▲ Terence Cuneo (1907-1996) 'Portrait of a Fireman, Cape Town Shed, South Africa'signed '.CUNEO.' l.l., also signed and inscribed with title verso, oil on canvas 61 x 51cmProvenance: Christie's, London, 'Modern British and Irish Art', 21 March 2018, lot 100;The David and Pam McCleave Collection of Modern British Art.Literature: Terence Cuneo, 'The Mouse and His Master: The Life and Works of Terence Cuneo', London, 1977, p.241, no. 158, illustrated.Condition ReportFramed: 76 x 65.5cmThe canvas is unlined. Light surface dirt. There are some light scuffs/ abrasions to the cab behind the driver and to the right of the engine’s steps. There is a little fine cracking to the left of the engine’s funnel and the plume of smoke and also to the top left of the driver’s cab, crossing into the sky. Please see additional condition images. Examined under UV light there is no obvious retouching however there are some lines where the paint appears thinner which may possibly be due to previous folding of the canvas (?). In our opinion this is not obvious or overly distracting when viewed under normal lighting conditions.
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▲ Terence Cuneo (1907-1996) 'Last of the Great Steam Workhorses'signed and dated 'CUNEO'/NOVEMBER 1ST 1990' l.l., also signed and inscribed with title verso, oil on canvas76.5 x 102cmProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 91 x 116.5cmThe canvas tension is a little loose to the touch however this is not evident when viewed on the wall. Appears to be in good condition overall without obvious major condition issues.There are a couple of raised and darker spots of paint in the sky which appear to be original. Examined under UV light a small area on the front of the train appears slightly speckled, however this is not obvious when viewed under normal lighting conditions. Please see additional condition images.
Ludovic Rodo Pissarro (French, 1878-1952) The Royal Exchangesigned 'Ludovic Rodo' l.l., oil on canvas61 x 81cmProvenance: Bonhams, Knightsbridge, 'Views of London', 26 October 2004, lot 62;The David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 79 x 100cm Presents well overall. Examined under UV light there is a little retouching to the top edge with some small speckles of overpaint to the sky however in our opinion this is not apparent when viewed under normal lighting conditions. There are two raised spots of paint above the roof of the Royal Exchange on the left side, however this appears to be original rather than a later issue with condition. Please see additional images. Ready to hang.
Various manufacturers workshop tools, transformers and other items (Qty), portable vice, digital caliper, Micrometer, Dremel cutting set, Soldering iron and stand, Reamers, modern power supply bench tester, RS motors *7, Paya 6-coupled mech, early Hornby clockwork 2711 mech, Ace/Darstaed coach roofs and internal lighting units, Lionel R100 watt transformer, Modern building and other items, F-VG, (Qty)
Bassett Lowke brake van and scratchbuilt 0 gauge coach with track (7) comprising modern Bassett Lowke LNE pattern brake van fitted with lighting, bogie LMS open composite coach LMS maroon built form wood and metal brush painted to a fair condition, Peco straight trck (3), Lima curved track (2), F-VG, (7)
Large quantity of modern Scalextric, Carrera SCX Buildings including Grandstands Press Tents Pits Lighting and other items, including Carrera Evolution Canopy Grandstands (3), ), large quantity of grey pit stop buildings, Sam's World in Miniature 58cm Long Race Control Bridge with clock tower, in original box, SCX Street Lights (five packs), Lemax Lighting (two packs), quantity of road side Adverting Hoardings and Adverts on posts, F-VG (qty)
Trix 00 Gauge boxed 2/314 LMS Passenger Train Set and unboxed metal Pullman and BR WR chocolate and cream Coaches (20), comprising LMS black 0-4-0T 191, three 4-wheel LMS maroon coaches, circle of Bakelite track, oil bottle, Coal bag, two unbranded Crescent style signals and home made tin tunnel, in original box, F-VG, Box P-F, all lid corners loose and grubby, Pullman Coaches (8), BR WR (10 , two with lighting) and a BR crimson and cream Coach with light, in original box, G-VG, box G (20)
Collection of 00/H0 electrical accessories and components with locomotive motors, (qty), comprising Point motors by Peco Seep and others (approx. 40), point and accessory switches (approx. 20), open frame locomotive motors (approx. 15), can motors (4), armatures and worm assemblies (approx. 25), assorted resistors (1 packet), Faller lighting units (4), Kahlert light standards (2 packets), Kadee assorted couplers in packets (6), reels of cable (2), other assorted electrical items (qty), G-VG, (qty)
