We found 13370 price guide item(s) matching your search

BRAWA - a quantity of boxed street lighting associated with model railway kits, including models 4633, 5204, 4632, 4604 etc

Lundby of Sweden dolls house, untested lighting, approximate measurements: Height 22 inches, Width 34.5 inches, Depth 15 inches

DALÍ, SALVADOR (1904 - 1989), SKULPTUR MIT BELEUCHTUNGSEINHEIT (LIMITIERT) „Die surrealistischen Augen“, 1980, Bronze mit Silberauflage, 27 beleuchtete Kunststoffaugen, verso Gießerstempel „Venturi Arte“, die Exemplarnummer „106/999“ und der Namensschriftzug Dalis, seitlich der Editionsstempel "TE", Copyright-Zeichen sowie gestempelte Datierung und Bezeichnung "DALART N.V.". HxBxT: 35/28/12,5 cm. Leichte Altersspuren, part. Grünspanbildung, Belichtungseinheit funktionstüchtig. Anbei die entsprechende Begleitschrift von Daniel Abadie, Zertifikat, und Verwendungshinweis zur Beleuchtungseinheit.| DALÍ, SALVADOR (1904 - 1989), SCULPTURE WITH LIGHTING UNIT (LIMITED) "The Surrealist Eyes", 1980, bronze with silver plating, 27 illuminated plastic eyes, on the reverse foundry stamp "Venturi Arte", the copy number "106/999" and the name of Dali, on the side the edition stamp "TE", copyright sign as well as stamped date and inscription "DALART N.V.". HxWxD: 35/28/12.5 cm. Slight signs of age, part. Some verdigris, exposure unit in working order. Enclosed is the corresponding accompanying document by Daniel Abadie, certificate, and instructions for use of the lighting unit.

A mixed group of furniture and lighting, including an oak stick stand, a two nesting bamboo occasional tables, 58 by 43 by 59cm high, a bamboo jardiniere stand, a copper warming pan, a brass five branch chandelier, five brass picture lights, various vintage tennis and badminton racquets, two pewter and brass birds shaped ornaments, and a brass vase. (q)

A box of engine parts including pistons, boxed Durite ammeter, Pitmans book of the ariel leader & arrow & Lucas lighting equipment COLLECT ONLY

A COPPER BRASS AND CAST IRON OCCASIONAL TABLE BY W A S BENSON, LATE 19TH/EARLY 20TH CENTURY stamped 'W A S BENSON' 67cm high, top 39cm diameter Provenance: Cheffins, 29th November 2006, lot 658, where purchased by Robert Kime William Arthur Smith Benson (1854-1924) is perhaps best known for his extensive range of Arts and Crafts metalware designed and made for domestic use and for oil, gas and electric lighting fittings. Closely associated with William Morris and the Arts and Crafts Movement, his products were retailed through Morris & Co. as well as his own shop in Bond Street, London. Condition Report: Overall there are some scratches, marks, knocks, cracks and abrasions consistent with age and use.Observations include:The top is not attached to the base.There is rust to the upper rim area of the base.The copper round tray top has marks, some verdigris and knocks - obviously a well loved and used table.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

Mainly 20thC interior lighting: to include a pair of Dutch design brass centre lights  22"dia"spread

Interior lighting: to include Dutch and other design centre lights, mainly with C-scrolled and foliate design branches  largest 22"spread

Two circa 1970's desk top anglepoise, beige example stamped "Anglepoise Lighting Ltd 90", both with circular bases, green example has weak springs and does not hold position A/F

Two Protector lamp and Lighting Co. Ltd type 6 miners safety lamps, a Railwayman's signal lamp. two sealed Bells whiskey decanters, a Schiller corkscrew and other misc. items (qty)

Canon Canovision 8mm camcorder (parts only), Portaflash studio lighting system inc. diffusers, flash gun etc. in aluminium carry case and a Cullmann 2920 tripod

A contemporary Art Deco style brass table lamp by Heathfield Lighting, with maker's lable. 44x58cm.

