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Click here to subscribeA 'Field' crystal glass table lamp, designed in 2017 by Kathryn M Holford for Cameron Peters Collections, as part of the 'English Crystal Collection' manufactured by Dartington Crystal, of shouldered form, etched to the side with a meadow pattern, surmounted by a drum shade, 29cm diameter46cm highProvenance: Cameron Peters Fine Lighting.
ANTIQUE / VINTAGE GLASS LIGHTING ETC, to include a clear glass lustre with a small chip to the inside of the base rim, glass base table lamp lacking its shade, electric table lamp with a shade - may not be the original shade, a pair of electric chandeliers, rectangular ceiling lamp shade, and a box of spare parts etc
Herb Ritts (1952-2002) was an American fashion photographer and director, best known for his black and white portraits of celebrities, models, and musicians. He was born and raised in Los Angeles, California and began his career as a photographer in the late 1970s. Ritts is considered one of the most influential photographers of his time, and his images have become iconic in the world of fashion and popular culture.Ritts was known for his minimalist approach to photography, often using stark lighting and simple compositions to create powerful and striking images. He was especially skilled at capturing the beauty of the human form, and his images of models such as Cindy Crawford and Naomi Campbell helped to define the supermodel era of the 1980s and 1990s.In addition to his work as a photographer, Ritts was also a successful director and created music videos for artists such as Madonna, Janet Jackson, and Michael Jackson. He also directed several commercials and documentaries during his career.Tragically, Ritts passed away in 2002 at the age of 50 due to complications from pneumonia. However, his legacy continues to live on through his iconic images and the influence he had on fashion and photography.Measures 14.75 x 11.5.Printed circa 1990's.
Herb Ritts (1952-2002) was an American fashion photographer and director, best known for his black and white portraits of celebrities, models, and musicians. He was born and raised in Los Angeles, California and began his career as a photographer in the late 1970s. Ritts is considered one of the most influential photographers of his time, and his images have become iconic in the world of fashion and popular culture.Ritts was known for his minimalist approach to photography, often using stark lighting and simple compositions to create powerful and striking images. He was especially skilled at capturing the beauty of the human form, and his images of models such as Cindy Crawford and Naomi Campbell helped to define the supermodel era of the 1980s and 1990s.In addition to his work as a photographer, Ritts was also a successful director and created music videos for artists such as Madonna, Janet Jackson, and Michael Jackson. He also directed several commercials and documentaries during his career.Tragically, Ritts passed away in 2002 at the age of 50 due to complications from pneumonia. However, his legacy continues to live on through his iconic images and the influence he had on fashion and photography.Measures 14.75 x 11.5.Printed circa 1990's.
Albert Bierstadt (1830-1902) was a German-American landscape painter renowned for his grandiose and meticulously detailed depictions of the American West. Born in Solingen, Germany, Bierstadt emigrated to the United States with his family as a young child, settling in New Bedford, Massachusetts.Bierstadt's paintings are characterized by their expansive vistas, dramatic lighting, and romanticized views of the American wilderness. He was particularly inspired by the Rocky Mountains, Yosemite Valley, and other majestic landscapes of the American West, which he captured with a sense of awe and reverence.One of Bierstadt's most famous works is "Among the Sierra Nevada, California" (1868), which depicts a panoramic view of Yosemite Valley bathed in soft, ethereal light. The painting is celebrated for its meticulous attention to detail and its ability to evoke a sense of wonder and awe in the viewer.In addition to his landscapes, Bierstadt also painted numerous scenes of Native American life, as well as portraits and genre scenes. He was a master of capturing the effects of light and atmosphere, and his paintings often convey a sense of tranquility and majesty.Bierstadt's work was highly acclaimed during his lifetime, and he was one of the most successful and influential artists of the 19th century. Today, he is regarded as one of the foremost painters of the American West, and his paintings continue to be admired for their beauty, technical skill, and romanticized portrayal of the American landscape.Sold "after" Bierstadt.Measures 30 x 44 (image), 37.6 x 51.6 (framed).Oil on canvas.
