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Two pairs of French Empire style gilt and patinated bronze three-armed wall lighting appliques, 19th C.L 24 - D 25,5 cm

A pair of French Empire-style gilt and patinated bronze two-armed wall lighting appliques, 19th/20th C.H 53 - L 27 cm

The-Merger (Cuban, est. 2009). Mixed media light sculpture titled "Caja de Luz" from "Serie Estructuras," 2018. The-Merger is a contemporary collaboration group between Cuban artists Alain Pino, Niels Moleiro, and Mario Miguel Gonzalez (Mayito). They are best known for their metal sculptures which take iconic artistic objects and transcribe them into the third dimension.Height: 30 1/2 in x width: 30 3/4 in x depth: 2 1/2 in.Condition:The sculpture turns on but has not been tested for prolonged use. The lighting elements are newer and have been replaced recently. There is very light wear throughout. No major scratches, breaks, or losses.

A reel of 8mm film (no audio) containing approx 18 minutes of colour footage, shot c April 1964 by Rediffusion lighting supervisor Teddy Fader. Also with two USB sticks containing copies of the footage in various formats. There is approx 12 minutes of footage of the Beatles. There is approx 11 minutes of footage of RSG! (also some of the 'Mod Ball' at Wembley) footage of 'Around The Beatles' and also seemingly footage from 'Ready Steady Go' in November of 1964.The footage is of exceptional quality, with clear and well-composed close-ups of the band, both backstage and onstage at both RSG and 'Around the Beatles'. The candid shots show the group mugging to camera, smoking (of course!), laughing amongst themselves. None of the footage has been previously released/published.Also with footage of Dusty Springfield, Helen Shapiro, Cilla Black and other stars who performed at RSG.The film is sold by the family of Teddy Fader and includes full copyright (s). A letter transferring copyright will be provided to winning bidder.Further provenance is included with the addition of a file on the USB stick (provided to winning bidder) which shows a snippet from a episode of 'Play Your Cards Right' where host Bruce Forsyth brings Teddy Fader from the wings to recognise his birthday. Also - a letter on Rediffusion stationery appointing Teddy to his position as lighting supervisor, a second letter commending him on a job well done on March 20th 1964 (filming of RSG), scanned image of Teddy behind the camera, a Rediffusion promotional booklet.To watch video click here: https://youtu.be/k9hPEMVF1LM

A COMPANION PAIR OF COLZA CHANDELIERS IN THE REGENCY STYLE, LATE 19TH CENTURY Comprising a four-light example of quadripartite form , and a three light similar of tripartite form, in bronzed metals with horned satyr mask mounts, hanging chains and coronas 68cm and 51cm wide respectively Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Both will require complete rewiring and refitting with light fixtures and shades before use. Both with uneven wear to patinated surface Larger- lacks terminal drop, later incomplete lighting and shades Smaller- lacks shades ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

Mixed ephemera some local interest viz Colchester, East Bergholt to incl early map of Suffolk, Great Western Railways Map, 18th century Indenture Documents, transport tickets, 1937 Coronation magazines, advertising booklets for Berry's Lighting and Heating, Pestucci drawings and others (qty)

A GROUP OF BRASS LIGHTING INCLUDING OF A BRASS TWIN BRANCH BOUILLOTTE TABLE LAMP (3)With height adjustable tole shades, 52cm high; Together with a Limehouse Lamp Co. brass carriage lamp, later wired for electricity, 43cm high; and a brass alloy floor standing reading light with adjustable arm, 98cm highProvenance: An apartment on Eaton Square, Belgravia. Furnished by Colefax & Fowler. 

The lamps converted from architectural features of carved gilt wood and with twin-branch lighting.60cm wide x 160cm highQty: 2In good condition, with some minor marks and losses to the carving as consistent with their re-purposing as lamps.

Vintage Lighting, heavy brass 20th century table lamp in the design of a classical Roman inspired wine jug, decorated overall in high relief with putti, grapes and bachas, approximately 62cm high (light fitting rod loose)

Vintage Lighting, two bag style glass chandeliers, one approximately 31cm across the other 28cm across

Vintage lighting, table Lamp base in the style of a Corinthian column, polished serpentine stone with gilded brass mounts approximately 54cm high

Vintage Lighting, Blue and white oriental China lamp base in the shape of a Ginger jar mounted on a carved wooden base approximately 40cm overall

Contemporary lighting: An unused Elstead Table lamp Model Orb 1 in Lime with glass and chrome base and modern striped lamp shape approx 69 cm tall new old stock

