We found 13359 price guide item(s) matching your search
There are 13359 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
13359 item(s)/page
Lot 44
Two brass miner's safety lamps, one unnamed and appearing well used, the other by Protector Lamp and Lighting Company Ltd and appearing unused. (2)(B.P. 21% + VAT) The used lamp is heavily corroded to the metalwork, the brass fittings are worn, dinked and bumped and the glass is bloomed. The unused lantern is in unused good condition.
Lot 2
Robert Stubbs, Norfolk - A large, four storey Tudor style dolls house with thatch effect roof in 1:12 scale, removable magnetic panels open to reveal eight decorated rooms fitted with LED lighting, part furnished, approximately 109 cm x 84 cm x 58 cm, dated 1988 - Freehold, vacant possession and stamp duty exempt.
Lot 124
A full-size Cylon animatronic figure from the Battle of Galactica theme-park attraction at Universal Studios Hollywood. As part of this theme-park tour, Cylons "captured" the tram that contained park visitors. This full-size Cylon figure was fabricated specifically for the attraction, but was molded from original costume pieces from the television series Battlestar Galactica. It consists of a silvertone painted fiberglass body mounted to a steel frame interior and base, with rubber and ducting elements, black foam filling, and remnants of wiring throughout that once aided in lighting (such as the iconic red eye) and possibly some limited movement. It also features a rubber and plastic gun with red stripes attached to the torso. The animatronic figure is in fair overall condition with a great deal of scuffing and paint chipping throughout, significant deterioration to the foam and rubber elements, black tape wrapped around the legs, and many of the pieces loosening and falling out of place. Dimensions: 22" x 30" x 80" (56 cm x 76.25 cm x 203.25 cm)Contains electronics; see electronics notice in the Buyer's GuideSpecial shipping required; see notice in the Buyer's GuideEstimate: $3,000 - 5,000
Lot 167
Hand-painted alien ship lighting VFX concept illustrations from the production of Steven Spielberg's sci-fi film Close Encounters of the Third Kind. The mysterious extraterrestrial vessels in the film featured elaborate patterns of multicolored lights throughout their hulls.Rendered in paint onto a single illustration board, possibly by production illustrator George Jensen, the piece includes three hand-painted frames of colored lights against black sky labeled "1. Front," "2. Top," and "3. Bottom." Next to the painted concepts are three pencil sketches of the craft. The piece is in excellent overall condition with minimal wear from use and age, including pinholes in the corners from mounting during production. Dimensions: 16 1/4" x 14" (41.5 cm x 35.75 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $1,500 - 2,500
Lot 171
A hand-painted mothership lighting concept illustration from the production of Steven Spielberg's sci-fi film Close Encounters of the Third Kind. A massive, brightly lit, alien mothership crash-landed at Devils Tower, where its extraterrestrial passengers formally met the humans in the film's iconic finale.This artwork was used to plan the composite shot. It consists of a photo print of the live-action scene adhered to black illustration board with a clear plastic cel taped over it and a hand-painted illustration of the elaborate lighting scheme of the mothership, likely rendered and labeled "M76-1" on the reverse by production illustrator George Jenson. It is in good overall condition with some wear from use and age. Dimensions: 6" x 11" (15.25 cm x 28 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $2,000 - 3,000
Lot 237
A Typhibian maquette from Ivan Reitman's science fiction comedy Evolution. One of the alien creatures that quickly evolved when an extra-terrestrial meteor crashed in Arizona, a Typhibian was seen dragging Barry Cartwright (Gregory Itzin) into the water at a golf course. This maquette was created for the production byPhil Tippett's effects company, Tippett Studio, who were credited for the visual effects for the film. It is a three-dimensional representation of the creature that was largely digitally animated; the maquette was a tool for shot planning, lighting reference, and other purposes. Cast in resin and presented on a custom wood base and transparent acrylic case, this maquette is painted in detail with two variations of the paint on either side. It features four legs, black spikes on its tail and a tuft of hair on the top of its back. This maquette is in excellent overall condition with some minor wear throughout. Includes a letter of authenticity from Phil Tippett. Dimensions: 32 1/2" x 19 1/2" x 17 1/2" (82.5 cm x 49.5 cm x 44.5 cm)Estimate: $3,000 - 5,000
