A pair of French ormolu Rococo style twin branch wall light fittings, cast as intertwined foliate branches against a 'C' scroll back plate, 35cm high Provenance: Ruyton Hall, Shropshire Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
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A set of four mirror back glass wall sconces, early 20th century each with twin 'S' shaped glass branches, along with a further similar example which requires attention, 33cm high (5) Provenance: Ruyton Hall, Shropshire Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.CONDITION:All four sconces show a degree of looseness to the branches, either within their individual supports, or in the central boss supporting the pair of branches. Two sconces are missing drops, but these could be made up from the additional sconce in need of attention.
A 19th century lacquered brass five glass hall lantern, the five scrolling foliate branches supporting the cylindrical frame with five serpentine glass panels, 49cm high, along with two extra glass panels Provenance: Ruyton Hall, Shropshire Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A Regency style ormolu student's lamp, modelled as a central vase issuing three swan form branches, 65cm high Provenance: Ruyton Hall, Shropshire Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A pair of 18th century style French glass lamps, designed as parrots perched upon urns, in the manner of Maison Bagues, 41cm high Provenance: Ruyton Hall, Shropshire Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.CONDITION REPORT:The moulded glass pieces are in generally good condition, showing the odd small chip or nibble to the edges and highpoints. The gilt finish shows wear and discolouration throughout both pieces. Both would benefit from cleaning. One of the candle sleeves does not match the other three (it is not clear which, if any, are the original).It is our opinion that the lamps could be original Bagues, however we recommend buyers satisfy themselves to this effect before the sale
A set of four 18th century style French glass wall sconces, in the manner of Maison Bagues, each modelled as a foliate urn, with twin branch light candle sconces/light fittings, 53cm high (4) Provenance: Ruyton Hall, Shropshire Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition report; Extensive tarnishing to metal branches, behind the glass urns, leaves and flowerheads, twisting to some branches, possible bead losses with minor chips and nibbles to glass beading and leaves, two branches lacking candle effect fitting, see further individual images.
A parcel gilt bronze table lustre, 19th century, modelled as a cherub riding a dolphin, set to a base modelled as stylised waves on scroll feet, later adapted to a lamp base, 37.5cm high including lamp fitting Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Codition report;Some speckled tarnishing to light fitting, very minor rubbing/tarnishing to gilt, no visible repairs or breaks, left wing is smaller than the right, but this appears to due to the cast rather any damage
Lighting: A G.E.C. Industrial Flame Proof Tripod Light, 1940s, an example of classic British lighting design, the lights are made up of a substantial three-part polished aluminium enclosure with its original flameproof glass lens and an impressive number of manufacturers details cast into the metal emphasising the heritage of the light. Now fully restored rewired and mounted on highly polished aluminium vintage theodolite stands from Swiss manufacturer Kern, 70cm high by 70cm diameterThis beautifully refined light was made by British manufacturer G.E.C and salvaged from the old de-commissioned Rolls Royce factory in Derby in the UK. Established in London in 1886, the General Electrical Company were to become the largest electrical manufacturing organisation in the British Empire and lived up to their description of Manufacturers of everything electrical, throughout their 100 year history. During the mass industrialization of the 1950s, GEC were often the supplier of choice for lighting the factories, workshops and mills of Britain with their huge range of light fixtures for every application.Rolls Royce built its Nightingale Road site to move production of the Silver Ghost car to Derby from Manchester in 1908. It later became synonymous with the Merlin engine, which powered the Lancaster Bomber, the Spitfire and the Mustang. These lights would have been in use during that war to illuminate the factory floor for the workforce.
Six miners lamps - Oldham Type 'F' steel and white metal H30cm; Oldham all brass No.900-4090; two Protector Lamp & Lighting Company Limited brass and steel; British Coal Mining Company Wales U.K. brass and steel; and another unmarked all brass (6)Click here to view further images, condition reports, sale times & delivery costs for this lot.
MOSS LAMP; an American plexiglass table lamp with four associated ceramic figures, two of which are mounted to the lamp, with stepped shade, height excluding shade 88cm (5).Footnote: A similar example is featured on P82 of the Moss Lamps Lighting 1950s book by A Schiffer.Originally purchased by the vendor in America in the 1970/80s.Additional InformationThe ceramic figure with the gilt top with break to the arm and losses to the decoration, old repair to the arm, one of the gilt figures has been badly broken and crudely glued. One of the Geisha girls with broken point which has been glued.
MOSS LAMP; an American plexiglass table lamp in the Art Deco style with applied gilt metal balls, height 83cm.Footnote: A similar example is featured on P104 of The Moss Lamps Lighting 1950s book by A Scheiffer.Originally purchased by the vendor in America in the 1970/80s.Additional InformationPitting and wear to the metal, light scratches and wear.