Tri-ang and other 00/H0 buildings and accessories with catalogues and Wrenn empty boxes (qty), comprising Tri-ang Platform pieces R460 and other components (large qty), Platform shelters (qty), Overall clear plastic roof (4), assorted electrical components for lighting/signalling (qty), assorted railway catalogues (approx. 30), in original box Tri-ang R319 Mail coach set (coach missing), unboxed bogie bolsters (2), Ferry flat, Empty Wrenn boxes for Clan Line, 8F 2-8-0, Lowmac, Plank Wagon, Grain wagon , Utility van, H0 scale Walthers commuter coach in original box, Tri-ang TT scale wagons assorted (5), turnout in box, F-G, boxes P-G, (qty)
Full packets Of Vintage Cigarettes. The Following Brands Are All In 20s Seagrit, Gallagher's Medium De Luxe, Dobie Four Square, Heath and Heather Taunton, Murrays Special Straight Cut, Churchman's Tortoiseshell, Philip Morris Wembley, Senior Service, Lambert & Butler Waverley, B Morris Morris's Silk Cut Mild, Churchman's Time, De Reszke Minors, Player's Navy Cut, Deca Self Lighting, Honeyrose Menthol, Wills Pasha, Rose's Gold Flake, Rosedor Cigarette Co.inc New York Salome, Benson & Hedges Goldbond, Gallagher's Clubman, Park drive Tipped, Carlton, Player's Gold Leaf (24). All 23 Packets still contain live Cigarettes.
A COLLECTION OF STAGE LIGHTING including two Showtec Multi Dim IEC mk2 dimmer packs, two lightings bars containing four PAR 56 short cans on each, a Strand Prelude (bulb not working) a similar unbranded light (all with previous PAT pass and working) and a Show Tec Lite 8 pro controller (no power supply so UNTESTED)
ITEM: Oil lamp, Type Kennedy 1, Group CMATERIAL: PotteryCULTURE: Bronze AgePERIOD: 1400 - 1200 B.CDIMENSIONS: 50 mm x 130 mm x 134 mmCONDITION: Good conditionPROVENANCE: Ex German private collection, Prof. Dr. Claus-Hunno Hunzinger, in Germany since before 1960sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.Oil lamps played a significant role in lighting and daily life during the Bronze and Iron Ages. These lamps were simple yet effective devices consisting of a container for holding oil and a wick that would burn, providing illumination in the darkness. As technology and metallurgy advanced during the Bronze and Iron Ages, oil lamps became more sophisticated in terms of design and materials.In the Bronze Age, oil lamps were often made of ceramic and had a rudimentary shape, with an oil reservoir and a spout or nozzle to hold the wick. These lamps were used in homes and places of worship, and some featured simple decorative designs.In the Iron Age, oil lamps saw technological and stylistic advancements. They became more elaborate, with a wider variety of designs and materials, such as bronze. These lamps often featured decorative shapes and handles for easier transportation. In addition to their practical function, some Iron Age oil lamps also held symbolic and ritual significance in religious and funerary contexts.
Customised T5 with 240bhp and a fabulous bespoke interior. First registered in 2010, this T5 half-panel Van was customised by Ultimate Transporters in Birmingham to the customer's unique specification and has been with its current owner since 2021The T28 designation indicated that its maximum all-up weight was 2.8 tonnesPowered by the 1,968cc CFCA Bi-turbo TDI initially generating 180bhp but now fitted with a K&N air filter and remapped to 240bhp, fed through a 6-speed manual gearboxIt's finished in Silver Metallic with high gloss black grilles and side steps, factory air vents, and dechroming to the now black and blue badging. It sits on black 20" alloys and is fitted with 'Sportline' front and rear spoilers, along with tinted side windowsThe custom trimmed interior is very special finished in blue and black vinyl matching the exterior badges. A Golf GTi, flat-base, leather steering wheel has been fitted and the black and blue front seats look very comfortable, with matching rear seating on a rail sliding system along with a folding table and blue LED lighting in the headlining operated by its own switchSupplied with its original book packs, previous MOTs, invoices, and copies of the original service book. 12 months MOT prior to the saleReportedly costing over £30,000 to supply and build, the possibilities are endless with this unique T5 whether you convert it further, or leave it as it is, it's sure to turn headsSpecification Make: VOLKSWAGEN Model: T-SPORTER Year: 2010 Chassis Number: WV1ZZZ7HZBH037511 Registration Number: CY60 AWF Transmission: Manual Engine Number: CFC 021362 Drive Side: Right-hand Drive Odometer Reading: 115123 Miles Make: RHDClick here for more details, condition report and images
Anssems center axle car transport trailer with an electric American Power-Pull winch. The lighting works, tires, spare wheel and braking system are in good condition. The trailer is registered in Holland and in an overall very good condition. Comes with all the needed registration paperwork. The Gross Vehicle Weight Rating (GVWR) is 2000 kg. Perfect for transporting your classic cars! Don’t miss out on this reliable and well-maintained trailer. Condition: Very Good. Location: The Netherlands.