Lot 277
A pair of printed concept illustrations with hand-painted details from the production of Ivan Reitman's action-comedy sequel Ghostbusters 2. The Ghostbusters re-teamed to face off against the spirits haunting New York.These concept illustrations were rendered in mixed media by Industrial Light & Magic (ILM) concept artist Kathleen Swain, then photocopied and the copies affixed to poster board. From there, the colorful energy beams, ghostly Scoleri brothers, and other special lighting effects were carefully hand-painted onto the prints. One is hand-labeled "LIGHTNING EFFECTS ON TRANSPARENT FIGURES: TRANSPARENT HEADS AND ARMS" and dated "11/11/88". The pair is in excellent overall condition with minor signs of age and handling. Â Dimensions (largest): 20" x 15" (50.75 cm x 38 cm);(smallest): 17" x 11" (43.25 cm x 28 cm)Sold without copyright; see notice in the Buyer's GuideEstimate: $800 - 1,200
Lot 406
A set of blank-firing Lawgiver dressing components from Danny Cannon's sci-fi adventure Judge Dedd. The signature weapon of the Street Judges who patroled Mega-City One, Judge Dredd (Sylvester Stallone) demonstrated the capabilities of a Lawgiver to a group of students at the academy. This lot consists of a elements that were affixed to a real blank-firing weapon, and includes separate pieces to attach to the pistol's frame and slide. The components are made from resin and aluminum and feature a lighting element The pieces were removed from the blank-firing weapon after filming.It is in good overall condition with some signs of wear from production and several cracks in the gun body and frame rail. Dimensions: 10 3/4" x 2" x 2" (27.25 cm x 5 cm x 5 cm)Contains electronics; see electronics notice in the Buyer's GuideEstimate: $800 - 1,200 Δ
Lot 414
A hero Lawgiver Mark II pistol from Danny Cannon's sci-fi adventure Judge Dredd. The Lawgiver, the signature weapon of Judge Dredd (Sylvester Stallone) and the Street Judges who patrolled Mega-City One, only operated when its rightful owner wielded it.Hero versions of this iconic weapon were constructed around firearms modified to fire blanks for filming. This piece includes all of the hero Lawgiver dressing components originally used on a blank-firing Beretta pistol, which have been rebuilt around a non-firearm, blank-fire only Beretta-copy pistol for display purposes. Included are the resin clamshell shroud painted black with silver leafing with added rubber pistol grips, a turned aluminum barrel extension, and a machined aluminum magazine. A vented sight post, ribbed housing, and the Hall of Justice crest are added to the body, with a separate resin hammer section designed to recoil when the pistol is fired. The pistol also features lighting effects down the side of the frame.This Lawgiver exhibits visible signs of production use, including shrunken rubber grips, some paint wear, and minor nicks to the resin, but it remains in good overall condition. As the internal pistol is not a firearm, there are no transfer restrictions within the U.S..Dimensions: 15 3/4" x 8 1/2" x 6 1/2" (40 cm x 21 cm x 16 cm)Contains mechanical components; see notice in the Buyer's GuideRestricted ownership; see replica firearm notice pg 481Estimate: $12,000 - 16,000
Lot 596
A DARPA armor costume and long barrel plasma rifle from Nic Mathieu's paranormal action film Spectral. Soldiers wore their DARPA armor and used their plasma rifles in their final fight against the hyperspectral anomalies. The armor consists of a black helmet made of dense urethane with metal fixtures attached, dark gray chest and back armor made of resin and urethane with black nylon straps, a black polyester undershirt, a black jacket made of nylon and polyester with leather detailing, gray pants made of nylon and polyester with leather detailing, black compression pants made of spandex and polyester, black leather and cotton-blend gloves with urethane knuckle padding, gray leg armor made of urethane and resin with black nylon straps, and black leather combat boots with nylon laces and rubber soles. Custom-built by the effects house WETA Workshop, the plasma rifle is made of dense urethane painted dark weathered gray with black wires running throughout, a black nylon shoulder strap, and white LED lighting in the flip-up sights powered by a removable battery back.The lot is in excellent overall condition with minimal wear from production. Dimensions (plasma rifle): 51" x 16" x 7 1/2" (129.5 cm x 40.5 cm x 19) Contains electronics; see electronics notice in the Buyer's GuideEstimate: $6,000 - 8,000