Richard Avedon (1923–2004) was an American fashion and portrait photographer renowned for his groundbreaking work that helped redefine photography in the 20th century. Avedon's distinctive style and innovative approach to portraiture and fashion photography left an indelible mark on the industry.Born in New York City, Avedon began his photography career in the 1940s after serving in the Merchant Marine during World War II. He gained early recognition for his work as a staff photographer for Harper's Bazaar, where he revolutionized fashion photography by capturing models in motion and infusing his images with energy and dynamism.In the 1950s and 1960s, Avedon's work for Vogue magazine solidified his reputation as one of the preeminent photographers of his time. He developed a distinctive approach to portraiture, using stark lighting and minimalist backgrounds to create images that revealed the essence of his subjects with honesty and intensity.Avedon photographed some of the most iconic figures of the 20th century, including actors, musicians, writers, and political leaders. His portraits were celebrated for their intimacy, depth, and emotional resonance, and he had a unique ability to capture the humanity of his subjects in his photographs.In addition to his work in fashion and portraiture, Avedon also pursued fine art photography and worked on numerous personal projects throughout his career. He experimented with different techniques and formats, constantly pushing the boundaries of the medium and challenging conventional notions of photography.Avedon's work received numerous awards and accolades, including the International Center of Photography's Lifetime Achievement Award in 1993. His photographs are held in major museums and collections around the world, and his influence on the world of photography continues to be felt to this day.Richard Avedon's legacy as one of the greatest photographers of the 20th century is built on his unparalleled talent, innovative vision, and profound impact on the art of photography.Measures 14.75 x 11 (sheet).Verso is blank.2D.
Alfred Eisenstaedt was a pioneering photojournalist best known for his candid and iconic photographs that captured significant moments in history and everyday life. Born in Germany in 1898, Eisenstaedt began his career in photography in the 1920s, working for various newspapers and magazines.Eisenstaedt's work was characterized by his ability to capture fleeting moments with spontaneity and empathy. He was a master of composition and lighting, often using natural light to create evocative and visually stunning images. Eisenstaedt's photographs ranged from intimate portraits of celebrities and world leaders to scenes of everyday life on the streets of cities around the world.One of Eisenstaedt's most famous photographs is "V-J Day in Times Square," taken on August 14, 1945, which depicts a sailor kissing a nurse in Times Square to celebrate the end of World War II. The image has become an enduring symbol of joy and relief and is one of the most iconic photographs of the 20th century.Throughout his career, Eisenstaedt traveled extensively and covered a wide range of subjects, including politics, culture, and society. His work was published in magazines such as LIFE, where he was a staff photographer for over four decades.Eisenstaedt's contributions to the field of photojournalism were widely recognized, and he received numerous awards and honors for his work, including the Presidential Medal of Freedom. His photographs continue to be celebrated for their timeless beauty, emotional depth, and powerful storytelling, cementing his legacy as one of the greatest photographers of the 20th century.Measures 24 x 24.
Richard Avedon (1923–2004) was an American fashion and portrait photographer renowned for his groundbreaking work that helped redefine photography in the 20th century. Avedon's distinctive style and innovative approach to portraiture and fashion photography left an indelible mark on the industry.Born in New York City, Avedon began his photography career in the 1940s after serving in the Merchant Marine during World War II. He gained early recognition for his work as a staff photographer for Harper's Bazaar, where he revolutionized fashion photography by capturing models in motion and infusing his images with energy and dynamism.In the 1950s and 1960s, Avedon's work for Vogue magazine solidified his reputation as one of the preeminent photographers of his time. He developed a distinctive approach to portraiture, using stark lighting and minimalist backgrounds to create images that revealed the essence of his subjects with honesty and intensity.Avedon photographed some of the most iconic figures of the 20th century, including actors, musicians, writers, and political leaders. His portraits were celebrated for their intimacy, depth, and emotional resonance, and he had a unique ability to capture the humanity of his subjects in his photographs.In addition to his work in fashion and portraiture, Avedon also pursued fine art photography and worked on numerous personal projects throughout his career. He experimented with different techniques and formats, constantly pushing the boundaries of the medium and challenging conventional notions of photography.Avedon's work received numerous awards and accolades, including the International Center of Photography's Lifetime Achievement Award in 1993. His photographs are held in major museums and collections around the world, and his influence on the world of photography continues to be felt to this day.Richard Avedon's legacy as one of the greatest photographers of the 20th century is built on his unparalleled talent, innovative vision, and profound impact on the art of photography.Measures 14.75 x 11 (sheet).Verso is blank.2D.