Contemporary modern lighting: A tall Standard lamp by FEISS on circular stepped base in brushed brass effect approx 163cm tall

Vintage lighting, four small decorative chandeliers of varying sizes and styles along with a mid century glass pendant shade in pink yellow and white glass

Vintage lighting, pair of dome crystal chandeliers, approximately 23cm wide

A COLLECTION OF UNTESTED AUDIO AND LIGHTING EQUIPMENT including a Roland DAC50D combo, a Carlsboro Cobra K115 combo, a vintage HH MA100 PA mixer amp, a Vintage Carlsboro PA speaker, an Alba amp, an Acme MH-270M lighting effect a Geni Disco Strobe etc (all UNTESTED)

A delightful example of the ubiquitous MG B Roadster in a very stylish colour combination and sympathetically upgraded. This rather special 1970 MG B was despatched to its first owner in St Heliers in Jersey before returning to the UK in 1990It was subject to a careful restoration with an engine and gearbox rebuild in 2008 and refinished in a very attractive shade of Oxford Blue with a delightful Biscuit leather and Burr Walnut interiorThe MG has been extensively upgraded including hydraulic power steering, MGOC Evolution 3 front suspension, Parabolic rear SPAX Krypton adjustable dampers, vented front discs, High-Torque starter motor, alloy radiator, high-speed cooling fan, stainless steel sports exhaust, LED lighting, Quadoptic headlights and much moreAll the usual desirable MG B features - overdrive, wire wheels, chrome luggage rack, alloy rocker cover and chrome pancakesInteresting history file detailing the car's ownership and travels and a lot of the more recent work completed by MGOC in CambridgeThe current indicated mileage is 32,863 (its first 20 years were in Jersey)A genuinely lovely MG B. Not concours, but eminently usable and a real head-turner Specification Make: MG Model: B ROADSTER Year: 1970 Chassis Number: GHN5269035G Registration Number: FBY 261H Transmission: Manual Engine Number: 489733ES46140 Drive Side: Right-hand Drive Odometer Reading: 32863 Miles Make: RHD Interior Colour: Biscuit Click here for more details, condition report and images

William Louis Sonntag (1822–1900) was an American landscape painter associated with the Hudson River School, known for his picturesque and romantic depictions of American landscapes. He was born on February 19, 1822, in East Liberty, Pennsylvania, USA.Key points about William Louis Sonntag include:1. **Hudson River School:** Sonntag was part of the Hudson River School, a group of American landscape painters who focused on capturing the beauty of the American wilderness and its romanticized landscapes. The Hudson River School artists were active during the mid-19th century.2. **Artistic Training:** Sonntag began his artistic training in Cincinnati, Ohio, under the tutelage of James Beard. He later studied with the prominent Hudson River School painter Thomas Doughty in Philadelphia.3. **Influence of German Romanticism:** Sonntag's work was influenced not only by the Hudson River School but also by the ideals of German Romanticism. He was inspired by the writings of Johann Wolfgang von Goethe and the landscapes of Caspar David Friedrich.4. **Landscapes:** Sonntag painted a variety of landscapes, including scenes from the Catskill Mountains, the White Mountains, and the Adirondacks. He was known for his ability to capture the grandeur of nature, often featuring mountainous landscapes, serene lakes, and lush forests.5. **Exhibitions and Recognition:** Sonntag exhibited his works at various venues, including the National Academy of Design in New York. His paintings were well-received, and he gained recognition for his contributions to American landscape painting.6. **Plein Air Painting:** Like many Hudson River School artists, Sonntag often painted en plein air, directly observing and capturing the natural scenes he wished to depict. This allowed him to convey the effects of light and atmosphere in his landscapes.7. **Later Career:** In the later part of his career, Sonntag continued to paint, and his works evolved to incorporate more dramatic lighting effects and a heightened sense of atmosphere.8. **Legacy:** William Louis Sonntag's paintings are considered representative of the Hudson River School's ideals of celebrating the American landscape. His depictions of nature's beauty contributed to the cultural and artistic landscape of 19th-century America.William Louis Sonntag passed away on December 10, 1900, in New York City. His legacy endures through his significant contributions to American landscape painting during a pivotal period in the nation's artistic development.Sold "after" Sonntag.Measures 40 x 60 (image), 44.5 x 64.5 (framed).