Interior Decoration and Lighting - a pair of contemporary metalwork table lamps, each with spoked discs within a rectangular frame, 64cm high overall; a contemporary brass portico style table lamp, 115cm high overall; another, egg shaped lamp, moulded with straps and jewels, 63cm high overall (4)
A collection of eight Atlas Editions die-cast fighter plane models including a Dornier Do 355 Pfeil/Supermarine Spitfire Mk IXe, Focke-Wulf FW 190D, Lockhead P-38J Lighting/Fairey Swordfish, Supermarine Seafire/Kawasaki KI.61 Hein etc - all packs have two planes with stands, all stored in polystyrene boxes
Sue Atkinson (British 1949-2021) "Lighting Up" Signed, titled on artist's label verso, watercolour and gouache.19.5 x 28cm (framed 40.5 x 46cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is framed and glazed. The frame has some very minor scuffs and knocks commensurate with age.
Saunders (George) A Treatise on Theatres, first edition, half-title, 13 engraved plates & plans, 4 folding, very occasional light spotting, original boards, uncut, rubbed and stained, later paper spine and label, upper cover detached, [BAL Cat. 2908], 4to, for the Author, 1790.*** The first book on theatre architecture by an English architect, covering all aspects of construction including sections on acoustics, lighting, seating areas & leg-room, along with notes on some of the principal theatres of Europe.
Furttenbach (Joseph) Architectura Recreationis: Das ist: Von Allerhand Nutzlich: und Erfrewlichen Civilischen Gebäwen, only edition, title in red and black with typographic border, additional engraved pictorial title, portrait and 35 plates, all double-page, some also folding, most by Matthias Remboldt after the author, plate 25 with hole at centre of folds, Macclesfield copy with embossed stamp to title & following two leaves and South Library bookplate, contemporary vellum, spine titled in manuscript, [Berlin Kat. 1957; not in BAL, Fowler or Millard], folio, Augsburg, Johann Schulte, 1640.*** An excellent copy of these attractive designs for grand houses, palaces and their formal gardens, some with mazes, grottoes etc. One palace includes a private theatre with several plates of stage sets and also one of the earliest diagrams showing the positioning of lighting for stage performances (Furttenbach had studied stage design under Giulio Parigi in Florence). This is one of Furttenbach’s scarcer publications.
A collection of modern lighting including a pair of adjustable desk lamps on marble plinth bases, pair of twin branch candle holders, etc (7).Condition Report: The item or items in this lot are sold as decorative works of art only and would need to be rewired and tested on installation by a qualified electrician.