A monumental and impressive 19th century continental gothic brass ecclesiastical tabernacle type sculpture niche or entrance adornment of full height, of pointed arched form, with profusely engraved gothic tracery throughout, with pierced pointed awning flanked by ringed column supports, further decorated throughout with applied cabochon mounts, 270cm high, 106 x 68cm. ** Please note that our May 14/15 sale will include an important single owner collection of ecclesiastical and Gothic lighting and decorative art. The property of a Cotswolds gentleman**
A large 19th century ecclesiastical brass tabernacle canopy, with gothic spire finials and pierced awning frieze, 150cm high, 69 x 46cm** Please note that our May 14/15 sale will include an important single owner collection of ecclesiastical and Gothic lighting and decorative art. The property of a Cotswolds gentleman**
Alte Kunst - Gemälde - - Portrait eines Gelehrten. 1. Hälfte 17. Jh. Öl auf Holz. 37 x 29 cm. Im goldfarbenem Rahmen mit floralem Dekor gerahmt. Dort verso mit altem Etikett, mit typographischen Werks- und handschriftlichen Provenienzangaben sowie einem weiteren, alten Etikett, dort bezeichnet "176". - Entlang der Kanten punktuell mit leichtem Farbabrieb als Spur der Rahmung. Partiell kaum merkliche, altersbedingte Schwindrisse. Gefirnisst. Insgesamt sehr gut. Klassisches Dreiviertel- und Brustportrait eines Gelehrten, mit seinem Buch als Attribut in der Hand. Provenienz: - Berliner Privatbesitz. - Lempertz Auktion 85, Mai 1905, Los 144. - In altmeisterlicher Manier zeigt sich uns ein Gelehrter von hohem Rang. Repräsentativ in schwarzer Robe mit breiter, prachtvoller Halskrause war er vermutlich im Auftrag für ein Adels- oder Königshaus tätig. Sein Renommee und Wissen vermitteln sich durch sein Gelehrtenbuch sowie das Wappen oben rechts, aber auch durch seinen selbstbewussten, in sich ruhenden Blick. Der Gelehrte ist zum Zeitpunkt des Portraits 66 Jahre alt, im Jahre 1618, wie der latenischen Bezeichnung zu entnehmen ist. Malerisch ist das Portrait eines Monogrammisten von kraftvoller und überzeugender Plastizität und stammt vermutlich von einem Vertreter der niederländischen Schule. Auch die Lichtführung ist ausgereift und setzt ihn versiert in Szene. Im Gesamteindruck ergibt sich ein äußerst stimmiges Portrait mit starkem Repräsentations- und Öffentlichkeitscharakter. Oil on wood. Framed in a golden frame with floral decoration. On the verso with old label, with typographical work and handwritten provenance information as well as a further old label, inscribed "176". - Slight colour abrasion in places along the edges as a trace of the framing. Partially barely noticeable, age-related shrinkage cracks. Varnished. Very good overall. Classic three-quarter and bust portrait of a scholar holding his book as an attribute. - Provenance: - Berlin private collection. - Lempertz Auction 85, May 1905, lot 140. - A scholar of high rank in the manner of the Old Masters is being shown. Representative in a black robe with a broad, splendid ruff, he was presumably commissioned by a noble or royal family. His reputation and knowledge are conveyed by his scholarly book and the coat of arms at the top right but also by his self-confident, introspective gaze. The scholar was 66 years old at the time of the portrait, in 1618, as mentioned by the indication in Latin. In terms of painting, the portrait of a monogramist is of powerful and convincing plasticity and was probably created by a representative of the Dutch school. The lighting is also mature and skilfully stages the scholar. The overall impression is an extremely harmonious portrait with a strong representational and public character.
HAUSSER-ELASTOLIN HALBKETTENFAHRZEUG “WH 731” MIT BESATZUNG, späte 1930er Jahre Felgrau akiertes Fahrzeug mit 12 Elastolin Wehrmachtssoldaten als Besatzung, Wagenheber und Beleuchtung, Bereifung und Ketten aus Elastischer Gummimasse, Gestaltet nach dem realen Vorbild Modell Büssing N.A.G, Sd.Kfz. 6/1. L: 36 cm. Alters- und Gebrauchsspuren, Gebrauchsbedingte Beschädigungen, Uhrwerksantrieb defekt, Vollständigkeit des Modells ungeprüft. Anbei drei Gewehre.| HAUSSER-ELASTOLIN HALF-TRACK VEHICLE "WH 731" WITH CREW, late 1930s, fel grey painted vehicle with 12 Elastolin Wehrmacht soldiers as crew, jack and lighting, tyres and tracks made of elastic rubber compound, designed after the real prototype model Büssing N.A.G, Sd.Kfz. 6/1. L: 36 cm. Signs of age and use, damage due to use, clockwork drive defective, completeness of the model untested. Enclosed three rifles.