Edward Weston (1886-1958), an influential American photographer known for his contributions to modern photography and his focus on capturing the essence of everyday objects and landscapes through a precise and artistic lens.Key points about Edward Weston and his work:1. **Sharp Focus and Precision:** Weston was known for his technical mastery and ability to achieve remarkable detail and sharpness in his photographs. He paid meticulous attention to composition, lighting, and form.2. **Still Life and Nudes:** One of his significant bodies of work includes his still life photographs of everyday objects such as peppers, shells, and vegetables. He also gained recognition for his nudes, which he approached with a sculptural sensibility.3. **Group f/64:** Weston was a founding member of Group f/64, a collective of photographers who championed a straight approach to photography, emphasizing sharp focus and clear detail, often achieved through smaller apertures.4. **Landscape Photography:** Weston captured the landscapes of the American West, often depicting natural forms and scenes with a unique perspective. His landscapes focused on the patterns and textures found in nature.5. **Imogen Cunningham and Modern Photography:** Weston was friends with fellow photographer Imogen Cunningham, and their artistic relationship influenced each other's work. They were both instrumental in shaping the development of modern photography.6. **West Coast Aesthetic:** As part of the West Coast modernist movement, Weston's work often reflected the unique aesthetic and approach of photographers on the Pacific coast of the United States.7. **Influence:** Edward Weston's work continues to be admired and studied by photographers and artists for his innovative approach to form, composition, and light.8. **Legacy:** His photographs are celebrated for their timeless quality and his ability to transform ordinary subjects into objects of beauty and contemplation.Edward Weston's contribution to photography's artistic evolution, his dedication to technique, and his pursuit of elevating the everyday to the realm of art have left a lasting mark on the medium. His legacy endures through his body of work and his impact on subsequent generations of photographers.Printed circa 1940s.Measures 7.25 x 5.5.

Helmut Newton was a German-Australian photographer who lived from 1920 to 2004. He is widely regarded as one of the most influential fashion and portrait photographers of the 20th century. Newton's provocative and often controversial style challenged traditional notions of beauty, power, and sexuality.Newton's photographs often featured strong, dominant women in provocative and sometimes fetishistic poses. He explored themes of voyeurism, eroticism, and the relationship between power and sexuality. His images were marked by their meticulous composition, use of high contrast, and bold lighting, creating a distinctive aesthetic that blended fashion, art, and erotica.During his career, Newton worked for various prestigious fashion publications, including Vogue, Harper's Bazaar, and Playboy. He collaborated with renowned designers and brands, such as Yves Saint Laurent and Chanel, and his work became synonymous with the glamorous and provocative world of fashion and luxury.In addition to his fashion photography, Newton also produced a significant body of portraiture and documentary work. He photographed celebrities, artists, and politicians, capturing their personalities with his signature style. He also delved into social and cultural issues, using his camera to explore topics such as gender, identity, and power dynamics.Helmut Newton's work continues to be influential and widely exhibited worldwide. His legacy as a groundbreaking photographer and his unique and provocative vision have left an indelible mark on the fields of fashion, art, and photography.Measures 9.75 x 9.5.

Claude Monet (1840–1926) was a French painter and one of the leading figures of the Impressionist movement. He is renowned for his innovative approach to capturing light and atmosphere in his paintings, especially in his series of works depicting the same subject under different conditions.Key points about Claude Monet include:1. **Early Life and Artistic Training:** Monet was born on November 14, 1840, in Paris, France. He showed an early interest in art and began his formal training at Le Havre secondary school of the arts. He later studied in Paris, where he met other artists who would become fellow Impressionists.2. **Impressionist Movement:** Monet was a key figure in the Impressionist movement, which emerged in the 19th century as a reaction against academic conventions. The Impressionists aimed to capture the fleeting effects of light and atmosphere, often using loose brushstrokes and vibrant colors.3. **Innovations in Technique:** Monet's innovative techniques included en plein air painting (outdoors), capturing the effects of changing light and weather. His use of broken brushstrokes and a focus on color over detail became hallmarks of the Impressionist style.4. **Series Paintings:** Monet is well-known for his series paintings, where he depicted the same subject in different lighting conditions or seasons. Famous series include "Water Lilies," "Haystacks," "Rouen Cathedral," and "Poplars."5. **Giverny:** Monet lived in Giverny, a small village in Normandy, from 1883 until his death. He cultivated beautiful gardens there, which served as inspiration for many of his later works, particularly the series on water lilies and Japanese footbridges.6. **Japanese Influence:** Monet, like many of his contemporaries, was influenced by Japanese art. He collected Japanese prints and integrated elements of Japanese composition and design into his own work.7. **Exhibitions and Recognition:** Monet exhibited his works at the official Salon in Paris but faced rejection and criticism early in his career. As the Impressionist movement gained recognition, he became celebrated, and his works were exhibited in independent Impressionist exhibitions.8. **Late Years:** In his later years, Monet suffered from cataracts, which affected his vision. Despite this, he continued to paint prolifically. His late works are characterized by a more abstract and expressive style.9. **Legacy:** Claude Monet's influence on modern art is immense. His dedication to capturing the transient qualities of light, his revolutionary techniques, and his commitment to exploring the same subject in various conditions inspired generations of artists.Claude Monet passed away on December 5, 1926, in Giverny, France. Today, his works are celebrated worldwide, and his contributions to the art world continue to be studied and appreciated.Measures 24 x 36.Sold "after" Monet.