Carl Friedrich Moritz Müller, genannt „Feuermüller“, 1807 Dresden – 1865 München GEDENKET DER ARMENÖl auf Leinwand. Doubliert.139 x 119 cm.Links unten signiert, ortsbezeichnet „München“ und datiert „1860“.In vergoldetem Rahmen mit rundbogigem Abschluss mit Blütenrelief.Erst die genauere Betrachtung der Darstellung verrät uns einiges. Nicht zufällig hat der Maler ein rundbogiges Format gewählt, das auf den Bildinhalt – nämlich das Kircheninnere – verweist. Wände und Kanzel zeigen sich auffallend schlicht. Das entspricht auch dem Habitus des Predigers, der in brauner Kapuzinerkutte zu erkennen ist und somit einem Bettelorden angehört. Die Tafel auf einem Opferstock links mahnt im Halbdunkel „Gedenket der Armen“. Erst in diesem Zusammenhang wird deutlich, dass die zum Teil festlich gekleidete Gemeinde im Raum vielfach im Gegensatz zu denen steht, die in der mahnenden Predigt gemeint sind. Man darf nicht vergessen, dass die Zeit, in der Feuermüller dieses Bild schuf, durchaus geplagt war von großen sozialen Verwerfungen. 1859 hat der Österreicher Ferdinand Georg Waldmüller (1793-1865) sein berühmt gewordenes Bild „Die Klostersuppe“ geschaffen. Dort fiel die Gesellschaftskritik heftiger aus. Feuermüller dagegen bedient sich einer feineren Psychologie. Jedem Gesicht, jeder Haltung der einzelnen Figuren ist eine ganz individuelle Reaktion auf die Mahnungen des Predigers abzulesen. Betroffenheit liegt im Blick der gut genährten Frau im Bildzentrum, wohingegen eine in Witwenschwarz Gekleidete links daneben ein Tränentuch hält. Ein kleines Mädchen blickt traurig-fragend zu einem Mann mit Schirm unter dem Arm hoch, vielleicht ihr Großvater, der wohl einiges erlebt hat. Als weit weniger mitempfindend hat der Maler einige Männer am rechten Bildrand charakterisiert. Man mag hineininterpretieren, welche Gedanken sich hinter diesen Gesichtern verbergen. Eher kritisches Nachdenken verrät der bärtige Mann am Fuß der Kanzel. Ein Dorflehrer vielleicht. Völlig mit sich selbst beschäftigt, und noch fern all dieser Zeitprobleme, zeigen sich die beiden kleinen Mädchen im Vordergrund, die ein Heiligenbildchen vors Kerzenlicht halten, beobachtet von einem Knaben. Derlei Beobachtungen lassen sich bei sämtlichen der ins Bild gesetzten Figuren machen, wie etwa auch die Lokalisierung der Darstellung durch die Trachten, vor allem der grünen kegelförmigen Hüte, wie sie im Voralpenland und Tirol anzufinden war. Das Psychologisieren im Genrebild wurde im 19. Jahrhundert zum eigentlichen Sinn dieser Bildgattung. Darin – und keineswegs nur in der realistischen bestaunenswerten Naturalistik der Lichteffekte – liegt die Leistung des Malers und die Bedeutung des Bildes.Seinen Beinamen Feuermüller verdankt der Maler den Stimmungseffekten, mit denen er seine nächtlichen Genrebilder in Kerzenbeleuchtung zu tauchen vermochte. Diese Art der Darstellung war in der Malerei durchaus nicht neu. Bereits im 17. Jahrhundert hatten die Maler Georges de la Tour oder die Gruppe der „Candellight“ – Maler, dann auch Gottfried von Schalcken diese Effekte kultiviert. Im 19. Jahrhundert hat der gleichaltrige Belgier Pieter van Schendel (1806-1870) sich ebenfalls nächtlichen Gruppenbildnissen bei Kerzenlicht gewidmet. Jetzt ging es nicht mehr allein um die raffinierten Lichteffekte, sondern vor allem um die Dokumentation des Volkslebens, des Genres also. Müller hatte bereits in Dresden bei seinem Vater, dann bei Friedrich Matthäi studiert, um als Porträtist und Kirchenmaler in Zittau zu wirken, zog jedoch alsbald in die Kunststadt München. Den politischen Ereignissen der Zeit entsprechend, widmete er sich – wie Defregger – mit seinen Bildthemen etwa den Tiroler Befreiungskriegen. So entstand 1834 die „Szene aus dem Tirolerkriege“, oder 1847 „Andreas Hofer auf der Flucht“. Müllers Empathie für die durch Politik und die Zeitverhältnisse zu dieser Zeit stark betroffene Gesellschaft ist seinen Werken anzusehen. Dies zeigt sich auch in dem hier vorliegenden Werk, dessen Thematik sich nahezu versteckt auf einer Schrifttafel am Opferstock in dieser Kirche offenbart: „Gedenket der Armen!“.Anmerkung:1834 erwarb König Ludwig I von Bayern eine „Szene aus dem Tiroler Krieg 1809“ (München, Neue Pinakothek, Inv.