GEORGIOS JAKOBIDES (1852-1932)Petite fille lisant signé 'G. JAKOBIDES' en haut à gauche huile sur toile 52,5 x 39,5 cm. (20 11/16 x 15 9/16in.)Peint c. 1882. signed 'G. JAKOBIDES' upper leftoil on canvasFootnotes:ProvenanceBonhams London, The Greek Sale, May 20, 2008, lot 22. Acquired from the above sale by the present owner.ExpositionsMunich, Münchener Kunstverein exhibition, 1882.LittératureThe artist's notebook 1878-1919, no. 7 (mentioned) [Lesendes Mädchen, 1882].Neueste Nashrichten newspaper, August 31, 1882 (discussed).Bayerishher Kourier newspaper, September 2, 1882 (discussed).Deltion tis Estias magazine, no. 298, September 12, 1882 (discussed).S. Lydakis, Geschichte det Griechischen Malerei des 19. Jahrhunderts, doctoral dissertation, Prestel-Verlag editions, Munich 1972, p. 239 (listed).Dictionary of Greek Artists, vol. 4, Melissa editions, Athens 1976, p. 140 (listed).O. Mentzafou-Polyzou, Jakobides, Adam editions, Athens 1999, no. 52 (catalogued, p. 337, discussed, p. 72, and illustrated, p. 71).Dictionary of Greek Artists, vol. 2, Melissa editions, Athens 1998, p. 36 (mentioned).Georgios Jakobides Retrospective, exhibition catalogue, National Gallery and Alexandros Soutzos Museum, Athens 2005, p. 145 (mentioned), p. 146 (discussed), p. 156, fig. VIII (illustrated). H. Iakovidou, A. Iakovidou, Inside the Picture, Adam editions, Athens 2005, p. 25 (illustrated).A great example of Jakobides's finest work, Petite fille lisant is a museum-quality jewel by this quintessential Greek painter of young children. As noted by the late Director of the National Gallery in Athens M. Lambraki-Plaka, 'Jakobides was one of the most sensitive and at the same time perceptive painters who delved into childhood's psyche. This insightful psychologist and keen observer of human nature was also an unsurpassed draughtsman. This rare combination enabled him to render what he saw and felt with unmatched verisimilitude.'¹ In her monograph on the artist, art historian O. Mentzafou-Polyzou discusses the work at length: 'In 1882, Jakobides exhibited Girl reading at the Munich Art Society, receiving favourable comments for both its subject and style. A young girl holds a newspaper with utter seriousness and pretends to read in imitation of adult behaviour, directing her gaze through a pair of eyeglasses perched on the tip of her nose. The painter lends the figure a commanding presence through meticulous observation and detailed description. The fine handling of detail in the girl's garments and the concentration of light and shadow effects on her face and hands endow the picture with a sense of genuineness and lively presence.''Without abandoning the narrative, humoristic aspect of kindermalerei, in this work Jakobides closely adheres to realist principles in the vein of W. Leibl's² truthful figuration, a kinship promptly noted by contemporary critics: 'The painting Petite fille lisant exhibited by Jakobides is very attractive and beautiful. The harmonious unity of effect and the excellent draughtsmanship are reminiscent of the subject matter and style of the famed Leibl. The girl is completely absorbed in reading; the viewer forms the impression that, though silent, her glowing lips are vaguely moving. The overall handling is impeccable. Such naturalness should appeal to everybody.'³ And it is not just the supreme clarity of the rendered figure that recalls 16th and 17th Flemish art and can be related to the work of Leibl, nor the painstaking realism in rendering detail, achieved through the concentrated lighting of specific areas, that bring out the work's superior pictorial quality. It is mainly the isolation and presentation of a simple everyday story which stands on its own right without having to depend on complementary themes.'⁴ For Jakobides, childhood hardly ever represented an idealised world. The artist has been recognised as a leading painter of children precisely because he managed to look beyond beautified sentimental stereotypes and capture a wide variety of childhood expressions, from the most contorted, as in Combing Out, to the most subtle and evocative, as in Petite fille lisant.Here, set against a neutral, monochromatic background, rooted in ancient Greek relief sculpture and Byzantine icon painting, which underscores and highlights the young sitter's elegance and simple grandeur, Jakobides produced, with astonishing wealth of detail and tender minuteness of touch, a masterful rendition of the child's expression and facial characteristics. His greatness is reflected in his ability to observe and record not just an expression, not even the slightest change in expression, but the hint of an expression, one that has not yet become but is on the verge of becoming apparent. Without resorting to intense gesticulations, as in the various versions of the Bad Grandson, the artist captured on canvas the essence of childhood's incessant energy lurking under a seemingly cool surface and the subtle juxtapositions between the seriousness of learning and the instinctive tendency towards play. ¹. M. Lambraki-Plaka, 'Georgios Jakobides, the Noble of the Munich School' [in Greek] in Georgios Jakobides Retrospective, exhibition catalogue, National Gallery and Alexandros Soutzos Museum, Athens 2005, p. 12.². Wilhelm Leibl (1844-1900) was a late 19th century German realist painter who exerted a great influence on the School of Munich.³. Deltion tis Estias magazine, no. 298, September 12, 1882, p. 2.⁴. O. Mentzafou-Polyzou, Jakobides [in Greek], Adam editions, Athens 1999, p. 72. See also Mentzafou-Polyzou, 'Jakobides, the Painter of Children' [in Greek] in Georgios Jakobides Retrospective, p. 146.For further information on this lot please visit Bonhams.com