Helmut Newton (1920-2004) was a German-Australian fashion and portrait photographer known for his provocative and often controversial work. He is widely regarded as one of the most influential photographers of the 20th century. Born Helmut Neustädter in Berlin, Germany, Newton showed an early interest in photography and began his career working for fashion magazines in the 1940s. He moved to Australia in 1940 due to the rise of the Nazi regime in Germany and changed his surname to Newton. Newton's photography stood out for its distinctive style characterized by eroticism, glamour, and a strong emphasis on sexuality and power dynamics. He often challenged conventional notions of beauty and femininity, presenting strong, assertive women who exuded confidence and sensuality. Throughout his career, Newton worked for renowned fashion publications such as Vogue and Harper's Bazaar. His photographs appeared in major magazines worldwide, and he collaborated with prominent fashion designers and celebrities, including Yves Saint Laurent, Karl Lagerfeld, and Catherine Deneuve. Newton's work expanded beyond fashion photography to encompass portraits and nudes. His subjects included both models and celebrities, capturing their personalities and creating iconic and memorable images. His photographs often conveyed a sense of voyeurism and offered glimpses into the private lives of his subjects. Despite generating controversy for his explicit and provocative imagery, Newton's work was highly influential and helped redefine fashion photography. His photographs were characterized by meticulous attention to detail, strong composition, and a bold use of lighting and shadows. Helmut Newton's legacy endures in the world of fashion and photography. His work continues to inspire and influence contemporary photographers, and his provocative style remains a touchstone for exploring themes of sexuality, power, and identity through visual imagery. Measures 9.5 x 11.25.

Edward Weston (1886-1958), an influential American photographer known for his contributions to modern photography and his focus on capturing the essence of everyday objects and landscapes through a precise and artistic lens.Key points about Edward Weston and his work:1. **Sharp Focus and Precision:** Weston was known for his technical mastery and ability to achieve remarkable detail and sharpness in his photographs. He paid meticulous attention to composition, lighting, and form.2. **Still Life and Nudes:** One of his significant bodies of work includes his still life photographs of everyday objects such as peppers, shells, and vegetables. He also gained recognition for his nudes, which he approached with a sculptural sensibility.3. **Group f/64:** Weston was a founding member of Group f/64, a collective of photographers who championed a straight approach to photography, emphasizing sharp focus and clear detail, often achieved through smaller apertures.4. **Landscape Photography:** Weston captured the landscapes of the American West, often depicting natural forms and scenes with a unique perspective. His landscapes focused on the patterns and textures found in nature.5. **Imogen Cunningham and Modern Photography:** Weston was friends with fellow photographer Imogen Cunningham, and their artistic relationship influenced each other's work. They were both instrumental in shaping the development of modern photography.6. **West Coast Aesthetic:** As part of the West Coast modernist movement, Weston's work often reflected the unique aesthetic and approach of photographers on the Pacific coast of the United States.7. **Influence:** Edward Weston's work continues to be admired and studied by photographers and artists for his innovative approach to form, composition, and light.8. **Legacy:** His photographs are celebrated for their timeless quality and his ability to transform ordinary subjects into objects of beauty and contemplation.Edward Weston's contribution to photography's artistic evolution, his dedication to technique, and his pursuit of elevating the everyday to the realm of art have left a lasting mark on the medium. His legacy endures through his body of work and his impact on subsequent generations of photographers.Measures 6.3 x 5.75.Printed circa 1940s.