Lot 599
Mark Clyne's (James Badge Dale) hyperspectral camera shell and lantern from Nic Mathieu's paranormal action film Spectral. Clyne brought a hyperspectral camera to Moldova to witness and film the hyperspectral anomalies on the battlefield, and later modified it to project a beam of light that would reveal them to safely move to the plaza extraction point. Custom-built by the effects house WETA Workshop, the camera shell and lantern are both made of dense urethane with metal and resin detailing, including static knobs and dials, and a clear glass lens at the front. Along the sides of the camera shell are warning labels, instructional labels, and the camera name and model. Though incomplete, the camera shell still features a flip-up screen component that reveals a blank display where the prop screen would be placed. The lantern also features a flip-up display that includes static knobs,buttons, and a blank screen. The camera shell features black wiring strung along the bottom, while the lantern includes cables strewn throughout with resin plugs attached to either side. Built-in electronic components allow for lighting effects during production. Both the camera shell and lantern are in good overall condition with minor wear from production, including scuffs and scratches throughout. Dimensions: (each) 35" x 14" x 15 1/2" (89 cm x 35 1/2 cm x 39 cm)Contains electronics; see electronics notice in the Buyer's GuideEstimate: $2,000 - 3,000
Lot 624
A Dominion outpost model miniature from the production of the sci-fi sequel series Star Trek: Deep Space Nine. In the Season 7 episode "Once More Unto the Breach", General Martok (J.G. Hertzler) led a group of Klingon Birds-of-Prey in an attack run on a Dominion outpost on Trelka V. The model is constructed primarily of plated plastic and resin based on molds of the center structure of the Deep Space 9 station. The center of the model features a hole through which smoke emitted during the attack run sequence. The surrounding mountains are carved from foam with bits of model greenery added throughout. The entire scene is built onto a wooden base and includes some lighting, with fiber-optic cables designed to provide interior lighting. This miniature is in excellent overall condition with minimal wear from production and age. Dimensions: 61" x 61" x 18" (155 cm x 155 cm x 45.75 cm)Contains electronics; see electronics notice in the Buyer's GuideEstimate: $4,000 - 6,000
Lot 672
A 1977 or 1978 Darth Vader touring costume with poster-matched helmet made for the promotion of George Lucas' Star Wars: A New Hope. In late 1977 or early 1978 a handful of Darth Vader costumes were created to enable public promotional appearances featuring Darth Vader (prior to this, the film-used costume was used for such events.) This costume's facemask and helmet dome were made by artist Rick Baker and his crew, from molds of the film-used helmet. Of special note is that the helmet's dome, made from fine-weave finishing fiberglass, is the dome that appeared on the ESB Advance one-sheet poster. The dome photo-matches to stills from ESB Advance poster photo session based on unique flaws and finishing details, including a triangular drop of filler. The Advance poster was actually printed from a flopped image. The two-tone facemask (marked "1" inside) has been repainted a greener gray from its original metallic grey color, and the grills have been removed from the mouth and small vent triangle. The facemask cannot be photo-matched to the poster photo shoot due to the refinishing work (poster may show a different touring facemask.) Interior padding has also been removed, and the straps and eye lenses changed; the facemask overhaul was likely done while the costume was touring. The shoulder armor and shoulder bells were repainted the same green-hued grey color. Also included are Vader's