills. I am interested in how the figure camouflages into the scintillating surfaces of the patterned backgrounds. Allowing the shapes to vibrate together. By working from a film it allows me to capture the figure in motion as well as helping me find new compositions. These pattern portraits were made with my homemade watercolours.
Lot 45
GUILLERMO GÓMEZ GIL (Malaga, 1862 - Cadiz, 1942)"Marina".Oil on canvas.Signed in the lower left corner.Measurements: 60 x 100 cm.Gómez Gil began his training in Malaga, where he had Emilio Ocón y Rivas as his first teacher, to later continue his studies as a disciple of Federico Ferrándiz and Antonio Muñoz Degrain. He specialised in landscape painting, particularly marine landscapes, paying particular attention to lighting effects. In 1892 he submitted six landscape paintings to the National Exhibition of Fine Arts in Madrid, three of them of the port of Malaga and two entitled "Una borrasca" ("A Squall") and "Efecto de sol" ("Effect of the Sun"). He won a third medal with marine themes at the National Exhibition of 1897 with an oil painting entitled "Efecto de luna" ("Moon Effect"). In 1901 he won a second medal with a work of the same title, and repeated the award in 1906 with "Marina" and "Playas de Málaga". In 1910 he became a teacher at the Seville School of Arts and Industries and spent long periods in Cadiz. A painter of refined technique and great sensitivity, he left for posterity numerous seascapes which are models in their genre, especially outstanding in the depiction of the reflection of the sun and moon on the surface of the sea. Guillermo Gómez Gil is represented in the Museo del Prado, the Carmen Thyssen-Bornemisza Collection, the Museo del Patrimonio Municipal de Málaga, the Museo de Bellas Artes de Sevilla, the Diputación Provincial de Zamora and the Museo de San Telmo in San Sebastián.
Lot 65
HENRI LACHIERE-REY (France, 1927-1974)."Festive Scene", 1957.Acrylic on canvas.Signed and dated in the upper left corner.Size: 46 x 55 cm; 67 x 76 cm (frame).Henri Lachiere-Rey offers us a landscape close to Impressionism, both in the subject matter and in the luminous and expressive execution. It is a work marked by a short, vibrant brushstroke, especially in the characters that fill the scene, and a vibrant colouring. The importance of the careful lighting and atmospheric work should also be noted.
Lot 8
HENRI LACHIERE-REY (France, 1927-1974).Untitled, 1958.Acrylic on canvas.Signed and dated in the lower right corner.Size: 28 x 47 cm; 48 x 67 cm (frame).Henri Lachiere-Rey offers us a landscape close to Impressionism, both in the subject matter and in the luminous and expressive execution. It is a work marked by a short, vibrant brushstroke, especially in the boats that flood the harbour, and a nuanced colouring. It is also worth noting the importance of the careful lighting and atmospheric work.
Lot 360A
An apothecary's cabinet,20th century, the upper section with two glazed doors opening to glass shelves, above the base with two panelled doors,123cm wide53cm deep199cm highThis cabinet, believed to originate from Eastern Europe, features a practical slide-out shelf with a resin finish and newly-installed interior lighting. Layers of old paint have been stripped back, with the original wood given a 'scumbled' effect grain, while the interiors have been freshly painted and missing shelves remade. A once drab and utilitarian cabinet is now a functional, bold and versatile piece, perfect in any room of a modern home.Condition report: This lot was featured on 'Salvage Hunters: The Restorers' (Discovery Network - Quest).Salvage Hunters: The Restorers is a popular prime time show broadcast on the Discovery Network (Quest), where industry experts seek out lots in need of a little TLC and restore them to their former glory. We are delighted to now offer these restored lots for sale. The lots here are presented with stills from the programme.All details were true at the time of transmission. All items are bought as seen at the auction only and Discovery Corporate Service Limited and its affiliates make no representations or warranties as to the condition, suitability or at all in relation to any lot offered for sale; and no further documentation can be provided. All valuations stated herein are given by Sworders Fine Art Auctioneers at the time of printing, please note that these may differ to the valuations given to the items within the programme which was broadcast at an earlier time.