Yousuf Karsh was an Armenian-Canadian portrait photographer. He was born on December 23, 1908, in Mardin, Ottoman Empire (now Turkey), and passed away on July 13, 2002, in Boston, Massachusetts, United States. Karsh is widely regarded as one of the greatest portrait photographers of the 20th century. Karsh's career took off when he immigrated to Canada in 1925 and started working as an apprentice to his uncle, George Nakash, who was a photographer. In the late 1930s, Karsh established his own studio in Ottawa, where he would spend most of his career. Karsh became renowned for his ability to capture the essence and character of his subjects in his portraits. He had a talent for putting his subjects at ease and was known for his meticulous attention to lighting, composition, and detail. His iconic portraits often featured dramatic lighting and posed his subjects in a way that revealed their inner strength and personality. One of Karsh's most famous photographs is the portrait of Winston Churchill taken in 1941. The image, which captured Churchill's steely determination, became an enduring symbol of the British leader during World War II. Karsh's portfolio includes portraits of numerous other influential figures, such as Albert Einstein, Ernest Hemingway, Martin Luther King Jr., Pablo Picasso, and many more. Karsh received numerous awards and honors throughout his career, including the Order of Canada, the Medal of the British Institute of Professional Photographers, and the Presidential Medal of Freedom from the United States. His work continues to be celebrated and exhibited in galleries and museums around the world, and he remains a significant figure in the history of portrait photography. Measures 6.25 x 12 (image), 13.2 x 6.25 (sheet). Printed circa 1970sVerso is blank.Mounted to archival quality paper.

A Royal Daylight Oil enamel advertising sign with hanging flange, 'for lighting heating cooking', 22 x 18".

A Bibendum or Michelin Man plastic seated lamp, lacking lighting, 50cm and a standing example, 31cm (2)

A quantity of 110v site lighting equipment. Including 110v extension reel, tripod stand and cables, etc.

Three sets of two security work lamps lighting boxes. 240v

A pair of crystal wall lights by Impex Lighting - in the Art Deco style, of half-sphere form, with chrome wall fittings, 25 x 19 cm; together with a pair of Inspired Lighting chrome and crystal wall lights, 24 cm high; a pair of Spa Bathroom Lighting 'Aquila' chrome wall lights, boxed, as new. (6)

Kit-built large wooden dolls house, modelled as a double-fronted, four-storey town house, with double-hinged front facade opening to reveal a fully furnished interior with two rooms to first three floors and attic room to top floor, wired for electric lighting, with detachable garden room, garden furniture and accessories, house W57.5cm, H85cm, D35cmCondition Report:Kit built and repainted. Electrics not tested. Some damage and playwear, missing some window panes. Loose elements and missing decoration in places. Furniture not checked for damage/completeness.

A box containing eight new and unused wall lights "The Light Collection" by Ring Lighting

A CONTEMPORARY IMPEX LIGHTING "NEW YORK CHROME CASCADE" CHANDELIER  with ten tiers of cut glass droplets, 175cm high x 60cm diameter Condition Report:Available upon request

A mid 20th Century Type 6 miners lamp by The Protector Lamp & Lighting Co Ltd of Eccles, 23 cm excluding loop

An early 20th century miners lamp by J.H. Naylor Ltd Wigan, another by Hailwood and Ackroyd Ltd and two further, similar lamps by the Protector Lamp and Lighting Company Ltd. (4)

Davy (Sir Humphry) I: "On the fire-damp of coal mines, and on methods of lighting the mines so as to prevent its explosion", pp.1-22; II: An account of an invention for giving light in explosive mixtures of fire-damp in coal mines, consuming the fire-damp, pp.23-24, together in Philosophical Transactions, no.105, 2 vol., folding engraved plate, very faint off-setting, other plates in rest of vol., modern drab wrappers, most leaves unopened along top edge, others uncut, housed within modern leather-backed drop-back box, 4to, 1815-16.*** First edition of Davy's treatise on his famous safety lamp which enabled miners to carry a light without the danger of igniting the methane gas found in coal mines; precedes the 1818 book Davy wrote on the subject

17 Boxed K Line O gauge Operation Iraqi freight, Lighting Towers and freight cars, to include K632-8030 Freedom Tank Car, K641-8017 Freedom Boxcar etc