-Nr. WAF 691).Literatur: Vgl. Horst Ludwig, C.F. M. Müller, in: Bruckmanns Lexikon der Münchner Kunst (im 19. Jahrhundert), Bd. 3, S. 189 f.Vgl. Alexander Rauch, Klassizismus und Romantik, Europas Malerei zwischen zwei Revolutionen, Köln 2000, S. 318. (14101017) (11)Carl Friedrich Moritz Müller,also known as “Feuermüller”,1807 Dresden – 1865 MunichREMEMBER THE POOROil on canvas. Relined.139 x 119 cm.Signed, with place name Munich and dated 1860 lower left. The painter’s nickname “Feuermüller” [Fire Müller] arose due to the atmospheric effects employed by him to immerse his nocturnal genre paintings in candlelight. This type of depiction was by no means a novelty in painting. Painters such as Georges de la Tour and the group of “candlelight” painters, and then Gottfried von Schalcken, had already refined these effects in the 17th century. In the 19th century, the Belgian artist Pieter van Schendel (1806-1870), a contemporary of Müller, also devoted himself to nocturnal group portraits by candlelight. From then on, the depictions were no longer just to show off sophisticated lighting effects, but more importantly a manifestation and documentation of popular life, i.e. genre paintings. It is evident in his works, that Müller displays empathy for a society heavily affected by the politics and circumstances of the time. The plaque on a collection box on the left warns in the semi-darkness: “Remember the poor”. A reminder, that the artist’s age was plagued by great social upheaval. During the 19th century, the psychological aspect of genre painting became the true meaning of this genre. This is the artist’s true accomplishment and the painting’s importance rather than just the realistic and astonishingly naturalistic nature of the lighting effects. Provenance:In 1834, King Louis I of Bavaria acquired a “Scene from the Tyrolean War of 1809” (Munich, Neue Pinakothek, inv. no. WAF 691).Literature: cf. Horst Ludwig, C.F. M. Müller, in: Bruckmanns Lexikon der Münchner Kunst. Münchner Maler im 19. Jahrhundert, vol. 3, p. 189f.cf. Alexander Rauch, Klassizismus und Romantik, Europas Malerei zwischen zwei Revolutionen, Cologne 2000, p. 318.
JACOB KASSAY (AMERICAN B. 1984) UNTITLED Acrylic on canvas Signed and dated 11 to wooden support (verso) 153 x 213cm (60 x 83¾ in.)Provenance: Maruani Mercier, Knokke Acquired from the above in 2013 This important artist can be seen at the Collezione Maramotti in Reggio Emilia, Italy Born in New York and based in New York City, artist-critic Jacob Kassay takes a cerebral, minimalist approach to creation. He is represented by 303 Gallery and has exhibited at ICA London, MCA Chicago, and the MFA Boston. Known for his innovative treatment of flat surfaces, Kassay has turned to mirror-like acrylic and canvas scraps in the service of his post-conceptual practice. In its total abstraction, the present work calls attention to the blurred lines between art and the everyday. Were it not for the frame, what would separate Kassay's canvas from the wall behind? Yet, Untitled is not so much the 'zero point' of painting in the mould of Kazimir Malevich's Black Square as a restrained example of decorative art. In constant dialogue with its environment, Untitled catches the light of a room and alters it, adding new dimensions to an interior space. Condition Report: The surface is white and matte. The application of paint is visible in raking light which does produce a slight sheen but the overall effect is matte. There are no obvious condition issues. Update 19/09/24: Under certain lighting a very small imperfection is present in the lower right quadrant. There is no evidence of a protrusion, recto or dent to the reverse. Please note this is only visible under specific lighting and from certain angles. It is not always visible. Updated 25/09/24: Due to changing light throughout the exhibition the mark is not visible in most lighting and difficult to find the majority of the time. Condition Report Disclaimer
GROUP OF DINKY DIECAST MODEL VEHICLES, comprising a 736 Hawler hunter fighter, a 734 supermarine swift fighter, a 737 pib lighting fighter and a 715 Bristol 173 helicopter, as well as a 165 humber hawk, a 150 Rolls Royce silver wraith, a 191 dodge royal sedan and a 189 triumph herald, all boxedQty: 8
A collection of five pieces of cut glass lighting Two pairs of Victorian cut glass drop lustre candlesticks and a further.The largest pair 24cm high.Qty: 5The largest pair, one with a large chip to the foot. The single candlestick with a surface chip to the top rim and small nibbles to the base. The others in good condition with possible small chips to the glass drops.
