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Lot 654
Paire de vases en porcelaine de Chine à décor en B&B sur fond céladon, montés en lampe de style Napoléon III, monture et socle en bronze doré.H. 63 & D. 25 cm. Condition: vases percés, système électrique amovible.Mobilier & Décoration FurnitureChine - China - China;Luminaires - Lighting - Leuchter;Arts d'Asie - Asian Art - Asiatica
Lot 700
Muller frère Luneville, lampe de table champignon. Partie haute en forme d'ogive, verre marmorien dans les tons de bleu et orangé, monture en fer forgé, 3 griffes en forme de feuille de gincko. Signée sur le pied.H. 53.5 & D. 20 cm. Condition: signature partiellement effacée.Mobilier & Décoration FurnitureCristallerie -Verrerie - Cristal - Glass - Glas - Kristall;Luminaires - Lighting - Leuchter;Art déco - Art deco - Art deco
Lot 122
Marius-Ernest Sabino (Italian, 1878-1961) L’IDOLE (PAIR) c.1928 opalescent glass; (2) each titled at base lower centre; with 'Sabino France' atbase on reverse 6½ x 5 x 4in. (16.51 x 12.70 x 10.16cm) Collection of George and Maura McClelland The Hunter Gatherer - The Collection of George and Maura McClelland, The Irish Museum of Modern Art, Dublin, 2004, p.145 (one of pair, illustrated) Ernest-Marius Sabino was born in Sicily in 1878 and moved to France with his family when he was young. He attended the Ecole Nationale des Arts Decoratifs and the Ecole des Beaux-Arts in Paris. After World War I, Sabino founded a factory that manufactured traditional light fixtures of wood or bronze, and later switched to glass fixtures. A contemporary of Rene Lalique, Sabino designed his glassware and lighting himself until 1930, when he hired a production manager named Grivois, whose objective was to make lighting transcend banality. Sabino used pressed and moulded pattern glass in bas-relief. His commissions included lighting for hotels and restaurants, as well as for the 1935 oceanliner Normandie. Sabino's work was shown at the 1925 Exposition Internationale des Arts Decoratifs et Industriels Modernes, as well as at the 1925 Salon d'Automne, for which he had designed the general illumination of the halls, passageways, and antechambers.
Lot 711
L48 'The Theberton Zeppelin' - A Great War 'Souvenir' Walking Cane the alloy grip cast from aluminium from the ill-fated airship, inscribed 'L48 Brought Down at Theberton 1917' mounted on a wooden shaft, with brass ferrule, 76cm long. On the night of 16th June 1917, the L48 was one of four airships sent to attack London. After dropping bombs on Harwich, the airship tried to return home by heading east. However its compass had frozen at the high altitude and, unknown to its crew, it drifted north in the dark along the Suffolk coast. The airship was caught in searchlights and antiaircraft guns opened up, although the Zeppelin was too high to be harmed by these. Several aircraft took off to attack the airship, but although firing at the Zeppelin, the planes could not gain the altitude to inflict any damage. In an effort to escape British airspace before dawn, the Zeppelin captain gave orders to descend to reach more favourable winds. Captain RHMS Saundby in his aircraft, noticed the descent beginning, and attacked again. His bullets hit the Zeppelin this time and the tail of the airship ignited and the huge airship began to fall to earth, lighting up the sky as it did so. The vast structure crashed into the ground at Holly Tree Farm in Therberton, near Leiston, Suffolk. Three of the German crew managed to jump out of their gondola as it hit the ground and then watched in horror as the flames consumed the entire Zeppelin as well as sixteen fellow crew members, the burnt wreck of the airship was visited by thousands for weeks afterwards and many fragments were distributed, both officially and unofficially.
Lot 162
36 Hold-to-Light (Tissue Types) Stereo Cards, inc Crystal Palace. Some hand coloured or with 'pin-point' lighting effects which show when back-lit. Very good selection including Paris & France, Switzerland, Italy and UK. Two thought to be Crystal Palace Exhibition. (various conditions from 3 to 6).
Lot 12
Britannia, the Durotriges AV Quarter Stater. 58 BC - AD 43. Five-armed starfish, lines of pellets between each arm / Zigzag thunderbolt and line of pellets across field; eight-rayed lighting bolts with rectangular body to each side. Unpublished in gold, but for type in silver, cf. VA 1270-78; cf. BMC 2780-81; cf. ABC 2220. 0.98g, 12mm. Extremely Fine. Unique and unpublished. From the estate of an English numismatist.