chestbox, molded from the film-used example, and a belt with metal buckles and boxes. The belt boxes feature vintage lighting elements and have unique details; vintage appearance photos exist showing a costume with similar belt boxes, possibly this exact outfit. A pair of vacuum-formed plastic shin guards completes the armor.The ensemble's soft components include a shirt with thick leather sleeves, a matching pair of leather pants, a leather codpiece with a Bermans and Nathans label for "Darth Varder" [sic] (Bermans made the soft components for film-used Vader costumes,) a heavy wool-blend under-robe and cloak with leather and velvet trim, and a pair of black leather boots. Replicas of Vader's vest and gloves have been added to complete the costume for display. The costume was specifically used for events in Australia and a late 1970s travel case is included. The case features Australian flight stickers and is stenciled for "The Kerner Co." in San Rafael, the codename for Industrial Light & Magic. The costume is in fair overall condition with significant wear from use and age, including creasing to the leather, fraying black tape on the belt, and wear and scratches to the fiberglass pieces including a crack to the top of the helmet's dome. Based on documentation on Rick Baker's touring helmets, it is assumed that around five touring costumes were made after A New Hope. This is believed to be the only example in a private collection and is a significant piece of Star Wars history.Estimate: $150,000 - 250,000
Lot 759
A flying Hopper Bug maquette from Paul Verhoeven's science fiction action film Starship Troopers. After Johnny Rico (Casper Van Dien) joined the war between humans and the alien Arachnids, he encountered several flying Hopper Bugs on the battlefield with his regiment of mobile infantry soldiers. Tippett Studio created maquettes of the film's various Bugs as a three-dimensional representation of the creatures that were largely digitally animated; they were tools for shot planning, lighting reference, and other purposes. Phil Tippett is credited as Creature Visual Effects Supervisor for the film and was nominated for Best Visual Effects for his work on this film at the 70th Academy Awards®. This Hopper Bug maquette was sculpted by Peter Konig and is cast in resin. A set of removable vacuformed plastic wings and the front legs attach to the body via small metal rods. The front feelers also feature several points of articulation. Maquettes were used in the conceptual stages of production as well as during filming to give scale and as a reference for lighting on set. It is in excellent overall condition with some minor wear from use, such as wear and residue on some of the joints, and includes a letter of authenticity from Phil Tippett. Dimensions: 40" x 23" x 8 1/2" (101.5 cm x 58.5 cm x 21.5 cm)Estimate: $5,000 - 7,000
Lot 760
A Warrior Bug maquette from Paul Verhoeven's science fiction action film Starship Troopers. After Johnny Rico (Casper Van Dien) joined the war between humans and the alien Arachnids, the most common species he encountered in battle was the Warrior Bug, the primary soldier of the alien army. Tippett Studio created maquettes of the film's various bugs as a three-dimensional representation of the creatures that werelargely digitally animated; they were tools for shot planning, lighting reference, and other purposes. Phil Tippett is credited as Creature Visual Effects Supervisor for the film and was nominated for Best Visual Effects for his work on this film at the 70th Academy Awards. This Warrior Bug maquette was sculpted by Peter Konig and is cast in resin with articulating joints. Maquettes were used in the conceptual stages of production as well as during filming to give scale and as a reference for lighting on set. Presented on a custom metal and wood base, this maquette is stored in a custom transparent acrylic case. It is in excellent overall condition with some minor wear from use, such as scratches in the paint and dirt residue on some of the joints. Includes a letter of authenticity from Phil Tippett. Dimensions: 20 1/2" x 17" x 13 1/4" (52 cm x 43.25 cm x 33.75 cm)Estimate: $5,000 - 7,000
Lot 763