Lot 129
The Firebird was built by the Pontiac division of General Motors between 1967 and 2002. Introduced in the same year as its platform-sharing cousin the Chevrolet Camaro, the Firebird was seen as a long-term competitor to the successful Ford Mustang. The fourth generation Firebird amplified the aerodynamic styling initiated by the previous generation; while the floorplan remained largely the same, ninety percent of the Firebird's parts were all new. Major improvements included standard dual airbags, four-wheel anti-lock brakes, 16-inch wheels, rack-and-pinion power steering and several non-rusting composite body panels. Throughout its fourth generation, trim levels included V6-powered Firebird, and V8-powered Formula and Trans Am.This superb 25th Anniversary edition is presented in white with blue stripe running from front to rear. Its white leather interior is in superb condition as is the exterior. The car was imported by the present owner in 2018 from Reno in the United States, making him only the second owner of this superb Pontiac from new. This car comes with its Targa top configuration, electric windows, CD player, air conditioning, ambient interior lighting and under car lighting. Its mighty 5.7 litre engine is mated to an automatic gearbox providing smooth gearchanges with lively performance, as one would expect. It comes with a good history and must be one of the finest on the market today.
Lot 42
Arguably one of the most famous Big Cats from Browns Lane, these four-door saloons certainly did not pull any punches. Equipped with the same engine as Jaguars legendary E-Type and good for 123mph, they were rightly chosen by both Her Majestys Constabulary and, often, the focus of their attention as well; four up and a boot full of swag.Speed, however, was not the only consideration in making these family saloons so popular. Chassis setup was advanced and performance was impressive as was build quality with leather throughout, a walnut dash and, as here, chrome wire wheels. According to the JDHT certificate, it was originally built in cream with a dark blue leather interior, this was swapped for a more contemporary signal red coachwork and black leather interior trim later. Its sales history can be found within the history folder but, importantly, it was sold by Barnsbury Classics in 1996 to Mr. John Groom who initiated a number of significant upgrades; most importantly to include XJS power steering, Optronic electronic ignition, Dinowax underbody protection as well as air-conditioning, uprated suspension and a modified lighting and audio kit. Complete with an MoT test certificate, this has made for an and extremely usable and efficient Jaguar. Something that can be used everyday or hustled through those country lanes if required. This is certainly a good one; after all, it wouldnt be the cover car for Autocar and Classic & Sportscar if not...
Lot 69
These fabulous and popular little cars were designed in 1959 and were heralded as a new concept in car design. Little did they know or envisage what would become of these great models. With a monocoque shell, transversely mounted engine and front wheel drive, the new 'Mini' soon became popular across the world and to all types of individual well healed or not! The potential for competition use was soon seen by John Cooper; he eventually persuaded BMC and the two worked together culminating in the birth of the Austin Mini Cooper and the Morris Mini Cooper in 1961. Victories in the 1964, 1965 and 1967 Monte-Carlo Rallies set the Mini on the road to fame but probably the greatest publicity was gained from their, somewhat unfair, disqualification for lighting irregularities in the 1966 event after coming in 1st, 2nd and 3rd. A more powerful Mini Cooper, dubbed the 'S', was developed in tandem and released in 1963. First registered on 13th June 1965 and sold by Swain and Jones Ltd of Farnham, Surrey, this exceptional Mini Cooper has completed less than 100 miles since a ground up, bare metal £31,000 restoration. Rarer than the Cooper S, these Mk. I Coopers are hard to come by, let alone in such incredible condition. The attention to detail throughout, such as the appropriate gaps between the wings and windscreen scuttle panel, most often filled in, is second to none. This little gem of a Cooper is the best Mini restoration the consigner has ever seen and is presented in its original specification of Almond Green with Old English White roof, matched to Porcelain Green and Dove Grey trim and an optional heater, as confirmed by its accompanying BMI Heritage Certificate. All the mechanicals including the engine, subframes, brakes, suspension and electrics were restored and rebuilt with all required parts being supplied by the best in the business, such as Newton Commercial for the interior, M/Machine body panels and British Motor Heritage. Images of the restoration along with the many invoices for parts and labour are included in the cars well presented history file. Reported by the vendor to drive better than new, this car sits beautifully on a set of rose petal alloy wheels, but also comes supplied with a set of 3.5€ steel wheels.Supplied with the Heritage Certificate, history file, photographic record of its restoration and MoT test certificate valid until June 2022. An unrivalled example of a British design icon presented in the iconic colour combination it left the factory in.
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