TOM BROWN (1933-2017); a pair of pastels, figure lighting a street lamp and figures outside a corner shop, both signed, 38 x 53cm, framed and glazed. (D)Additional InformationTiny scuffs to the frames but basically in good order.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
* BRENDAN KELLY RP (SCOTTISH b 1970), IN THE STUDIO (A SELF PORTRAIT) oil on board, signed, titled on label verso 18cmx 17cm Framed. Label verso: The Edinburgh Gallery, Light & Colour Exhibition, 1-18 March 1997. Note: Brendan Kelly was born in Edinburgh in 1970 and now lives and works in London. He studied at the Slade School in London for a BA (Hons) in Fine Art. His work is held in a number of national collections in the UK including The National Portrait Gallery where he has two portraits, the UK Parliament and the Bank of England. His portrait of the former Speaker of the House of Commons, John Bercow hangs in the Speaker’s State Rooms at the Palace of Westminster. In 2004 he took part in "Being Present" at Jerwood Space, having just won the De Laszlo Prize for the best portrait by a young artist at the 2004 RP exhibition. Kelly was also commended several times in the BP Portrait Award before winning second prize in 2001 for Nude in a Nightclub. His paintings often begin with a desire to create a particular atmosphere through the use of artificial lighting. Kelly's website shows three fascinating videos which provide an insight into modern day painting techniques. The subjects are David Nish former CEO of Standard Life, General Sir Mike Jackson and "The Herat Room". The latter is an extraordinary short film about the thirteen months it took to complete a commission for the war in Afghanistan. The film reveals why Kelly is already a celebrated artist and why there's little doubt that that his star will continue to rise. brendankellyartist.co.uk/video
Maison Charles, Tablelamp CleaChrystiane CharlesMaison Charles, ParisTischleuchte Clea. Bronze, Messing, Marmor. 2 Leuchtstellen. Kubischer Schirm. Am Schaft zwei reliefierte Blattelemente. Schwarze Marmorbasis. 51 x 31 x 15,5 cm. Auf einem Blatt rückseitig bezeichnet: Firmenmarke Charles. Maison Charles, Tablelamp CleaChrystiane CharlesMaison Charles, ParisTable lamp Clea. Bronze, brass, marble. 2 lighting points. Cubic umbrella. Two leaf elements in relief on the shaft. Black marble base. 51 x 31 x 15.5 cm. Inscribed on the reverse of one leaf: Company brand Charles.
Gino Cenedese, TablelampGino Cenedese, MuranoTischleuchte. Glas. Fuß transparent blau, Schaft zitronengelb, opak weiß unterfangen. Schirm opak weiß mit eingestochenem Luftblasendekor und farblos überfangen. Eine Brennstelle. H. 41,8 cm. D. 23,5 cm. Auf dem Fuß bezeichnet mit Firmenetikett Murano Cenedese Vetri. Gino Cenedese, TablelampGino Cenedese, MuranoTable lamp. Glass. Base transparent blue, shaft lemon yellow, opaque white underlay. Opaque white shade with pierced air bubble decoration and overlaid colorless. One lighting point. H. 41.8 cm. D. 23.5 cm. Marked on the foot with the company label Murano Cenedese Vetri.
Gino Cenedese, TablelampGino Cenedese, MuranoTischleuchte. Glas. Fuß und Schaft grün, Fuß transparent überfangen, Schaft opak weiß unterfangen. Schirm opak weiß, farblos überfangen. Eine Brennstelle. H. 41,5 cm. D. 23,5 cm. Am Boden bezeichnet mit Firmenetikett: GINO CENEDESE. Gino Cenedese, TablelampGino Cenedese, MuranoTable lamp. Glass. Base and shaft green, base transparently overlapped, shaft opaque white underneath. Opaque white shade, colorless overlaid. One lighting point. H. 41.5 cm. D. 23.5 cm. Marked on the bottom with a company label: GINO CENEDESE.
D. Santachiara Zerodisegno rare Bench Lick-LickDeniz SantachiaraZerodisegnoDesign 1989Seltene Bank mit Beleuchtung und Heizventilator Modell Lick-Lick. Entwurf 1989. Aluminiumblech, Metall. 77 x 148 x 68 cm. Bezeichnet 'Zerodisegno Lumiere 018 Design by Santachiara'.Literatur: Volker Albus & Volker Fischer, 13 nach Memphis, Frankfurt am Main 1995, Abb. S. 138. D. Santachiara Zerodisegno rare Bench Lick-LickDeniz SantachiaraZerodisegnoDesign 1989Rare bench with lighting and heating fan model Lick-Lick. Designed in 1989. Sheet aluminum, metal. 77 x 148 x 68 cm. Inscribed 'Zerodisegno Lumiere 018 Design by Santachiara'.Literature: Volker Albus & Volker Fischer, 13 nach Memphis, Frankfurt am Main 1995, Abb. S. 138.
An Art Deco burr walnut and maple cocktail cabinet,with two pairs of doors, the upper opening up to a mirrored interior with shelves and extending serving board, the lower to shelves and bottle racks, internally labelled 'Hospitality Cabinet' on a plaque, raised on a plinth, the upper section with wiring for internal lighting,99cm wide55cm deep138cm highCondition report: Wear commensurate with age and use. Scratches in places. Few minor dents occurring. Some loss of veneer to the sides. One internal mirror pane loose. Additional images uploaded.
A 'Viceroy' armchair,designed by Sir Edwin Lutyens, made by Lutyens Furniture in 1989, upholstered in an embroidered blue/grey fabric, with scrolled back and arms, carved spandrels, on front cabriole legs,92cm wide85cm deep82cm high, 46cm seat highCondition report: Some colour change on the upholstery. Good overall - some wear to the supports. Made in 1989 by Lutyens Furniture and Lighting from an original design by Sir Edwin Lutyens - see additional images of the design and the chair - the very prototype photographed in a Lutyens building in London, Britannic House.

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13370 item(s)/page