Lighting - a two branch spotlight standard lamp, 154cm high, a retro five-branch retro light fixture, orange shades; other (3)

Lighting - a blue three branch lamp, with marbled blue shades, 47cm high, art nouveau style lamp as naked women standing, 32cm high (2)

Lighting - a brass gaslight converted to a table lamp, rouge marble plinth, 44cm high, floral frosted shade; a folding wall light, another fixed, pair of frosted glass shades, others qty

Lighting - a pair of baroque style cast iron lamps, painted black, 48cm (2)

A Victorian gas lamp lighting torch measuring approx. 82cm in length, a horn-handled Eastern scimitar-type sword, alpine souvenir walking stick, Milners' Safe Co. brass plate and a small ornamental classical Greek helmet (5) Condition Report:Available upon request

An Elinchrome portable professional studio lighting system, to include 2 BX500RI heads and stands, a large soft box, a small soft box, 2 associated stands and 3 brollies, and a Caulmet adjustable background stand and white background paper, all in associated carry cases

From the Feathered Beauties theme group, this wise little bird showcases a clear faceted crystal body and captivating big green eyes that appear to change color in different lighting This item has its original box measuring 3"H x 2.5"dia. Swarovski backstamp. Artist: Max SchreckIssued: 1979-2011Dimensions: 1"L x 0.75"W x 1.5"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

MILITARY, LIGHTING, AUTOMOBILIA & COLLECTABLES GROUP, lot includes a lidded tin trunk with presumed military marks to the interior, 27cms H, 62.5cms W, 37.5cms D, vintage gas and Tilley lamps, 2 x vintage suitcases, Notek, Lucas and other car lamps ETCProvenance: private collection Denbighshire

An Anglepoise desk lamp, by Anglepoise Lighting Ltd, in orange.

A Protector Lamp & Lighting Co Ltd Eccles Type J.C.M miners lamp.

A quantity of various strip lighting tubes

ELEVEN PLASTIC BOXES CONTAINING FRUIT MACHINE PARTS including wiring looms, lighting looms, handles, pull handles, One Stop Technology Eclipse printed circuit boards, seven reel mechanisms etc

A B.T.H BRITISH THOMAS-HOUSTON Co.LTD 35MM SOUND PROJECTOR, c1940 with a Taylor-Hobson lens No.331167 Pat. No. 376025, with original carry case, lighting system and loud speaker type AA10 A serial No. 151627 (s.d) (2 cases + projector)

An early 20th century brass Binnacle housing compass, with casing for oil lighting to side.

Brass miners lamp by The Protector Lamp and Lighting Co., Eccles Manchester, 24cm. Estimate: £20-40

20th Chinese display cabinet with built-in lighting ||20 ste eeuwse Chinese vitrine met zeshoekige basis en met één deur en ingebouwde verlichting

A large group of O gauge track and accessories by various manufacturers including 3-rail track, an interesting folding 3-part viaduct fitted with 3-rail track and various wooden buildings with lighting - F/G unboxed (Q)

Hand Built Model of a Theatre Stage with lighting, 73cm wide x 46cm deep x 37cm high together with a tin of Stage Make-up

A brass bell, various lighting, etc.

Rocwing photography studio lighting stands and shades, together with digital cameras and other camera equipment, in three boxes

Four cast-iron carriage plates (L.M.S Wolverton 1944, B.R Derby 1954, B.R. Earlestown 1959 and 1960), together with 2x train lighting dynamo box covers (L.M.S Wolverton and B.R.(M)) (6)

Two trailer lighting boards. No shipping.

The Protector Lamp & Lighting Co Ltd Type 6 safety lamp, Eccles, 25 cm (h) not including handle. [W]

Miners Lamp by Protector Lamp & Lighting Co, brass lower body, 24cm high with handle down.

A miner's safety lamp by The Protector Lamp & Lighting Co Ltd of Eccles Manchester, type SL, circa 1920-1960, 24 cm excluding handle

Jasper Morrison for Flos Lighting - Glo Ball S2 - A large retro 20th century Italian globe light ceiling fixtures. The shade having a large globular opaline glass shade with chrome fittings. Measures approx. 37cm x 45cm diameter.

A "Protector Lamp & Lighting Co." miners lamp (no glass) along with a copper kettle, trivet (A/F) etc.