A QUANTITY OF PAINTINGS AND PRINTS ETC, to include an indistinctly signed oil on canvas depicting a portrait of a monk, approximate size 29cm x 23cm, an unsigned half-length portrait of a male figure lighting a pipe, oil on canvas, approximate size 38cm x 25cm - tear to the canvas by the eye, a pen and watercolour drawing of a kestrel on a branch signed L.P. White, an indistinctly signed watercolour depicting a Harris Hawk, two Mick Cawston signed limited edition prints 'Off Duty' and 'The Falconer', both from editions of 850, assorted prints including falconry prints, modern silhouettes and carved wooden love spoons (box and loose)
Registration - T99 HJSChassis No. - Y53FM71P7786912820M.O.T. - September 2025Odometer - 68,000This bright and bold Saab 9-3 Convertible is a collectible rarity. It combines the performance-focused Aero spec with an intriguing TTiD 1.9-litre twin-turbo diesel engine (which has the famous Saab turbo boost gauge on the dash), plus an automatic transmission. It is resplendent in bright red, with smartly-finished 18-inch alloy wheels featuring premium Goodyear Eagle F1 tyres. As a later 2008 facelift example, it also has LED signature lighting at the front and eye-catching ‘ice block’ tail lamps. The vendor describes it as a very well looked after and maintained example, with engine, transmission and electrics in ‘excellent’ condition, plus bodywork, paintwork and interior in ‘good’ condition. It has a full MOT until September 2025, while the odometer reads 68,000 miles. ‘T99HJS’ boasts a full Saab specialist service history, with the vendor pointing out that the cambelt was replaced at 41,000 miles. Featuring the original Saab owners’ manuals and book packs, it also has a bulging A4 folder full of invoices, receipts and MOTs carried out. Desirable features include touchscreen sat nav, heated black leather seats and even Bluetooth phone connectivity – while the famous Saab ‘Night Panel’ switch, which dims the dashboard, also features. Naturally, the black folding soft-top roof is fully electric, controlled via a switch on the dashboard. The first-generation Saab 9-3 was introduced in 1998, as a facelifted and rebadged version of the previous Saab 900, which was the first to be derived from a GM platform. The second-generation model was introduced in 2003, available in saloon, estate and convertible styles. Using much more advanced GM technology, it featured premium details to help it compete with rivals from Audi, BMW and Mercedes-Benz. Convertible versions were particularly popular. The car ran right through to 2012, when Saab sadly fell into bankruptcy, although it was briefly revived by an independent company called NEVS between 2013 and 2014. In summary:High-spec Saab 9-3 Convertible AeroExtensive service history shows diligent maintenanceOffered with no reserve
Rare original vintage World War Two poster The Persian Gulf Command Brigadier General Donald P. Booth, featuring a pictorial map with illustrations depicting a Soviet soldier looking over his shoulder at a storm cloud with Swastika and lighting above USSR seen carrying a large wooden crate with Made In USA signage and handing it over to an Iranian man, smaller images of the truck and plane assembly plants, rugs making, repair shops, mountains, Fathuma's tomb, and train tracks connecting the Iranian State R.R. Khorramshahr and Teheran, and M.T.S. Convoy Route from Khorramshahr to Kazvin, with a colourful paisley frame around the image. Established in December 1943, The Persian Gulf Command was a United States Army service command facilitating the supply of US lend-lease war material to the Soviet Union, through the Persian Corridor. Fair condition, folds, creasing, staining, tears, top right corner reattached with tape. Country of issue: Iran, designer: Frank Agar, size (cm): 68x47, year of printing: 1945.
Original vintage safety poster published by the Royal Society for the Prevention of Accidents ROSPA - Falls in the home can be fatal - featuring a dramatic illustration of a lady in an apron tripping over a white line and falling down with outstretched arms against a red and black background, the diagonal stylised text in blue and yellow providing guidance on ways to avoid accidents - Good lighting everywhere / Use a step ladder / Avoid polished floors / Keep stairway clear - with the title text below. Published by Royal Society for the Prevention of Accidents, Terminal House, 52 Grosvenor Gardens, London, SW1. Printed by Loxley Bros LTD. Very good condition, light staining and foxing on margins.Year of printing: 1950s, country of printing: UK, designer: Unknown, dimensions (cm): 76x51.
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