Woody Gwyn (American, b. 1944). Oil on canvas painting titled "Tourists II" depicting a scenic vista of the American southwest, 1991-92. Two tourists stand at the edge of an overlook, taking in the dramatic view. Signed along the lower right.Provenance: Katharina Rich Perlow Gallery, New York; Distinguished Corporate Collection, Minnesota.Lot Essay:Gwyn found early inspiration in New Mexico when he moved there in 1974. The sense of space and scale informed his vast landscapes. It is these landscapes that would lead to his recognition as one of America's foremost contemporary landscape painters. The purity of color in his works as well as radiant lighting, unconventional compositions, and inclusion of minute details has led him to be dubbed a "painter of clarity itself."His works usually start as plein-air sketches and watercolors and record the immediate details. From there, he moves to his studio where he begins to capture "the truth of the land" with color on canvas, panel, or paper. While his works capture the reality of his subjects, they are also imbued with a sense of hidden extraordinary. He finds the inherent beauty of the landscape in every work.Gwyn has been highly exhibited throughout the United States and his works are held in the collections of esteemed institutions including The Cleveland Museum of Art, Phoenix Art Museum, the Denver Art Museum, and many more.Sight; height: 60 in x width: 71 1/2 in. Framed; height: 61 1/2 in x width: 71 1/2 in.

Ephemera, Harry Payne, 2 Tuck published greetings cards to comprise 'Bringing In The Holly' (?) showing a mounted Lancer removing a mistletoe bough from a tree and an 1881 Y Series card no.313 showing a soldier of the 26th Cameronians lighting a pipe (gd), sold together with a Tuck's 'Breezy Library' copy of 'An Army Doctor's Romance' (poor but rare) (3)

A German parcel gilt silver Hanukkah oil menorah. Late 19th/early 20th century. Stamped 900. The rectangular base supporting eight oil fonts designed as seated lions, each with hinged head surmounted by a crown thumbpiece, the fonts flanked by a pair of gilded recumbent lions on plinths, the backplate applied with a plaque engraved with the Decalogue borne by two lions and surmounted by a pierced crown, complete with two lion form auxiliary lamps, one for oil, the other for lighting, both unmarked, 27cm high, 28cm wide, weighable silver (exc. auxiliary lamps) approx. 44ozt Condition Report: Good condition commensurate with age. Some general scratching and nicking. Heavy tarnish in places (particularly to the lion fonts). Some wear to the gilding in places. Weight excludes auxiliary lamps (unmarked). No maker's mark apparent to menorah. Stands steadily on feet. Some minor bruising and bending to backplate. A small split noted to one auxiliary lamp which would need to be patched. Some solder around the foot of this lamp also. Further images available to download via this link: https://we.tl/t-abiN0MsPRl  

A mid 20th century vellum table lamp, the 'wrap-around' shade upon three iron hairpin type supports, 70cm high (including shade) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

A hanging ceiling lantern, possibly Italian, early 20th century, highlighted with gilt detail, of tapering hexagonal form with frosted glass panels and hinged door, 62cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition reportGeneral light tarnishing and corrosion, rubbing wear to the gilt detail, please see additional images.No obvious damage, faults or repairs, wear commensurate with age and use

A pair of Heals of London table lamps, each with adjustable arm, upon circular base, in a black matt finish, each with wireless charging, maker's label to underside, 65cm high (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

A brass twin branch rise and fall light fitting, early 20th century, the cast scrolled foliate branches extending to later associated crackle glass bell shaped shades, 56cm wide, along with a near pair of acorn shaped pendant glass light fittings, 21cm high (3)  Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

A contemporary Danish marble table lamp by Frandsen Lighting, of bullet form with black drum shade, 37.5cm high to top of fitting, 51cm high overall, with a matching marble table lamp lacking shade (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

A table lamp, late 19th century/early 20th century, the base modelled as a porcelain dog, with glass eyes, upon naturalistic shaped base, with shade, painted '11342 PS' to base, 32cm high (including shade) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items. CONDITION REPORT:The dog model shows firing pits and frits across the body and rubbing to the gilt highlights around the head, but no obvious chips, cracks, crazing or repairs.  The oil lamp fitting has been electrified, and later attached to the dog model, probably using some kind of glue.  It is not possible to tell if there is any further fixing present between the model and the fitting, or if the fitting has damaged the model in any way.  The electrical cable has been cut for safety reasons.  One arm of the shade support is detached.  The shade shows small chips to the rim and nibbles to the base.  The piece is dirty and would benefit from cleaning.

A Chinese porcelain celadon lamp base, with all over scrolling leaf and vine decoration, hardwood base and shade, 61cm high overall Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition report; No obvious structural issues concerning the vase. Some glaze pitting can be seen. Decoration appears shallow. Base with cracked/split section which may need repair.