Botanik - - Jan Theodor de Bry. Anthologia magna sive Florilegium novum & absolutum, variorum maximeque rariorum germinum, florum ac plantarum, quas pulchritudo. Mit gestoch. Titeleinfassung u. 142 Kupfertafeln (hiervon 2 kol. u. 5 gefalt.). Frankfurt a. M., Officina Bryana, 1626. 6 Bll. 142 Taf. 4°. Hldr. des frühen 19 Jahrhunderts mit Kattunpapierbezug (etwas berieben und beschabt, der Rücken fachmännisch restauriert). De Belder 92. - Nissen BBI, 273. - Pritzel 1299. - Graesse II, 559. - VD17 29:718779N (sehr ungenau, nach dem unvollständigen Nürnberger Trew'schen Ex.). - Äußerst seltene, zweite und durch zusätzliche neue Tafeln erweiterte Auflage. Sie basierte auf einer Sammlung von Blumendarstellungen, die de Bry meist nach Vorlagen aus P. Vallets "Le Jardin du roy" (1608), B. Beslers "Hortus Eystettensis"(1612) und de Passes "Hortus floridus" (1614) radierte. - Der Verleger, Zeichner und Kupferstecher Johann Theodor de Bry war bekannt für seine reich illustrierten, wissenschaftl. Schriften sowie für die seinerzeit unübertroffene Kunstfertigkeit, welche er im vorliegenden Exemplar eindrucksvoll zum Ausdruck bringt. Die mit 142 Kupfertafeln vollständige Ausgabe ist zugleich eines der einflussreichsten Werke der frühen Florilegia. - Insbesondere im 17. Jahrhundert waren Florilegia weit verbreitet und umfassten überwiegend medizinische oder botanische Teilbereiche. Mit dem Fokus auf die Klassifikation stand insbesondere bei den botanischen Werken meist nicht der wissenschaftliche Nutzen, sondern das Bedürfnis im Vordergrund, die Schönheit und Pracht einzelner Pflanzen darzustellen. Neben heimischen Gewächsen waren insbesondere seltene und exotische Pflanzen von Interesse. - Nach Intention des Florilegiums zeigen die von einer zweiseitigen "Brevis descriptio" eingeführten Tafeln sorgfältig gestochene, florale Kompositionen mit äußerst feinen Schattierungen sowie virtuoser Lichtführung. - Tls. ungenaue Paginierung, Zur Kollation der TAFELN: 2 unnum., num. 1-116, 1-22, hiervon 37 u. 50 doppelt gezählt, 111 nicht gezählt, 53 & 54 sowie 115 & 116 in Reihung vertauscht (für die genaue Kollation siehe Nissen o. Graesse, Taf. 23 jedoch nicht wie bei Nissen und Graesse doppelt gezählt, Statt Tafel 23 ist die motivgleiche Tafel 123 (aus der Ausgabe von 1641) eingebunden, zur Kollation vgl. Ex. Österr. Nationalbibl., BE.4.K.2). - Die Textbll. etw. braun- u. fingerfleckig (die Tafeln im Randbereich betroffen), Titelbl. mit hs. Besitzeintrag alter Hand sowie kl. Fehlstelle v. vermutl. entf. Siegel, nur vereinzelt mit kl. Randeinrissen, das Gelenk angebrochen (der Buchblock jedoch fest). Insgesamt äußerst wohlerhaltenes u. seltenes Exemplar, die nuancenreichen Stiche mit ausgeprägter Gratwirkung in farbsatten Abzügen. Botany - With engraved title border and 142 copper plates (of which 2 col. a. 5 folded). Half leather binding of the early 19th century with calico paper covers (slightly rubbed and scuffed, spine professionally restored). - Exceptionally rare, second edition enlarged by additional new plates. It is based on a collection of floral depictions that de Bry etched mostly after Vallet's "Le Jardin duroy" (1608), Besler's "Hortus Eystettensis" (1612) and de Passe's "Hortus floridus" (1614). - The publisher and engraver Johann Theodor de Bry was known for his richly illustrated, scientific publications as well as for the artistry unmatched at the time, which is impressively depicted in the present complete copy as well as one of the most influential works of the early Florilegia. - In the 17th century in particular, Florilegia were widespread and mainly comprised medical or botanical topics. With the focus on classification, especially in the case of botanical works, the focus was not on scientific use but on the need to depict the beauty and splendor of individual plants. In addition to native plants, rare and exotic plants were of particular interest. - According to the intention of the Florilegium, the plates following a two-page "Brevis descriptio" show carefully engraved floral compositions with exceedingly fine shading and virtuoso lighting. - Partly inaccurate pagination, on the collation of the plates: 2 unnum., num. 1-116, 1-22, of which 37 and 50 counted twice, 111 not counted, 53 & 54 as well as 115 & 116 reversed in order (for the exact collation see Nissen o. Graesse, plate 23, however, not counted twice as in Nissen and Graesse, instead of plate 23 the plate with the same motif. 123 (from the edition of 1641) is bound in, for the collation see Ex. Österr. Nationalbibl., BE.4.K.2). - The text ll. slightly browned and finger stained (the plates in the margins affected), title page. with handwritten ownership entry as well as small defect probably from removed seal, only a few ll. with small edge tears, joint slightly cracked (book block however firm). Altogether very well-preserved and rare copy, the nuanced engravings with a pronounced burr effect in colour saturated prints.

A quantity of Osram strip lighting tubes, 48'' long.