A giltwood standard lamp/lantern, early 20th century, the lantern of hexagonal form with a domed cover over six glazed panels, punctuated with moulded leafy fruit detail, upon six scroll supports, and a fluted column extending to four conforming supports, 205cm high, along with an early 20th century mahogany standard lamp, of tapering form upon a circular plinth base, 150cm (2)Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A Ralph Lauren bulkhead lamp, of octagonal form, in chrome finish, with applied maker's label, 26cm wide, along with a chromed industrial style light fitting, the domed shade supported on a tubular mount, 145cm H x 44cm D (2)Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A pair of Indian tree pattern Imari lamp bases, possibly Spode, each of covered baluster vase form, with hardwood stands, lacking shades, 32cm high overall (2) (at fault)Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
An Arts & Crafts brass desk lamp in the manner of W. A. S. Benson, raised on three short cabriole legs, 34cm high excluding shade, with a further brass table lamp, with barley twist column raised spreading circular base, 38cm high excluding shade (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition reportGeneral light tarnishing to both lamps, Benson lamp has drilled hole to foot, please see image, possibly as a cable guide.
A pair of 19th century brass lamp bases, each with turned columns and raised on triangular shaped bases, cast with cherubs masks, each supported by three paw feet, 38cm high (2)Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Three Simplex aluminum industrial light shades, mid 20th century, of typical domed form, below a painted iron pendant fitting, 80cm H x 47cm D (each with a makers label)Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A Tom Dixon, London, 'Beat' brass desk lamp, the cone shaped shade upon a slender articulated arm, extending to a circular iron base cast in relief with the makers name, 58cm high Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items. (at fault)Condition reportMinor glue/sticker residue to the shade, base is firm and is well balanced, however the articulated arm appears to be fixed as we were unable to adjust the angle or the height.
Three Simplex aluminum industrial light shades, mid 20th century, of typical domed form, below a painted iron pendant fitting, 80cm H x 47cm D (two bear makers labels)Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A pair of brass table lamp bases, 20th century, each with fluted column stem set to a conical body with geometric adornments in the manner of Christopher Dresser, raised on domed foot, later electrical fittings, each 44cm high (excluding fitting) (2) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition reportExtensive light tarnishing, no visible faults or damage.
Three Simplex aluminum industrial light shades, mid 20th century, of typical domed form, below a painted iron pendant fitting, 80cm H x 47cm D (two bear makers labels)Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
Three ship's signal lanterns by Simpson Lawrence & Co. of Glasgow, comprising: Port, Starboard and Masthead, each with copper body, glass lens and brass mounts, the tallest 27cm high (excluding swing handle) (3) (at fault)Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A Edwardian lacquered brass banker's type desk lamp, early 20th century, on pyramidal base with adjustable shade, 26cm high; with a reproduction Victorian style desk lamp with rose glass shade, 46cm high (2)Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A Victorian lacquered brass Corinthian column table lamp by Hinks, raised on a stepped square plinth base, 52cm high (at fault) Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition reportSpeckled tarnishing/wear particularly to the plinth, please see additional images.No obvious structural or damage.
A 20th century gilt metal hanging ceiling light, modelled as a hot air balloon, over six scrolled 'S' shaped arms, 129cm high balloon height with light fitting below 110cm, with chain and hook an additional 19cm Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items. The light fitting has been wired previously however it will need to be completely re-wired by a qualified electrician before use.
A collection of Novo and other aircraft kit builds, to include BAC Lighting Interceptor Fighter, Harrier Stole Ground Attack Fighter, Canberra Bomber, Javelin All Weather Fighter, Hotspur Troop carrying glider (x2), Miles Master Advance Trainer, Hawker Sea Hawk Naval Fighter, Westland PV6 Wallace, Typhoon Fighter Bomber, MIL MI-8 and others, boxed. (1 box)
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