A Plasma Bug maquette from Paul Verhoeven's science fiction action film Starship Troopers. After Johnny Rico (Casper Van Dien) joined the war between humans and the alien Arachnids, he encountered several giant plasma bugs on the battlefield with his regiment of mobile infantry soldiers. Tippett Studio created maquettes of the film's various bugs as three-dimensional reference tools for shot planning, lighting reference, and other purposes. Phil Tippett is credited as Creature Visual Effects Supervisor for the film and was nominated for Best Visual Effects for his work at the 70th Academy Awards. This Plasma Bug maquette was sculpted by Peter Konig and is cast in resin and rubber. Presented on a custom black base, this maquette is stored in a custom transparent acrylic case. It is in excellent overall condition with minor wear from use, such as scratches in the paint and residue on some of the joints. Includes a letter of authenticity from Phil Tippett. Dimensions: 11" x 9" x 7 1/2" (28 cm x 23 cm x 19 cm)Estimate: $2,500 - 3,500
Lot 765
A Tanker Bug maquette from Paul Verhoeven's science fiction action film Starship Troopers. After Johnny Rico (Casper Van Dien) joined the war between humans and the alien Arachnids, he encountered several giant Tanker bugs on the battlefield with his regiment of mobile infantry soldiers. Tippett Studio created maquettes of the film's various bugs as a three-dimensional representation of the creatures that were largely digitally animated; they were tools for shot planning, lighting reference, and other purposes. Phil Tippett is credited as Creature Visual Effects Supervisor for the film and was nominated for Best Visual Effects for his work on this film at the 70th Academy Awards. This Tanker Bug maquette was sculpted by Peter Konig and is cast in resin with articulating joints. Maquettes were used in the conceptual stages of production as well as during filming to give scale and as a reference for lighting on set. It is in good overall condition with wear from use, such as scratches and paint chipping throughout, one loose leg and one leg which has separated at the first joint. Includes a letter of authenticity from Phil Tippett. Dimensions: 24" x 19" x 7 3/4" (61 cm x 48.5 cm x 19.75 cm)Estimate: $2,000 - 3,000
Lot 8
A wolf stand-in puppet from Zack Snyder's swords-and-sandals action film 300. This stand-in was made for the wolf that young Leonidas (Tyler Neitzel) killed early in the film. Although the actual wolf was realized using CGI, this puppet was used as a lighting stand-in and for physical reference purposes while filming.The wolf is made of a polyfoam body, with hand-punched fur along the body and legs and furry fabric over the tail. The claws and teeth are made of urethane for durability. The gums in the mouth and eyes are made of acrylic, giving them a glossy appearance. This wolf is currently resting on a simple wooden platform and pipe base. The piece is in excellent overall condition with some signs of wear from production, including some cracks in the paint and missing claws on the front paws. Dimensions: 80" x 24" x 43" (203 cm x 61 cm x 109 cm)Special shipping required; see notice in the Buyer's GuideEstimate: $4,000 - 6,000
Lot 31
Electrical and lighting plans for the World Trade Centre, New York. A total of 27 plans on transparencies each measuring 45.5 x 63cm. Made for The Port Of New York Authority, architects listed as Minoru Yamasaki & Associates, and Emery Roth & Sons (27 plans in total). Minoru Yamasaki was a Japanese-American architect best known for designing the World Trade Centre in New York, the building began construction March 21, 1966. The first of the towers was finished in 1970. Many of his buildings feature superficial details inspired Gothic architecture, and made use of extremely narrow vertical windows. This narrow-windowed style arose was said to have arose from his own personal fear of heights. One particular design challenge of the World Trade Center's design related to the efficacy of the elevator system, which was unique in the world. Yamasaki integrated the fastest elevators at the time, running at 1,700 feet per minute. Instead of placing a large traditional elevator shaft in the core of each tower, Yamasaki created the Twin Towers' Skylobby system. The Skylobby design created three separate, connected elevator systems which would serve different segments of the building, depending on which floor was chosen, saving approximately 70% of the space used for a traditional shaft. The space saved was then used for office space.
Loading...-
13359 item(s)/page