A VINTAGE SUBBUTEO CONTINENTAL FLOOD LIGHTING EDITION TABLE SOCCER GAME CONTENTS UNCHECKED

N Gauge model railway layout. Titled "Bramford Halt", has two loops of track with various pointwork to the rear, appears fully wired with control equipment & lighting, (untested), various scenic detail throughout with buildings, cars etc, measuring 123cm wide x 84cm deep & 36cm high, see photo, also in this lot is a framed print showing "The Sir Nigel Gresley" passing through West Hartlepool station. (2)

Airfix, Wiad, Modelcraft & others - large group of mainly OO / HO trackside accessories. To include Airfix Country Inn, Fencing & Gates, Kiosks & Steps, Station Figures; Wiad 5002 House plastic kit; Modelcraft Lineside kits Platforms & Water Towers, Seuthe Airfield Radar Tower, Rotafast various roadside & yard lighting - loose & carded; Herald Models 2x Farm gates; Qty of accessories to include Loco wheels, unpainted lamps, Loco nameplate & destination decals / transfers plus many other items (all contents are unchecked). Conditions: Fair to Near Mint with Fair to Excellent boxes & packaging. (Large Qty)

Finescale Locomotive Company or similar Gauge 1 10mm scale WCJS (West Coast Joint Stock) TPO Parcels Sorting Van. Excellent internal detail with lighting, figures, parcels and associated items, external detail includes corridor connectors, vacuum pipes and other external underside detail as requested by the vendor. Excellent to Excellent Plus.

Elettren O Gauge Continental Outline DSB red and cream Passenger Coach. Fitted for electric lighting, overall Excellent to Excellent Plus all contained in non-original box.

Bing Gauge 1 group of Signals consisting of lattice single arm, double arm, junction signal and a further single arm signal, 2 mounted on tinprinted bases the others mounted on painted bases all with oil lamps (none working), one modified for electric lighting, condition generally Good to Good Plus. (4)

A Mould King Lego style Creative Idea Cadi-Elrado, built complete with working lighting; another Lamborghini; a Haynes Machine Works V8 Engine, built (not tested) (3)

Mid Century Design & Lighting - a large collection of vintage Italian, IKEA and other light fixtures and fittings, QTY

John Anster Fitzgerald (British, 1819-1906)The birth of a fairy signed with monogram (lower left)watercolour and bodycolour40 x 29.6cm (15 3/4 x 11 5/8in).Footnotes:ProvenancePrivate collection, UK.John Anster Fitzgerald, or 'Fairy Fitzgerald' as he became known, is one of the most celebrated exponents of Fairy Painting which captured the imagination of the Victorian public and continues to delight collectors today. Born in London in 1823, there were few signs in Fitzgerald's youth to indicate that he would go onto to become a prolific exhibitor at the Royal Academy and at the British Institution. Having had little or no formal training he first exhibited at the Royal Academy in 1845 at the age of twenty-two, and would continue to do so regularly until 1881, his final exhibit coming in 1902 after a long hiatus. Fitzgerald lived his whole life in a London where the public imagination was becoming increasingly gripped by ideas of the supernatural and the occult. The interest pervaded all parts of the arts, literature, opera, ballet and of course painting. The uniquely British tradition of fairy painting had begun in the late eighteenth century with artists such as William Blake and Henry Fuseli who imaginatively illustrated the work of Shakespeare, particularly his more fanciful plays, A Midsummer Night's Dream and The Tempest. This peculiarly Victorian contribution to the Romantic movement reached its height in the 1850s and 60s but while artists such as Sir Joseph Noel Paton continued to use literature as their source of inspiration, Fitzgerald did not limit himself in this way. Many of his works are the products of a fertile imagination in which he created his own fairy kingdom. Whether these scenes were induced by drug fuelled dreams is a matter of debate, opium was the recreational drug of the artistic and poetic and many great Victorian works of literature were produced under its influence. It is also likely that Fitzgerald was aware of and influenced by the works of Hieronymous Bosch whose prints were widely available in the mid nineteenth century and collected by artists. Fitzgerald was also a devotee of the stage, and from all these influences a colourful character is built up and the vibrancy of his art can come as no surprise. Indeed Harry Furniss, in his memoir My Bohemian Days (1919), writes of Fitzgerald: 'his life was one long Midsummer Night's Dream.'In the present lot the excitement and chaos so often seen in Fitzgerald's larger fairy paintings is centred around a new-born fairy emerging from a flower of pure white. She comes into the fairy domain shimmering and lighting the scene from the centre. The introduction of limelight into London's theatres in the mid-nineteenth century was well known to Fitzgerald, and we see its influence here. Gathered around to bear witness are all the denizens of the fairy world, rendered in Fitzgerald's exquisite and vibrant colours. The close relationship between the fairies and the natural world is clear as birds of all type perch and hover to catch a glimpse. In the foreground two larger birds carry sprites away to spread the news, one blowing a small wind instrument fashioned out of a pink petal. To the left of centre, a pair of large diaphanous wings are opened seemingly to shade our human eyes from the pure iridescent light of the new-born fairy, lest we be dazzled. All the characters are however apparently unaware of our intrusion, their focus is on the momentous event alone, and we are left with the impression of having been fortunate to have been a witness.For further information on this lot please visit Bonhams.com