Lot 11
Britannia, the Durotriges AR Quarter Stater. 58 BC - AD 43. Five-armed starfish, lines of pellets between each arm / Zigzag thunderbolt and line of pellets across field; eight-rayed lighting bolts with rectangular body to each side. VA 1270-78; BMC 2780-81; ABC 2220. 1.09g, 13mm. Extremely Fine. From the estate of an English numismatist.
Lot 506
A SELECTION OF PHOTOGRAPHIC STUDIO EQUIPMENT, including a pair of Manfrotto heavy duty wheeled tripod stands, a Calumet Xlarge soft box, a Linhof tripod stand, another tripod stand (no makers marks), Manfrotto and Linhof heads, a Lowepro camera bag, three Lastolite pop up background and reflectors, various lighting Gel and reflective sheets and three flash head adapter rinsg
Lot 5
Marklin four 0 gauge bogie coaches with lighting, circa 1930, two 18880 2nd/3rd, hinged doors and roof, one good condition slight paper staining, other fair some paper staining and blue crackle lines, 18890 guards/luggage van, hinged and sliding doors and roof, fair general crackle lines, 18690 Post wagon hinged doors and roof, all finished in green lined livery, each 22cm (8 ½”) long (4 items).
Lot 103
Artist: David Raine & Dena O'BrienTitle: Lamp Base & LampshadeSize: 14 x 14 x76(h) cm Lampshade 40cm (diameter)Medium: Baulk & LampshadeDavid RaineUsing the ocean as inspiration, five years ago in St Ives, David developed a new and unique way of hand moulding stones which became the basis of Coast Lamps. “I love combining unlikely materials - playing with people's expectations of what is usual in lamps and lighting. My work includes silk, concrete and acrylic as well as cast stainless steel and cast bronze. My lamps have a clear sculptural quality”. Driftwood mirrors, tables, unique hand moulded silk lampshades are only some of the stunning bespoke products created.“Elements flow together. They flow from the natural world to the more intimate world that I create in an attempt to bring the very essence of that to the interior of your home”. Dena O'BrienKiwi Print Studio is a spacious and professional printmaking workshop offering extensive facilities in photo stencil screen-printing and a range of relief and intaglio processes.Located in the beautiful Cornish countryside and within easy reach of the A30, Kiwi Print Studio was established by Dena O'Brien. Dena has a wealth of printmaking experience, including a Master's Degree at the Royal College of Arts and more than 12 years in art education. DISCLAIMER: The Porthleven baulk/harbour defence wood is made (on the whole) of Douglas Fir Pine. The actual date of the wood is unknown, the wood broke on the 5th February 2014 and after that was stored outdoors in the harbour yard. Wood is a natural product that responds to temperature and humidity variations by expanding and contracting. You are purchasing a natural product as seen and the Charity the Fishermen's Mission cannot be held responsible for any changes in the wood after the auction on the 18th March 2017.
Lot 156
Artist David Raine & Dena O'BrienTitle: Lamp Base & Lampshade Size: 14 x 14 x 76(h) cm Lampshade 41cm (diameter) Medium: Baulk & LampshadeDavid RaineUsing the ocean as inspiration, five years ago in St Ives, David developed a new and unique way of hand moulding stones which became the basis of Coast Lamps. "I love combining unlikely materials - playing with people's expectations of what is usual in lamps and lighting. My work includes silk, concrete and acrylic as well as cast stainless steel and cast bronze. My lamps have a clear sculptural quality". Driftwood mirrors, tables, unique hand moulded silk lampshades are only some of the stunning bespoke products created."Elements flow together. They flow from the natural world to the more intimate world that I create in an attempt to bring the very essence of that to the interior of your home". Dena O'BrienKiwi Print Studio is a spacious and professional printmaking workshop offering extensive facilities in photo stencil screen-printing and a range of relief and intaglio processes.Located in the beautiful Cornish countryside and within easy reach of the A30, Kiwi Print Studio was established by Dena O'Brien. Dena has a wealth of printmaking experience, including a Master's Degree at the Royal College of Arts and more than 12 years in art education. DISCLAIMER: The Porthleven baulk/harbour defence wood is made (on the whole) of Douglas Fir Pine. The actual date of the wood is unknown, the wood broke on the 5th February 2014 and after that was stored outdoors in the harbour yard. Wood is a natural product that responds to temperature and humidity variations by expanding and contracting. You are purchasing a natural product as seen and the Charity the Fishermen's Mission cannot be held responsible for any changes in the wood after the auction on the 18th March 2017.