A gilt brass chandelier, 20th century, formed with a central column and two graduated tiers of 'S' shaped arms, four over eight, 62cm H x 76cm DProvenance: by repute from Kensington Palace Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

A Japanned standard lamp, circa 1920, painted with gilt coloured and silvered floral detail upon a black ground, the turned and tapering column extending to an inverted cup collar and circular plinth base upon compressed bun feet, 150cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

A Tom Raffield tripod floor lamp, the 'urchin' shade upon three splayed stained beech wood supports, 157cm high (at fault) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

A brass Dutch style long drop chandelier, 20th century, the spherical boss with five scrolled 'S' shaped branches, 106cm H x 60cm D Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

A modern neoclassical-style pottery and gilt metal table lamp, the mottled green glazed body set with a pierced ribboned laurel band raised on two rods terminating in scroll handles, the lamp base 58cm high including fitting, with associated straw effect shade Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

A brass three branch ceiling light fitting, early 20th century, the central baluster column with petal collars over the three scrolled branches applied with urn finials, 68cm H x 38cm D Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

An Italian cut glass eight branch chandelier of large proportions, in the 19th century Venetian manner, the central column formed of 'S' and 'C' scrolls around a central lamp, extending to four 'V' shaped double branches, set with moulded glass flower heads and cut glass drops, approximately 77cm high overall (at fault) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

A Waterford style glass table lamp, 20th century, the cut glass dome shade leading to a cut glass spreading circular base, 38cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

An Adam style six branch chandelier, 20th century, the urn shaped column applied with rope swags extending to a dish shaped boss and six reeded 'S' shaped arms, 50cm H x 54cm D, along with a brass three branch chandelier, the baluster shaped column and dish shaped boss supporting scrolled arms with frosted glass domed shades, 45cm H x 50cm D (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

Naive School, 19th century Three portraits to include a pair of ladies seated within interiorswatercolour and bodycoloureach 17 x 13cm;and a gentleman standing a landscapewatercolour, bodycolour and pencil22.5 x 17.5cmUnexamined out of the frames - please see further images for additional conditionGentleman with book - overall even pinkish discolouration consistent with oxidisation. small area of cracking by left hand shoe. small stain left hand edge.  Oak frame has bruise bottom right hand sideLady with lace cap - abrasion and loss down left hand side (see photo). Areas of cracking where watercolour has been heightened with gum arabic. Mahogany frame with gilt filet in original condition with surface bruises and marks consistent with age.Lady holding rose - lighting staining and oxidisation to the area of sky - area of cracking left hand side of the face. Frame has some staining, losses to the top right and bottom left corners.