GLEN GRANT 1992 19 YEAR OLD DISTILLERY EXCLUSIVE CASK #17161 50CL SPEYSIDE SINGLE MALT Glen Grant was the first distillery in Scotland to have electric lighting installed, thanks to its forward-thinking owner, and all-round colourful character, Major James Grant. Grant was an innovator who was one of the first people to realise the potential of exporting whisky abroad. Initially, this paid dividends, and in 1897 The Major began construction of a second distillery across the road. However, as was the case with so many distilleries built around this time, Glen Grant 2 was mothballed after just a few years. Although, it did re-open in 1965 under the name Caperdonich.While it might not be a household name in the UK, Glen Grant is consistently one of the top selling single malts in Italy due to the groundwork laid by legendary importer Armando Giovinetti in the 1960s. It, therefore, seems appropriate that the distillery is now owned by Campari, an Italian company.Distilled: 12/02/1992Bottled: 06/01/2012Matured in cask #17161Bottle Number: 73 / 22252.4% ABV / 50cl

Graham Thomas Oakley (British, 1929-2022), A church mouse mixing a concoction, watercolour, unsigned, 4 x 11 cm, (unframed), The church mice lighting a smoke bomb, watercolour, unsigned, 2.5 x 11 cm, (unframed), The church mice in light smoke, watercolour, unsigned, 2.5 x 5 cm, (unframed), The church mice in medium smoke, watercolour, unsigned, 2.5 x 5 cm, (unframed), The church mice in heavy smoke, watercolour, unsigned, 2.5 x 5 cm (unframed), The church mice blacked out, watercolour, unsigned, 2.5 x 5 cm (unframed), and The church mice fleeing the building, watercolour, unsigned, 5 x 11 cm (unframed), on the same sheet Provenance: From the estate of the late Graham Thomas Oakley deceased Graham Oakley is best known for the Church Mice series of picture books (1970-2000), next to the Foxbury Force series (1994-1998)From Graham Oakley’s personal box file reading: The Diary Of A Church Mouse Please note this has not been referenced or checked against the books Please note these are sold without copyright

The Protector Lamp & Lighting Co Ltd Eccles brass miner's safety lamp.(B.P. 21% + VAT)

Quantity of Star Trek collectables includes Fun Source The Next Generation Shuttlecraft CD Holder, AMT Ertl Deep Space Nine Space Station with fiber optic lighting system (sealed), Playmates Klingon D'K Tahg knife, Playmates Starfleet Phaser, The Next Generation Klingon Disruptor, Phaser universal remote control, and others, all generally Good to Mint, within Good to Excellent packaging, with some being sealed. (10)

An Use Royal Daylight Oil for Lighting Heating Cooking enamel sign, 46 x 55 cmQuite a bit of damage, especially to the left hand side

An Optimus key lighting electrical keyboard, no lead.

A box of lamps, lighting, reading light etc

A Swatch X A Bathing Ape (BAPE) Big Bold Tokyo collaboration hype streetwear wrist watch. The watch having silver tone Bape camo textured circular dial with mixed black indices, baton, Bape and lighting hands to a pale grey bezel with city names around the case on a silicone multi coloured camouflage style strap with silver Bape emblems. Together with original green / khaki camo box. Water resistant 3 Bar, quartz movement. Total weight approx 40.7g. Case including crown measures approx 5.5cm. Ticking at time of cataloguing. From Swatch website: 'The multi-colored camouflage pattern on the strap represents all the different cultures and people connected by their uniqueness. The watch face stands out with a metallic 3D effect on the dial, giving the BAPE signature pattern a place to shine. The bezel highlights all mega cities of the world and, on the reverse of the strap, you’ll find Swatch and BAPE logos in the same color of the dial. The two loops. A tribute to the birth city of BAPE, Tokyo! The grey and silver (SO27Z709).'

A collection of photography lighting equipment and backgrounds

A collection of camera lighting equipment including umbrellas and stands