Lot 29
Artist David Raine & Dena O'BrienTitle: Lamp Base & Lampshade Size: 14 x 14 x 76(h) cm Lampshade 41cm (diameter)Medium: Baulk & LampshadeDavid RaineUsing the ocean as inspiration, five years ago in St Ives, David developed a new and unique way of hand moulding stones which became the basis of Coast Lamps. "I love combining unlikely materials - playing with people's expectations of what is usual in lamps and lighting. My work includes silk, concrete and acrylic as well as cast stainless steel and cast bronze. My lamps have a clear sculptural quality". Driftwood mirrors, tables, unique hand moulded silk lampshades are only some of the stunning bespoke products created."Elements flow together. They flow from the natural world to the more intimate world that I create in an attempt to bring the very essence of that to the interior of your home". Dena O'BrienKiwi Print Studio is a spacious and professional printmaking workshop offering extensive facilities in photo stencil screen-printing and a range of relief and intaglio processes.Located in the beautiful Cornish countryside and within easy reach of the A30, Kiwi Print Studio was established by Dena O'Brien. Dena has a wealth of printmaking experience, including a Master's Degree at the Royal College of Arts and more than 12 years in art education. DISCLAIMER: The Porthleven baulk/harbour defence wood is made (on the whole) of Douglas Fir Pine. The actual date of the wood is unknown, the wood broke on the 5th February 2014 and after that was stored outdoors in the harbour yard. Wood is a natural product that responds to temperature and humidity variations by expanding and contracting. You are purchasing a natural product as seen and the Charity the Fishermen's Mission cannot be held responsible for any changes in the wood after the auction on the 18th March 2017.
Lot 63
Artist: David Raine & Dena O'BrienTitle: Lamp Base & LampshadeSize: 14 x 14 x 76(h) cm Lampshade 40cm (diameter)Medium: Baulk & LampshadeDavid RaineUsing the ocean as inspiration, five years ago in St Ives, David developed a new and unique way of hand moulding stones which became the basis of Coast Lamps. “I love combining unlikely materials - playing with people's expectations of what is usual in lamps and lighting. My work includes silk, concrete and acrylic as well as cast stainless steel and cast bronze. My lamps have a clear sculptural quality”. Driftwood mirrors, tables, unique hand moulded silk lampshades are only some of the stunning bespoke products created.“Elements flow together. They flow from the natural world to the more intimate world that I create in an attempt to bring the very essence of that to the interior of your home”. Dena O'BrienKiwi Print Studio is a spacious and professional printmaking workshop offering extensive facilities in photo stencil screen-printing and a range of relief and intaglio processes.Located in the beautiful Cornish countryside and within easy reach of the A30, Kiwi Print Studio was established by Dena O'Brien. Dena has a wealth of printmaking experience, including a Master's Degree at the Royal College of Arts and more than 12 years in art education. DISCLAIMER: The Porthleven baulk/harbour defence wood is made (on the whole) of Douglas Fir Pine. The actual date of the wood is unknown, the wood broke on the 5th February 2014 and after that was stored outdoors in the harbour yard. Wood is a natural product that responds to temperature and humidity variations by expanding and contracting. You are purchasing a natural product as seen and the Charity the Fishermen's Mission cannot be held responsible for any changes in the wood after the auction on the 18th March 2017.
Lot 538
Six cut glass twin branch wall lights with scroll centre arm and circular back plates, four similar twin branch glass wall lights, five twin branch wall lights with circular back plates, a pair of brass wall lights and a three light brass ceiling light (16)Lighting lots are sold as decorative items only.Prospective buyers must consult with a qualified electrician before use / installation of these items.
Lot 21c
Roman, Imperial Period, ca. 1st to 3rd century CE. A beautiful pottery amphora with ribbed body, constricted rim, and applied handles from the rim to the shoulder. The base is rounded. The accumulation of sea life on its body is mostly white, with some startling flashes of bright purple. Comes with custom stand. Size: 12.5" W x 18" H (31.8 cm x 45.7 cm); height on stand: 19.5" (49.5 cm).Lacking its cork and pitch stopper, the original contents of this amphora are unknown; based on the globular size and shape, it was most likely used to transport olive oil (smaller ones were for stewed fruit or salted fish, while larger ones were used for wine). Amphorae formed the basis of the Roman economy as storage vessels for transporting goods throughout the Empire, with examples found from North Africa to Britain. The pointed base on this one is standard, and was intended for storage in Roman warehouses in soft ground and for transport on ships by placing it through a specially-designed rack and roping it through the handles to others. This vessel was found in the sea and bears evidence of that in the form of barnacles and other white deposits on its body; it came from North Africa, a major site of olive oil production (alongside Spain and France) in the Roman economy. This oil was used for cooking, lighting, and, in some cases, bathing; one estimate suggests that each Roman legion consumed 1370 amphorae of olive oil per year! Provenance: Ex-Private New York Collection; Ex-New York Collector GF Condition: Large areas of the surface have sea encrustation and calcifications. All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #120897
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13370 item(s)/page