Joseph Mallord William Turner RA (1775-1851) The Entrance to Bishop Vaughan's Chapel, St David's Cathedral, Wales signed and inscribed in Turner's hand to the reverse 'Bishops [sic] Vaughan Chapel St David's Cathedral / W Turner' watercolour 32.5 x 24.5cm Provenance: A Suffolk country house collection since at least 1990 The present, hitherto unrecorded, composition draws upon Turner’s 1795 tour of South Wales and is the only fully worked up watercolour of St David’s, Pembrokeshire. His South Wales Sketchbook (Turner Bequest XXVI) includes four architectural studies which relate to his visit to St David’s, two of which are inscribed with Turner’s own title in his hand – St David’s: Part of the Ruins of the Bishop's Palace (folio 35); “Bishops [sic] Throne, St Davids Cathedral ” (folio 36); “Bishops Vaughan [sic] Chapel “ (folio 37) and St David’s: Porch of the Great Hall of the Bishop’s Palace (folio 40). The itinerary of Turner’s summer tour of 1795 is transcribed in another hand on the inside front cover and first two flyleaves of the sketchbook and details his journey starting at Wells, Somerset, making his way to Wales and visiting Picton Castle just before St David’s. Setting out from Haverfordwest, Turner travelled ’36 miles and back’ and disappointingly noted in his own hand ‘no inn ‘ (ibid, first flyleaf verso, p. 3 of itinerary). Judging by Turner’s own annotations which designated all places with 'good inns’ along the way with an ‘x’ (see Andrew Wilton, ‘Inscriptions by Turner and Another Hand: A Welsh Itinerary and Notes 1795 by Joseph Mallord William Turner’, catalogue entry, April 2012, in David Blayney Brown (ed.), J. M. W. Turner: Sketchbooks, Drawings and Watercolours, Tate Research Publication, December 2012) Haverfordwest was a good place to stay which is perhaps why Turner returned there after his trip to St David’s. This watercolour is closely based on the preparatory sketch of the same subject in the South Wales Sketchbook (folio 37, 26.4 x 20.3cm, see illustration below). That sketch which Turner himself inscribed with the title “Bishops Vaughan [sic] Chapel “ in the bottom right corner is similarly inscribed as the present watercolour on the verso “Bishops Vaughan [sic] Chapel St David’s Cathedral ” (see illustration below). The view, in fact, depicts the entrance to Bishop Vaughan’s Chapel with the ruins of St Mary’s Chapel in the left foreground. The chapel was built in 1509 for Edward Vaughan (Bishop 1509-1522) as his chantry chapel and burial place and was dedicated to the Holy Trinity, the name under which it is now known. The effigy which appears in the foreground of both works is that of John Hiot, Archdeacon of St David’s from 1400-1419. Turner depicted the intricate architectural detail with extraordinary accuracy, also recording the poor state of the building and the unroofed condition of the North Choir and Chapel Aisles as they were in 1795. The viewpoint, however, that he chose is taken from the North Chapel Aisle and so attests to Turner’s imaginative use of lighting and perspective as the small door to the right would, in fact, be invisible from this angle. The present watercolour epitomises Turner’s early architectural drawing and was almost certainly worked up from the preparatory sketch back in his London studio as a private commission for one of his patrons or friends. We are grateful to Andrew Wilton for confirming the attribution first hand and for his assistance with this catalogue entry. Watercolour with pencil underdrawing on laid paper watermarked J Whatman. Watermark is visible under raking light. On paste board, in a modern acid free mount. Hinged at the top with tape. Had previously been stuck down onto another support. 12 blobs of animal based adhesive to verso. Faint graphite marks to the reverse. A tiny tear on the left hand side about third way up from the bottom. A little tear on the right hand side, third of the way down. A fracture in top right corner. Creases in bottom left and right corners. Faint polishing marks seen in reflected light inside the arch and in bottom left corner. A small abrasion inside the arch on the right hand side. Area of discolouration in the sky across most of the top edge. Insect damage near the centre of top edge. Small brown spots of foxing visible in the sky. Paper little discoloured, but colours are good. Under raking light 5 tiny spots of mould visible mostly in the bottom half. Slight dents along the right edge. Indentation near top left corner. Wetransfer link for high resolution images: https://we.tl/t-DxHWxadHla

SEVEN BOXED OO GAUGE BACHMANN BRANCHLINE MODEL RAILWAY COACHES, to include a BR Mk1 BCK Brake Corridor Composite Coach no. E21249 in BR Crimson and Cream livery with Coach Headboards and Commonwealth Bogies, Limited Edition, item no. 39-227Z, a Mk1 Suburban BS Brake Second M43301 in BR Lined Maroon with fitted passenger figures, item no. 34-630B, a Hawksworth A38 Auto-Trailer no. W231 in BR Crimson and Cream, item no. 39-575, a BR Mk1 BSP Pullman Bar Second 'The Hadrian Bar' in Umber and Cream with lighting, item no. 39-320A, a Mk1 Suburban BS Second Brake in BR Lined Maroon with Fitted Passenger Figures, item no. 34-630A, a Mk1 Suburban S Second Open, no. M46067 in BR Maroon with Fitted Passenger Figures, item no. 34-604C, and a Mk1 Suburban CL Composite no. M41014 in BR Lined Maroon with Fitted Passenger Figures, item no. 34-700C, all appear in new condition with accessories and instructions, outer cardboard box in good condition, possibility of lightest storage related rubbing/handling marks to outer cover, although item appears new we are unable to confirm all parts and accessories are present

Tri-ang-Hornby 00 Gauge Freightliner and Inter-City Train Packs and quantity of System 6 Track and Points and Automatic Train Control, R645 Freightliner comprising BR blue Hymek, three Container wagons and literature and R644A Inter-City comprising BR Blue E3001 single Pantograph Locomotive and three blue/grey Coaches all with lighting, both in original boxes, VG-E, boxes G-VG, together with T/H early System 6 Track with offset sleepers, mostly unboxed incl Double Straights (18), Single (10), Quarter (6), 3rd Radius Half Curves (7), 2nd Rad Full Curves (6), Half (4), 1st Rad (20), Half (1), R/H Points (2, both boxed, appear unused), L/H (7), R629 Level Crossing and R406 Automatic Train Control (both boxed), Track generally G-VG, boxes G-VG (2 Sets and 80+ items of track)